J. Palacio bases Wonder on August or “Auggie” Pullman, a ten-year-old boy born with a deformed (残缺的) face that made him usually discriminated (歧视) against. Due to the twenty-seven
A.Once. | B.Twice. | C.Three times. |
Lily has finally become a good dancer now, all thanks to Shanda’s presence. Of all the people in Lily’s life, Shanda in particular stands out. As Lily thinks of Shanda, a smile spreads across her face, She feels loved and grateful more than ever that she has such a teacher and friend.
Eleven years of dance and going on twelve that year, she doubted it would end up like any other year. She might be stuck in any empty spot and didn’t know what to do with her next dance move. Little did she know that year would change her completely.
That year, Lily felt lucky that Shanda would choreograph (编舞) for her dance, Lily expected to work with Shanda, a young talented dancer, to have an okay dance, but she never expected she would have such an impressive impact on her way to dance.
The moment Lily walked into the marble floored, wall-to-wall mirrored rooms, she already felt like Shanda had faith in her. Shanda smiled at her with appreciative eyes. In the following days, Shanda always encouraged her, “Work to the best of your ability and keep going.” When she wanted to give up, Shanda told her that the real importance of dance was to love it.
Throughout their hard work and devotion, not only did Lily’s ability to dance grow, but also their friendship grew. Shanda became more than a teacher to Lily. She was also a close friend that Lily could turn to for anything. Shanda gave her encouragenent when Lily needed edit the most, and Shanda was always there to cheer Lily up when she felt down.
As the year quickly came to an end, it was high time for Lily to show her dance to the audience. As she walked to the backstage filled with other dancers warming up and expecting their performance, she prayed for a good performance that would convey her improvement. The rhythmic music before her rang in her ears. She waited anxiously for her turn. Finally, after what seemed like days, the hostess announced “Lily”.
注意:
1. 续写词数应为 150 左右;
2. 请按如下格式在答题卡的相应位置作答。
Lily had butterflies in her stomach as she stepped onto the big stage.
________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________
Lily felt very excited when the hostess asked her to make a speech.
________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________
4 . Within the last decade, music festivals have grown into a major moneymaker in a competitive industry that sees hundreds of such events each year in the U. S. There are the big ones with big ticket prices, multiple stages, camping options and nearly endless lists of performers.
The origins of music festivals date back to ancient Greece, where such events often involved competitions in music, arts and sports. Modern music festival in the U. S. grew out of the establishment of Woodstock. Though it was not the first event of its kind, the 1969 event holds a mythical place within American pop-cultural history.
The mechanics that drove music festivals to becoming top earners have a lot to do with the effects of modern life, says Chirinos, a professor of clinical music and global health at New York University.
On the other hand, for artists, appearing at music festivals is an easier way to make money than depending on record sales or long tours. As record sales saw a sharp decline in the early-to-mid-2000s thanks to the growth of digital music, artists began depending on touring to earn money.
A.Music itself has changed as well, making festivals a bigger attraction for listeners. |
B.Streaming pop stars’ performance makes music even more popular. |
C.And alongside their rise in popularity, hundreds of smaller festivals have flourished. |
D.People are more likely now to spend money on experiences over material goods. |
E.Festivals have since grown into mainstream businesses that reap profits and embrace corporate sponsorships. |
F.The first musical festival was said to be held in Coachella. |
5 . We experience the full range of emotions during the final scenes of the movie trilogy, Lord of the Rings: Return of the King. Watching Frodo being surrounded by the fire we hold our breath; we overjoy when Gandalf saves him. So what’s going on? There must be a special kind of movie magic that makes us care about what we know isn’t real. As it happens, there is a special kind of magic, but it’s not in the movie. It’s in the minds of people who watch it. Dr. Brian Schwartz, professor of the University of Chicago, believes this magic is especially potent when we watch movies on the big screen.
“What happens first,” he argues, “is that you give up control. The movie is in control.” In normal life our brains are like tractor beams (牵引光束), busy taking in any information that seems important or interesting. This is called the attentional system. But as the characters come alive on screen, we stop sensing our body. Psychologists call this kind of mental state “flow”: when our attention is completely absorbed in one activity and there isn’t any juice left in our attentional system to take in any more information. We are effortlessly swept along in the currents of the ride. This is why we love the movies: it’s like going on a roller coaster (过山车) for the brain.
However, there’s something else magic at work here too: in a movie theater, as we give up control, our sense of reality changes. Deep down we know that what we’re seeing is make-believe, but because we’re not going to act upon it, because it doesn’t have a direct physical bearing upon us, we don’t test if it is real. It’s like that part of our brain goes on a temporary vacation. Something else is happening in the brain to make this possible too. The mind has different abilities, and each one has a distinct place in the brain. Our knowledge that we’re only watching a movie happens in the front part of our brain. But emotions come from the limbic system (边缘系统), in the back of the brain. Even though our front brain knows that a movie isn’t real, the back brain never gets the message.
It’s a sad fact that the intensity of the emotions that movies produce in us may be decreasing. At home, or on our smart phones, movies are wonderfully convenient. But watching in this way limits their magic because we’re in control; we have the power to stop the film or fast forward bits we don’t like. “If you’re not giving up control to the movie,” Schwartz says, “you’re getting a thinned-out movie experience.” More control might be more convenient, but it won’t mean more magic. Surely, we deserve better than that, and Frodo does too.
