Anne of Green Gables (1985)
Lucy Maud Montgomery’s novel Anne of Green Gables, previously filmed in 1934, was afforded a TV-movie treatment in 1985. Anne Shirley is an orphan girl sent to live with a foster family on Canada’s Prince Edward Island. Though she has great difficulty controlling her temper and vivid imagination, Anne eventually wins over her new guardians, bossy Marilla Cuthbert and Mailla’s shy brother Mathew. Anne’s journey is a happy one, but starts out difficult like those of many children adopted at an older age.
Martian Child (2007)
Martian Child tells the story of a widower, David, and his continuation of the adoption process he had started before his wife’s death. His new son, Dennis, believes that he is a Martian. David must contend with this belief and gain access into Dennis’s world. Both characters are born outsiders and they recognize their common sense of loss. Martian Child is a wonderful story for any adopted child, especially those who have created their own origin story to cope with the absence of their birth family.
Despicable Me (2010)
Despicable Me is championed for showing kids how much their presence impacts the lives of their adoptive parents. Gru is a super-bad guy until he meets orphans Margo, Edith and Agnes. They overturned his life and his evil plans as they work to warm his heart and home. Despicable Me is a funny kid movie on the surface, but truly has a lot to say about the love of a child and the effect of that love on their new parents and home.
Annie (2014)
In this remake of one of the most-beloved adoption stories, Annie’s positive attitude shines in the midst of incompetent social workers and greedy foster parents. The songs are cheerful and catchy and the film is happy. While this film could be very challenging for children who have experienced destructive placements, it is generally family-friendly. It also gets points for allowing Annie to exemplify several of the strengths of foster kids: hopeful, brave, tough and smart.
1. The films all deal with the theme of________.| A．family conflict | B．parenting | C．adoption | D．child care |
| A．Annie & Despicable Me | B．Annie & Anne of Green Gables |
| C．Martian Child & Anne of Green Gables | D．Despicable Me & Martian Child |
| A．Optimism sees Annie through her bad times. |
| B．David tries hard to help Dennis cope with his new life. |
| C．The films all have happy endings despite early difficulties. |
| D．Despicable Me illustrates the power of love in a serious way. |
相似题推荐
【推荐1】“BEIJING, Sep. 10 (Xinhuanet)—The extra-large model baby in the Spain Pavilion (馆) was ‘conceived (构思)’ by a Spanish filmmaker,” Shi Yingying reports.
Visitors admiring the 6.5-meter-high giant baby, Miguelin, in the Spain Pavilion may be surprised to realize that it was not the concept of a famous designer or a group of groundbreaking engineers. It came from one filmmaker’s interpretation of the meaning of “Better City, Better Life”.
Spanish director Isabel Coixet developed the idea after being asked to contribute to Expo 2010 Shanghai.
“They asked me to do something to tell the Chinese audience about Spain in the future and the first thing jumping to my mind was a baby,” said Coixet. “If we really fight to have better cars, better cities and better lives, it’s for them—for our children.”
Despite her Spanish heritage, Coixet doesn’t focus on making Spanish films or using Spain as the setting. Fans of her various award-winning films, including My Life Without Me, The Secret Life of Words and Elegy, may not even be aware of Coixet’s Spanish background.
“The borders between countries are just illusion (假象),” said Coixet. “Some directors feel really comfortable telling stories that belong to their territory.”
But Coixet feels the opposite: “I’m more comfortable outside my country. It gives me a strange freedom.”
One of her favorite things about being a director is the freedom. “The thing is that the world is wide and this freedom lets you make films everywhere,” she said.
Coixet’s curiosity took her latest exploration and movie work to Japan. In the movie Map of the Sound of Tokyo, the Catalan actor Sergi Lopez is the owner of a wine shop in Tokyo, and Japanese actress Rinko Kikuchi is a young woman who works both as a fishmonger and as a hired killer.
The clash (冲突) of the two people’s very different worlds and the tango-like relationship they develop is just one representation of what Coixet is able to produce by mixing cultures.
While she doesn’t know if she will shoot a film in Shanghai, two things have caught her attention: Shanghainese women and crickets (蟋蟀).
After just arriving in the city, she was surprised by the mix of old Chinese culture in a booming metropolis. “Behind the skyscrapers, there is a flower and bird market with heaps of crickets and birdcages in,” she said. “I’m totally amazed with the city.”
