If you turn over a plastic bottle, like those we use to drink water, you'll notice a number "1"— that means it's made of a material called PET. Some bags, like the kind that holds milk or coffee, get a "2", meaning they're made of a material called HDPE. At material recovery factories, plastics get sorted (分类) based on these numbers (they go up to 7), which shows how recyclable (可回收的) they are.
Plastic marking numbers 1 and 2 are recyclable. They can be made into carpet, clothing, plastic package, as well as other products, according to Live Science.
Recycling gets more difficult with higher numbers, called "mixed plastic". This waste makes up 69% of all the plastic we use in the daily life. It's much more expensive to deal with than numbers 1 and 2. In the past, mixed plastics would be sent to other countries. But two years ago, almost no country was allowed to buy foreign plastic waste.
Recycling companies had to find a new market, but many failed. For example, in Los Angeles, recycling companies still won't recycle any plastics with numbers higher than 2. Instead, they are burying or burning them.
According to Live Science, what the USA needs is machines that can be used to recycle other kinds of plastic. But Hocevar, a scientist, comes up with a different solution: "The really simple answer is there isn't so much throwaway plastic in the world."
Someone may ask, "Is recycling worth it?" For bottles with "1" or"2", the answer is "yes", said Hocevar. There's also a growing market for plastics marked "5", a flexible (灵活的) plastic that includes yogurt containers (酸奶容器). For other numbers, the answer was simpler; a "no" on numbers3, 4, 6 and7.
1. What does the number on plastic products mean?A.How recyclable the products are. |
B.Where the products were made. |
C.What recycle technology is needed. |
D.Where the products would end up. |
A.The cost to recycle mixed plastic. |
B.The solution to dealing with plastic waste. |
C.The plastic waste in our daily life. |
D.The difficultly in recycling mixed plastic. |
A.Burn or bury mixed plastic. |
B.Stop producing mixed plastic products. |
C.Sell the mixed plastics to other countries. |
D.Make more machines to recycle mixed plastic. |
A.On a milk container. | B.On a coffee bag. |
C.On a yogurt container. | D.On a water bottle. |
相似题推荐
【推荐1】Discovering the proper classification for each piece of household waste before throwing it out—and avoiding fines of up to 50,000 yuan—has become as simple as taking a photo thanks to the efforts of a group of young programmers.
They have applied speech and picture recognition technologies to apps and other smartphone services to guide Shanghai residents through China's first mandatory garbage-separation plan. The rules require every citizen and institution to classify waste into four categories-recyclables, kitchen waste, hazardous waste and residual waste—with a long list of items in each category. Previously, everything went into one dustbin, and the dramatic change has made many Shanghai residents worried. Many residents say they are struggling to master the details quickly.
To smooth the process and raise public awareness, Shanghai government launched a campaign featuring posters and TV programs introducing garbage-sorting techniques.
“It has become a lasting topic for my family's mealtime discussions,” 27-year-old Shanghai resident Fang Chengxiang said. He said they used the Internet to find out how to classify waste properly. “I would often Baidu the name if I got confused,” Fang said, referring to China's leading search engine.
Most of the apps and services, which began springing up last month in app stores, on messaging tool WeChat and mobile payment service Alipay, allow users to type in the name of waste to identify which category it belongs to.
One of the apps using speech recognition is What Garbage, whose downloads topped 130,000 in the first week after it was released early this month.
It was designed by zzz studio, a team made up of a programmer, an advertising art director and a visual designer. Since they all have 996 jobs—meaning they work from 9 am to 9 pm six days a week—the app was designed in what little spare time they have.
Liu Yiyi, 23, a member of the studio, said it was designed to help people through the transition period, and it especially helps people sort ambiguous items. Actually, Liu Yiyi added, as Chinese become accustomed to rules, people will use the apps less often.
