【市级联考】江苏省南京市、盐城市2019届高三第二次模拟考试英语试题
江苏
高三
二模
2019-04-01
2475次
整体难度:
适中
考查范围:
语法、词汇、语用、主题、语篇范围
一、单项选择 添加题型下试题
A.afterwards | B.almost |
C.otherwise | D.somewhat |
A.relate to | B.live with |
C.answer for | D.pull through |
A.bumped | B.pressed |
C.melted | D.turned |
A.insights | B.memories |
C.resources | D.experiences |
A.lay out | B.call up |
C.shake off | D.give away |
A.unique | B.typical |
C.primitive | D.stable |
A.wins | B.won |
C.has won | D.had won |
A.on track | B.on schedule |
C.at ease | D.at liberty |
【知识点】 介词与其它词类的搭配解读
---They _____ my life. I just can’t stop.
A.control | B.controlled |
C.have controlled | D.have been controlling |
A.that | B.where |
C.how | D.what |
---If they continue to _____, then our company is closing down.
A.fish in the air | B.sit on the fence |
C.fly off the handle | D.beat around the bush |
A.to spin | B.spinning |
C.having spun | D.to have spun |
【知识点】 现在分词作状语 现在分词的一般式:doing
A.after when | B.since which |
C.after which | D.since when |
【知识点】 表示时间解读 “介词+关系代词”引导的非限制性定语从句
---_____! I can’t believe you said that.
A.Come on | B.Forget it |
C.Go ahead | D.Allow me |
【知识点】 情景交际
二、完形填空 添加题型下试题
I don’t talk with passengers on airplanes. My flight time is
After
Then she
“Heading home,” I closed my book. “You?”
“Oh, home, too,” she began, “I come from a(n)
“Good book?” she asked, pointing to my paperback.
“Yes. Do you read?”
“Oh, I don’t have
I’m sixty years younger than 26B, yet she’s the one who’s too busy to read? What on earth could she be doing with her
“Well,” she began, “I work at Costco. There are
“What’s your secret,” I asked, “to sounding so
“My husband died ten years ago,” she said,
“Life is so good,” she
I wanted that plane ride to reroute to California so I would have more time to learn about her energy for life. I became more
I told myself, if someone who is eighty-nine years old can choose to live her life with such
A.reserved | B.adjusted | C.squeezed | D.limited |
A.thus | B.instead | C.though | D.rather |
A.slipping into | B.searching for | C.clearing up | D.settling into |
A.came to | B.bent to | C.turned to | D.pointed to |
A.complex | B.nuclear | C.wealthy | D.extended |
A.yet | B.even | C.still | D.ever |
A.predicted | B.admitted | C.guessed | D.doubted |
A.time | B.patience | C.abilities | D.chances |
A.days | B.talent | C.books | D.interest |
A.really | B.actually | C.seemingly | D.probably |
A.learned | B.weird | C.ambitious | D.innocent |
A.weighed | B.admired | C.realized | D.identified |
A.aim | B.fate | C.taste | D.mood |
A.obtain | B.manage | C.control | D.imagine |
A.academic | B.realistic | C.positive | D.creative |
A.sadly | B.coldly | C.seriously | D.peacefully |
A.hang out | B.sit around | C.step back | D.get away |
A.responded | B.continued | C.recalled | D.declared |
A.astonished | B.satisfied | C.delighted | D.inspired |
A.desire | B.wisdom | C.courage | D.confidence |
三、阅读理解 添加题型下试题
![](https://img.xkw.com/dksih/QBM/2019/3/26/2168975089614848/2171169368948736/STEM/f6d016b1112244debab1a62141bcc519.png?resizew=570)
SUBSCRIPTIONS FROM EUROPE/REST OF THE WORLD (ROW) (NOT INCLUDING SPAIN) | |
Option 1: Hot English for Students. Includes: 12 Hot English magazines + audio MP3S+1 English Unlocked Book.(100 pages, 4 levels: Pre-Intermediate; Intermediate; Upper Intermediate; Advanced) Europe £92.70 Row £108.90 Indicate the English Unlocked level you require (one book included in price) | Option 2: Hot English for Teachers Includes: 12 Hot English magazines + audio MP3S + 1 Teacher’s English Unlocked Book.(110 pages, 4 levels: Pre-Intermediate; Intermediate; Upper Intermediate; Advanced): Europe £92.70/ROW £108.90 Indicate the English Unlocked level you require (one book included in price) |
Option 3: Standard. Includes: 12 magazines + audio MP3S = Europe £79.70/Row£95.40 | Option 4: Web School Videos, readings, listenings, online exercises 4 levels. Indicate the level you require: Pre-Intermediate; Intermediate; Upper Intermediate; Advanced. Code is valid for one level and one year = £24.99Access to all levels: one year =£59.97 |
English Unlocked Your complete self-study solution to learning English at home. With audio MP3s and video MP4s! Choose from 4 levels: Pre-Intermediate; Intermediate; Upper Intermediate; Advanced. Student or Teacher Student’s/Teacher’s Book: Europe £18.95/Row £19.95 | Phrasal verbs/Idioms Booklets with 150 phrasal verbs or idioms + images + MP3s AUDIO FILES. Phrasal verbs I Phrasal verbs II Idioms I Idioms II Europe per book £17.95 / ROW per book £18.95 |
Academies, institutes, official language schools, etc. Photocopying Hot English magazine for use in their classes wherever they are located have to pay an extra charge of £50 on top of their subscription in order to meet minimal copyright requirements. |