1. The huge baby represents the idea that .| A．our children are the new generation full of imagination |
| B．our children will develop the friendship between China and Spain |
| C．our children are our future |
| D．our children will understand the meaning of “Better City, Better Life” |
| A．only in Spain |
| B．only in Japan |
| C．mainly in the countries outside Spain |
| D．mainly in the countries within Europe |
| A．shows people in Shanghai are living a rich life spiritually and materially |
| B．reflects prosperity of the market |
| C．indicates the Chinese people are leading a peaceful life |
| D．represents the traditional culture of China |
| A．Isabel Coixet is dissatisfied with the design of the extra-large model baby |
| B．a mix of different cultures is reflected in Isabel Coixet’s films |
| C．Isabel Coixet feels less comfortable while making films all over the world |
| D．Isabel Coixet designed the huge baby according to the requirement of a group of engineers |
【推荐2】Ways for you to get over post-series blues
We all have those pangs of stress around the last few episodes of our current favorite TV show, about the crossroad where there will be no “Next Episode” button to click. For many hours, days, and weeks, we invest ourselves in the plot, characters, and the world of the show, only to realize that it—after all—exists inside a screen.
You get a story, escapism, possibly even life-changing inspirations. In return the TV shows get your undivided attention.
Watch all the accompanying contents around the show
We’re talking interviews, behind-the-scenes, bloopers (花絮), cast reunions and more. The digital world is endless, and if you’re willing to dig a little deeper, there are high chances you will come across related content that fulfills you in the same way that the show did.
Join a community for people with similar interests
Anyone who’s dealt with post-series blues will know the itch of discussing your obsession with your friends. Enter digital platforms that host communities for people with similar interests.
Watch shows and movies of the same cast
Sometimes, it’s the characters of a show that you get attached to.
Get your friends and family to watch that show you’re obsessing over. If they’re anything like you, chances are they’ll thank you for it. Not only have you now recruited companions to relate your emotional journey, but you’ve also successfully contributed to the carrying on of this deserving show.
| A．Make the fascination endure. |
| B．Shift your attention on people around you. |
| C．The exchange might be enjoyable and unforgettable. |
| D．It doesn’t matter if your interests are mainstream or not. |
| E．This may also help fill your brain with the show till it can take no more. |
| F．And more often than not, you’ll find that actors have a preference for certain types. |
| G．Pure, healthy escapism has always been there to help catch our fall during troubled times. |
【推荐3】Remember Lion King? Many of us walked out of that animation movie being in awe of (钦佩) the storyline, the songs, the colours and the animation. However, how many of us would have given thought to the work done by the animators?
One of the greatest soft skills an animator can have will be the ability to work together in a team.
The team of animators usually use computer software and work with artists to create the magic and make the characters “come to life.” A successful production accurately captures (捕捉) the characters’ wide range of expressions, among other aspects.
Animation work usually differs from pre-production to production stages. Some animators are involved in developing and visualizing (可视化)the storyline. Some animators are involved in keeping the characters’ personalities and core (核心的) positions constant throughout the production.
Do animators go to a school to learn animation first? Ideally, yes. It is highly recommended that animator-lovers get a college degree first. If you are interested in becoming an animator, do not stop there. Bravely approach production houses for internship (实习) opportunities.
| A．Animation is never a solo effort. |
| B．These expressions are not created overnight. |
| C．The team will also need to be good communicators. |
| D．It takes weeks to create a ten-second animation production. |
| E．Animators at the production stage bring the characters to life. |
| F．An animator with a suitable qualification and experiences is always in demand. |
| G．Animators are the most sensitive creators when it comes to life and human nature. |
【推荐1】In the 1950s, a plastic surgeon (整形外科医生) by the name of Maxwell Maltz began to notice that many of his patients took about 21 days before they got used to seeing their new face after an operation-like a nose job, for example.
These experiences finally led Maltz to publish a book in the 1960s, in which he stated that “ it requires a minimum of about 21 days for an old mental image to disappear and anew one to become clearer”. The book sold more than 30 million copies and is still in print today.
This “2l days” figure has been repeated countless times ever since. It has been republished in thousands of self-help books and TV shows.
There’s a problem though. The “21 days” time window for strengthening changes inhabit is less a statistical fact and more like a myth.
In 2009, researchers at the University of College London led by Phillippa Lally examined changes in the habits of 96 people over a 12-week period, Each person had to choose a new habit they wanted to internalize (使内在化) and reported each day on whether or not they had performed an activity related to the behavior and how routine it felt. After 12 weeks, the study came to a close and the researchers used statistical methods to interpret the data they had gathered, Their assessment blew Psycho-Cybernetics out of the water, showing that the time it took to form a new habit ranged from 18 to 254 days.
