【推荐1】Throughout history, music spread among people of different cultures. In today’s technological advanced society, however, people spread music online, sometimes without an artist’s permission. This can lead to many problems, and music companies are now cracking down on this practice. Sharing music online without permission is theft.

Sharing music online prevents recording companies from making money from their efforts. They say that sharing music online has resulted in a huge drop in profits and sales over the past 10 years. People who find music for free online are not paying for CDs or every MP3 downloaded. To truly understand the influence of music piracy (盗版行为) on creators, one must understand how many people are involved in the recording process. For the sale of each album, profits must be shared between musicians, sound engineers, music producers, managers, advertisers,and the company selling the product. Many people believe sharing music only affects the recording artist, but the reality is that sharing hurts business for all companies involved.

There are many people who don’t see the harm in sharing music online and even think they have the right to do it.One online blogger states that he originally paid for an entire CD and that he should be able to do with the material whatever he wants. While he may have legally paid for the music, he does not have the right to provide permission,which means people like the blogger are thieves.

Although we don’t spread today’s music the same way we did before, there’s no doubt that people around the world love to share music. However, internet piracy would prevent musicians from continuing producing albums for fear of theft. Therefore, if people want to continue listening to their favorite artists, they need to buy their music so that artists will make enough profit to continue their music careers.

【推荐2】Wouldn’t it be wonderful to travel to a foreign country without having to worry about the headache of communicating in a different language?

In a recent Wall Street journal article, technology policy expert A lec Ross argued that, within a decade or so. We’ll be able to communicate with one another via small earpieces with built-in microphones. That’s because technological progress is extremely rapid. It’s only a matter of time. Indeed, some parents are so convinced that this technology is imminent that they’re wondering if their kids should even learn a second language.

It’s true that an increase in the quantity and accuracy of the data loaded into computers make them cleverer at translating “No es bueno dormir mucho” as “It’s not good to sleep too much.” Replacing a word with its equivalent (同义词) in the target language is actually the “easy part of a translator’s job”. But even this seems to be a discouraging task for computers.

It’s so difficult for computers because translation doesn’t—or shouldn’t—involve simply translating words, sentences or paragraphs. Rather, it’s about translating meaning. And in order to infer meaning from a specific expression, humans have to interpret a mass of information at the same time. Think about all the related clues that go into understanding an expression: volume, gesture, situation, and even your culture. All are likely to convey as much meaning as the words you use.

Therefore, we should doubt whether a machine is able to translate the world around us. If people from different cultures can offend each other without realizing it, how can we expect a machine to do better? Unless engineers actually find a way to breathe a soul into a computer, undoubtedly when it comes to conveying and translation meaning using a natural language, a machine will never fully take our place.

【推荐1】TOM RACHMAN’S latest novel records the life and legend of Bear Bavinsky, a painter of enormous appetites and all-consuming ego (自我), largely through the eyes of his son, Charles (known as Pinch). Pinch shrinks, unable to escape the giant’s shadow, hoping only to avoid being stepped underfoot.

Pinch is far from the only victim of the Bavinsky legend. Speaking to Natty, his current wife—Pinch’s mother, and a potter whose insecurities provide the ripe target for his bossy (专横的) personality—Bavinsky states,“You are a talent, my Natty, if you want to be. All it takes is a bit more charm.” Bear charms and bullies (霸凌), occupying physical and psychic space. Even his encouragement turns out to be another way to exercise control, proving how far those close to him have fallen short of his own achievement.

“The Italian Teacher” unfolds a story over more than 60 years and across two continents. One of Mr Rachman’s gifts is his ability to describe a time and place in a few skillful strokes. He describes the social and economic shifts of Italy in the 1950s through the Bavinskys’ downstairs neighbors, “a family of workers who, for generations, carved traditional decorations but whose sons are now selling West German electrical devices”.

Though Bear features in the novel, it is Pinch who commands the readers’ respect. Admittedly, he is wanting in confidence, filled with self-hatred, incapable of standing up to his bullying father. Like Natty, he is all damage and insecurity, a victim of Bear’s endless needs. Yet he turns out to be far more than the sum of his failures. He is compensated by his integrity and intelligence. His struggle to find meaning in the mess holds readers’ interest to the end. For all his faults, Pinch is gifted with wisdom, as is the author of this sad, funny and moving novel.

【推荐2】Despite their popularity, only three of Jin Yong’s martial arts novels have been translated into English. But fans will soon get more from the writer as his most popular trilogy, named after the first of the three books, Legends of the Condor Heroes, is scheduled to hit bookstores in February.

Jin Yong is the pen name of Louis Cha. And the author, who lives in Hong Kong, is one of the best-selling Chinese authors alive. With regard to Jin Yong’s works this latest translation project is the most ambitious. The trilogy, written by Jin Yong in the 1950s and 60s, covers the Song Dynasty and the early Ming Dynasty, and features hundreds of characters.

According to the publishing house, Maclehose Press, the translated work will come in 12 volumes, including Legends of the Condor Heroes; Divine Condor, Errant Knight; and Heaven Sword and Dragon Sabre.

Speaking of the project which she took up in 2012, Holmwood, a self-employed translator focusing on Chinese-English literary translations, says in an email interview: “It had to be Jin Yong then. It was the obvious place to start, not only because of the quality of his writing, but also because of his standing and reputation in Asia.”

Having studied history at the University of Oxford, Holmwood was determined to learn Chinese due to her previous trip to China. She then went to Taiwan Normal University for language training in 2,009. In a bookshop there, she saw a whole shelf dedicated to Jin Yong. She bought a copy of Jin Yong’s work—Lu Ding Ji (The Deer and the Cauldron), the longest of his novels. “What is a bigger challenge for the translator is making the original pace and excitement into English. It’s all about whether the English reader will be lured by the emotions and characters.”

It took five years for Holmwood to finish the translation of the first volume. As for why his works need to be translated, she says: “Many have considered Jin Yong’s world too foreign, too Chinese for an English-speaking readership.Impossible to translate.” “And yet this story of love, loyalty, honor and the power of the individual against successive corrupt (腐败的) governments and invading forces is as universal as any story could hope to be.” “The greatest loss that can occur in translation can only come from not translating it at all.”