Good news for all Wes Anderson fans — the US director is back with the film The Wonderful Story of Henry Sugar which hit Netflix, an online film provider, on Sept 27. It is a film adaptation of UK novelist Roald Dahl’s novel under the same name.
The film stars UK actor Benedict Cumberbatch. Adaptations are currently popular in the movie industry.
The most well-known version of a film being adapted to books is via the novelization. Movie novelizations went through a boom period before the Internet era. Fans wanted to know more about the fictional worlds and experience the story again in a new way.
Meanwhile, the screen to page process has also opened up the possibility of sequels (续篇). Perhaps there simply wasn’t financial investment to create a follow-up to a film. Maybe a sequel idea simply felt more appropriate for a novel.
But what are the benefits of reading a novel instead of waiting for the big screen version? Well, a novel can take its reader deeper into the mind of the characters that the film had to represent in a more visual way.
Book adaptations of films obviously won’t ever replace cinema, and there’s no need to choose one or the other.
A.Besides, descriptions can be more detailed too. |
B.For a time, they were everything for cinema lovers. |
C.We’re all familiar with film adaptations of books. |
D.Films being adapted to books has been talked repeatedly. |
E.Regardless, some terrific films have been expanded upon thanks to this medium. |
F.But they couldn’t simply google it, or immediately purchase the production on tape. |
G.Actually, these two mediums are considerably interdependent and complementary. |
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【推荐1】Opera and cinema have much in common: as a matter of fact, they use music, theater, dance and other art forms at once. Cross-referencing and inspiration for each other have led to several interesting experiments.
Cinema, connected with opera, is very attractive for a long time. Opera has been used both as a setting and as a subject for cinema. From comic films to action films, opera scenes appear in a variety of genres(体裁). Whatever the film, scenes set in or around the opera tend to represent the most exciting moment in the plot.
Cinema is also capable of mixing the visual elements of the opera: cameras can catch facial expressions from close or far, special visual effects can be added digitally, and montage (蒙太奇) can change the meaning of a scene. Far from replacing the operatic experience, opera-based films provide a different, complementary take on operas: they become a genre of its own, which has been called the “opera-film”.
Adaptation of films into operas is quite a new development of the operatic world. It is, however, a quickly growing genre: more and more film-based operas are being produced. In the same way popular novels were chosen in the 19th century as plots for operas, nowadays composers turn to popular or relevant screenplays to attract the audience.
In the future, cinema and opera are highly likely to become more and more closely connected. While opera is fighting for relevance in the 21st century with new music produced, and cinema is slowly losing its leading role to high-quality on-demand TV, the two media can work together to give rise to new forms of art, combining their advantages to create something that can become larger than the sum of their parts.
1. What can be learned about opera-based films?A.It represents a new genre of films. | B.It focuses on visual experiences. |
C.It has unique settings and subjects. | D.It appears in a variety of genres. |
A.Its characters. | B.Its setting. | C.Its subject. | D.Its popularity. |
A.The two should develop their own advantages in their ways. |
B.The two should cooperate to make something new and bigger. |
C.Cinema should take the lead in producing high-quality products. |
D.Opera should work harder to become a new way of art in the 21st century. |
A.The replacement of opera by cinema. |
B.The advantages of cinema over opera. |
C.The interaction between cinema and opera. |
D.The similarities between cinema and opera. |
【推荐2】Steven Spielberg never fails to blow us away with his imagination.
The US director’s latest film Ready Player One, which was released in Chinese cinemas on March 30, is a story set in the year 2045, when people escape their hopeless everyday lives by putting on a VR mask and entering a virtual world named Oasis. This fantasy land is filled with characters and settings right out of classic films and video games. At the age of 71, Spielberg is still at the top of his game.
Indeed, Spielberg has always been a “gamer” himself—or more precisely, a “game changer”. When his thriller Jaws came out in 1975, it struck a chord with audiences all around the world and even kept people from going swimming for fear of the “teeth in the sea”. The film was also an example of what we know as summer hits. And again in 1982 his alien film E. T. the Extra-Terrestrial, Spielberg challenged people’s belief that aliens are something to be feared by telling a story about a loving friendship between a space culture and a little boy.
Now comes Ready Player One. When Wade Watts, the film’s teenager leading figure, finally prevents Oasis from falling into the wrong hands, he is given ownership of the virtual world by its late designer James Haliday. But Watts makes a decision that he hopes will make people want to appreciate their real lives, instead of spending all their free time escaping reality in Oasis, which is a real life message that Spielberg is trying to deliver to the audience.
