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Mr Titterton is chairman of the Omega Ensemble but has been the group’s official page turner for the past four years. His job is to sit beside the pianist and turn the pages of the score so the musician doesn’t have to break the flow of sound by doing it themselves. He said he became just as nervous as those playing instruments on stage.

“A lot of skills are needed for the job. You have to make sure you don’t turn two pages at once and make sure you find the repeats in the music when you have to go back to the right spot.” Mr Titterton explained.

Being a page turner requires plenty of practice. Some pieces of music can go for 40 minutes and require up to 50 page turns, including back turns for repeat passages. Silent onstage communication is key, and each pianist has their own style of “nodding” to indicate a page turn which they need to practise with their page turner.

But like all performances, there are moments when things go wrong. “I was turning the page to get ready for the next page, but the draft wind from the turn caused the spare pages to fall off the stand,” Mr Titterton said, “Luckily I was able to catch them and put them back.”


Which of the following best describes Titterton’s job on stage?
A.Boring.B.Well-paid.C.Demanding.D.Dangerous.
21-22高三下·全国·假期作业 查看更多[1]

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【推荐2】By day, Robert Titterton is a lawyer. In his spare on stage beside pianist Maria Raspopova — not as a musician but as her page turner. “I’m not a trained musician, but I’ve learnt to read music so I can help Maria in her performance.”

Mr Titterton is chairman of the Omega Ensemble but has been the group’s official page turner for the past four years. His job is to sit beside the pianist and turn the pages of the score so the musician doesn’t have to break the flow of sound by doing it themselves. He said he became just as nervous as those playing instruments on stage.

“A lot of skills are needed for the job. You have to make sure you don’t turn two pages at once and make sure you find the repeats in the music when you have to go back to the right spot.” Mr Titterton explained.

Which of the following best describes Titterton’s job on stage?
A.Boring.B.Well-paid.
C.Demanding.D.Dangerous.
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【推荐3】Seated at the grand piano in MIT’s Killian Hall last fall, first-year student Jacqueline Wang played one piece of Mozart’s music. When she’d finished, Mi-Eun Kim, a pianist and lecturer at MIT, asked her to move to the back of the hall. Kim tapped at an iPad. Suddenly, the music Wang had just played poured forth again from the piano - its keys sinking and rising just as they had with Wang’s fingers on them. Wang stood with a confused expression, taking in a repeat of her own performance.

This unusual lesson took place during a three-week residency (驻留期) of the Steinway Spirio|r, a piano that obtains the data of live performances and offers students new possibilities for studying and experimenting with music.

Wang was one of several participants to have the experience of hearing herself play while watching the data of her performance move up and down across a screen: color-coded rectangles (矩形) indicating the speed and duration of each note, and a moving line charting her use of the damper pedal (阻尼踏板). Wang could even edit her own performance when Kim suggested her rhythmic use of the pedal might be unnecessary. Using the iPad interface to erase the pedaling entirely, they listened to the playback again, the notes gaining new clarity,

For Wang, the session introduced an element she’d never experienced since beginning her piano studies. The visual display of how long each key was played and with what speed gave her a more precise demonstration of the ideas of voicing and evenness.

Playing the piano is one of the most complex activities that humans do with their hands. Some people might think the new technology will replace the pianist. In Kim’s view, that human complexity is complemented by this kind of technical possibility. But it doesn’t mean all of the things that go into learning music will be abandoned. It’s going to be an invaluable third partner: the student, the teacher, and the Spirio | r. It’s going to play a necessary role in lots of musical efforts.

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B.She got her performance reviewed on the Spirio|r.
C.She was asked to comment on her performance.
D.Her teacher instructed her to improve her skills.
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