1 . Musicals in Washington’s Historic National Theatre in 2020
The Last Ship
$49—$154
THE LAST SHIP, inspired by Sting’s 1991 album “The Soul Cages” and his own childhood experiences, tells the story of a community in Tyne and Wear. Sting will star and perform the role at every performance. It features an original score with music and lyrics by Sting as well as a few of his best-loved songs: “Island of Souls” “All This Time” and “When We Dance”. Learn more at TheLastShipMusical.com.
Recommended for ages 13 and up.
Run time: Approximately 2 hours, 30 minutes.
The King’s Speech
$54 — $104
THE KING’S SPEECH is based on the true story of King George VI’s struggle with a speech problem and the friendship he formed with his doctor, Lionel Logue. With the Nazi threat coming and civil unrest at home, royal secrets explode around the King as he appeared onto the world stage.
Recommended for ages 13 and up.
Run time: Approximately 2 hours, 50 minutes.
Blue Man Group
$64—$124
At BLUE MAN GROUP, you’ll rock, laugh, and party! As three blue men explore our world, together we’ll discover music, comedy and surprises at every turn. It is perfect for audiences of all ages and cultural backgrounds, and returns to D.C. with new music, fresh stories, custom instruments like never before.
Recommended for ages 4 and up.
Run time: Approximately 1 hour, 30 minutes
Summer: The Donna Summer Musical
$54—$114
Donna Summer was a girl from Boston with a voice from heaven. With a score featuring more than 20 of Summer’s classic hits including “Love to Love You Baby”, “Bad Girls” and “Hot Stuff”, this electric experience is a moving tribute to the voice of a generation.
Recommended for ages 13 and up.
Run time: Approximately 1 hour, 40 minutes
1. In which musical can you enjoy the song “All This Time”?| A．The King’s Speech. | B．The Last Ship. |
| C．Blue Man Group. | D．Summer: The Donna Summer Musical. |
| A．Tuesday, Feb. 11. | B．Friday, March 27. |
| C．Sunday, May 17. | D．Wednesday, July 22. |
| A．$49 — $154. | B．$64 — $124. | C．$54— $104. | D．$54 —$114. |
2 . Now in 2019, jazz music is an important part of Indianapolis’ art culture. Jazz clubs around the city still host concerts with local jazz musicians like Rob Dixon and Joel Tucker. One of these clubs, the Chatterbox Jazz Club, still has live jazz seven nights a week.
But the real history of jazz in Indy is much less simple. Along with the Avenue’s culture, jazz music was gone from the streets for many years.
Indiana Avenue was the heart of a neighborhood along the White River. It was a center for black music and live street music.The wealthy avoided this area. So it became a place that poorer families, including many African-American and immigrant (移民) families, moved to.
Jazz prospered in the mix of American cultures around the Avenue in the 1930s and 1940s. But in the 1950s, things changed. After the war, there were projects to make the city beautiful and build a university nearby. Both of these seemed like good changes. However, the new university and buildings caused poorer families to have to leave the area. This destroyed the Indiana Avenue community - and with it, its jazz culture.
After many years, Indianapolis remembered the value of its arts and music culture. It began to bring back lost cultures such as live music on the Avenue. To do so, it began to make new changes. The changes included repairing historic areas like the Avenue. Once again, the high living costs in these historic arts areas pushed low-income families out.
Today there are several old-style jazz clubs where friends can meet up to remember the past or just enjoy a summer evening. It might seem at first that jazz is alive again, but there is a sad reality behind these jazz clubs: Modern Indy jazz is only a shadow (影子) of the lively culture that was once on Indiana Avenue.
1. What does the author mainly want to say in Paragraph 1?| A．Jazz clubs can make big money. |
| B．Jazz musicians often hold concerts. |
| C．Jazz music is popular in Indianapolis. |
| D．Jazz culture is just part of Indianapolis' culture. |
| A．Disappeared quickly. | B．Arrived soon. |
| C．Recovered soon. | D．Developed well. |
| A．It rebuilt some old important areas. |
| B．It invited old jazz musicians to sing in the city. |
| C．It educated people about the value of music culture. |
| D．It settled low-income families in the Indiana Avenue community, |
| A．Its home culture is gone. |
| B．Its styles are too traditional. |
| C．It shows the sadness of the poor. |
| D．It is no longer a favorite of the young. |
3 . Music
Opera at Music Hall: 1243 Elm Street. The season runs June through August, with additional performances in March and September. The Opera honors Enjoy the Arts membership discounts. Phone: 241-2742. http://www.cityopera.com.
