John Dominis was one of the staff photographers of LIFE Magazine. He joined LIFE in 1950 and shot one of the most classic pictures of the 20th century; Tommie Smith and John Carlos giving the black power salute at the Olympics in Mexico.
Here, LIFE looks back at one of his lesser-known shoots—the African antelope, which was a cover story that earned him Magazine Photographer of the year in 1966 and later became a book. In the Editor's Note that accompanies the story. Dominis described how he was able to get the dramatic photo without a telephoto lens.
“I wanted to get low-angle shots that gave a dramatic sense of their speed. I built boxes and mounted cameras inside of them.” Dominis explained. “John and I worked for three weeks with them. We'd go a mile ahead of a herd and put down the boxes and hid them. Then we'd hide a quarter of a mile away and wait maybe for several hours. Meanwhile the light might change and there was no way I could change the exposure on the cameras. If the animal reached the boxes, I pushed the button that set off the cameras by a radio signal and ran off a whole roll of film. I must have exposed 40 rolls, but ended up with only one really good photo.”
The Briscoe Center recently acquired John Dominis's works. “These pictures and collections have something to say about how Americans perceive the outside world,” said Ben Wright of the Briscoe Center. “They are not only beautiful and interesting; they're historical evidence that help historians to understand the past with accuracy and integrity.”
1. What contributed to Dominis' winning Magazine Photographer of the year in 1966?A.His close cooperation with John. | B.His qualified skills in photography. |
C.His photo of the African Antelope. | D.His famous shots about the Olympics. |
A.Fixed. | B.Added. | C.Adjusted. | D.Focused. |
A.Signal to the radio. | B.Operate the camera remotely. |
C.Press the button on the camera. | D.Hide a quarter of a mile away. |
A.Strict and positive. | B.Flexile and modest. |
C.Curious and independent. | D.Creative and determined. |
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【推荐1】Art researchers have found a hidden painting of a man under one of Pablo Picasso's masterpieces,The Blue Room.By using infrared(红外线的)imagery they discovered that the hidden man under the painting was a man with his face resting on his hand.Now the question that scientists at the Phillips Collection hope to answer is simple.Who is he?
The finding of the hidden man in The Blue Room leads to new research about the 1901 painting,which was created by Picasso in Paris at the start of his blue period of unhappiness.Researchers discovered that the hidden man was painted in a reworked composition by Picasso.They are sure that it is not a self-portrait. They think it might be the Paris art dealer AmbroseVillard who hosted Picasso's first show in 1901,but there's no record or evidence to prove this,so the research continues.
Hidden pictures have been found under other important Picasso's paintings,such as la Vie and Woman roning.A technical analysis of La Vie at the Cleveland Museum of Art also found that Picasso reworked the painting's composition.And scientistsfound a portrait of a man under Picasso's painting Woman lroning at the Guggenheim Museum in Manhattan.
Dorothy Kosinski,director of the Phillips Collection,said more new knowledge about Picasso's paintings can be discovered through high-tech cooperation(合作)among museums. "Our audience are curious about the high-tech research because it can help them know more about the paintings. It's giving them a doorway to make them understand Picasso's paintings more, " she said." The more we can understand,the greater our appreciation of the paintings will be."
1. What can we know about the hidden man in The Blue Room?A.He first showed up in 1901. |
B.He is Ambrose Villard from Paris. |
C.Nobody knows for sure who he is. |
D.He was not painted by Pablo Picasso. |
A.They are painted by Dorothy Kosinski. |
B.They have a hidden picture under them. |
C.They are exhibited at the same museum. |
D.They have a hidden self-portrait in them. |
A.people learn little about Picasso's paintings |
B.high-tech cooperation among museums is necessary |
C.nobody is interested in the hidden man in Picasso's painting |
D.the high-tech research attracts more attention than Picasso's paintings |
A.the audience are curious about the doorway of the museums |
B.the research on Picasso's works can add mystery to him |
C.more people will be crazy about researching Picasso's life |
D.the high-tech research can help people know more about Picasso's paintings |
【推荐2】The National Gallery
Description:
The National Gallery is the British national art museum built on the north side of Trafalgar Square in London. It houses a diverse collection of more than 2,300 examples of European art ranging from 13th-century religious paintings to more modern ones by Renoir and Van Gogh. The older collections of the gallery are reached through the main entrance while the more modern works in the East Wing are most easily reached from Trafalgar Square by a ground floor entrance.
Layout:
The modern Sainsbury Wing on the western side of the building houses 13th- to 15th-century paintings, and artists include Duccio, Uccello, Van Eyck, Lippi, Mantegna, Botticelli and Memling.
The main West Wing houses 16th-century paintings, and artists include Leonardo da Vinci , Cranach, Michelangelo, Raphael, Bruegel, Bronzino, Titian and Veronese.
