Everyone gathered around and Paddy read out loud, slowly, his tone growing sadder and sadder. The little headline said: BOXER RECEIVES LIFF SENTENCE.
Frank Cleary, aged 26, professional boxer, was today found guilty of the murder of Albert Gumming, aged 32, laborer, last July. The jury (陪审团) reached its decision after only ten minutes, recommending the most severe punishment to the court. It was, said the Judge, a simple case. Cumming and Cleary had quarreled violently at the Harbour Hotel on July 23rd and police saw Cleary kicking at the head of the unconscious Gumming. When arrested, Cleary was drunk but clear-thinking.
Cleary was sentenced to life imprisonment with hard labour. Asked if he had anything to say, Cleary answered, “Just don’t tell my mother.”
“It happened over three years ago,” Paddy said helplessly. No one answered him or moved, for no one knew what to do. “Just don’t tell my mother,” said Fee numbly (麻木地). “And no one did! Oh, God! My poor, poor Frank!”
Paddy wiped the tears from his face and said. “Fee, pack your things. We’ll go to see him.”
She half-rose before sinking back, her eyes in her small white face stared as if dead. “I can't go,” she said without a hint of pain, yet making everyone feel that the pain was there. “It would kill him to see me. I know him so well — his pride, his ambition. Let him bear the shame alone, it’s what he wants. We’ve got to help him keep his secret. What good will it do him to see us?”
Paddy was still weeping, not for Frank, but for the life which had gone from Fee’s face, for the dying in her eyes. Frank had always brought bitterness and misfortune, always stood between Fee and himself. He was the cause of her withdrawal from his heart and the hearts of his children. Every time it looked as if there might be happiness for Fee, Frank took it away. But Paddy’s love for her was as deep and impossible to wipe out as hers was for Frank.
So he said, “Well, Fee, we won’t go. But we must make sure he is taken care of. How about if I write to Father Jones and ask him to look out for Frank?”
There was no excitement in the eyes, but a faint pink stole into her cheeks. “Yes, Paddy, do that. Only make sure he knows not to tell Frank we found out. Perhaps it would ease Frank to think for certain that we don’t know.”
1. Paddy cried because he thought ________.A.what had happened to Frank was killing Fee |
B.Frank should have told Fee what had happened |
C.Frank did kill someone and deserved the punishment |
D.Frank had always been a man of bad moral character |
A.Fee was so heart-broken that she could hardly stand up |
B.Fee didn’t want to upset Paddy by visiting Frank |
C.Fee struggled between wanting to see Frank and respecting his wish |
D.Fee couldn’t leave her family to go to see Frank |
A.The jury and the judge agreed on the Boxer’s Sentence of Life Imprisonment. |
B.Frank didn’t want his family to know the sentence to him, most probably out of his pride. |
C.The family didn’t find out what had happened to Frank until 3 years later. |
D.The police found Gumming unconscious, heavily struck by Frank. |
A.Frank is Fee’s son and Paddy is Fee’s brother. |
B.Frank is Fee’s lover and Paddy is Fee’s husband. |
C.Frank is Fee’s brother and Paddy is Fee’s lover. |
D.Frank is Fee’s son and Paddy is Fee’s husband. |
相似题推荐
【推荐1】Last month, my husband and I completed what some of our friends considered a foolish task: a 32-day, 5, 232-mile camping trip with children in our Volkswagen van, without ''high-tech'' to occupy the children.
It was the screen less journey that showered me with doubts. But is ''boredom'' senseless? My friend Renee, who has driven cross-country with her three kids eight times, calls boredom the mother of creativity. She's not the only one who sees virtue in blank time. In a recently published paper, researchers at East Anglia University in England concluded that the trance like (发呆的) state helps recharge the mind and is ''central to learning and creativity''. I wasn't trying to make my kids smarter. Neither do I dislike high-tech. But I understand too well the power of mini screens to transform our kids into zombies (木讷的人) .
On Day 1, our 7-year-old son announced ''Texas is so boring!''. The next day, struggling against his seat belt, he yelled he couldn't take much more of this. His 5-year-old sister was better at the long hours playing make-believe with the stuffed animals. On Day 3, he began count mountains and see pandas and dolphins in distant clouds in the Texas sky. I often joined the kids in the back, where we did thumb-and-toe wrestle. With well-known mountains ahead, my husband told the children the past legends of them. ''Arizona is not as boring as Texas,'' our son declared.
