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题型:阅读理解-阅读单选 难度:0.65 引用次数:53 题号:14842275

The Tiger Ying was a bronze water vessel (E-a) used in ancient China. Dating back some 3,000 years ago, it's a precious cultural relic. It is particularly special not only because its cap and spout(容器的嘴) were cleverly made into the shape of a tiger, but because such ancient practical bronze vessels are rare to find today.

Bronze vessels first appeared in China in the Xia Dynasty, which lasted from 2070 BC to 1600 BC. They reached their high use in the Shang and Zhou dynasties that covered a long period from 1600 BC to 221 BC. At that time,bronze vessels were used mostly in religious ceremonies. They had many functions, including food vessels, wine vessels, water vessels as well as musical instruments. Food vessels include Ding, a cooking vessel with two circle handles and three or four legs and Gui, a round mouthed vessel with two or four circle handles.

The bronze vessels needed to go through special processes (过程) to produce extremely beautiful features that are hard to achieve even today. They show the social productivity of that time. Since their production was limited, the number, size, function and combination style of bronze vessels all show social positions of their owners in ancient China.

Cultural relics can tell stories of history. For China, a country with a time-honored history, cultural relics are especially precious, since they stand for its several thousand years of civilization. However, statistics (数据) show that more than 10 million Chinese cultural relics have been lost overseas by various illegal means

We can 't change-history, but we can shape the future with friendship. For example, in 2013, the French Pinault family donated bronze rat and rabbit heads from the Old Summer Palace to China. A Japanese auction(拍卖)house in 2016 stopped the sale of Chinese cultural relics illegally obtained by Otani Kozui in the early 1900s.

We hope more Chinese cultural relics can be returned to China as soon as possible according to international agreement

Click here for more information

1. What makes The Tiger Ying special?
A.Its rare material.
B.Its long history.
C.Its design for part of the vessel
D.Its cultural effect
2. For how many years did bronze vessels serve in ancient China until Zhou dynasty?
A.1379B.1849.C.470.D.1821
3. What's the writer's attitude towards Chinese cultural relics?
A.To appreciate and protect.
B.To value and improve
C.To spread and exchange.
D.To admire and reproduce.
4. Where can we probably read the passage?
A.In a text book
B.In a tour brochure.
C.In a travel journal.
D.On a website page
【知识点】 文化保护 说明文

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阅读理解-阅读单选(约240词) | 适中 (0.65)

【推荐1】How does a place become a World Heritage Site (世界遗产)? It takes a lot of people to decide.

First, if a country wants one of its places to be on the List of World Heritage Sites, it has to ask the UNESCO (联合国教科文组织). The place must be important and special. The UNESCO put the Great Wall on the list in 1987 because, it said, it was a great part of Chinese culture and beautifully made to go with the land. When a country asks, it must also make a plan for taking care of the place.

Second, the World Heritage Committee of the UNESCO talks about different places and decides whether to put them on the list. The committee meets every June. Many experts help the committee to decide.

Third, after a new place goes on the list, the UNESCO gives money to help keep it looking good. If a place is in serious danger, it may be put on the List of World Heritage in Danger. The UNESCO gives special care and help to those places.

Then, countries have to give the UNESCO regular reports about places on the list. If the UNESCO thinks a country isn’t taking good enough care of a place, the site will be taken off the list.

1. What can we infer from the passage?
A.Becoming a World Heritage Site takes hard work.
B.A place with beautiful scenery is often on the List of World Heritage Sites.
C.A place which is taken good care of is often on the List of World Heritage Sites.
D.The Great Wall became a World Heritage Site for its long history.
2. If a place successfully becomes a World Heritage Site, the country ________.
A.can ask the UNESCO for more money and help
B.should continue to take special care of it
C.won’t take trouble to care for it
D.will try to put it on the List of World Heritage in Danger
3. What’s the passage mainly discussing?
A.How the World Heritage Committee of UNESCO decides a World Heritage Site.
B.How the World Heritage Committee of UNESCO protects a World Heritage Site.
C.How the Great Wall became a World Heritage Site.
D.How a place becomes a World Heritage Site.
4. What’s the purpose of putting a place on the List of World Heritage Sites?
A.To attract more tourists from other countries.
B.To get more money and help from other countries.
C.To have it taken better care of.
D.To make it known to other countries.
2019-10-29更新 | 74次组卷
阅读理解-阅读单选(约370词) | 适中 (0.65)
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文章大意:本文是一篇说明文。主要介绍了复活节岛人希望追回流失他乡异国的雕像的诉求,以及在世界范围内对文物归还问题的讨论。

【推荐2】In the middle of the Pacific Ocean lies a tiny, remote island whose most famous residents stand guard along the edges of the rocky land. These legendary islanders are actually massive stone statues called moai. There are more than 800 of them on Easter Island.