36. Who will pay least if people subscribe to the same materials?
A.People form Spain. | B.People from France. |
C.People from the USA. | D.People from China. |
A.£185.4. | B.£217.8. |
C.£267.8 | D.£235.4. |
【知识点】 广告/布告
That competition keeps prices down is well known. But it is hard to measure by just how much, because prices vary for all sorts of reasons, from differences in labour costs and rents to taxes. Rising to the challenge is a new paper in The Economic Journal by Giacomo Calzolari, Andrea Ichino, Francesco Manaresi and Viki Nellas, economists at the European University Institute, Bologna University and the Italian central bank. They looked at pharmacies(药房) and specifically at customers who may be particularly easy to rip off: new parents.
Using data for 2007 to 2010 covering about a fifth of pharmacies in Italy, the researchers measured the way in which prices of hygiene products for babies changed as the number of babies varied. They took advantage of a peculiar law from the 1960s, according to which regions with at most 7,500 people are allowed just one pharmacy (supposedly to keep the quality of services high). They compared prices in places with populations just below this threshold, and just above.
The products studied included some 3,000 varieties of shampoos, bath foams, baby wipes, creams and so on. Many are also used by adults on themselves. Some people, for example, prefer sun-cream labeled “for children” because of its high level of protection. When raising prices for these products, even a pharmacist with a monopoly(垄断) must consider the risk that adult users will switch to products that are not aimed at children. But a rise in the number of babies, and hence buyers who are parents, could tip the scales towards price increases. By contrast, the pharmacist should already be charging as much as parents are willing to pay for products without adult users, such as nappies.
The scholars found that pharmacists raised prices when there were more new parents----but only in regions with a single pharmacy, and not for nappies. In monopoly areas a doubling of the number of babies from one month to the next (not unusual in a small population) coincided with a 5% increase in the price of the basket of baby-hygiene products.
The study is timely. Italy’s government has started to loosen some of the many restrictions that stop competition in the pharmacy sector (though not yet the one that the researchers relied on). But such regulations are plentiful in many other lines of business, and not just in Italy. The consumers who pay the price are often those who find it hardest to travel to shop around----for example, people with crying babies on their hands.
38. What’s the purpose of the study?A.To review the function of the special law for pharmacies. |
B.To make clear the relation between competition and prices. |
C.To collect the information on pharmacy business in Italy. |
D.To gather the data on hygiene products for babies in Italy. |
A.Push the move | B.Keep the level |
C.Control the rise | D.Break the balance |
A.pharmacy owners | B.local merchants |
C.new parents | D.adult users |
【知识点】 社会问题与社会现象
Listen carefully to the footsteps in the family home, especially if it has wooden floors, and you can probably work out who it is that is walking about. The features most commonly used to identify people are faces, voices, finger prints and retinal scans. But their “behavioural biometrics”, such as the way they walk, are also giveaways.
Researchers have, for several years, used video cameras and computers to analyse people’s gaits, and are now quite good at it. But translating such knowledge into a practical identification system can be tricky----especially if that system is supposed to be hidden. Cameras are often visible, are hard to set up, requi5re good lighting and may have their view blocked by other people. So a team led by Krikor Ozanyan of the University of Manchester, in England and Patricia Scully of the National University of Ireland, in Galway have been looking for a better way to recognize gait. Their answer: pressure-sensitive mats.
In themselves, such mats are nothing new. They have been part of security systems for donkeys’ years. But Dr. Ozanyan And Dr. Scully use a complex version that can record the amount of pressure applied in different places as someone walks across it. These measurements form a pattern unique to the walker. Dr. Ozanyan and Dr. Scully therefore turned, as is now common for anything to do with pattern recognition, to an Artificial Intelligence system that uses machine learning to recognize such patterns.