1. How did Maxwell Maltz set the “21 days” figure?| A．By asking questions. |
| B．By observing his patients |
| C．By counting his days |
| A．It’s out of date. | B．It’s a best seller. | C．It’s widely criticized |
| A．It’s hard to understand. |
| B．It’s set by a patient |
| C．It lacks scientific research. |
| A．How Long It Actually Takes to Make or Break a Habit |
| B．How Much Maxwell Maltz’s Book Influenced the World |
| C．How Long Scientists Can Correct the Mistakes in Discovery |
Shopkeepers in Modbury population 1500, agreed to stop handing out disposable plastic bags to customers on Saturday. They said paper sacks and cloth carrier bags would be offered instead.
Last month, San Franciso became the first U.S. city to ban plastic grocery bags. Internationally, laws to discourage the use of plastic bags have been passed in parts of South Africa and Ireland, where governments either tax shoppers who use them or fine companies that hand them out. Bangladesh already bans them, and so do at least 30 remote Alaskan villages.
Modbury, about 225 miles southwest of London,has also declared a bag amnesty(宽限期), allowing local people to hand in plastic bags that have piled up at home.They will be sent for traveling.
The Modbury ban was the idea of Rebecca Hosking, who saw the effect of bags on marine life while working in the Pacific as a wildlife camerawoman. She said response(反应) in the town so far had been “really positive”.
“Modbury is quite an old-fashioned town and a lot of people have wicker baskets to go out shopping anyway,” Hosking told Sky News Television.
The Worldwatch Institute, an environmental research agency, states that 100 billion plastic bags are thrown away each year in the United States alone. More than 500 billion are used yearly around the world.
1. What was Rebecca Hosking?| A．A lawyer. | B．An environmentalist. |
| C．A sailor. | D．A photographer. |
| A．acceptable | B．valuable |
| C．throw-away | D．long-lasting |
| A．most of the people in Modbury continue to use plastic bags |
| B．fewer and fewer plastic bags will be used in the world |
| C．San Francisco is the first city to ban plastic bags in the world |
| D．most countries in the world have passed laws to ban plastic bags |
| A．Environmental Protection |
| B．Big Cities Banning Plastic Bags |
| C．Effect of Plastic Bags on Sea Animals |
| D．British Town Banning Plastic Bags |
【推荐3】In the endless sky, the unaided human eye should be able to perceive several thousand stars on a clear, dark night. Unfortunately, growing light pollution has impeded people from the nightly view.
New citizen-science-based research throws alarming light on the problem of “sky glow”-the diffuse illumination (漫射照明) of the night sky that is a form of light pollution. The data came from crowd-sourced observations collected from around the world as part of Globe at Night, a program developed by astronomer Connie Walker.
Light pollution has harmful effects on the practice of astronomy but also on human health and wildlife, since it disturbs the cycle from sunlight to starlight that biological systems have evolved alongside. Furthermore, the loss of visible stars is a great loss of human cultural heritage. Until relatively recently, humans throughout history had an impressive view of the starry night sky, and the effect of this nighty spectacle (壮观) is evident in ancient cultures.
Globe at Night has been gathering data on star visibility since 2006. Anyone can submit observations through the Globe at Night web application. Participants record which one best matches what they can see in the sky without any telescopes or other instruments.
Researchers find that the loss of visible stars indicates an increase in sky brightness of 9.6% per year while roughly 2% is measured by satellites. Existing satellites are not well suited to measuring sky glow as it appears to humans, because they can not detect wavelengths shorter than 500 nanometers (纳米). White LEDs, with shorter wavelengths under 500 nanometers, now are increasingly commonly used in outdoor lighting. But human eyes are more sensitive to these shorter wavelengths at nighttime. Space-based instruments do not measure light from windows, either. But these sources are significant contributors to sky glow us seen from the ground.
“The increase in sky glow over the past decade underlines the importance of redoubling our efforts and developing new strategies to protect dark skies,” said Walker. “The Globe at Night dataset is necessary in our ongoing evaluation of changes in sky glow, and we encourage whoever can to get involved to help protect the starry night sky.”
1. What does the underlined word “impeded” in the first paragraph mean?| A．separated. | B．disabled. | C．demanded. | D．protected. |
| A．Poorer human health. | B．Fewer wildlife species. |
| C．More delicate biological systems. | D．Less nightly culture elements of the sky. |
| A．Crowd sourced data are invaluable | B．Shorter wavelengths are hard to detect. |
| C．Satellites play a vital role. | D．White LEDs are widely used. |
| A．Their consistent efforts pay off. | B．The dataset needs to be updated. |
| C．The sky glow has been over-emphasized. | D．More participants are expected to join in. |