1. What can we learn about the garbage-separation plan?A.The plan has benefited many cities. | B.The plan can only be carried out in Shanghai. |
C.The plan initially came out from large cities. | D.Some apps can be used to help carry out the plan. |
A.To draw main media’s attention | B.To make the plan easier to carry out. |
C.To help people master the garbage details. | D.To stress the importance of sorting garbage. |
A.The transition period will last a long time. | B.These apps can only help sort ambiguous items. |
C.Chinese will become accustomed to these apps. | D.Less people will use these apps in the future. |
A.Benefits of garbage-separation plan. |
B.Significance of garbage-separation plan. |
C.Young programmers make garbage-classification easy. |
D.Carrying our garbage-classification plan is difficult. |
【推荐2】Every tropical (热带的) forest looks different, particularly in the eyes of an ecologist, and Peter Ellis has been lucky enough to visit a fair few. One in particular holds a special place in his heart: the rain forests of Gabon. He first visited as a Peace Corps volunteer. “It completely changed the way I think about conservation and our relationship with nature,” he says.
These days, Ellis is the global director of natural climate solutions science at the US-based conservation organization — The Nature Conservancy, where he’s presently investigating the role that logging (cutting down trees) can play in tropical forests. Logging for forest conservation may sound contradictory, and it often is. But logging in a tropical forest looks different to the practices we might expect to see. “We might imagine it as a wasteland of stumps (树桩) after a clear cut,” says Ellis. Instead, only a few trees are actually removed. A sustainably logged forest is the one that remains a breathing, rich, tropical rain forest full of trees and wildlife, thus helping keep a large part of the biodiversity while ensuring that more damaging industries don’t take its place. It can also provide a means of basic livelihood for the local people.
The two years that Ellis spent in the Gabon rain forests opened his eyes to a different method of land management. “The locals took me out into the forest and taught me the names, usages and spiritual significance of all the trees and other plants in the forest,” he says. “Science is about exact, designed experiments, but it’s also about asking the right questions. And the people who live in those places and protect the ecosystem are more likely to help us learn what the right questions to ask are.”
Tropical forests are essential to our planet’s future as they support high levels of biodiversity and act as crucial carbon sinks (碳储存器). “We need to honour, and protect them so that they can do their job to help save us all” says Ellis.
1. What does Peter Ellis think of his first visit to the rain forests of Gabon?A.It was poorly arranged. | B.It made little difference to his life. |
C.It brought him far-reaching influence. | D.It was physically challenging for him. |
A.Logging balances the rain forests. |
B.Logging means a complete clear-out. |
C.Logging brings huge profits to the locals. |
D.Logging encourages the local damaging industries. |
A.Conduct many experiments. | B.Consult experienced local people. |
C.Get involved in designing procedures. | D.Spread more knowledge about wildlife. |
A.To stress the importance of biodiversity. |
B.To introduce Ellis’s ideas about the future. |
C.To provide further information about Ellis. |
D.To call on people to preserve tropical rain forests. |
【推荐3】Latin America’s first renewable fuel-powered, garbage-trapping wheel is cleaning one of Panama’s dirtiest rivers. It is powered by water and solar energy. It pulls waste out of the Juan Diaz River. Most of the waste comes from the capital area of Panama City where about 2 million people live. Thousands of kilograms of garbage flow down the river into the ocean each year.
As the leader of the project, Robert Getman said, “Cleaning beaches is good, but it is more effective and cheaper to trap garbage in rivers because when it reaches the ocean, the environmental and economic cost becomes too high.”
The Juan Diaz River is one of the most polluted in Panama. Waste systems in the area are poor, and land development is not well supervised (监督). The river also passes through Panama City, one of Central America’s largest cities. Still, the waterway and its mangrove trees are home to wildlife like turtles and birds. According to this situation, the environmental group Marea Verde launched the wheel in late September, which is named Wanda Diaz. By the middle of October, it had gathered 28. 6 cubic meters of plastic bottles from the water. Over five years, Marea Verde projects have slowed the spread of waste along the Juan Diaz River and other Panama’s rivers. Several years ago, the group launched its “Barrier or Trash” technology, a floating device. It captured more than 100 metric tons of waste in the Matias Hernandez River within two years.
The Baltimore Bay “Trashwheel” in the United States is the model for Marea Verde’s machine, Wanda Diaz. However, Wanda Diaz is more advanced and superior in terms of technology, and it even has cameras with artificial intelligence (AI) that can recognize and sort different plastics.
“We want each of us to raise awareness that we can prevent the death of the Juan Diaz River, ”said Marea Verde’s leader Sandy Watemberg. She expressed her hope that the wheel would also help many more other rivers. But she also pointed out that those who accustomed themselves to single-use plastics needed to rethink their behavior.