Chamber Orchestra: The Orchestra plays at Memorial Hall at 1406 Elm Street, which offers several concerts from March through June. Call 723-1182 for more information. http: //www.chamberorch.com.
Symphony Orchestra: At Music Hall and Riverbend. For ticket sales, call 381-3300. Regular season runs September through May at Music Hall in summer at Riverbend. http://www.symphony.org/home.asp.
College Conservatory of Music (CCM): Performances are on the main campus(校园) of the university, usually at Patricia Cobbett Theater. CCM organizes a variety of events, including performances by the well-known LaSalle Quartet, CCM’s Philharmonic Orchestra, and various groups of musicians presenting Baroque through modern music. Students with I.D. cards can attend the events for free. A free schedule of events for each term is available by calling the box office at 556-4183. http://www.ccm.uc.edu/events/calendar.
Riverbend Music Theater: 6295 Kellogg Ave. Large outdoor theater with the closest seats under cover (price difference). Big name shows all summer long! Phone: 232-6220. http://www.riverbendmusic.com.
1. Which number should you call if you want to see an opera?| A．241-2742. | B．723-1182. |
| C．381-3300. | D．232-6220. |
| A．February. | B．May. |
| C．August. | D．November. |
| A．Music Hall. | B．Memorial Hall. |
| C．Patricia Cobbett Theater. | D．Riverbend Music Theater. |
4 . Pop music is the name for different forms of popular, commercial (商业) music. It had its beginning in the USA and spread throughout the whole world during the 1950s and 1960s. It is widely liked by the young people. The best known early form of pop music was “rock’ n’ roll”; another was “blues”. A more recent development is “folk-rock”.
Pop music has taken the place of native music in many parts of the world; it has caused the number of people for jazz to become much smaller than it was in the 1950s and earlier, and it has now begun to rule musical stage productions. It’s a big industry. Much pop music is without artistic value, but the work of some pop singers, e.g. the Beatles, Bob Dylan, the groups like Floyd and Crosby, Stills and Nash, is on a higher musical level. And there is still a great interest in it today. Pop music concerts and festivals take place all over the world.
1. Which of the following forms doesn’t belong to pop music _____.| A．blues | B．rock’ n’ roll |
| C．jazz | D．folk-rock |
| A．much greater than | B．much smaller than |
| C．as great as | D．as small as |
| A．No pop music is on a high musical level. |
| B．Much pop music is very artistic. |
| C．Pop music is highly artistic. |
| D．Not all pop music is without artistic value. |
| A．it makes a lot of musical instruments |
| B．it is a big musical and commercial business |
| C．the pop singers are very hard-working |
| D．pop music is on a very high musical level |
5 . Some of the world’s most famous musicians recently gathered in Paris and New Orleans to celebrate the first annual International Jazz Day. UNESCO( United Nations Educational, Scientific and Cultural Organization) recently set April 30 as a day to raise awareness of jazz music, its significance, and its potential as a unifying(联合) voice across cultures.
Despite the celebrations, though, in the U.S. the jazz audience continues to shrink and grow older, and the music has failed to connect with younger generations.
It’s Jason Moran’s job to help change that. As the Kennedy Center’s artistic adviser for jazz, Moran hopes to widen the audience for jazz, make the music more accessible, and preserve its history and culture.
“Jazz seems like it’s not really a part of the American appetite,” Moran tells National Public Radio’s reporter Neal Conan. “What I’m hoping to accomplish is that my generation and younger start to reconsider and understand that jazz is not black and write anymore. It’s actually color, and it’s actually digital.”
Moran says one of the problems with jazz today is that the entertainment aspect of the music has been lost. “The music can’t be presented today the way it was in 1908 or 1958. It has to continue to move, because the way the world works is not the same,” says Moran.
