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题型:阅读理解-阅读单选 难度:0.65 引用次数:727 题号:15369161

At Jenner Park primary School in Wales, pupils between the ages of seven and nine are writing letters to residents of a local care home. The initiative sees children and their elderly pen pals(笔友) exchange updates about their lives,helping to build relationships between generations while also giving the children an understanding of the value of writing letters by hand—an activity that's becoming less and less common.

Laura Johnson,the teacher who coordinates(协调) the scheme at Jenner Park,says:"All of our writing is for a purpose. That's the key in getting children to value handwriting. "As soon as you put an audience there, knowing that someone out there is going to be reading it—whether that's parents or another group of children—there's always the real sense of pride to go along with it,"says Johnson.

The school maintains a focus on handwriting throughout the years,from dedicated handwriting classes in the prep school to a calligraphy club offered to the older groups. It has created something called the pen license. It allows younger children to move from using a pencil to pen once they've reached a certain standard. "There's a lot of excitement about reaching that pen licence stage," says Johnson.

Johnson adds that developing students' writing in this way matters for their life after school:"For us, it's important that we create citizens of the future who have a set of life skills that can make them successful." The dominance of technology is a challenge,she admits, but she also believes both tools have their place."Obviously we're competing with technology continuously."she says."And I know there are people there saying you don't need to bother about handwriting because tech is out there. But we don't see it as competing. We're trying to get pupils to realize that there's a place for handwriting and to know when it's important to use each."

1. Why does the school launch the initiative?
A.To help children to find the meaning of handwriting.
B.To encourage children to show pity for the aged.
C.To persuade children to choose proper courses.
D.To urge children to acknowledge the audience.
2. What does Paragraph 3 mainly tell us about the school?
A.Its after-class activities.B.Its practice in handwriting.
C.Its academic achievements.D.Its innovation in technology.
3. What can we infer from the last paragraph about handwriting?
A.It will win against technology.B.It will give way to technology.
C.It will co-exist with technology.D.It will cause confusion to people.
4. Which can be a suitable title for the text?
A.Handwriting promotes the pen pal scheme
B.Slow communication reduces misunderstanding
C.Creative ideas for dealing with challenges gain popularity
D.Putting pen to paper contributes to a love of the written word
【知识点】 文化保护 教育 说明文

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文章大意:这是一篇说明文。主要介绍了位于阿尔及利亚的Tipasa世界遗产以及它未来面临着很多不确定性。

【推荐1】Along the rocky Algerian coast, just east of where the bulky shape of Mount Chenoua slides into the Mediterranean, the sea and indifference may finally do what the Vandals did not. There, for more than 2,500 years, has stood Tipasa. It is considered as one of the most important archaeological sites in North Africa.

Tipasa fell into ruin in the sixth century. Both its main complex on the coast and an inland monumental tomb were all but forgotten in the olive trees and thin pines. Most of the ancient city, in fact, remains buried beneath sediment (沉积物) up to 12 feet thick. For the last few decades, however, what’s left of Tipasa’s past has been increasingly surrounded by the expanding modern town of Tipasa from three sides. And to the north, the waves lap ever closer.

“What’s special about Tipasa, a UNESCO–recognized World Heritage Site since 1982, is the charm of its landscape, the shared presence of history and archaeology, culture, nature, and architecture. It’s the spirit of the place,” said Lynda Aoudia Benali who has studied Tipasa and the ongoing challenges from both rapid urbanization and insufficient Site management.

Now, Tipasa is entering a new chapter, perhaps its last: It’s become a symbol of an entire continent’s heritage in crisis. Recently, a team reported the results of hard work mapping how sea level rise is affecting nearly 300 World Heritage Sites around Africa’s roughly 20,000 miles of coastline. About 20 percent of the sites examined, including Tipasa, are already at higher risk from flooding and erosion (腐蚀). By 2050 that figure is expected to more than twice.

The Site’s 2lst-century problems have only increased in the last two decades. UNESCO has repeatedly threatened to remove the site of World Heritage status. As recently as 2021, the organization noted a lot of problems at Tipasa, such as modern construction, including a proposed port, which threatened the site’s integrity.