1. Which words best describe the garbage-trapping wheel?A.Green and practical. |
B.Effective but costly. |
C.Powerful but energy-wasting. |
D.Renewable and simple. |
A.Great damage to Panama City. |
B.The importance of the Juan Diaz River. |
C.Measures taken to battle wildlife killing. |
D.The background information of Marea Verde projects. |
A.It has Al to break down plastics. |
B.It is the model for “Trashwheel”. |
C.It has AI cameras to remove plastics. |
D.It is an updated version of “Trashwheel”. |
A.People should not use plastics anymore. |
B.The death of the river is unpreventable. |
C.Humans’ living habits matter in river protection. |
D.River protection has received the attention of all. |
【推荐1】NATIONAL PARK SERVICE
Last year, the National Park Service (NPS) marked its 100th anniversary with a year-long celebration.
Visitors behave badly. Today, visitors still aim to make their mark on the natural and cultural resources.
There is maintenance backlog (积压).
Despite some major concerns, the future of the NPS looks promising. With a renewed level of interest, and the help of some corporate donations, the parks will be protected for the next century.
A.Climate change will affect all parks |
B.Yellowstone National Park deserves a visit |
C.The NPS took a look back at the last century |
D.The maintenance burden will be removed soon |
E.And they may look different in the next 100 years |
F.Those are protected by the National Park Service as they did years ago |
G.At the moment, donations from private corporations are limited to signs and certain exhibits |
【推荐2】A Bridge Linking Art and the Audience
According to a 2018 report, people aged between 16 and 24 make up about 15 percent of the population but only 10 percent of museum-goers. Similarly, people aged over 35 go half as much as you would expect from their population size. We have reached the point of recognising the disconnection between art and the audience but haven’t yet determined how to bridge the gap. Two answers to tackling this challenge lie in telling a greater diversity of art histories and communicating these stories in more accessible ways.
In 2018, a radio program called Art Matters was started with the aim of discussing art from a pop-culture viewpoint with topics that would engage younger and more diverse audience. It offers an accessible pathway to art history with conversations on different topics. Art history is about storytelling; art content shines when there is an effort to bring audience along for the discussion.
More traditional institutions are paying attention. Recently the Getty Museum issued a social-media challenge for people to recreate paintings using items they had at home. Users displayed incredible creativity, and the museum was flooded with submissions. This reaction proves that there is a potential desire for the audience to engage with art topics if the format is appealing. Since many people feel intimidated and think that there’s a base level of understanding required to join the conversation, the Getty initiative serves as a reminder that there are many pathways to engaging with it.
Another result of the Getty challenge was the exposure given to a diversity of artworks. The famous opera singer Peter Brathwaite, for example, made scores of attractive recreations highlighting centuries of black paintings. His efforts opposed the idea that there were not many historical paintings of black figures. It is extremely important that we do a better job of showing the complex and diverse stories that are represented in art.
Social media have offered a platform for people who have not traditionally had a seat at the table. Anyone can recognise a gap in the field and address it. Accounts have gathered tens of thousands of followers. They are the proof that there is hunger to hear these art histories, and these themes work brilliantly for museum programming.
But there is only so much that can be done without the museums and galleries changing meaningfully from within. We need to see a better balance of these stories represented in permanent collections. We also need a much wider diversity of people and interests represented on board. Ensuring that art-and writing and talking about art-is able to continue on the rising generation of storytellers, inside and outside of institutions, getting the funding and support they need to paint a brighter picture for the part.
1. What challenge is the author trying to tackle?A.People doubt a great diversity of artworks. |
B.Fewer and fewer young people go to museums. |
C.Art appears too distant from common audience. |
D.Adult audience has a different understanding of art. |
A.Tired. | B.Worried. | C.Annoyed. | D.Surprised. |
A.make the art history stories accessible in a traditional way. |
B.change meaningfully for activities like the Getty challenge. |
C.limit the number of storytellers both in and out of institutions. |
D.improve the permanent collections by adding famous artworks. |
A.lacks the channels to understand and talk about art history. |
B.prefers to view artworks and hear art stories on social media. |
C.feels satisfied with people and interests represented on board. |
D.refuses to engage with diverse art topics and art history stories. |
【推荐3】Researchers questioned 1,117 American adults across the country between December 3 and December 7. Just 22 percent said they felt very or extremely happy this year. That is down from 49 percent one year ago.
