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题型:阅读理解-阅读单选 难度:0.65 引用次数:94 题号:18840259

As William Shakespeare is to literature in English, so is the poet Du Fu to the Chinese literary tradition. “We have Dante, Shakespeare and Du Fu. These poets create the very values by which poetry is judged,” remarked Harvard Professor Stephen Owen in Du Fu: China’s Greatest Poet, a BBC documentary that aired on April 7.

Aimed at introducing the charm and beauty of traditional Chinese literature to viewers around the globe, the documentary invited the famous British actor Ian McKellen, who played the wizard Gandalf in the film series The Lord of the Rings, to read 15 of Du’s poems that have been translated into English.

The one-hour film traces the poet’s life experiences in detail. Born in 712, Du lived in the reign of the Emperor Xuanzong of Tang(712—756), a time marked by extraordinary prosperity, inclusiveness and glorious cultural accomplishments.

However, as An Lushan’s rebel army floored the empire, the 43-year-old Du, the former civil servant at the Tang court, had to take his family out of his hometown, and faced starvation and sufferings. Through ups and downs, the poet never stopped writing and about 1,500 poems have been kept over the ages.

Even though he never held a high position in the government, Du still cared about common people. For example, in the poem My Cottage Unroofed by Autumn Gales, he wrote that “Could I get mansions covering ten thousand miles, I’d house all poor scholars and make them beam with pleasure”.

That is why he is honored as the Poet Sage by later generations. A difficult life and his spirit of concern about the world helped him create so many masterpieces,” Shi Wenxue, a cultural critic based in Beijing, told the Global Times.

Without doubt Du is a cultural symbol of ancient China, but his brilliant works and core spirits have also inspired people outside China. As the documentary notes, his work represents a precious cultural heritage for the entire world, not just China.

1. What can we know about the documentary?
A.It introduces Shakespeare.
B.Du Fu is acted by Ian McKellen in it.
C.Its target audience is Chinese.
D.It shows 15 of Du Fu’s poems to the audience.
2. What does the underlined word “That” in paragraph 6 refer to?
A.The concern about common people.
B.My Cottage Unroofed by Autumn Gales.
C.The low position in the government.
D.The sentence of the poem.
3. What inspired Du’s creation most according to Shi Wenxue?
A.His work experience.
B.Hard life and his caring spirit.
C.An Lushan’s rebel army.
D.The Tang Dynasty’s cultural background.
4. In which section of a website may this text appear?
A.Entertainment.B.Health.
C.Literature.D.Science.

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阅读理解-阅读单选(约390词) | 适中 (0.65)
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【推荐1】As a Fulbright(富布莱特法案基金)scholar at Yale, I wanted very much to get some individual help from some famous professors, but their office-hours were only once a week and there were always students waiting outside. At first, I was too polite to get their help. Then I realized that Chinese politeness does not work in this society. I needed to be aggressive to get what I wanted. I also noticed that Chinese students or Asian students were very polite in class while American students often interrupted the professor, asking questions and dominating the discussion. The Chinese students were not as aggressive as American students.

I was impressed by the role of the professor in the class. The professor didn’t act as an authority, giving final conclusions, but as a researcher looking for answers to questions together with the students. One linguistic feature of his interacting with his students was that he used many modal verbs-far more than I did in Beiwai. When answering questions, he usually said: “this is my personal opinion and it could be wrong. It would be a good idea if you could read the book I mentioned the other day.” Or,“ You may find the book I recommended helpful.” Or,“You could be right, but you might find this point of view also interesting.” When making comments on students’ performances, the professor usually said:” It might have been much clearer if you had taken in some of the ideas we discussed earlier this semester.”

In China, authorities are always supposed to give wise decisions and correct directions. Therefore students always expect the professor to give an answer to the question. I still remember how annoyed they were when foreign teachers did not provide such an answer. Their expectations from authorities are much higher than those of American students. Once the Chinese students got the answer, they were sure about it. That is why they make far more certain statement than American students. That is why Chinese students find it difficult to use modal verbs because the function of modal verbs is to provide room for negotiation and different ideas.

1. The American professors use many modal verbs because they want to______.
A.argue with their students
B.be more sure about their answers
C.express their ideas more clearly
D.develop their students’ own way of thinking
2. Which of the following statements best expresses the author’s idea?
A.Chinese professors can always give correct answer to the question.
B.American professors are not responsible since they don’t give students answers.
C.American education produces aggressive students.
D.Education in China is not helpful in developing students’ creativity.
3. Which of the following methods did the author mainly employ in developing the article?
A.Comparison and contrast.B.Cause and effect.
C.Giving examples.D.Description.
4. What is the author’s attitude towards education in U.S.?
A.PositiveB.Negative
C.NeutralD.Unsure
2017-10-11更新 | 137次组卷
阅读理解-阅读单选(约350词) | 适中 (0.65)
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文章大意:本文是说明文。介绍了杨金龙致力于发扬和传播传统艺术形式——陕西快板。

【推荐2】This is a typical (典型的) day for Yang Jinlong.

At 9 a. m., he drives to primary schools and middle schools in Xi’an, Shaanxi Province, to teach students about Shaanxi kuaiban. It is a traditional Chinese form of storytelling to the rhythm (节奏) of bamboo clapper (响板), which the art form is named after. Sometimes, he helps students prepare for competitions. Usually, his classes run until about 6 p. m. and then he returns home to prepare classes for the next day.

On June 10, the Ministry of Culture and Tourism announced 325 national intangible cultural heritage (非物质文化遗产) items in Beijing, increasing the list to1, 557 items. Shaanxi kuaiban, which appeared during the late Qing Dynasty, has been included. The form has been introduced to local schools as part of their art education.