The North Wing houses 17th-century paintings, and artists include Caravaggio, Rubens, Poussin, Van de Dyck, Velázquez, Claude and Vermeer.
The East Wing houses 18th- to early 20th-century paintings, and artists include Canaletto, Goya, Turner, Constable, Renoir and Van Gogh.
Opening Hours:
The Gallery is open every day from 10 am to 6 pm (Fridays 10 am to 9 pm ) and is free, but charges apply to some special exhibitions.
Getting There:
Nearest underground stations: Charing Cross (2-minute walk), Leicester Square (3-minute walk), Embankment (7-minute walk), and Piccadilly Circus (8-minute walk).
1. In which wing can you see religious paintings?A.In the West Wing | B.In the North Wing |
C.In the East Wing | D.In the Sainsbury Wing |
A.The National Gallery is the biggest British national art museum. |
B.The Gallery is open every day from 10 am to 6 pm. |
C.The Gallery is completely free. |
D.There are four exhibition areas in the National Gallery. |
A.A museum guide. | B.An artist magazine. |
C.A news report. | D.A tourist map. |
【推荐3】The values of artistic works, according to cultural relativism(相对主义), are simply reflections of local social and economic conditions. Such a view, however, fails to explain the ability of some works of art to excite the human mind across cultures and through centuries.
History has witnessed the endless productions of Shakespearean plays in every major language of the world. It is never rare to find that Mozart packs Japanese concert halls, as Japanese painter Hiroshige does Paris galleries, Unique works of this kind are different from today’s popular art, even if they began as works of popular art. They have set themselves apart in their timeless appeal and will probably be enjoyed for centuries into the future.
In a 1757 essay, the philosopher David Hume argued that because“the general principles of taste are uniform(不变的) in human nature,”the value of some works of art might be essentially permanent. He observed that Homer was still admired after two thousand years. Works of this type, he believed, spoke to deep and unvarying features of human nature and could continue to exist over centuries.
Now researchers are applying scientific methods to the study of the universality of art. For example, evolutionary psychology is being used by literary scholars to explain the long-lasting themes and plot devices in fiction. The structures of musical pieces are now open to experimental analysis as never before. Research findings seem to indicate that the creation by a great artist is as permanent an achievement as the discovery by a great scientist.
1. According to the passage, what do we know about cultural relativism?A.It introduces different cultural values. |
B.It explains the history of artistic works. |
C.It relates artistic values to local conditions. |
D.It excites the human mind throughout the world. |
A.great works of art can go beyond national boundaries |
B.history gives art works special appeal to set them apart |
C.popular arts are hardly distinguishable from great arts |
D.great artists are skilled at combining various cultures |
A.Are Artistic Values Universal? |
B.Are Popular Arts Permanent? |
C.Is Human Nature Uniform? |
D.Is Cultural Relativism Scientific? |
【推荐1】Some of the world’s most talented musicians have played concerts at Lincoln Center. On September 10, the center hosted a unique class of star musicians: kids and teens. The young players are part of the World Peace Orchestra, or WPO. The group held its first Music for Peace concert in New York City, with 134 students from more than 60 countries taking part. Musicians were chosen from all over the world.
The World Peace Orchestra began in 2013. The nonprofit group brings kids together using the common language of music. To be considered for the orchestra, students first had to be recommended by their teachers and then audition online for a group of judges. Once chosen, professional musicians and teachers then worked with the players to improve their skills.
Some of the young musicians played classical instruments, such as violins and flutes. Others played instruments unique to their home country. For example, Amold Mugo, 16, from Kenya, played an instrument called the djembe. The drum is originally from West Africa. Mugo said he was shocked when he learned he was chosen for the orchestra. “I can’t express how I felt. I was rolling on the floor. It’s a once in a lifetime opportunity,” he said.
Adomas Hendrixson, 13, from Lithuania, played piano for the WPO. Before the New York City performance, Hendrixson talked about what he hoped to take away from the event. “Fun and joy-- people smiling and clapping,” he said.“This is one of the only times in your life this could happen and I'm very excited.”
Mugo says his favorite part of the WPO is making new friends from around the world. “I hope when I go home, I just take a little bit of every friend that I made here-- Brazil, Portugal, Queens,” Mugo said, “I hope that I take part of their culture home with me so I understand them more.”
1. Who is most likely to have played for the WPO according to this passage?A.Li Ming, 16, a student from China. |
B.Daniel, 44, a judge from America. |
C.Edward, 21, a clerk from Australia. |
D.Catherine, 32, a teacher from England. |
A.performed best for the WPO. |
B.has learned some foreign culture. |
C.was eager to be chosen for a second time. |
D.received a great award for his performance. |
A.Kids were good at playing music. |
B.Mugo liked making foreign friends. |
C.Concerts were played at Lincoln centre. |
D.Young musicians played for peace. |
【推荐2】Life expectancy (寿命) in Africa rose by nearly 10 years in the first two decades of this century, according to the World Health Organization. “This rise is greater than in any other region of the world during the same period,” the WHO said.