I hope the trip gave kids some lazy, unstructured time to learn something about valuing the trip instead of looking for the fastest way to burn it up. I don't always make the right call as a parent but I know that in banning the small screen we made the right choice this time.
1. Why did the author choose a high-tech free journey?A.Her friends are highly against it. |
B.She disliked advanced technology. |
C.She feared the passive influence of mini-screens. |
D.The researchers proved the harm of modern technology. |
A.Their son got worse at boredom. |
B.Her kids had a tough time riding in the vehicle. |
C.Their son relieved himself by watching animals outside. |
D.The time spent without screens strengthened the family bond. |
A.the speediest route to finish the journey |
B.the ability to observe the surroundings |
C.the interest of playing games with others |
D.the choice of killing time by playing digital devices |
A.Is Driving Long Distances Good for Children? |
B.A Touching Cross-country Trip of My Family |
C.What's Wrong with Boredom without High-tech? |
D.Creative Kids out of Parents' Reasonable Choice |
【推荐2】Jeff was diagnosed in 2010 with multiple myeloma(多发性骨髓瘤). It is a disease that is usually noticed when grandpa falls and breaks his hip. The average patient is in his early 70s. But Jeff was only 50 when diagnosed.
“I wondered why me, as a young guy?” Jeff says. But his relative youth and good health has put him in a position to fight the disease in his way.
In January Jeff and his wife Ramona will join a team climbing to the top of Mount Kilimanjaro to raise awareness and funds for the Multiple Myeloma Research Foundation. It’s an adventure he’s dreamed about since the 4th grade.
Jeff will be one of four in the group who are myeloma patients not willing to be threatened by cancer. He and Ramona have raised nearly $18,000 toward their combined goal of $20,000.
Still, he’s confident that his earlier marathon training has prepared him to climb the highest free-standing mountain in the world. “I just have to deal with it and understand my limitations.” he says.
What Jeff sees is a clear future. “Having cancer narrows the focus about what we want to do and who we want to do it with.” he says. He and Ramona now ask themselves, “How do we go out and live the most fulfilling lives? Who are the most important people in our lives? What brings us joy?”
Climbing Mount Kilimanjaro is their next adventure, but Jeff knows it won’t be just a personal accomplishment. “I do these things for all the people who can’t.” he says.
Jeff is certain that his passion for hiking and adventure will take him to the top of Mount Kilimanjaro and that his story will inspire those with multiple myeloma to keep sight of who they are beyond their diagnosis.
“It’s obvious to me,” he says, “that this is part of my fate.”
1. What can we know about multiple myeloma according to the text?A.It’s a deadly disease that can’t be cured. |
B.It’s a disease that usually occurs around the age of 50. |
C.It’s a disease that only affects men. |
D.It’s a disease that Jeff has fought against on his terms. |
A.To get enough physical training to be stronger. |
B.To show love for climbing high mountains. |
C.To express determination to overcome the disease. |
D.To raise awareness and money for the organization. |
A.Worried | B.Optimistic | C.Favorable | D.Indifferent |
A.Part of fate. | B.Power of willingness. |
C.Love for adventure. | D.An unusual disease. |
【推荐3】Mark Bertram, 46, lost the tips of two fingers at work in 2018 when his hand became trapped in a fan belt. “It's life-changing but it's not life-ending,” he says. “Doing work is harder now. Everything is just a little different.”
After two surgeries and occupational therapy, Bertram decided to make light of his condition by asking Eric Catalano, a tattoo (纹身) artist, to create fingernail tattoos. The idea made everyone in the studio laugh—until they saw the final result. “The mood changed,” Catalano recalls from his Eternal Ink Tattoo Studio. “Everything turned from funny to wow.”
When Catalano posted a photo of the tattoos, a pair of fingernails that looked so real that no one could believe their eyes, he had no idea the image would eventually be viewed by millions of people around the world.
The viral photo pushed Catalano, 40, further into the world of paramedical (辅助医疗的) tattooing. Now people with life-altering scars come from as far away as Ireland to visit his shop. They enter Eternal Ink looking for the artistic healing they saw online. Using flesh-toned (肉色的) inks and a needle, Catalano transforms his clients' view of themselves.