1. Why Spielberg is regarded as a “game changer”?A.Because his movies are very thrilling. |
B.Because his movies are always leading the trend. |
C.Because he could make a breakthrough at the age of 71. |
D.Because he tries to convey an important message to his audiences. |
A.We shouldn’t escape from reality. |
B.He holds an optimistic view about human’s future. |
C.There might be friendships between aliens and human beings. |
D.VR technology will be widely used in our society in the future. |
A.A Leading Director—Spielberg | B.Spielberg’s Life Achievements |
C.Famous Blockbusters | D.A Game Changer—Spielberg |
A.A magazine. | B.An advertisement. |
C.A science fiction. | D.A book review. |
【推荐3】Have you ever wished you could solve complex math problems without thinking? What about learning to play the piano in just three days? Or mastering several foreign languages within a month?
Eddie Morra, the main character in the movieLimitlesscan do all these things. But he isn’t Superman or Harry Potter. Eddie has taken pills called NZT.
ThrillerLimitless came out in China on October 13. In the movie, Eddie is faced with “writer’s block”. He hasn’t written a single word of a novel, and his deadline has passed. And there’s more bad news: his girlfriend breaks up with him. By chance, Eddie runs into a relative who is a drug dealer. He gives Eddie some pills called NZT that allow people to make use of 100 percent of their brains. With the magic pills, Eddie’s life changes completely. He can recall everything he has ever read, seen or heard. He gains a sixth sense that allows him to predict future events. He even becomes a kungfu master by simply memorizing actions in Bruce Lee’s movie.
Before long he has finished his novel, won back his girlfriend and stepped into the financial world. He becomes rich incredibly quickly and is soon employed by a powerful Wall Street company. However, bad side effects are just around the corner. The effects of the pill last for only one or two days, and Eddie has to find more supplies of the pills. Meanwhile, the pills start to have other effects on him. Eddies’ mind loses the ability to control the actions of his body. What does destiny hold for him? Will he be able to go back to his normal life?
“Eddie’s fate turns out to be a barbed (讽刺的) joke… a sharp-eyed comic fable for an age of greed (贪婪)and speed.” writes A. O. Scott, a movie critic with the New York Times.
The drug isn’t real-----yet, some researchers say such memory-enhancing drugs might not be far off. Would you take such a pill despite its side effects? Is the ability to remember everything a blessing or a curse?
1. Which of the following happened to Eddie after he took the pill?A.He can easily call everyone in the world. |
B.He can expect what will happen next with his sixth sense. |
C.He can control a powerful Wall Street company and becomes rich. |
D.He can make a special pill to improve his own memory. |
A.The movie can help slow our pace in life. |
B.The movie turned out to be only a joke. |
C.The movie can help invent a memory-enhancing drug. |
D.The movie aims to show something is wrong with our society. |
A.Memory-enhancing is sure to do good to us. |
B.More people will take pills to enhance their memory. |
C.People are soon likely to remember everything. |
D.Such a pill to enhance memories may soon be invented. |
A.To give us the information of a new movie. |
B.To inform us of a new research on a new drug. |
C.To suggest a good way to improve memory. |
D.To tell us something about a new drug to enhance our memory. |
【推荐1】John Steinbeck’s The Grapes of Wrath, published in 1939, was followed ten years later by A.B. Guthrie’s The Way West. Both books record a migration, though that of Guthrie’s pioneers is considerably less bleak (没有希望的) in origin. What strikes one at first glance, however, are the commonalities. Both Steinbeck’s and Guthrie’s characters are primarily farmers. They look to their destinations with nearly religious enthusiasm, imagining their “promised” land the way the Biblical Israelites envisioned Canaan. Both undergo great hardship to make the journey. But the two stories differ clearly in origin. Steinbeck’s Oklahomans are forced off their land by the banks that own their mortgages (抵押借款), and they follow a false promise— that jobs as seasonal laborers await them in California. Guthrie’s farmers willingly remove themselves, selling their land and trading their old dreams for their new hope in Oregon. The pioneers’ decision to leave their farms in Missouri and the East is frivolous and ill-founded in comparison with the Oklahomans’ unwilling response to displacement. Yet it is they, the pioneers, whom our history books declare the heroes.