It seems to work. In a study published earlier this year the two researchers tested their system on a database of footsteps trodden by 127 different people. They found that its error rate in identifying who was who was a mere 0.7%. And Dr. Scully says that even without a database of footsteps to work with the system can determine someone’s sex---women and men, with wide and narrow pelvises(骨盆) respectively, walk in different ways,---- and guess, with reasonable accuracy, a subject’s age.
A mat-based gait-recognition system has the advantage that it would work in any lighting conditions----even pitch-darkness. And though it might fail to identify someone if, say, she was wearing stilettos and had been entered into the database while wearing trainers, it would be very hard to fool it by imitating the gait of an individual who was allowed admission to a particular place.
The latest phase of Dr. Ozanyan’s and Dr. Scully’s project is a redesign of the mat. The old mats contained individual pressure sensors. The new ones contain optical fibres(光纤). Light-emitting diodes(二极管) distributed along two neighbouring edges of a mat transmit light into the fibres. Sensors on the opposite edges( and thus the opposite ends of the optical fibres) measure how much of that light is received. Any pressure applied to part of the mat causes a distortion(变形) in the fibres and a consequent change in the amount of light transmitted. Both the location and amount of change can be plotted and analyzed by the machine-learning system.
Dr. Ozanyan says that the team have built a demonstration fibre-optic mat, two meters long and a metre wide, using materials that cost £100($130). They are now talking to companies about commercializing it. One application might be in health care, particularly for the elderly. A fibre-optic mat installed in a nursing home or an old person’s own residence could monitor changes in an individual’s gait that warn certain illnesses. That would provide early warning of someone being at greater risk of falling over, say, or of their cognition becoming damaged.
Gait analysis might also be used ass a security measure in the workplace, monitoring access to restricted areas, such as parts of military bases, server farms or laboratories dealing with harmful materials. In these cases, employees would need to agree to their gaits being scanned, just as they would agree to the scanning of their faces or retinas for optical security systems.
Perhaps the most fascinating use of gait-recognition mats, though, would be in public places, such as airports. For that to work, the footsteps of those to be recognized would need to have been stored in a database, which would be harder to arrange than the collection of mugshots and fingerprints that existing airport security systems rely on. Some people, however, might volunteer for it. Many aircrew or pre-registered frequent flyers would welcome anything that speeded up one of the most tiresome parts of modern travel.
41. Camera-based gait recognition fails to come into wide use, because _____.a. it’s not easy to find the cameras
b. finger print recognition is still popular
c. sometimes the cameras can be covered
d. it’s a waste of money to fix the equipment
e. good lighting conditions can’t be guaranteed
f. it’s difficult to set up the system.
A.acf | B.bde |
C.cdf | D.cef |
A.The new mats function greatly with individual pressure sensors built in. |
B.The new mats will be likely to work better with enough pressure. |
C.The elderly are cured of their diseases with the monitor of the fibre-optic. |
D.Restricted areas are accessible to those with their gaits scanned beforehand. |
A.The mat-based gait-recognition system | B.The gait stored in the database |
C.The advantage of working in any light condition. | D.The admission to a particular place. |
A.Listen to your footsteps | B.Applaud pattern recognition |
C.Love the way you walk | D.Better the mats you step on |
【知识点】 发明与创造
“With depressingly few exceptions, performances are dull and lack vitality…
After years of trying to convince myself otherwise, I now feel sure that ballet is dying.”
-----Jennifer Homans, Apollo’s Angels
Is ballet dead? Has the art form evolved to depression? Jennifer Homans’s conclusion to her fascinating history of ballet, Apollo’s Angels, is worrying.
It appears that ballet’s pulse continues to beat strongly, however, especially with a Tchaikovsky defibrillator attached. So why are some dance commentators arguing that ballet is dying? And do they have a point?
“Ballet is dead”----“Ballet is dying” ---all ring tones of Friedrich Nietzsche’s philosophical claim: “God is dead.” Headline grabbling, certainly. Yet can ballet be defined in such black and white terms? Surely it is more abstract, filled with shades of popular grey. ①
To start with, how do you define ballet? What is ballet today? Consider popular modern classics like Twyla Tharp’s In the Upper Room, where dancers wear pointy shoes and sneakers, combining contemporary and classical vocabulary together. Or closer to home, there is Graeme Murphy’s Swan Lake, which layers elements of Petipa’s choreography(编舞) with a contemporary theme and aesthetic. Many contemporary choreographers all embrace classical form and principles, then manipulate(操纵) the rules. ② .