The 69-year-old Smith said he usually spends Christmas alone, but the pandemic has been especially difficult. He cannot go to local coffee shops and visit friends and neighbors as he usually does. His usual January vacation on the Caribbean Sea was cancelled because of the pandemic.
So Smith has been staying home mostly, fearing what could happen if he caught the virus. Five years ago, he spent a month in a hospital under treatment for the lung disease, "I'm stressed that I can't just get in my car and go someplace," said Smith.
Karestan Koenen is a professor at the Harvard School of Public Health. Holidays are always a stressful time, but now people are feeling really, really worn down because this has been going on for so long." she said. She noted that some were also suffering severe monetary difficulties because of the pandemic.
About 40 percent of Americans are still worried that they or a family member will be infected. About 75 percent say they are at least somewhat concerned about the possibility. The Covid-9 vaccine progress has brought some hopefulness, but the study found that only half of Americans are ready to get vaccinated immediately. The other half said they were unsure about or uninterested in the treatment.
Adults under 30 are more likely than those older to say they feel very sad or lonely—and more feel these emotions this year than they did last year. Koenen said this is a time when young adult normally would be starting their independent lives. But now, school completion ceremonies may have been canceled. Adult children may have to live with their families, and it could be difficult to find a job because of the slowed economy.
1. What is Smith worried about?A.Being alone. | B.Going to hospital. |
C.Missing his vacation. | D.Being infected by the virus. |
A.Stress from the holidays. | B.Getting vaccinated immediately. |
C.Sufferings from lacking money. | D.People's concern about losing work |
A.The hard situation of young people. | B.The pressure of adult children on parents. |
C.The need of independence for young people. | D.Young people s disappointment with Christmas. |
A.Staying at Home Too Long Bores Americans |
B.Christmas Is Cancelled Because of the Pandemic |
C.Americans Feel Less Happy This Holiday Season |
D.Young Americans Are No Longer Interested in Christmas |
【推荐1】To adapt to climate change, some flowers are darkening their color to protect themselves from the sun’s radiation, new research shows.
The study suggests that over the past 75 years, the ultraviolet (UV) pigments (紫外线色素) in flowers have increased in response to rising temperatures and a thinning ozone layer (臭氧层). The flowers won’t look any different to humans, but insects consider the higher levels of UV pigments as a darker color, which could be confusing when they try to find out colorful flowers to land on.
The UV-absorbing pigments in flowers work like sunscreen and protect sensitive cells from harmful radiation, Matthew Koski, a plant ecologist at Clemson University, says. He and his team hoped to determine if changes in pigments were a result of environmental change — and if so, what are the plants responding to?
The team collected dried, pressed plants across North America, Australia, and Europe. In total, they studied 1,238 samples from 42 different species dating back to 1941. Then, using a UV-sensitive camera, they photographed flower petals from each species to see how the pigment level changed over time. Next, they paired the photographs with historic local temperature and ozone level data from the time the plant was picked.
The researchers found that the changes in pigments differ by species, a result of the flower’s structure. Flowers with open, exposed pollen (花粉) had more UV-absorbing pigments when ozone levels were low and radiation was high. But flowers with pollen surrounded by the petal responded to temperature, not ozone levels.
As climate change continues to intensify, these changes in flowers’ color can affect plant-insect interactions. When the whole flowers get darker, insects might miss the flowers entirely. “This has a negative influence on plant reproduction.” Koski says.
1. What is the cause of flowers’ color changing according to the research?A.The impact of climate crisis. | B.The loss of natural habitats. |
C.The harm of nuclear radiation. | D.The thickening of ozone layer. |
A.Photographs of flowers from different species. |
B.Analysis of how levels of UV pigments change over time. |
C.Collection of abundant samples from various species. |
D.Historic local temperature and ozone level database. |
A.It exists in flowers with exposed pollen only. |
B.It responds to temperature and sea levels. |
C.It remains the same regardless of species. |
D.It varies depending on the flower’s structure. |
A.Concerned. | B.Indifferent. | C.Unclear. | D.Optimistic. |
【推荐2】Google is getting further into the business of saving lives. The internet giant announces that users of its Android phones in New Zealand will receive warnings of damaging earthquakes about to strike their locations. And those earthquakes will be detected not by the usual seismometers, but by the phones themselves.