Leslie Pollan, 32, a dog breeder in Oxford, was bitten on the face by a puppy in 2014. She underwent countless surgeries to correct a scar on her lip.
“Plastic surgery gave me no hope,” she says. “So I looked for other options.” She ultimately traveled six hours to meet with Catalano. He hid Pollan's lip scar, giving her back a piece of her confidence.“ You don't understand until you've been through it,” Pollan says. “It made me have a different look on life.”
Catalano performs up to eight reconstructive tattoos. While he charges $100 per regular tattoo, he doesn't charge for paramedical tattoos. “Financially, it doesn't make sense,” Catalano says. “But every time I see that emotion from my customers, I'm 100 percent sure this is something that I can't stop doing.”
1. What best describes people's attitude when first hearing of fingernail tattoos?A.Indifferent. | B.Ridiculous. |
C.Confident. | D.Surprised. |
A.He drew an artistic puppy. |
B.He inked scars on her face. |
C.He created a lip tattoo. |
D.He performed plastic surgeries on her. |
A.Cosmetic surgery is of no use. |
B.Tattoos earn Mark Bertram a good fame. |
C.Catalano is a kind and generous person. |
D.Fingernail tattoos are popular around the world. |
A.A Life-changing Event | B.Miracle Tattoos |
C.An Amazing Artist | D.A Promising Business |
Writing in the late 1800s, Jules Verne was remarkably successful in his 10 guesses about future technologies of air conditioning, automobiles, the Internet, television, and underwater, air, and space travel. Unbelievably, of all places from which to choose, Jules Verne guessed Tampa, Florida, USA as the launching site of the first project to the Moon, which was only 200 kilometers away from the actual 1969 location at Cape Canaveral, Florida.
One of the best-known science fiction books is Nineteen Eighty-Four by George Orwell. Published in 1949, it was not meant as a prediction, but as a warning: Orwell was describing what he saw as the outcome of the ideas, trends, and emerging technologies of his time. Many invented terms from this novel have become common in everyday use, such as “big brother” and “doublethink”. Even the author’s name has been made into an adjective—Orwellian—and has become a warning descriptor for situations where privacy is lost and the individual has no power and is completely controlled by the government. Nineteen Eighty-Four was translated into sixty-five languages within five years of its publication, setting a record that still stands.
What helps bring science fiction into being is usually a new discovery or innovation. The author creates an analysis of the potential influence and consequences and then wraps it in a pleasant story. For example, the beginning of space exploration was followed a few years later by the Star Trek television program and movie series. The science fiction author’s self-determined role is search the world of future possibilities upon the road which we are traveling.
1. From the first paragraph, we know that science fiction might be ________.A.a forecast of how a new discovery could influence mankind |
B.a brief review of the present drawbacks of technology |
C.a thoughtful look at the past and a prediction of the future |
D.an analysis of how a new technology could be used to harm human. |
A.A prediction of future technologies. |
B.A warning of unfair and cruel ruling. |
C.The motive of scientific development. |
D.An imaginary perfect world of freedom. |
A.H.G. Wells predicted the Internet in the late 1800s |
B.Nineteen Eighty-Four adopted some popular terms |
C.Star Trek movie series were based on space exploration |
D.Cape Canaveral was mentioned in Jules Verne’s fiction |
A.A reference of technology. |
B.A moral compass. |
C.A record of science development. |
D.A form of thinking about possibilities. |
【推荐2】I arrived home from work, my mind racing. I was scheduled to perform an experiment using a pricey piece of equipment, but I had spent the whole day worrying about the experiment which was on the top of my agenda, and I amazingly longed to shut off my anxious thoughts. So after dinner, I made a cup of hot chocolate, stretched myself on my sofa, and opened a page. Almost instantly, my mind left behind the details of experimental design and stepped into a land of monsters, magic dust, and man-like bears comprising a wonderful world distinct from my daily life. It was exactly what I needed.
Growing up, I was virtually never a big fan of novels. My classmates would be crazy about the latest Harry Potter book, while my copy sat collecting dust on a shelf. Instead, I would choose to read through the reference books related to my disciplines for better grades. After I started graduate school, extracurricular reading didn’t appeal to me at all but I spent most of my time on campus digesting research papers and textbooks and my mind couldn’t handle processing fact-filled nonfiction books at home, too. So I knew that I needed to find a way to enjoy reading again.
