4 . I was 11 when I asked my mum for piano lessons. We were in an economic crisis and she'd recently been _______ off. She said a polite “no”.
That didn't _______ me. I drew a keyboard onto a piece of paper and stuck it on my desk. I would _______ notes on an online keyboard and “play” them back on my paper one — keeping the sound they made on the computer in my head. I spent six months playing without _______ a real piano. As my mum found I was _______ about it, she bought me 10 lessons with borrowed money.
I still remember the first one. I was _______ by how organic the sound of the piano was, as I had become familiar with the _______ electronic sound. The teacher was trying to explain where middle C was, but I could _______ play all the major and minor scales.
I _______ my grade one after eight lessons and got distinction. By the time I started secondary school, we couldn't ________ lessons again, so I returned to my paper keyboard. I passed grade three, then grade five, practising only on my piece of paper.
For the grades above that, there was an ________ that you add a certain sensitivity into your playing. The music teacher at my school said I could practise on the school's grand piano. I would wake up at 5:30 am to get there in time and play until lessons started. I'd ________ lunch and then practise after school until the caretaker kicked me out. At home, I'd have dinner, do three hours of revision, and then ________ practice until 1:00 am.
My school didn't offer music A-level. I found the Purcell School for young musicians. The audition (试镜)was extremely ________ , and I felt overwhelmed. To my amazement, I was offered a ________.
I had been told I had started playing too ________ to reach conservatoire (音乐学院)level, but when I left Purcell, I was awarded the senior piano prize. That was the point when I realized I wasn't behind everyone else. I am now at the Guildhall School in London, where I was offered a scholarship. I feel ________: it’s been 10 years since I drew my paper piano and I'm at one of the world's ________ conservatoires.
The irony is that I continue to do a lot of my practice away from the piano: what we call mental practice. It ________ key areas of the mind that are less readily accessed by piano playing alone. The paper piano helped stimulate my ________ about how music works.
1. A.laid | B.pushed | C.dropped | D.knocked |
2. A.annoy | B.bother | C.embarrass | D.discourage |
3. A.take | B.sign | C.click | D.compose |
4. A.seeing | B.touching | C.enjoying | D.choosing |
5. A.serious | B.careful | C.hesitant | D.nervous |
6. A.struck | B.puzzled | C.comforted | D.inspired |
7. A.natural | B.artificial | C.practical | D.magical |
8. A.only | B.still | C.hardly | D.already |
9. A.sat | B.joined | C.failed | D.repeated |
10. A.offer | B.teach | C.afford | D.observe |
11. A.attitude | B.expectation | C.opinion | D.opportunity |
12. A.avoid | B.miss | C.save | D.skip |
13. A.social | B.mental | C.mechanical | D.physical |
14. A.fascinating | B.motivating | C.frightening | D.challenging |
15. A.course | B.reward | C.place | D.certificate |
16. A.soon | B.late | C.hurriedly | D.suddenly |
17. A.proud | B.lucky | C.ambitious | D.grateful |
18. A.grand | B.strict | C.leading | D.expensive |
19. A.builds | B.covers | C.defines | D.unlocks |
20. A.prediction | B.memory | C.curiosity | D.imagination |