Traditional warnings, even if they only come seconds before a quake hits, can buy people enough time to survive the quake. These systems are practical, but they are difficult and expensive to develop. One system, known as ShakeAlert, cost $60 million to build and needs more than $30 million annually to operate. Such an earthquake warning system as developed by Google can cut down this expense and has great potential globally.
A phone-based network makes earthquake detection possible because modern devices are equipped with motion sensors that monitor movement, such as when a user picks up or rotates the phone. Those sensors can also be programmed to detect the distinctive shaking caused by the pressure and waves of earthquakes.
Google has built quake-sensing capabilities directly into its more than 2 billion active Android phones. When a Android phone detects an earthquake signal, it sends word, along with a rough location, to a central server and more than 100 phones need to sound the alarm before Google believes it. Android phones have been publicly detecting earthquakes worldwide since last year and have detected more than 1000 quakes. The warnings have performed well in terms of speed and accuracy when compared with ShakeAlert. Regardless of it, false alarms haven’t been too hard to weed out.
The Android system still has a lot to prove, including its ability to detect quakes that start in less populated regions. New Zealand will pose a particular challenge, because much of its population is gathered in a few cities. That means phones might not warn of a quake that starts far from downtown until after the trembling has already begun. Until the system’s performance is clear, Google should be cautious of promising too much.
1. What can we learn from the text?A.Traditional earthquake warnings are ineffective. |
B.Residents in New Zealand have benefited from the new warning system. |
C.Motion sensors are built in Android cellphones. |
D.ShakeAlert system cost $90 million in total. |
A.Speedier | B.Cheaper | C.More accurate | D.More practical |
A.It is too hard to identify false alarms. | B.Some false warnings are easy to get rid of. |
C.False warnings happen frequently. | D.It is impossible to avoid issuing false warnings. |
A.Google’s Effort to Detect Earthquakes | B.Google’s Promise to Save More Lives |
C.Google’s New Challenge in New Zealand | D.Google’s Announcement about New Zealand |
【推荐3】An international team of specialists, led by the University of Bristol, is close to telling secrets about the ancient decorated ostrich(鸵鸟)eggs.
The team, led by Bristol's Dr.Tamar Hodos, examined ostrich eggs from the British Museum's collection.Using advanced scanning technology, Dr.Caroline Cartwright, senior scientist at the British Museum could study the eggs’ chemical makeup to pinpoint these luxury(奢侈)goods' origin and how they were made.
In the study, the researchers describe for the first time the surprisingly complex system behind ostrich egg production. This includes evidence about where the ostrich eggs were sourced, if the ostriches were wild, and how the methods for production were related to techniques and materials in specific areas.
Dr.Hodos and colleagues believe eggs were taken from wild birds’ nests, This was no ordinary egg-hunt—ostriches could be extremely dangerous so there was a huge risk when taking eggs from wild birds, “We also find eggs require time to dry before the shell can be carved and therefore require safe storage.This has effect on economy, since storage needs a long-term investment and this would also add to an egg's value,” said Dr.Hodos.
Dr.Hodos explained, “We are assessing not only how ancient luxuries were produced but also how they were used.These questions are incredibly important for our own society today, in which the same object may have different social or symbolic meanings.Such knowledge can lead to tolerance and respect in a multi-cultural society.If we can understand these mechanisms in the past, for which we have long-term outcomes in terms of social development, we can use this knowledge to better inform our own society.”
Dr.Caroline Cartwright said,“The British Museum is delighted to cooperate with colleagues at the universities.We look forward to continuing to work with university partners to explore the Museum's collection.”
1. What is the meaning of the underlined word “pinpoint” in paragraph 2?A.Hide. | B.Make up. | C.Create. | D.Figure out. |
A.Their value mostly depends on their storage methods. |
B.It isn't an easy task to make ancient luxury ostrich eggs. |
C.Their process of production is simpler than we expected. |
D.The methods for their production are impossible to track. |
A.It can offer inspiration for today's society. |
B.It can save more ostriches from dying out. |
C.It can help to rebuild a new ancient society. |
D.It can improve the British Museum's status. |
A.The Origin of Decorated Ostrich Eggs. | B.The Explanation on Wild Ostrich Eggs. |
C.The Research on Ancient Ostrich Eggs. | D.The Importance of Luxury Ostrich Eggs. |