阅读下列四篇短文，从每小题后所给的A、B、C、D四个选项中，选出最佳选项，并在答题卡上将该选项涂黑。

Five years ago, David Smith wore an expensive suit to work every day. “I was a clothes addict (迷),” he jokes. “I used to carry a fresh suit to work with me so I could change if my clothes got wrinkled (皱的).” Today David wears casual clothes — khaki pants and a sports shirt — to the office. He hardly ever wears a necktie. “I’m working harder than ever,” David says, “and I need to feel comfortable.”

More and more companies are allowing their office workers to wear casual clothes to work. In the United States, the changes from formal to casual office wear have been slow. In the early 1990s, many companies allowed their workers to wear casual clothes on Friday (but only on Friday).This became known as “dress-down Friday” or “casual Friday”. “What started out as an extra one-day-a-week benefit for workers has really become an everyday thing,” said business adviser Maisly Jones.

Why have so many companies started allowing their workers to wear casual clothes? One reason is that it’s easier for a company to attract new workers if it has a casual dress code. “A lot of young people don’t want to dress up for work,” says the owner of a software company, “so it’s hard to hire people if you have a conservative dress code. (保守的着装要求)” Another reason is that people seem happier and more productive when they are wearing comfortable clothes. In a study made by Levi Strauss and Company, 85 percent of employers said that casual dress has a side effect on work. Supporters of casual office wear also say that a casual dress code helps them save money. “Suits are expensive, if you have to wear one every day,” one person said. “For the same amount of money, you can buy a lot more casual clothes.”

【推荐3】Everyday wear like casual shirts, T-shirts, and jackets, embroidered (刺绣) with traditional patterns from the Yi ethnic group, staged a striking show at recent New York Fashion Week, which took place on September 4th. Chinese designer Wang Ta’s new youth collection, decorated with Yi embroidery, a Chinese intangible (无形的) cultural heritage, was a definite hit on the last night of the fashion week.

The audience was amazed by both the beautiful and mostly hand-embroidered colorful patterns and the perfect balance of modern and traditional elements. Leah Coulter, a student at the Fashion Institute of Technology in New York, who dressed the models for the show, said the collection was a mix of old and new and loved all the patterns and embroidery, which aroused her interest in the unique handicraft dating back thousands of years. “I need to learn more about its history, " Coulter said.

It’s not something new in the fashion world to involve China’s intangible cultural heritages as elements of design, Wang said, but it’s not easy to make them into true fashion. Intangible cultural heritages should not always be displayed in museums or only appear on souvenirs. I hope to break the stereotype through using the Yi embroidery and make them everyday, fashionable items, " Wang told the media after the show. "I think fashion is the best way to introduce culture. "

Wang’s design ideas can be traced back to both her global experience as a fashion designer in Japan, the UK and China, and her unique educational background. Before receiving her second degree in fashion from Japan’s top fashion institute Tokyo Mode Gakuen, she majored in history at ECNU（East China Normal University）in Shanghai. In order to create her collection, Wang and her team went to Chuxiong Yi Autonomous Prefecture (自治州) in southwest China’s Yunnan Province and deeply studied the culture and history of Yi’s craftsmanship to gain insight into the essence, delicacy and symbolism of Yi embroidery. But Wang’s employing the patterns, colors and techniques of Yi embroidery in her contemporary fashion designs is not a simple imitation. The combination of modern and traditional parts can’t be too striking for it to be widely accepted as everyday wear, Wang said, adding that her goal is for people, regardless of gender, color or nationality, to like her designs.

【推荐2】Adding to the achievements of a remarkable year, Taylor Swift has been named Time magazine's Person of the Year for 2023.

Already a superstar before 2023, Swift's career has reached new heights thanks to the beginning of her Eras Tour that brought her 3. 5-hour performance to 66 shows in 23 cities across North America, Argentina and Brazil. Promoted by her tour, Swift has been named the most-streamed female artist in the history of Spotify and Apple Music. According to Billboard, the tour made about$900 million (about 6. 4 billion yuan) in 2023. In addition, the tour's movie Taylor Swift: The Eras Tour became the biggest concert movie of all time, taking more than $250 million globally.

As she was declared (宣布) a billionaire by Bloomberg in November, a hidden “Taylor Swift economy” also promoted sales for business owners across the U. S. From soaps to a cruise inspired by her different “eras”, interest in Swift-related products went way up.

Apart from her financial contributions, Swift made a significant cultural impact by taking back control of her music. In 2019, her old record label, Big Machine, sold the master tapes of her first six albums (专辑) to Scooter Braun. The sale meant that she didn't have the rights to the albums. In response to this, Swift began re-recording her first six albums, tagging (加标签于) them “Taylor's Version”. This move stressed her belief that artists deserve to own their work. “It's all in how you deal with loss,” she told Time. “I respond to extreme pain by resisting.”

Heading into 2024, Swift will start the Eras Tour again in Japan and Australia. As USA Today noted, “Her current top has been a long time coming, but it may also be just beginning.”

【推荐3】On the evening of April 8, Dunhuang Academy and Huawei jointly launched (发布) a brand-new technology-driven tour experience at the Mogao Grottoes (洞穴). Using Huawei's newly-released Hetu artificial intelligence platform, coupled with the output of the Digital Dunhuang project, visitors to the Mogao Grottoes can enjoy a fantasy experience before entering the attraction.

