1 . In March 2020, as the snowstorm held steady, David Hockney released a painting of bright yellow daffodils (黄水仙) titled “Do Remember They Can’t Cancel the Spring”. In the midst of such depression, it offered a burst of optimism, reminding us that nature, with rebirth and renewal, could still offer hope.
Hockney has long appreciated the natural world. “We can only refresh ourselves by looking at nature,” he has said. A mere 20 minutes in a natural environment has been proven to lower stress levels. Even looking at paintings of nature can produce the same effect, so it is no surprise that visitors have been crowding into Hockney-Van Gogh: The Joy of Nature at The Museum of Fine Arts. “The freeze brought everything to a pause and people’s faces just light up when they walk into the museum,” says Ann Dumas, planner of the Houston show.
The exhibition explores the two artists’ response to nature as well as Van Gogh’s obvious influence on Hockney. The response to nature for both artists was influenced by a switch of scene. When Van Gogh moved to France, he made the colour breakthroughs that led to the vividly coloured landscapes. Similarly, Hockney’s return to Yorkshire gave him a renewed appreciation for the local landscapes that he has depicted (刻画) in his own unique colors.
Hockney has said: “I’ve always found the world quite beautiful. And there’s an important thing I share with Vincent Van Gogh: we both really, really enjoy looking at the world.” Perhaps unsurprisingly their themes frequently overlaps (交叠), “We have a beautiful painting by Van Gogh of some tree trunks: he seems to be lying on the ground and in front of him is a great carpet of wildflowers,” says Dumas. Hockney explored the same theme in his The Arrival of Spring in Woldgate, East Yorkshire, 2011, in which “all the wildflowers are really lively”. says Dumas. The painting, with its thick greens and branches tipped with leaves, is one of the highlights of the show. “People are spellbound.” says Dumas, “They see it very much as about hope.”
1. What effect would “Do Remember They Can’t Cancel the Spring” have on viewers?| A．Thrilling. | B．Disturbing. | C．Shocking. | D．Inspiring. |
| A．Because paintings of nature help to reduce pressure. |
| B．Because Van Gogh’s masterpieces are on show. |
| C．Because the freeze outside is unbearable. |
| D．Because visitors tend to follow the crowd. |
| A．They were deeply influenced by others. |
| B．They were good at painting tree trunks. |
| C．They found the world quite beautiful. |
| D．They reacted actively to nature with the change of scene. |
| A．Dumas thinks highly of Hockey. | B．Van Gogh is famous for the Starry Night. |
| C．Hockey’s work brings hope to people. | D．Both of the artists enjoy observing the world. |
2 . The moment he saw an organ, Wolfgang Amadeus Mozart knew what to do with it, Aged six, already skilled at the clavier（键盘乐器）, he came across pedals （踏板） and stops for the first time in an Austrian church. Within moments he was playing an accompaniment and composing on the spot freely. In the following year, 1763, an official in Heidelberg was so astonished by his organ-playing that he had a plate carved for his church to mark the boy's visit. Mozart composed his first symphony at eight.
Youthful promise often declines. With Mozart the opposite was true. Through him classical music may have found its most ideal expression. As Jan Swafford writes in his outstanding biography, Mozart's compositions displayed “a kind of effortless perfection so easily worn that they seem almost to have written themselves”. He drafted quickly, often without needing to revise. He “could express delight by the yard”. A man of his time, Mozart was equally at home composing for the concert salon or the opera stage.
He is the subject of many biographies, but the leading one, by Hermann Aber, is 100 years old and 1, 600 pages long. Safford, himself a composer and a programme-writer, offers an updated and authoritative life, easy to understand, beautifully written, and full of critical judgments and sharp notes on the works.
Mozart' s way with melody （旋律） and keen view of human nature-his letters reveal an almost Dickensian ability to paint characters-combined to promote opera from desserts to a serious medium, the author argues. “His wisdom, his ability to observe people and their weaknesses, his fascination with the craze for love - al this made him the perfect composer" of the form, Mr Swafford thinks.
He was admired in his time. Most of his music stuck to conventional structures yet went over the heads of the average listener. Legend has it that his most important fan, Emperor Joseph II, reacted to one performance with an impressive comment: “Too beautiful for our ears, my dear Mozart!”
1. What does paragraph 1 mainly discuss?| A．The true origin of the symphony. |
| B．Musical instruments in Mozart's time. |
| C．Mozart's remarkable talent for music. |
| D．A friendship between Mozart and an official. |
| A．They sounded perfect. | B．They expressed his criticism. |
| C．They were created hurriedly. | D．They should be performed outdoors. |
| A．By comparing contemporary musicians' works. |
| B．By giving professional and accessible comments. |
| C．By including the remarks of Emperor Joseph II. |
| D．By referring to other writers' constructive advice. |
| A．Creating music for folk stories. |
| B．Inspirations for Dickens' works. |
| C．Reforms of conventional structures. |
| D．Transforming opera to a serious art form. |