The line between contemporary dance and ballet is vague. In an interview with The Telegraph (2015), British choreographer Mattew Bourne acknowledges that this “cross-fertilisation” between contemporary dance and ballet continues to grow, as evidenced by the rise in new commissions from contemporary choreographers at the Royal Ballet and English National Ballet. Referring to Homans’s book, Bourne believes what has changed is that “the dance forms are coming closer together”. Not dying, but merging. Reinventing. This has been the case amongst Australasian ballet companies for many years now. ③ .
Homans writes that ballet’s decline began after the passing of Ashton and Balanchine. Something ahs changed, certainly. A stylisic transition----from neo-classical to contemporary ballet----has occurred. ④
Our art form’s evolution has always been with extinction. Prominent dance critic with The New York Times, Alastair Macaulay, says: “ballet has died again and again over the centuries,” and yet, “phoenix-like, rose again from its ashes”. History shows there were periods where ballet hibernated and lacked popularity. This coincided with the art form’s changing forums.
So here is the irony: what sells best, still, are reproductions of Petipa’s classics. A season without a Tchaikovsky score is a financial risk. And without Nutcracker(《胡桃夹子》), half the ballet companies in North America would not exist. Admittedly, as a dancer, my favourite roles---Albrecht, Prince Siegfried and Romeo----were from the classical canon; I am a traditionalist at heart (who loves to be challenged by good contemporary ballets). A part of the charm behind classical repertoire, for me, was in reproducing the glories of past greats. Classical ballet’s framework supports the modern process of bench-marking.
Perhaps Jennifer Homans’s thoughts are not completely unfounded. Perhaps ballet is dying for some. Ballet’s evolution has been delayed by its audiences. And as Homans suggests in her epilogue, perhaps also by its creatives.
Now here is a bold prediction. In line with the Royal Ballet’s programming in Brisbane this year----of Christopher Wheeldon’s The Winter’s Tale, and Wayne MacGregor’s Woolf Works----over the next 20 years, ballet’s reliance on Petipa will decrease. Contemporary ballets and merge-styled ballets will produce their box-office influence ever more.
Why?
It is simple: our audiences will be ready for ballet to change again.
45. Why does the writer cite Jennifer Homans’s words at the beginning of the passage?A.To support the writer’s viewpoint. | B.To introduce the topic of the passage. |
C.To highlight the theme of the passage | D.To provide the background knowledge. |
A.① | B.② |
C.③ | D.④ |
A.“Surely it is more abstract, filled with shades of popular grey.” (Para.3) |
B.“The line between contemporary dance and ballet is vague.” (Para.5) |
C.“Our art form’s evolution has always been with extinction.” (Para.7) |
D.“What sells best, still, are reproductions of Petipa’s classics.” (Para.8). |
A.the dance forms remain unchanged |
B.contemporary dance has reinvented classic ballet |
C.ballet is experiencing growth and will continue to develop |
D.a new form of ballet is widely accepted among Australians |
A.classics should be promoted |
B.classics are still of great significance |
C.classical ballet’s framework is out of date |
D.contemporary ballets attract more audiences |
A.Supportive. | B.Arbitrary. |
C.Critical. | D.Concerned |
【知识点】 美术与摄影
注意:请将答案写在答题卡上相应题号的横线上。每个空格只填1个单词。
Anyone who’s ever made room for a big milestone of adult life----a job, a marriage, a move----has likely shoved a friendship to the side. After all, there is no contract locking us to the other person, as in marriage, and there are no blood bonds, as in family. We choose our friends, and our friends choose us. That’s a really distinctive attribute of friendships.
But modern life can become so busy that people forget to keep choosing each other. That’s when friendships fade, and there’s reason to believe it’s happening more than ever. Loneliness is on the rise, and feeling lonely has been found to increase a person’s risk of dying early by 26%----and to be even worse for the body than obesity and air pollution. Loneliness damages health in many ways, particularly because it removes the safety net of social support. “When we perceive our world as threatening, that can be associated with an increase in heart rate and blood pressure.”
The solution is simple: friendship. It helps protect the brain and body from stress, anxiety and depression. “Being around trusted others, in essence, signals safety and security,” says Holt-Lunstad. A study last year found that friendships are especially beneficial later in life. Having supportive friends in old age is a stronger predictor of well-being than family ties ----suggesting that the friends you pick may be at least as important as the family you’re born into.
Easy as the fix may sound, it can be difficult to keep and make friends as an adult. But research suggests that you only need between four and five close pals. If you’ve ever had a good one, you know hat you’re looking for. “The expectations of friends, once you have a mature understanding of friendship, don’t really change across the life course,” Rawlins says. “People want their close friends to be someone they can talk to and someone they can depend upon.”
