4 . Guy Noble, one of Australia’s most famous conductors, who conducted the touring concert “East Meets West”, said he’d like to learn more about Chinese music. “I’m impressed by the history and the beauty Chinese music has,” he’s said in an interview recently.

“East Meets West” concert tour in Australia was resumed this year after being postponed twice due to the pandemic. It was hosted in Canberra last Saturday, bringing audiences some well-known Chinese and Western pieces such as Jasmine Flower, Carmen, Romeo and Juliet, and The Yellow River.

While it was called “East Meets West”, music from China and the West with the same themes was brought together. Chinese singer Ya Fen and Australian singer Victoria Lambourn performed a duet (二重唱) Hope Betrayed, which was inspired by the Chinese classic novel A Dream of Red Mansions. Noble said he loved the duet as it showed completely different singing styles: traditional Chinese opera style and Western opera style. “They’re not exactly the same, but they came together,” he said.

Having been a professional conductor for more than 20 years, Noble called music an international language. He noted that most music at the concert was about love, which was also an international language. He also spoke highly of some Chinese musicians, such as pianist Lang Lang who he thought has inspired many kids in China to learn music.

Noble admitted his knowledge of Chinese culture was limited. He said that conducting the Canberra concert was “an experience that I’ve enjoyed”, which made him more interested in discovering the background and history of the music, as well as the stories behind it. Noble is ready to create more things that can involve dance or calligraphy or some of the other aspects of Chinese culture, and put them together with music.

5 . Guy Noble, one of Australia’s most famous conductors, who conducted the touring concert “East Meets West”, said he’d like to learn more about Chinese music. “I’m impressed by the history and the beauty Chinese music has,” he’s said in an interview recently.

“East Meets West” concert tour in Australia was resumed this year after being postponed twice due to the pandemic. It was hosted in Canberra last Saturday, bringing audiences some well-known Chinese and Western pieces such as Jasmine Flower, Carmen, Romeo and Juliet, and The Yellow River.

While it was called “East Meets West”, music from China and the West with the same themes was brought together. Chinese singer Ya Fen and Australian singer Victoria Lambourn performed a duet (二重唱) Hope Betrayed, which was inspired by the Chinese classic novel A Dream of Red Mansions. Noble said he loved the duet as it showed completely different singing styles: traditional Chinese opera style and Western opera style. “They’re not exactly the same, but they came together,” he said.

Having been a professional conductor for more than 20 years, Noble called music an international language. He noted that most music at the concert was about love, which was also an international language. He also spoke highly of some Chinese musicians, such as pianist Lang Lang who he thought has inspired many kids in China to learn music.

Noble admitted his knowledge of Chinese culture was limited. He said that conducting the Canberra concert was “an experience that I’ve enjoyed”, which made him more interested in discovering the background and history of the music, as well as the stories behind it. Noble is ready to create more things that can involve dance or calligraphy or some of the other aspects of Chinese culture, and put them together with music.

7 . Seated at the grand piano in MIT’s Killian Hall last fall, first-year student Jacqueline Wang played one piece of Mozart’s music. When she’d finished, Mi-Eun Kim, a pianist and lecturer at MIT, asked her to move to the back of the hall. Kim tapped at an iPad. Suddenly, the music Wang had just played poured forth again from the piano - its keys sinking and rising just as they had with Wang’s fingers on them. Wang stood with a confused expression, taking in a repeat of her own performance.

This unusual lesson took place during a three-week residency (驻留期) of the Steinway Spirio|r, a piano that obtains the data of live performances and offers students new possibilities for studying and experimenting with music.

Wang was one of several participants to have the experience of hearing herself play while watching the data of her performance move up and down across a screen: color-coded rectangles (矩形) indicating the speed and duration of each note, and a moving line charting her use of the damper pedal (阻尼踏板). Wang could even edit her own performance when Kim suggested her rhythmic use of the pedal might be unnecessary. Using the iPad interface to erase the pedaling entirely, they listened to the playback again, the notes gaining new clarity,

For Wang, the session introduced an element she’d never experienced since beginning her piano studies. The visual display of how long each key was played and with what speed gave her a more precise demonstration of the ideas of voicing and evenness.

Playing the piano is one of the most complex activities that humans do with their hands. Some people might think the new technology will replace the pianist. In Kim’s view, that human complexity is complemented by this kind of technical possibility. But it doesn’t mean all of the things that go into learning music will be abandoned. It’s going to be an invaluable third partner: the student, the teacher, and the Spirio | r. It’s going to play a necessary role in lots of musical efforts.

9 . MUSICAL HERITAGES FROM ANCIENT CHINA

Since remote antiquity, Chinese people have used music to record their lives and describe the ideals in their hearts. Catchy tunes are not only played on precious instruments, but also visualized in carvings, paintings, and buildings. Feel free to explore here!

Han Dynasty (202 BC — AD 220)

This period marked the significant development of the manufacturing of guqin and its music. The example unearthed from the Mawangdui Han Dynasty Tomb in Changsha, Hunan province, proves that guqin had developed into the form known today during that period.

Northern Wei Dynasty (386 — 534)

Buddhism (佛教) and its musical culture spread extensively during this period. Buddhist temples provided places for musical activities, which were recorded in many of the-existing stone carvings. Located in Gongyi, Henan province, the Grotto Temple is famous for its reliefs (浮雕) representing musical events. They are precious historical materials reflecting the music characteristics of the dynasty.

Song Dynasty (960 — 1279)

With economic development, a variety of musical cultures emerged to meet the entertainment needs of different social classes. Part of the painting “Riverside Scene at Qingming Festival” vividly reveals a storytelling performance. The painter adopted delicate techniques to truly record a street performer, whose superb skills are reflected by each listener’s show of appreciation.

Ming Dynasty (1368 — 1644)

At this time, traditional Chinese operas developed rapidly, promoting the formation of many singing styles. People began to enjoy operas and drama stages were built. Covering a construction area of more than 160 square meters, the Fancun village drama stage in Shanxi province provides rich materials for the study of the local folk culture.