Last year, Moran worked on a project that arranged Fats Waller’s music for a dance party, “Just to kind of put it back in the mind that Waller is dance music as much as it is concert music,” says Moran. “For me, it’s the recontextualization. In music, where does the emotion(情感) lie? Are we, as humans, gaining any insight(感悟) on how to talk about ourselves and how something as abstract as a Charlie Parker record gets us into a dialogue about our emotions and our thoughts? Sometimes we lose sight that the music has a wider context,” says Moran, “so I want to continue those dialogues. Those are the things I want to foster.”
1. Why did UNESCO set April 30 as International Jazz Day?| A．To remember the birth of jazz. |
| B．To protect cultural diversity. |
| C．To encourage people to study music. |
| D．To recognize the value of jazz. |
| A．Jazz becoming more accessible. |
| B．The production of jazz growing faster. |
| C．Jazz being less popular with the young. |
| D．The jazz audience becoming larger. |
| A．It will disappear gradually. |
| B．It remains black and white. |
| C．It should keep up with the times. |
| D．It changes every 50 years. |
| A．Exploring the Future of Jazz. |
| B．The Rise and Fall of Jazz. |
| C．The Story of a Jazz Musician. |
| D．Celebrating the Jazz Day. |
At the beginning the tango was a dance of the lower classes. It was danced in the bars and streets. At that time there were many fewer women than men, so if a man didn’t want to be left out, his only choice was to dance with another man so that he could attract the attention of the few available women. Gradually, the dance spread into the upper classes of Argentinean society and became more respectable.
In Europe at this time, strong interest in dance from around the world was beginning. This interest in international dance was especially evident in Paris. Every kind of dance from ballet (芭蕾舞) to belly dancing could be found on the stages of the Paris theaters. After tango dancers from Argentina arrived in Europe, they began to draw the interest of the public as they performed their exciting dance in cafes. Though not everyone approved of the new dance, saying it was a little too shocking, the dance did find enough supporters to make it popular.
The popularity of the tango continued to grow in many other parts of the world. Soldiers who returned to the United States from World War I brought the tango to North America. It reached Japan in 1926, and in 2003 the Argentinean embassy (大使馆) in Seoul hired a local tango dancer to act as a kind of dance ambassador, and promote tango dancing throughout South Korea.
1. The origin of the tango is associated with ________.
| A．the capital of Argentina |
| B．a Spanish city |
| C．American soldiers |
| D．belly dancers |
| A．A dancer in Seoul became the Argentinean ambassador. |
| B．People of the upper classes loved the tango most. |
| C．It was often danced by two males in the beginning. |
| D．It was created by foreigners from Spain and Italy. |
| A．South Korea | B．Japan | C．France | D．America |
| A．The Modern Tango Boom | B．The History of the Tango |
| C．How to Promote the Tango | D．How to Dance the Tango |
7 . Muzak
The next time you go into a bank, a store, or a supermarket, stop and listen. What do you hear?
Quiet background music used to be called "elevator (电梯) music" because we often heard it in elevators. But lately we hear it in more and more places, and it has a new name "Muzak". About one-third of the people in America listen to "Muzak" every day. The music plays for 15 minutes at a time, with short pauses in between. It is always more lively between ten and eleven in the morning, and between three and four in the afternoon, when people are more tired.
If you listen to Muzak carefully, you will probably recognize the names of many of the songs. Some musicians or songwriters don't want their songs to be used as Muzak, but others are happy when their songs are chosen. Why?
Music is often played in public places because it is designed to make people feel less lonely when they are in an airport or a hotel. It has been proven that Muzak doeswhat it is designed to do. Tired office workers suddenly have more energy when they hear the pleasant sound of Muzak in the background.
| A．Some people don't like Muzak. |
| B．The music gives them extra energy. |
| C．Music is playing in the background. |
| D．Factory workers produce 13 percent more. |
| E．Muzak tends to help people understand music better. |
| F．They get as much as $4 million a year if their songs are used. |
| G．Muzak is played in most of the big supermarkets in the world. |
