1 . A robot with a sense of touch may one day feel “pain”, both its own physical pain and sympathy for the pain of its human companions. Such touchy-feely robots are still far off, but advances in robotic touch-sensing are bringing that possibility closer to reality.
Sensors set in soft, artificial skin that can detect both a gentle touch and a painful strike have been hooked up to a robot that can then signal emotions, Asada reported February 15 at the annual meeting of the American Association for the Advancement of Science. This artificial “pain nervous system,” as Asada calls it, may be a small building block for a machine that could ultimately experience pain. Such a feeling might also allow a robot to “sympathize” with a human companion’s suffering.
Asada, an engineer at Osaka University, and his colleagues have designed touch sensors that reliably pick up a range of touches. In a robot system named Affetto, a realistic looking child’s head, these touch and pain signals can be converted to emotional facial expressions.
A touch-sensitive, soft material, as opposed to a rigid metal surface, allows richer interactions between a machine and the world, says neuroscientist Kingson Man of the University of Southern California. Artificial skin “allows the possibility of engagement in truly intelligent ways”.
Such a system, Asada says, might ultimately lead to robots that can recognize the pain of others, a valuable skill for robots designed to help care for people in need, the elderly, for instance.
But there is an important distinction between a robot that responds in a predictable way to a painful strike and a robot that’s able to compute an internal feeling accurately, says Damasio, a neuroscientist also at the University of Southern California. A robot with sensors that can detect touch and pain is “along the lines of having a robot, for example, that smiles when you talk to it,” Damasio says. ‘It’s a device for communication of the machine to a human.” While that’s an interesting development, “it’s not the same thing” as a robot designed to compute some sort of internal experience, he says.
1. What do we know about the “pain nervous system”?| A．It is named Affetto by scientists. | B．It is a set of complicated sensors. |
| C．It is able to signal different emotions. | D．It combines sensors and artificial skin. |
| A．Delivered. | B．Translated. | C．Attached. | D．Adapted. |
| A．Robots can smile when talked to. |
| B．Robots can talk to human beings. |
| C．Robots can compute internal feelings |
| D．Robots can detect pains and respond accordingly. |
| A．Machines Become Emotional | B．Robots Inch to Feeling Pain |
| C．Human Feelings Can Be Felt | D．New Devices Touch Your Heart |
2 . According to statistics published by the BPI (Buying Power Index) a couple of months ago, digital streaming (流媒体) now accounts for 80 percent of the music consumption in the UK. Despite the incredible growth of online streaming platforms like iTunes, Apple Music and Tidal over the past 15 years, a more traditional medium has also seen a return of interest and sales in the music industry. In 2020, almost one in five of all albums purchased in the UK is vinyl (黑胶唱片), and it has once again become the most popular physical musical medium.
With digital streaming so easy and convenient, why are so many people drawn to traditional records? Some experts claim that vinyl is a physical medium for experiencing music, something tangible (有形的) to hold and own. For most people, having something tangible and interacting with it gives depth to the experience of music. Listening to an album and touching it the way the artist intended can make them feel more connected to the music and the artist. Records are physical products that can be not only displayed but also gifted, shared, traded and passed down through generations.
Sound quality is another hot topic. A lot of music lovers feel that the analogue sound (模拟声音) vinyl offers is superior to modern digital audio, particularly with regards to the compressed formats streaming platforms use. There’s a common belief that old-school analogue audio has a warmer, fuller sound than digitised music. For vinyl followers, the very defect traditional recorders often have, such as the familiar crackle (劈啪作响) when the record starts, bring the music to life in a different way.
There’s a ritualistic aspect to vinyl that a lot of people are drawn to, too. The act of putting a record on—carefully removing the record from the sleeve, placing it on the record player and gently dropping the needle on the right groove (凹槽)—is a more assiduous (一丝不苟的), mindful way of engaging with music. When you’re listening to vinyl, you can’t tap a button and go about your day while the streaming service provides hours of music. You need to stay close to the record player to move the needle and flip the record over.
It’s clear that the vinyl interest is well underway, and vinyl records are truly making a comeback. In an increasingly digital society, there’s something to be said for analogue experiences. Perhaps one of the great things about being alive in the 21st century is our ability to have the best of both worlds—the timeless appeal of physical records alongside the easy access to vast music libraries that streaming offers.
1. What are the statistics published by the BPI used to show?| A．An increase in music consumption. |
| B．The recovery of music industry. |
| C．A comeback of a physical medium. |
| D．The acceptance of online streaming. |
| A．It attracts people by its realistic feel. |
| B．It offers simple access to different music. |
| C．It shares a new way to enjoy music. |
| D．It provides people with perfect sound effect. |
| A．Overlooked by society. |
| B．Updated very frequently. |
| C．Performed as part of a ceremony. |
| D．Kept for a long time without changing. |
| A．Traditional records will get underway. |
| B．The analogue experiences may matter more. |
| C．Vinyl sales will boom with technological advance. |
| D．There should be a good mix of old and new. |