Carved by the Rapa Nui people, the sculptures—known for their oversized heads—represent Rapa Nui ancestors, and they are considered sacred by descendants of the ancient civilization who still live on the island today.

However, a few of the moai are missing from their native home. One statue has been on display at the British Museum in London, England, for about 150 years and is one of the institution’s most popular exhibits.

But that may not be the case for much longer. Rapa Nui leaders recently announced that they want the statue back. Their request is not unique. A great many museums around the world are facing similar pressure to return historical objects to their homelands.

The issue has raised a debate: Do ancient artifacts belong in the places they came from or should they be displayed in popular museums where millions of people can appreciate them?

Last year, France’s President Emmanuel Macron called for thousands of artworks in French museums to be returned to the countries in Africa from which they were taken without permission.

But many experts believe certain artifacts should remain in museums, which are more accessible for people. That’s one reason officials at the British Museum believe they should keep Hoa Hakananai’a, saying roughly 6 million people visit the British Museum annually—many to see the moai Meanwhile, only about 100,000 people tour the remote stretch of land each year.

Many experts also say that fragile ancient treasures are safer in museums. On Easter Island, for example, several of the moai are worsening because of centuries of rain and winds or harmed by tourists who touch them while taking selfies.

Still, most present-day Rapa Nui people believe Hoa Hakananai’a was stolen. To them, the statue is an important part of the is land’s history that should be returned.

1. According to the passage, moai are________.
A.They are guards to protect the island.
B.They represent leaders on Easter Island.
C.They trace history back to 150 years ago.
D.They connect Rapa Nui and their ancestors.
2. What is the attitude of France’s president to the return of artworks?
A.Doubtful.B.Supportive.C.NeutralD.Opposed.
3. Which of the following would the British Museum officials agree?
A.Ancient artifacts should be returned to their countries of origin.
B.Hoa Hakananai’a was not stolen but discovered by explorers.
C.Museums offer most people the chance to see famous artworks in person.
D.The oversized heads of Hoa Hakananai’a are the symbol of the civilization.
4. What can we learn from the passage?
A.Stone statues like moai can be restored better indoors.
B.Hoa Hakananai’a is the best exhibit at the British Museum.
C.Tourists are to blame for the damage of all ancient treasures.
D.The return of ancient artworks is being requested globally.
2023-03-14更新 | 152次组卷
阅读理解-阅读单选(约370词) | 适中 (0.65)

【推荐3】My brush was tiny, more like something you'd use for nail polish. That was suitable because I was struggling to paint the toenails of my dragon shadow puppet(皮影戏偶). Mao Zhongbo, our teacher, noticed my struggle and showed me how to keep my brush from becoming overloaded with pigment(颜料). It was an unexpected personal touch from the resident master at a Beijing hotel.

Shichahai Shadow Art Performance Hotel is a step back in time. Surrounded by a forest of sky scrapers, this little inn is in a hutong. Once you open its massive wooden doors, you enter a calm space that directs your gaze to the framed shadow puppet art that decorates the walls. The mission here is clear: to educate guests about a dying part of Chinese culture before it's too late.

I visited here last winter. As a theater lover, I hoped to get a behind-the-scenes look into a completely different performing art. The inn provides English interpreters who help make the cultural offerings accessible to its foreign guests. These include performances in the private puppet theater at the hotel and several classes taught by master Mao.

One night, I watched Mao and several other hotel employees perform the classic tale "“Turtle and Crane". The animals' supple(灵活的) movements made me forget that puppeteers controlled them. Afterward, I tried my hand at controlling the many sticks needed to make each puppet move effortlessly. My awkward attempts to operate several sticks at once showed why it takes years to master something that looks simple. I asked Mao whether anyone could learn to be a shadow puppet performer. He paused, then answered, "Like ballet, some have a talent for this and some don't. Making a puppet seem real comes from the hands, the brain and the heart." It also takes passion.

At the end of my stay, I went to the lobby to get my dragon shadow puppet. I noticed Mao giving a class to a group of local youngsters, confirming me in my belief that he would inspire a new generation of masters.

1. What was the author doing according to Paragraph 1?
A.Polishing her toenails.
B.Taking a shadow puppet class.
C.Learning Chinese painting skills.
D.Choosing pigment for her shadow puppet.
2. What is the inn aiming to do?
A.Find foreign lovers of shadow puppetry.
B.Save the dying art of shadow puppetry.
C.Make shadow puppetry easy to understand.
D.Attract buyers for the shadow puppets on its walls.
3. Which of the following describes puppeteers' work?
A.It is all about talent.
B.It is effortless but boring.
C.It looks easier than it is.
D.It involves dealing with animals.
4. What is the author's attitude towards the future of shadow puppetry?
A.Indifferent.B.Optimistic.
C.Suspicious.D.Pessimistic.
2021-06-19更新 | 39次组卷
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