1. From the context of the passage, it can be determined that the word frivolous most nearly means ______.A.silly. | B.careful. | C.difficult. | D.unexpected. |
A.The migrants in The Way West cross the Missouri, then the Kaw, and make their way overland to the Platte. |
B.The Oklahomans’ jalopies (破旧的汽车) break down repeatedly, while the pioneers’ wagons need frequent repairs. |
C.Today’s travelers would consider it a hardship to spend several days, let alone several months, getting anywhere. |
D.The Joad family in The Grapes of Wrath loses both grandmother and grandfather before the journey is complete. |
A.Steinbeck’s and Guthrie’s characters are primarily farmers. |
B.Steinbeck’s migration was forced, while the Guthrie farmers chose to leave their land. |
C.They look to their destinations with nearly religious enthusiasm, imagining their “promised” land the way the Biblical Israelites envisioned Canaan. |
D.none of these |
A.They will find a means to practice their religion freely. |
B.They will be declared national heroes. |
C.They will not find the jobs they were promised. |
D.They will realize their dreams when reaching the city. |
【推荐2】Best Science Fiction
The Sprawl Trilogy by William Gibson
This classic trilogy from william Gibson consists of Neuromancer, Count Zero and Mona Lisa Overdrive. The book that started the entire concept of Cyberpunk, the Hugo Award-, Nebula Award-and Philip K. Dick Award-winning Neuromancer remains one of the best sci-fi books ever written and the entire trilogy is worth a read, even if it’s the original that gets all the praise.
Hyperion Cantos by Dan Simmons
This series by Dan Simmons consists of Hyperion, The Fall of Hyperion, End ymion and The Rise of Endymion. Truly one of the great works in science fiction history, the Hugo Award-winning Hyperion Cantos is an absolutely excellent story of extreme terror, character-building and wild-world-building that is almost without equal in the type. How we haven’t gotten a proper onscreen adaptation of this series yet, I have no idea, but Perhaps it’s best left in its original, amazing book form.
Ender’s Game Quartet by Orson Scott Card
Ender’s Game is often read in schools, but it has incredibly mature themes like isolation, loneliness, competition and fear- many of which are more relevant now than when Orson Scott Card first began the series in 1985. If you love Ender’s Game, it’s worth reading the whole series to follow the sci-fi adventures of Andrew “Ender” Wiggin: Ender’s Game, Ender in Exile, Xenocide and Children of the Mind.
Snow Crash by Neal Stephenson
This is the only stand-alone book on this list, as the rest are all in a series, so if you don’t feel like investing in 300, 000 pages of content, Neal Stephenson’s Snow Crash is for you. This book is the heir ( 继 承 人 ) to Neuromancer’s Cyberpunk throne and an absolutely excellent read from Stephenson. The author uses virtual reality as his setting, and the main character is a pizza deliveryman in one world and a warrior prince in another.
1. Which book won the most awards?A.Neuromancer. | B.Hyperion. |
C.Ender’s Game. | D.Snow Crash. |
A.It consists of three books. | B.It is popular among students. |
C.It has been adapted into a film. | D.It focuses on children’s problems. |
A.It’s the longest story. | B.It’s about the solar system. |
C.It’s not a series. | D.It’s not a real story. |
【推荐3】My favorite novel is Albert Camus's The Plague (鼠疫). It was published in 1947, after Word War II.
On the surface, it's a story about an Algerian coastal town threatened by a mysterious plague. But the symbolic idea works on the concrete presentation of a metaphysical (形而 上学的)problem, which is the cruel fact of suffering. Like the plague, it's just a thing that happens in the world whether we want it to or not. Camus's novel asks if we can think of suffering not as an individual burden but as a shared experience — and maybe turn it into something positive.
The key is to recognize the universality of suffering. A plague is an extraordinary event and the horror it results in is extraordinary, too. But suffering is anything but extraordinary. Every day you leave the house, something terrible could happen. The same is true for all. All of us are subject to forces over which we have no control.
A pandemic (大流行病)forces us to think about our responsibilities to the people around us. The hero of The Plague is a committed doctor named Rieux. From the very beginning, Rieux devotes himself to resisting the plague that united its victims. Each character in the story is defined (刻画)by what they do when the plague comes. No one escapes it, but those who reduce the suffering of others are the most fulfilled. The only villains are those who cannot see beyond themselves. The plague, for these people, is either an excuse to flee or an opportunity to make profits. Because they can't see that their condition is shared, a spirit of unity is completely foreign to them. And that blindness makes community impossible.
At the very end of The Plague, Camus stated his philosophy that the struggle against suffering is never over for good. The plague will return, and so will everything else that upsets humans. But the point of the book is that a shared struggle is what makes community possible in the first place.
A pandemic, terrible though it is, highlights our mutual interdependence in a way that only tragedy can. The beauty of The Plague is that it asks the reader to map the lessons of the pandemic onto everyday life. The principles that drive the hero, Rieux, are the same principles that make every society worthwhile —understanding, love and unity.
If we learn these lessons, in a moment of crisis, we'll all be better off on the other side of it.
1. What is the symbolic idea of The Plague?A.An individual burden. | B.A positive experience. |
C.A universal suffering. | D.An extraordinary event. |
A.The blind. | B.Businessmen. | C.Foreign victims. | D.Wrongdoers. |
A.To introduce a book. | B.To solve a social problem. |
C.To remember a writer. | D.To express an opinion. |