Yang has been teaching young people the art form since 2003 after graduating from the National Academy of Chinese Theatre Arts in Beijing. He studied quyi there. Quyi is a general term for Chinese folk art forms, including storytelling crosstalk and clapper talk.

“Art education is important for students in China. Just as many students learn to play Western musical instruments like the piano and vioiin, there are many people learning traditional Chinese folk arts, including Shaanxi kuaiban, which I’ll work for my whole life,” he said.

Kuaiban is popular in northern China, including Beijing and Tianjin. According to Yang, Shaanxi kuaiban was influenced by the art of different areas. The art form can be played by a group of players or only one. With one or two pairs of kuaiban of different sizes in hand, the players speak in the local dialect (方言) while telling stories, which are usually about heroes. The player tells stories while playing kuaiban, and it’s easy for the watchers to remember the stories since all the lines rhyme.

Thanks to artists like Yang, this traditional Chinese form of storytelling is passed on and stays alive in our country.

1. Why is today a typical day for Yang Jinlong?
A.He is teaching students about kuaiban as usual.
B.His work starts at 9 and lasts 6 hours like every day.
C.He is preparing for a kuaiban competition today.
D.His life today is as busy and boring as every day.
2. Which of the following about Shaanxi kuaiban is TRUE?
A.It is named after the Shaanxi dialect.
B.It is listed in the national intangible cultural heritage.
C.It is more popular than the piano and violin in northern China.
D.It is played to tell stories usually about common people.
3. Which of the following best describes Yang Jinlong?
A.Devoted.B.Stressed.C.Generous.D.Curious.
4. Why does the writer report Yang Jinlong’s story?
A.To show how to play Shaanxi kuaiban in the local dialect.
B.To tell the difference between Chinese and Western arts.
C.To prove that kuaiban players are living a busy life.
D.To praise the work of spreading traditional Chinese art.
2023-05-24更新 | 89次组卷
阅读理解-阅读单选(约500词) | 适中 (0.65)
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【推荐3】Learning how to cope with death has always been a central part of human existence. Even the Pixar movie Coco bases its story on the Mexican traditions of Dia de los Muertos. In this article, you will find out why and how Mexicans celebrate the Day of the Dead.

I once visited the Museum of Mummies in the Mexican city of Guanajuato with a Swedish friend. The mummies were displayed among fake cobwebs ( 蜘 蛛 网 ), and other cheap adornments (装饰物). Confronted with this seeming lack of respect for the dead, I explained to my shocked companion that Mexicans have a peculiarly different relationship with death to other cultures. As the Nobel Prize-winning Mexican writer Octavio Paz explained in his work:

“The Mexican ... is familiar with death, jokes about it, caresses it, sleeps with it, and celebrates it. True, there is as much fear in his attitude as in that of others, but at least death is not hidden away: he looks at it face to face, with impatience, disdain (鄙视) or irony.”

The celebration of the Day of the Dead — a week of festivities from 28 October to 2 November — is an essential part of this embracement of death that is particular to Mexican national identity. The popular belief is that the dead have divine permission to visit friends and relatives on earth and enjoy once again the pleasures of life. Therefore, Mexicans visit the graves of families and friends and adorn them with colorful flowers and offerings of food. The period is a joyous celebration of life, rather than a sober mourning of its passing.

The origins of the festival lie in the 16th-century fusion of the Aztecs’ belief in death as merely one part in the wider cycle of existence, their ritual venerations (仪式崇拜) and offerings to   the goddess Mictecacihuatl   (“Lady of the Dead”) for   the deceased, and the Spanish conquerors’ desire to accommodate these festivities within the Catholic celebrations of All Saints’ Day and All Souls’ Day.

In a country as socially and geographically diverse as Mexico, there is significant regional variation in the nature of festivities: the southern state of Chiapas is far more likely to focus its efforts on processions ( 队 伍 ) and public commemorations( 纪 念 ) of death than the valley of

Mexico, where the decoration of altars ( 供 坛 ) in homes and tombs of the deceased is more popular. Urbanization, too, plays a large role in regional variations. For the south and rural areas the period holds far greater social and cultural significance than in the north and large cities; families and communities in rural areas will often spend large parts of the year preparing for the occasion.

1. Why does the author say “Mexicans have a peculiarly different relationship with death to other cultures?”
A.Because Mexicans always show their respect for death in the form of mummies.
B.Because Mexicans do not fear death or respect it.
C.Because adornments like flowers can be seen everywhere during the Day of the Dead.
D.Mexicans face death bravely rather than hide it away.
2. Which statement is NOT true according to the origins of the Day of the Dead?
A.It was the Aztecs who determined how to celebrate the Day of the Dead.
B.The Aztecs believed death was part of the wider cycle of existence.
C.The Aztecs would give offerings to the goddess of death for their lost loved ones.
D.The Spanish conquerors wanted to fit the festivities into some of their Catholic celebrations.
3. Why do Mexicans visit the graves of families and friends and offer colorful flowers and food?
A.Because they can ask God to permit the dead to visit them in this way.
B.To celebrate the joy of new life in spring.
C.Because the dead will be permitted to visit their families and enjoy the pleasure of life again.
D.Because this is an essential part of embracement of death.
4. Which of the following explains the role that urbanization plays in the regional variations of celebrating the Day of the Dead?
A.People in the south and rural areas put more emphasis on the occasion.
B.People in the valleys usually decorate the alters in homes and the tombs of the dead.
C.People in the north and big cities spend large part of the year preparing for the celebration.
D.The southern states do not care about the decoration of alters at home.
2020-06-18更新 | 76次组卷
共计 平均难度:一般