In the year 2019, the average African could expect to live to be 56. However, that is still well below the global average of 64 years. WHO official Lindiwe Makubalo warned the life expectancy gains could easily be lost unless countries strengthen and make greater investments in the development of health care systems.
Makubalo said Africa has made a good start over the past two decades. On average, she said, access to essential services like basic health care improved to 46% in 2019 compared with 24% in 2000. “Other factors include improvements in reproductive, newborn and child health care, as well as advances in fighting infectious (传染的) diseases, such as TB, malaria and HIV.”
While progress has been made in preventing and treating infectious diseases, the report found health services for non-infectious diseases are lagging. It says the great rise in diabetes, cancer and other non-infectious diseases could jeopardize (危害) health gains if those conditions continue to be ignored.
The report says the COVID-19 outbreak has brought about greater damages to essential health services in Africa compared to other regions of the world, which might affect healthy life expectancy.
“It is important that significant improvements are made in health services, and governments ensure quality, equal and accessible services for all,” Makubalo said.
According to the report, some progress has been made in achieving universal health coverage, but it is far from enough. Health officials say one of the key measures to improve access to health services is for governments to increase their public health budgets. That, they say, would reduce the huge out-of-pocket expenses by families that are pushing millions of people into poverty.
1. What was the average life expectancy of people in Africa in 2000?A.46. | B.54. | C.56. | D.64. |
A.Plenty of food supplies. |
B.Improvement in basic health services. |
C.Easier access to clean drinking water. |
D.Progress in fighting against non-infectious diseases. |
A.Unique. | B.Independent. | C.Informal. | D.Underdeveloped. |
A.Positive. | B.Uncertain. | C.Concerned. | D.Pessimistic. |
【推荐3】Effective monitoring of endangered species is key to their survival. Studying the movement, range and habits of wild animals is essential in order to ensure their habitat remains free from poachers (偷猎者) and development. Traditional methods of monitoring wild animals, especially large ones, include radio-tagging. To do this, individual animals must at first be captured so that collars or tags can be fitted.
One organisation that adopted this technique was WildTrack. In the late 1990s, the team was using radio-collars to monitor black rhino in Namibia. However, the team soon realised that the chemicals used to immobilize the rhino in order to fit the collars had a negative impact on female fertility. Not only that but a large proportion of the radio-collars failed within the first 6 months and had to be replaced. Moreover, as animals grew, the collars would tighten, irritating or even hurting the animal. The method was not only expensive, but it was also counterproductive, as it changed the rhino’s behaviour, thus invalidating (使失效) the data collected. At the same time, the team was working alongside local trackers. Animal tracking is one of the oldest human skills, and these experts had years of experience in identifying individual animals by their footprints. They could effectively create a true picture of individual rhinos’ activities without the use of any invasive techniques. Consequently, the team were interested to know whether the trackers’ knowledge could be successfully translated into an effective, computerised technique for monitoring animal movement.
Within each species, each individual has its own unique foot characteristics, in the same way that humans have fingerprints. Thus, if an animal is sighted and identified just once, and the characteristics of its footprints properly photographed and measured, its footprint can be recognised whenever it is sighted again. If done repeatedly, conservationists can draw up a database of all, or at least a significant proportion of the individuals within the population. After that conservationists can use it to identify an animal and its movements by its print. The data gathered can be used for a range of purposes, for example to monitor biodiversity. WildTrack is currently using footprint identification technology in Greece to study the potential effect of a large highway construction through brown bear habitat.
Identifying an animal from its footprint is not without its challenges, however, as each time the individual places its foot on the ground, it leaves a slightly different track, according to the type of ground it is walking on, moisture levels and the way it is moving. In order to account for these variations, it is necessary to collect several tracks from each individual, including impressions from all four feet, on a range of surfaces.
1. Compared with radio-collars, traditional animal tracking ________.A.is less accurate |
B.costs more money |
C.has less side effects |
D.depends more on computers |
A.needs more data to run better |
B.develops from radio-collars |
C.has not been put into practice |
D.works under certain environment |
A.Technology holds the key to development. |
B.Traditional skills make better conservationists. |
C.Animal tracking sets a new trend in conservation. |
D.Creativity lies in the combination of the old and new. |
A.To present WildTrack’s extraordinary work. |
B.To provide a new way of monitoring animals. |
C.To compare two different methods of catching animals. |
D.To explain how to identify animals footprints effectively. |