组卷网 > 高中英语综合库 > 主题 > 人与社会 > 文化 > 文化保护
题型:阅读理解-阅读单选 难度:0.65 引用次数:142 题号:18874976

For Lydia Koniordou, a famous Greek actress and former Greek minister of culture and sports, cultural preservation is essential to help people know who they are and learn what they should do in the future.

“The taller you want to grow, the deeper your roots must be. Our cultural past is our roots. If we don’t have really strong roots and depth in our perception (认识) of our identity, we cannot grow. Without these roots, we will be torn out very easily with the currents,” she told the journalist in a recent interview, adding cultural heritage is in fact very much alive and relevant today.

Speaking of her teaching experience overseas, Koniordou said she was very much impressed by her Chinese students when she gave seminars on ancient Greek tragedy at the Shanghai Theatre Academy in 2014-15. When the students worked on Alcestis, an Athenian tragedy by ancient Greek playwright Euripides, they thoroughly researched the costumes they would be wearing, the set, and the lights, among others, she recalled. “I feel they evolved and were transformed by this experience as I was transformed. They did not just play a role, but created a whole world and that is why the production had so much interest also for the spectators,” she said.

Koniordou participated in the production of Euripides ‘Electra’ together with Greek director Kostas Tsianos. “Tsianos did something very important for Greek culture. He connected folk forms of art, folk dances, songs and poetry with our classical past. We presented this performance in many places around the world, and the feeling that it stirred in the audience was quite similar, even though they didn’t always understand the language,” she said.

The Chinese civilization is a huge tree with very deep roots, and Greece also has a rich ancient civilization, she said, adding she believes that the two countries could promote cooperation and exchanges in many fields, such as in preservation of antiques.

1. What can we learn from paragraph 2?
A.Cultural heritage is easily damaged.
B.The importance of cultural preservation.
C.The taller growth wants the deeper roots.
D.We are easily torn out with the currents.
2. What did Koniordou do in Shanghai?
A.She played a role and was loved by the spectators.
B.She researched the costumes, the set, and the lights.
C.She studied the art of Chinese performance as a student.
D.She promoted the students’ understanding of Greek culture.
3. Why did Koniordou cooperate with Kostas Tsianos?
A.To indicate her friendship with Tsianos.
B.To show Koniordou was also expert at directing.
C.To popularize and promote traditional Greek culture.
D.To introduce the art achievement of Tsianosin.
4. What will the text probably talk about in the following part?
A.Cultural preservation in China.
B.The way to preserve cultural heritage.
C.The introduction of other Greek art productions.
D.Cooperation between Chinese and Greek culture.
【知识点】 文化保护 新闻报道

相似题推荐

阅读理解-七选五(约290词) | 适中 (0.65)
文章大意:这是一篇说明文。文章主要说明了建筑与文化的关系,并举例进行了说明。

【推荐1】Relations between Architecture and Culture

A country is not only identified by its people and government, but also by its architecture.     1     For example, when one thinks of India, we think of the Tahj Mahal. The Egyptians are another amazing example. Their environment and culture produced the great pyramids. How do modern cultures produce and maintain such beautiful architecture?

Slovenians gained independence in 1991. The country is now economically the most progressive one. It is now helping to modernize the factories and by doing so has actually helped lower poverty rates. Generally, their world around them is modernizing.     2     Everyday life focuses in the squares, churches and the marketplace. These Slovenian towns have many well-preserved buildings with styles of architecture dating back from the 1100’s. Many churches such as Sticna Abbey and Podsreda Castle are magnificent examples of the Roman architecture.

    3     For centuries, homes have been made out of mud houses built along the main dirt road. The roof could be used for an oven, to hold chickens, or just as storage. Cairo, one of the larger cities, the older parts of it are still the heart of Egypt although built with Islamic and Coptic monuments.

Chinese architecture probably has the most cultural influence. Traditionally buildings were designed for its width, not its height. Every important building is guarded around a large wall to protect their assets. While ordinary dwellings are grey and dull, palaces and places of importance are quite colorful.     4     Each Chinese home has their entrance at the front and facing the east with a screen because it is believed that spirits travel straight and cannot go through screen.

Every culture can inspire a type of architecture that can range from landmarks to everyday homes. Religion and family seem to be the most common influences overall.     5    

A.Architecture is a product of cultural diversity.
B.The purpose of a south-facing entrance is to avoid north winds.
C.Through architecture it’s possible to judge many things about a culture.
D.However, the center of their town is ironically the older parts of the city.
E.Architecture is not always defined as large but simply a home sometimes.
F.Tradition and religion are the largest pieces to the Chinese culture and architecture.
G.Each culture is unique and the more we learn about them, the more we appreciate our surroundings.
2022-07-08更新 | 148次组卷
阅读理解-阅读单选(约420词) | 适中 (0.65)
文章大意:这是一篇说明文。文章讲述了厄瓜多尔设计公司 Al Borde 的一项复苏项目,他们将一列老旧的火车改造成了一个移动文化中心。
【推荐2】

Old trains are very attractive and mysterious, whether it’s because of their history and their function or simply because they look so fierce and huge. Many old derailed trains have been transformed into anything like homes, art galleries and even amusement parks. As part of a recovery program to restore a failed railway, Ecuadorian design firm Al Borde transformed a tired, old train into a mobile cultural center, which they call “Wagon of Knowledge” (Vagon del Saber).

