组卷网 > 高中英语综合库 > 主题 > 人与社会 > 文化 > 文化保护
题型:阅读理解-阅读单选 难度:0.65 引用次数:60 题号:18887647

Bactrian camels (骆驼) in the Gobi usually give birth to a baby camel every second year. But because of the terrible weather conditions, it is common for a mother or baby to die during or after delivery. The result is often lonely babies and sad mothers who need one another.

After centuries in the desert, the locals have developed a unique musical practice (惯例) when they want a mother camel to accept a newborn baby camel. When the practice starts, a musician plays his instrument, usually a Mongolian flute. The mother and baby are tied together, and another musician begins to sing: “khuus, khuus, khuus.”

At first, the mother either pays no attention to the baby or treats it badly. The “coaxer (劝诱者),” at this point,changes the music based on the behavior. The singer begins to copy the sound of the camel’s walking, running and voices. After many hours of this, the mother and baby are in tears, and are joined for life.

However, each year fewer and fewer young peopel are willing to learn and pass on this tradition. In addition, more and more Mongolian families are sending daughters away to study and live in cities, and those who leave almost never return. The young men who remain in the desert struggle then to find wives and raise families that can help raise camels and keep the traditions alive. On top of that, many have discovered that motorbikes are cheaper than camels. All of this are killing the traditional way of life.

A few Mongolians have turned to the United Nations to help save this practice. In 2015, they added it to their “List of Intangible Cultural Heritage in Need of Urgent Safeguarding,” but it’s hard to know what influence this can have beyond recognizing the existence of the practice.

1. Why do the locals develop the Mongolian practice?
A.To help baby camels get along with hosts.
B.To make mother camels give birth more often.
C.To calm down mother camels during delivery.
D.To strengthen mother and baby camels’ relationships.
2. What can be inferred about the coaxing practice?
A.It requires great skills.
B.It lasts for a few days.
C.The music is slow and sad.
D.The practice is still popular today.
3. Why is the practice in danger?
A.Because of the useless of camels.
B.Because of the difficulty of the practice.
C.Because of the changes in locals’ lifestyle.
D.Because of the terrible weather in the desert.
4. What’s the attitude of the author towards the practice?
A.Confident.B.Uncertain.
C.Enthusiastic.D.Upset.
【知识点】 文化保护 说明文

相似题推荐

阅读理解-阅读单选(约350词) | 适中 (0.65)
文章大意:本文是一篇说明文。文章主要介绍了联合国教科文组织将意大利歌剧演唱及其他来自世界各地的文化遗产列入其非物质文化遗产名录。

【推荐1】UNESCO has added Italian opera singing, along with more than 50 other practices from around the world, to its list of Intangible (无形的) Cultural Heritage. The agency created the list in 2008 to help safeguard traditions, festivals, rites of passage, art forms and other practices across the globe. It also recognizes culturally and historically significant buildings, structures and properties with its well-known list of World Heritage Sites. It originates from the 2003 Convention for the Safeguarding of Intangible Cultural Heritage, which is celebrating its 20th anniversary in 2023.

With UNESCO’s decision, opera singing joins several other Italian traditions on the list, like pizza making. “Performed by people of all genders, Italian opera singing is associated with specific facial expressions and body gestures and involves a combination of music, drama, acting and staging,” writes UNESCO.

The practice dates back to the Medici family in Florence in the late 16th and early 17th centuries. Jacopo Peri’s Dafne, which was performed for the Medicis in 1598, is considered the first Italian opera. “This is a confirmation of what we’ve already known: Opera singing is a world excellence,” says Gennaro Sangiuliano, Italy’s culture minister, in a statement.

A wide variety of cultural practices, food dishes and festivals also made the list at UNESCO’s Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage meeting in Botswana. The committee narrowed down nominations submitted by 72 nations, ultimately selecting 55 to add to the list. The full list now includes 730 practices from 145 countries. Six of the new additions are “in need of urgent safeguarding”, according to UNESCO. These include Syrian glassblowing, olive cultivation in Türkiye and a traditional Malaysian performance called Mek Mulung. The non-urgent additions include several annual events, such as the Rotterdam Summer Carnival in the Netherlands, the Sango Festival of Oyo in Nigeria, the Junkanoo in the Bahamas and the Shuwalid festival in Ethiopia.