Zhao Shengliang, director of the Dunhuang Academy, said that it has been cooperating with Huawei since March 2019. Using Huawei's latest Hetu technology, visitors are able to see the detailed contents of the Dunhuang Art Murals (壁画) outside the caves, through their Huawei mobile phones. This will reduce the time tourists spend inside the cave, aiding the protection of the cultural relics, while at the same time helping to increase the amount of information visitors can get. It is also considered to be a new way of promoting Dunhuang Art.

The Dunhuang Academy has used digital technology to preserve the research and exploration of Dunhuang Grottoes since the early 1990s. It has collected a wealth of data and has realized the goal of sharing of digital Dunhuang globally. It has played an important role in the protection and research of cultural site, as well as promoting the development and progress of related work.

The Huawei Hetu platform has not only re-created the real tour of the scenic spot, but also developed a new way of digitally experiencing the grottoes. When people visit the site, they not only have the experience of seeing the real grottoes, but they can appreciate the admirable artworks more clearly and in greater detail.

In the future, Dunhuang Academy will continue to cooperate with Huawei to create more colorful virtual(虚拟的) content to enrich the experience of Mogao Art on the platform, helping people around the world get to know Dunhuang Art better.

【推荐1】Called the “Daughter of Dunhuang”, Chinese archaeologist Fan Jinshi, 85, was awarded by UNESCO for her outstanding contribution to the protection of the Dunhuang Mogao Caves.

Fan Jinshi’s story with the caves started 60 years ago. In 1963, Fan, then a 25-year-old Peking University graduate, was assigned to work at the Mogao Caves, a place she had been longing to explore. Though her father was concerned about her health and tried to get her reassigned to a different place, Fan boarded a train and headed to the remote west.

“Seeing Dunhuang for the first time was absolutely breathtaking. But only when truly staying here did I realize inside the caves is a world of exceptional beauty while outside is a land of blowing sand and endless yellow earth,” Fan said. Back in those days, the Mogao Caves were almost cut off from the world. Fan and her coworkers had to live in mud houses and drink salty water. They stayed inside the caves to do research, trying whatever they could to protect and restore them. In 2011, after 40 years of hard work, a report on 10 Mogao Caves compiled (汇编) by Fan’s team was finally published, which was China’s first academic report on cave archaeology.

As time passed, Fan found a serious problem. The increasing number of tourists visiting Dunhuang might harm the caves, causing murals (壁画) to blur (变模糊) and colors to fade. In 1980s, Fan got to know computer technology by accident. She realized this might be the chance to preserve the Mogao Caves forever. After over 30 years of exploration, the Dunhuang Academy built a digital database, allowing Dunhuang’s art to live forever and to step out of the caves to meet the world.

“In my entire life, I’ve only done one thing: safeguard and promote the world cultural heritage — the Mogao Caves,” she told People’s Daily. “My heart belongs to Dunhuang.”

【推荐2】The Chinese fashion icon, qipao, was born a century ago in Shanghai. However, the dress made its way through history from the hands of old craftsmen and is deep-rooted in Chinese culture.

“Qipao used to be so popular,” Leung Long-kong, 89, a well-known qipao craftsman, says, adding that the dress was an everyday outfit among women, from the less well-off to women at the highest levels of society. “Now, nobody is wearing them except on grand and happy occasions.”

To carry on the tradition, fashion designer Mary Yu, 41, who has been attending classes teaching knot button-making techniques, is trying to renew the design of qipao by taking symbols from Chinese history and literature.

“I feel I should look into Chinese culture and learn more about the past. People should have an in-depth understanding of their culture in order to move on. Fashion design requires a profound knowledge of one’s culture before visualizing it. After a period of wearing foreign brands all the time, there will be a day when one looks back to traditional Chinese culture. It is about finding the stuff that exists in your genes and suits you best,” Yu says.

Yu set up her own qipao brand in 2016. Most of the clothes were made by tailors based in Shenzhen and Hangzhou, for their lower cost and more traditional work.

In the constantly evolving fashion industry, qipao is catching up with the times. Zippers, digital print patterns and new materials such as lace and denim have been introduced to a new generation. More daring ideas like 3D printed qipao have also become a reality. Yu believed that with the help of these new technologies, qipao will find its way back to the daily life of Chinese people in the near future.

【推荐3】Using Google’s unique digital technology, the stories of some English Heritage Sites around the country — from Tintagel Castle in Cornwall to Chesters Roman Fort on Hadrian’s Wall — are brought to life and shared by way of the Google Arts & Culture platform.

Stonehenge Skyscape	The English Heritage’s Stonehenge Skyscape enables people around the world to experience the skies above the stone circle, and learn about movements of the sun, moon and planets. Experience live and special sunrise over Stonehenge, see the journey of the stars and the moon from within the stone circle and learn more about the design of Stonehenge and how its builders may have understood their place in the universe.
Osborne House, the Isle of Wight	Take a 360⁃degree video tour of Queen Victoria and Prince Albert’s palatial (富丽堂皇的) holiday home on the Isle of Wight in the company of English Heritage director Michael Hunter, including the Italian terraces (露台) with views over the Solent, which reminded Prince Albert of the Bay of Naples, and the Indian-inspired Durbar Room, designed to show Queen Victoria’s position as Empress of India.
Audley End House and Gardens, Essex	Explore the story of one of the greatest houses of early 17th-century England deep in the heart of the Essex countryside, and fly over the great formal gardens designed by Capability Brown.
Tintagel Castle, Cornwall	Explore this medieval (中世纪的) castle set high on Cornwall’s north coast. Linked with the legend of King Arthur, for centuries this impressive castle has inspired the imaginations of writers and artists. Discover the early medieval history of a distant outpost (偏远村镇) trading objects from Spain, North Africa and Turkey.