To help me stick with it, I made a New Year’s resolution: I would read two fiction books per month for the entire year. The result was an almost instant appreciation of fiction, along with many unexpected results including ones that have benefited my schoolwork.
What surprised me the most was how much I learned. Some of the best books I read were historical fictional stories happening in a realistic historical setting. I learned about life in different countries as well as struggles people there faced during difficult periods in their histories. The books have helped me build sympathy and understanding, with an unexpected benefit: I’ve started to think more deeply about the diversity of issues in the scientific community and could serve it, heart and soul.
1. What did the author do to wipe out the anxiety?A.He drowned it in chocolate. | B.He escaped into a fantasy world. |
C.He slept on the sofa leisurely. | D.He conducted an experiment. |
A.Reading novels was a waste of time. |
B.Reading a good book was time well spent. |
C.He was too busy to take good care of his books. |
D.The Harry Potter book wasn’t as good as expected. |
A.More sympathy went out to him. |
B.His moral values were strengthened. |
C.He learned much about religious diversity. |
D.He gained new insight into his academic discipline. |
A.Overestimated | B.Underestimated | C.Favourable | D.Temporary |
【推荐3】During a judging period for a recent short story contest, I started thinking a lot about dialogue tags. Because in many submissions characters didn’t “say” a thing. They shouted, they inquired, they assumed. Some characters screamed while others murmured. But no one “said” anything. And I started wondering why.
Why do we tell beginner writers to avoid creative dialogue tags in the first place? Why do we insist that characters should stick to “said,” “asked,” and the occasional “sighed?” And, if the advice is so oft-repeated, why are writers still unable to resist the siren call of weep, scream, snap, or laugh?
The more I thought about it, the more I understood the temptation. We’re always encouraged to use strong, actionable verbs in our prose. Why walk when you can skip or wander? Why cry when you can sob on weep? Why wouldn’t we reach for exciting verbs instead of mild-boring dull-blah said? Why couldn’t each verb be a tiny sparkling gem in its own right?
The problem, I think, is that every jewel needs a setting to become something more than the sum of its parts. Without something to provide structure, a collection of the world’s most glorious diamonds would still only amount to a heap of rocks.
And a dialogue tag should never, ever be the diamond in any given sentence.
Dialogue is your diamond, friends. When we read your work, your dialogue should be so bright, so sparkling, so lifelike, so wonderfully realistic that our brains “hear” each line instead of merely reading it. We don’t need to be told a character is shouting - we can sense it in the way they spit out words, clench fists, or storm from the room.
A dialogue tag is a mere signpost along the narrative journey, gently indicating who said what. It’s part of a story’s experience, but it’s not part of the story itself, nor should it be treated as such. Dialogue tags are similar to lighting in a Broadway play: without it, the audience would have no idea what was going on, but it usually strives to shine without calling too much attention to itself.
What’s more, readers may not initially imagine a particular line being “sobbed.” When we reach the end of a sentence and find out our leading lady has actually sobbed instead of whispered, it pulls us right out of the story. We pause. We reread the line. We adjust our understanding and begin again. But that wonderful momentum when we’re fully immersed in the scene, holding our breath to find out what our heroine says next, is lost.
Creating a successful work of fiction is about giving the reader all the materials they need to build your fictional world in their mind and not a scrap more. Readers need believable dialogue. They need voices so compelling that they pop right off the page and into our ears. And if you’ve created dynamic characters who speak words we can really hear you will never need to tell us how something was said.
Senior Editor
1. According to the Senior Editor, the beginner writers are tempted to __________.A.replace a dull “said” with exciting verbs |
B.omit what the character said in a dialogue |
C.resist the warning against strong emotions |
D.overuse the word “said” in their submissions |
A.glorious diamonds | B.heaps of rocks |
C.tiny, sparkling gems | D.Broadway play lighting |
A.The dialogue tag “say” can help keep readers immersed in the plot. |
B.A dialogue tag indicates a character’s way of speech is part of narration. |
C.Writers should state in the dialogue whether the character sobbed or whispered. |
D.Readers are advised to imagine the scene after rereading the line in a dialogue. |
A.dynamic characters’ voices are quoted from people’s exact words in real life |
B.creative dialogue tags play a vital role in building a realistic fictional world |
C.the more materials a work fiction contains, the more successful it is |
D.what was said should be prioritised over how it was said |