Selected by the Ecuadorian(厄瓜多尔)Ministry of Culture and Heritage, the community oriented project is to reactivate settlements along its route. After more than a decade of absence, these areas not only recover a means of communication but are enhanced economically, as the cultural promoters use the train car as an activator of public space and a meeting point for the locals. The multifunctional nature of the carriage — it is without a strictly defined architectural program and can therefore be designed flexibly — allows for musical performances, theater shows, training programs and celebrations.

The train was renovated(修复)to achieve the greatest number of uses with the minimum number of elements.

A public square and a theater with a capacity of 60-80 people, as well as work spaces for 20 users were incorporated by attaching three extensions to the train: a roof with several deployment( 部 署 )options, retractable furniture and two storage spaces — simple systems operated by the cultural romoters turn the cart into their desired requirements. Set to travel around the route, the cultural unit will begin to accumulate and facilitate new stories.

Intended to move from place to place without a strict set of limitations to define its use, it becomes something flexible that adapts to the needs of the moment, so that it “carries neither goods nor tourists, but culture and public space”. As we can see here, there are a lot of possibilities, thanks to various interchangeable components that can allow the train to shift from conference space to a performance venue in a snap.

It’s a creative way to give new life to a historically important train that was once even derailed, and to ensure that it can keep on serving the public. One more thing, people don’t have to go to this public space; it will travel to come to them.

1. Why did the design firm Al Borde carry out the project?
A.To boost the local tourism.
B.To sharpen rural people’s communication skills.
C.To bring communities along the railroad line to life.
D.To provide recreation for the community residents.
2. What makes the multipurpose train possible?
A.Advanced architectural design techniques.
B.The railway systems that are easy to operate.
C.Flexible construction features of the train car.
D.The financial assistance provided by cultural promoters.
3. How does the old train meet different requirements?
A.By extending the length of the carriage.
B.By adding three components to the train.
C.By freely changing the position of the roof.
D.By expanding the seating capacity of the train.
4. What can we know about “Wagon of Knowledge” from the passage?
A.It used to be the meeting point for the locals.
B.It can perform different working functions.
C.It was used to carry goods and tourists.
D.It will stay in one place to entertain locals
5. What does the author think about the project?
A.It is meaningful.
B.It is large-scale.
C.It is pioneering.
D.It is impressive.
2023-01-04更新 | 134次组卷
阅读理解-阅读单选(约260词) | 适中 (0.65)
名校
文章大意:这是一篇新闻报道。文章主要说明了中国西南部著名的三星堆遗址的发现表明,该地区的古蜀国文明与玛雅文明有相似之处。文章介绍了蜀国和玛雅文明的相似之处,以及保护这两个遗址的共同挑战和交流的重要性。

【推荐3】Discoveries at the famous Sanxingdui ruins in Southwest China show that the region’s ancient Shu Kingdom Civilization shared similarities with the Maya.

The Sanxingdui ruins, located in the city of Guanghan, about 60 kilometers from Chengdu, belonged to the Shu Kingdom that existed at least 4,800 years ago and lasted more than 2,000 years, while the Mayan civilization built its city states around 200 AD.

The bronze-made remains of trees unearthed at the ruins of the Shu Kingdom resemble the sacred ceiba tree, which symbolied the union of heaven, earth and the underworld In the Mayan civilization. “They are very important similarities,” says Santos, a Mexican archaeologist, stressing that “the representations of tees in both cultures provide a symbolism that is very similar”.

One notable feature of the recent discoveries at Sanxingdui was the cross-subject work and technology applied by teams of Chinese archaeologists, which allowed the unearthing of artifacts as fragile as silk remains, which other types of less careful digging methods would not have been able to manage.

Cooperation between Chinese and Mexican archaeologists could benefit projects in the Maya world, where the rainy climate and humidity are problematic for the conservation of ruins.

“Every time our cultural knowledge increases, regardless of whether we speak one language or another, what it shows us is that we continue to be sister cultures and, therefore, the exchange of such knowledge is fundamental,” says Santos.

1. What is a similarity between the Shu Kingdom and Maya civilization?
A.Their starting time.B.Their historical origins.
C.Their cultural symbols.D.Their ceremony traditions.
2. What is a common challenge for the conservation of both ruins?
A.Damp weather.B.Positioning of ruins.
C.High latitude.D.Language barriers.
3. What is the focus of Santos quote in the last paragraph?
A.The future of the China-Mexico cooperation.
B.The benefits of speaking a different language.
C.The importance of the exchange of cultural knowledge.
D.The increasing sisterhood in culture between China and Mexico.
4. Where is this text most likely from?
A.Ahistorical novel.B.A newspaper.C.A research review.D.A guidebook.
2022-04-23更新 | 327次组卷
共计 平均难度:一般