If you’re trying to fill a dried-up friendship pool, start by looking inward. Think back to how you met some of your very favorite friends. Volunteering on a political campaign or in a favorite spin class? Playing in a band? “Friendships are always about something,” says Rawlins. Common passions help people bond at a personal level, and they bridge people of different ages and life experiences.
Whatever you’re into, someone else is too. Let your passion guide you toward people. Volunteer, for example, take a new course or join a committee at your community centers. If you like yoga, start going to classes regularly. Fellow dog lovers tend to gather at dog runs. Using apps and social media----like Facebook to find a local book club----is also a good way to find easy-going folks.
Once you meet a potential future friend, then comes the scary part: inviting them to do something. “You do have to put yourself out there,” says Janice McCabe, associate professor of sociology at Dartmouth College and a friendship researcher. “There’s a chance that the person will say no. But there’s also the chance they’ll say yes, and something really great could happen.”
The process takes time, and you may experience false starts. Not everyone will want to put in the effort necessary to be a good friend.
It’s never too late to start being a better pal. The work you put into friendships----both new and old --- will be well worth it for your health and happiness.
Outline | Supporting details |
Problems | ●Making friends ● |
Solutions | ●Be ● ●Follow your heart and make friends with those people with ● |
Conclusion | The more |
四、书面表达 添加题型下试题
Film and television adaptations of classic literature works have held a long-standing appeal for audiences, reshaping our cultural landscape.
In 2017, a nine-episode TV adaptation of Chinese literature classic, The Dream of the Red Mansion, featured young cast aged 6-12 portraying the characters vividly and won applause among faithful readers of this classic work. To them, these young performers have brought the characters alive again. “I was impressed by their perfect acting in the TV series. I never expected they could play so well. It is as good as the 1987 TV adaptation,” a Douban user commented. Before the shooting of the 1987 TV version, all the actors and actresses received systematic acting training and guided studyt of the original work. This time, Ouyang Fenqiang, who played the leading role, Jia Baoyu, in the 1987 version, was invited to instruct the young performers.
However, this is only one of the very few cases of being faithful to the original literature. Recent years have witnessed a large number of poor-quality film and TV adaptations of literature classics, spoiling the understanding of the original work. Whether classic literature works should be adapted into film or TV series is worthy of discussion.
[写作内容]
1.用约30个单词概括上述文字材料的主要内容。
2. 用120个单词发表你的观点,内容包括:
(1) 支持或反对把经典文学作品改编为影视作品;
(2) 用2-3个理由或论据支撑你的观点。
[写作要求]
1. 表明个人观点,同时提供理由或论据;
2. 阐述观点或提供论据时,不得直接引用原文中的句子;
3. 文中不能出现真实姓名和学校名称;
4. 不必写标题。
[评分标准]、
内容完整,语言规范,语篇连贯,词数适当。
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【知识点】 文学形式与文学作品
试卷分析
试卷题型(共 22题)
试卷难度
知识点分析
细目表分析 导出
题号 | 难度系数 | 详细知识点 | 备注 |
一、单项选择 | |||
1 | 0.65 | 从属连词 | |
2 | 0.65 | 副词词义辨析 | |
3 | 0.65 | 动词词义辨析 | |
4 | 0.65 | 动词词义辨析 | |
5 | 0.65 | 名词词义辨析 | |
6 | 0.65 | 动词词义辨析 | |
7 | 0.65 | 形容词词义辨析 | |
8 | 0.65 | 一般过去时 | |
9 | 0.65 | 介词与其它词类的搭配 | |
10 | 0.65 | 现在完成进行时 | |
11 | 0.65 | 从属连词 | |
12 | 0.65 | 动词词义辨析 | |
13 | 0.65 | 现在分词作状语 现在分词的一般式:doing | |
14 | 0.65 | 表示时间 “介词+关系代词”引导的非限制性定语从句 | |
15 | 0.65 | 情景交际 | |
二、完形填空 | |||
16-35 | 0.65 | 哲理感悟 记叙文 生活故事 | |
三、阅读理解 | |||
36-37 | 0.65 | 广告/布告 | 阅读单选 |
38-40 | 0.65 | 社会问题与社会现象 | 阅读单选 |
41-44 | 0.65 | 发明与创造 | 阅读单选 |
45-50 | 0.65 | 美术与摄影 | 阅读单选 |
51-60 | 0.65 | 方法/策略 哲理感悟 | 任务型阅读 |
四、书面表达 | |||
61 | 0.65 | 文学形式与文学作品 | 读写任务 |