1. What can we know about Tipasa?
A.It was built one thousand years ago.
B.It is the most important archeological site in Africa.
C.It is considered as a well-known tourist attraction.
D.It suffered complete damage in the sixth century.
2. What can we infer from Lynda Aoudia Benali’s words in Paragraph 3?
A.Tipasa has its unique characteristics.
B.Tipasa has experienced quick development.
C.Tipasa became a World Heritage Site in the 1990s.
D.Tipasa has been paid much attention to for its management.
3. What puts Tipasa at a higher risk according to the passage?
A.The overdevelopment.B.The abundant tourists.
C.The natural disasters.D.The severe pollution.
4. What will most probably happen to Tipasa?
A.Its modern construction will be completely stopped.
B.Its problems have been solved.
C.Its effects of climate change will be avoided.
D.Its World Heritage status is under threat.
2023-12-27更新 | 89次组卷
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【推荐2】It's been a rough year for priceless artifacts around the world. In September 2018, a fire wiped out about 90 percent of the collection at the National Museum of Brazil. In April 2019, Paris' Notre Dame Cathedral lost its famous spire in another fire. Most recently, in October, Japan’s 500-year-old Shuri Castle was destroyed — again, by fire.

It's heartbreaking to see even one piece of human history to up in smoke, but there is no need to be depressed. The truth is that we have lost historic sites and artifacts throughout history, to wars and natural disasters. Many are rebuilt or repaired.

Examples include the 18th-century Dresden Frauenkirche in Germany, which was destroyed during the World War II bombing and rebuilt in 2005. There is also the Yellow Crane Tower in Wuhan, China, which dated back to AD 223. It’s been destroyed by fires and wars and rebuilt as many as 11 times.

So it will probably be no different for the National Museum of Brazil, Notre Dame Cathedral, or Shuri Castle. In fact, right after the fire at Notre Dame, French President Emmanuel Macron vowed that it would be rebuilt in five years. During his visit to China in November, it was decided that Chinese experts will participate in the restoration work.

That said, however, there are less fortunate cultural relics—those endangered in Syria and Iraq where wars are ongoing. According to Artnet News, all six UNESCO World Heritage Sites in Syria have been reported damaged. And yet, somehow, they didn't get nearly as much attention as Notre Dame, and probably won't have a chance to be restored to their former glory any time soon.

It might be true that many damaged artifacts make it back. But “many” is not “all”.

1. What are the similarities among the three places mentioned in the first paragraph?
a. They are all of great value.                                 b. They were all destroyed in 2018.
c. Nothing is left after the destruction.                      d. They are all destroyed by fire.
A.a, bB.a, dC.a, cD.c, d
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3. What can we infer from Paragraph 5?
A.All the cultural relics are damaged in Syria due to the wars.
B.People haven’t recognized the importance of the heritage sites in Syria.
C.The cultural relics in Syria and Iraq are less fortunate because they are worse destroyed.
D.Wars destroyed the heritage sites in Syria and prevent people from restoring them right now.
4. What is the writer’s attitude towards the restoration work of Notre Dame?
A.Favorable.B.Critical.C.Indifferent.D.Doubtful.
2021-02-19更新 | 58次组卷
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【推荐3】For Shi Qinling, a pair of scissors has been with her everywhere she goes for the past decade- not as a means of self-protection, but as an artistic expression.

To this paper cutting artist, scissors are like what brushes are to painters, or what pens are to writers. Always taking a pair of scissors also allows her to create art whenever inspiration hits. Most of her paper cutting works are inspired by moments in daily life, such as a neighbor’s dog, her own pets and scenes on the streets. “Some people like to pen their feelings in diaries. I prefer to cut them out,” she said.

In 2010, she started learning paper cutting from Xi Xiaoqin, the national inheritor (继承人) of the intangible cultural heritage of paper cutting. Six years later, Shi was named as a Shanghai paper-cutting inheritor and became the city’s “youngest inheritor” of the paper cutting heritage. Over the past decade, Shi’s works have been exhibited in 23 exhibition.

Similar to local dialects, paper-cutting comes in different styles, depending on the region. In general, the papercutting artworks in the country’s northern area are usually rough patterns used as decorations on windows, walls, roofs, lanterns and other household items. In southern China, paper cutting is used as the base pattern for embroidery (刺绣) and requires more careful workmanship. Shanghai paper-cutting, on the other hand, is a combination of these two styles. Since the 1960s, Shanghai paper cutting has been more frequently adopted in artworks and handicrafts.

“We are very proud to have this unique folk culture and art project. As we have the responsibility to protect and inherit this cultural heritage, we will make more efforts to attract people from different age groups and different fields to try paper-cutting,” said Liu Li, director of the Fenglin Community Development Office.

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C.They are popular with young people.D.They have been recorded in diaries.
3. What does the underlined word “combination” mean in paragraph 4?
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4. What can we learn from Liu Li’s words?
A.Paper-cutting is a promising art project.
B.It is difficult to protect and inherit paper-cutting.
C.Everyone should be responsible for protecting paper cutting.
D.Paper cutting will attract more people from different countries.
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