1. Why was Italian opera singing added to the UNESCO’s list?
A.To prove its perfection.B.To preserve this art form.
C.To strengthen its competitiveness.D.To celebrate this art’s 20th anniversary.
2. What does UNESCO mention about Italian opera singing in paragraph 2?
A.Its features.B.Its prospects.C.Its origin.D.Its cost.
3. What can we infer about Italian opera singing from Gennaro Sangiuliano’s words?
A.It has a long history.B.It awaits confirmation.
C.It has received high recognition.D.It comes from a well-known performance.
4. Which of the following is the best title for the text?
A.The Art Forms in Italy
B.The Introduction to UNESCO
C.730 Practices Are Ready to Be Added to the UNESCO’s List
D.The UNESCO’s List Welcomes Italian Opera Singing & Other Practices
2024-02-18更新 | 51次组卷
阅读理解-阅读单选(约300词) | 适中 (0.65)
文章大意:本文是新闻报道。文章主要讲述巴黎圣母院的画作修复工作。

【推荐2】In a working site near Paris, several people are busy cleaning a canvas (画布), trying to correct the pains of time: the repairing of 22 paintings of Notre-Dame (巴黎圣母院) which was damaged by a fire in April 2019, is “a race against time”.

The project of repairing these works, which must be returned to the building for its reopening in 2024, is a unique one compared to others.

“Two years may seem like a long time, but that’s the time it takes to do the job of simply one canvas like The Triumph of Job, which is behind us,” one expert Laurence said, pointing out the huge work several meters high by the Italian artist Guido Reni, which was hung behind her back.

“You do not touch a canvas without knowing its medical history”, underlines Lavit, heritage curator (馆长) at the Center of research and repair of the Museums of France.

Once this history is known, the paintings move on to cleaning. The protector-repairer Pasquali stresses that it is a team effort.

Opposite her is Hulot, an expert in repair. One object of his attention is The Martyrdom of Saint Bartholomew by French artist Lubin Baugin. His job is to make sure that the canvases do not break.

Meanwhile, another team takes care of the frames. “The heat of the fire dried and weaken the wood,” comments Galopin.

Once all these steps have been completed, the paintings are stored in a special room. It takes between 8 and 10 people to move them safely. They will remain there until the reopening of the church.

1. What do we know about the repair work?
A.Its focus is on cleaning a canvas.
B.It is considered as the pains of time.
C.It is different from all other projects.
D.Its working site is in the city of Paris.
2. Why does the writer say the repair work is “a race against time”?
A.The paintings were badly damaged in the 2019 fire.
B.Workers need to spend two years studying one canvas.
C.The huge work of an Italian artist should be returned soon.
D.The project is to be completed by the reopening of the church.
3. How many paintings are mentioned in the text?
A.One.B.Two.C.Three.D.Four.
4. Which one of the following is the last step of the project?
A.Moving on to cleaning.
B.Taking care of the frames.
C.Storing the paintings in a room.
D.Getting to know its medical history.
5. Which section of a newspaper is the text most probably taken from?
A.Travel and Experience.B.Art and Culture.
C.Science and Technology.D.History and Legend.
2023-02-22更新 | 141次组卷
阅读理解-阅读单选(约300词) | 适中 (0.65)
名校

【推荐3】Should we allow modern buildings to be built next to older buildings in a historic area of a city? In order to answer this question, we must first examine whether people really want to preserve the historic feel of an area. Not all historical buildings are attractive. However, there may be other reasons --- for example, economic reasons --- why they should be preserved. So, let us assume that historical buildings are both attractive and important to the majority of people. What should we do then if a new building is needed?

In my view, new architectural styles can exist perfectly well alongside an older style. Indeed, there are many examples in my own home town of Tours where modern designs have been placed very successfully next to old buildings. As long as the building in question is pleasing and does not dominate (影响) its surroundings too much, it often improves the attractiveness of the area.

It is true that there are examples of new buildings which have spoilt (破坏) the area they are in, but the same can be said of some old buildings too. Yet people still speak against new buildings in historic areas. I think this is simply because people are naturally conservative(保守的)and do not like change.

Although we have to respect people’s feelings as fellow users of the buildings, I believe that it is the duty of the architect and planner to move things forward. If we always reproduced what was there before, we would all still be living in caves. Thus, I would argue against copying previous architectural styles and choose something fresh and different, even though that might be the more risky choice.

1. What does the author say about historical buildings in the first paragraph?
A.They have nothing to do with the historic feel of an area.
B.Most of them are too expensive to preserve.
C.They are more pleasing than modern buildings.
D.Some of them are not attractive.
2. By “move things forward” in the last paragraph, the author probably means“_______”
A.Destroy old buildings
B.Choose new architectural styles
C.Put things in a different place
D.Respect people’s feelings for historical buildings
3. What is the main purpose of the passage?
A.To explain why people dislike change.
B.To warn that we could end up living in caves.
C.To admit how new buildings have ruined their surroundings.
D.To argue that modern buildings can be built in historic areas.
2017-05-16更新 | 76次组卷
共计 平均难度:一般