1. What can be inferred from this passage?A.Distinct parts of our brain are interactive. |
B.Movies on phones can take us to the state of flow conveniently. |
C.The limbic system can help us sense the reality. |
D.Going to theaters creates better viewing experience. |
A.To demonstrate the strong feeling of the attentional system. |
B.To explain the filmmaking techniques used by directors. |
C.To describe psychological methods involved in seeing a movie. |
D.To illustrate the excitement that a movie can provide. |
A.Subjective. | B.Complicated. | C.Effective. | D.Temporary. |
A.Emotions out of Control | B.Different Choices of Moviegoers |
C.Your Brain on Movies | D.The Rise of Movie Theaters |
An animated short film, based on the book The Boy, the Mole, the Fox and the Horse, is coming to Apple TV+ on December 25. It is about a boy who
British illustrator(插图画家) and artist Charlie Mackesy, the author of the book, co-wrote and co-directed the film. He said the
The story’s lesson, such as “Asking for help isn’t giving up. It’s refusing to give up,” didn’t come
There are many important messages in the film, but there are some specific ones Mackesy would like kids to take away from it. “I hope very much that it helps children feel good about themselves,
The Art of Chinese Xinjiang Uyghur Muqam (新疆维吾尔木卡姆艺术) is a
Muqam,
In Muqam ensembles (乐团), the lead instruments, called satar, are made from local materials and vary in form. The dancing skills involve unique steps, rhythms, and formations as well as
Since the founding of the People’s Republic of China in 1949, every possible means
A. account B. contented C. contested D. date E. feature F. previously G. believably H. pointed I. represented J. stretches K. winds |
For centuries, two of the most intriguing question about Leonardo da Vinci’s “Mona Lisa” were “Who?” and “When?” A discovery made at Heidelberg University in 2005 pretty much answered both. A note written in a manuscript in the library confirmed the
A third mystery—“Where?”—is still in dispute, But on June 3rd a French engineer, Pascal Cotte, declared that he and a collaborator had identified the landscape in the background of the painting. Arguments had once been made for
Mr. Cotte, who was asked by the Louvre (where the “Mona Lisa” hangs) to create a digital image of the painting, is the inventor of the multispectral (多光谱的) camera: a device that can detect not only the drawing below the surface of an oil painting, but also, where they exist, intermediate layers of work. It was among these, under what appears to be a
The landscape of the “Mona Lisa” also includes a huge steep cliff. That is similar to one that da Vinci included in a sketch of a fortress(堡垒)
Mr. Cotte argues that a channel that
It never was. But if Mr. Cotte’s theory is right, it might just explain why Gherardini, a Florentine, wears such a
9 . About 20 years ago, Daniel Hoffman, a classically trained violinist met a young musician playing in the town square in Marrakech, an ancient city in Morocco. They communicated in the little French they both knew, but their main common language was music. On the back of a motorbike of the fellow violinist, Hoffman weaved through the back streets of the city and then learned his first lessons in Andalusian music, the classical music of North Africa.
That experience gave birth to an idea: What would it be like to try to learn how to play different violin styles around the world in just one week? Oh, yes, and at the end of that week, play a concert. He even got a name for the concept “musical extreme sports”.
It took him almost two decades to launch that dream with a friend, who introduced him to the wonders of Kickstarter, a funding platform for creative projects. Up to now, the dream has taken the form of a new documentary currently airing on American public television stations called “Otherwise. It’s Just Firewood.”
In the documentary, Hoffman travels to County Clare, Ireland, where he takes lessons with James Kelly, a master Irish violin player, for less than a week and then performs together with him in front of an audience; many of whom are star Irish musicians.
The film is what Hoffman hopes will be the first of an eventual series of short documentaries, showing him learning to play the violin in a variety of styles, including the folk music of south India, Sweden, Greece, Romania, and West Virginia.
That would add to his extensive repertoire (全部曲目), which already includes Balkan, Middle Eastern, and Turkish styles. “The big joke is what’s the difference between the fiddle and the violin? It’s the person who plays it,” says Niall Keegan, a traditional flute player. “It’s the music you make on it that makes it Irish or English or French or classical or jazz or whatever else. It’s how we imagine it and how we create through it that make it and give it character.”
“Otherwise, it’s Just Firewood.” he says, words that became the film’s title.
1. Where does Hoffman’s idea of musical extreme sports come from?A.His sightseeing tour on a motorbike seat. |
B.His exploration of the local music. |
C.His constantly changing taste in violin styles. |
D.His cooperation with the young violinist. |
A.Influential. | B.Time-consuming. | C.Challenging. | D.Controversial. |
A.record Hoffman’s experience in learning various violin styles |
B.help Hoffman to become a master violin player |
C.are funded by American public television stations |
D.introduce different styles of musicians around the world |
A.the power of diversified artistic expression | B.the pleasure in learning traditional music |
C.the technique of instrument playing | D.the importance of famous artists |
Barry Jenkins: ‘When you climb the ladder, you send it back down’
“So, you saw the film?” Barry Jenkins is eager to ask the minute we are introduced. He gives good eye contact through those stylish thick-rimmed glasses – not the big-time, Oscar-winning writer-director speaking, but a nervous artist, anxious
Adapted from James Baldwin’s 1974 novel, Beale Street tells the story in which the personal experiences of a young black couple
Baldwin has been dead for 30 years, but his depiction of the fight against a country’s powerful prejudice is a sad reminder
Beale Street