1 . “The arrow shot is so straight that it hits the bull’s eye. The young people will have good luck…” Dargye sang as he worked on his handmade bag.

Dargye, 56, an artist who excels at traditional craftsmanship (技艺) and Tibetan folk music in Drinba village in Dragyib district, Nyingchi, Tibet autonomous region, remembers many folk songs he learned from his father and uncle. Now, it’s his turn to pass them on.

“I have liked traditional songs and dances since I was a child,” said Dargye, who has four apprentices (学徒). “The songs tell the histories of our ancestors and carry our unique culture, and it’s always a lot of fun to perform these traditional songs and dances at various gatherings.” The song topics vary from archery, love, to labor and praise for the land. In addition to teaching these songs to his family members and apprentices, he also uses social media platforms such as WeChat to teach songs.

His daughter, Chok Butri, also admires the folk culture. After posting a video of her daughter, Tsering Kyi, dancing on Douyin, she gained a lot of new fans on the popular short-video platform. “We are modern people living in a modern era, so it’s important and our responsibility that we use modern tools to pass on our traditional culture to make it last forever.” said Chok Butri, adding that she often posts songs and dances on WeChat and Douyin.

Dargye and his fellow villagers also recreate songs, adding modern elements such as aircraft and trains to the lyrics. Besides singing and dancing, Dargye makes handicrafts decorated with Tibetan cultural elements, including various hide and hair ropes, bags made of leather and cloth, and knife sheaths.

The local government encourages villagers to inherit (继承) and develop folk songs and other forms of traditional culture. Dargye’s efforts to preserve folk culture have been acknowledged by the government. In 2014, he was chosen as a county-level intangible (无形的) cultural inheritor and receives funds every year.

3 . I was brought up in the British, stiff upper lip style. Strong feelings aren’t something you display in public. So, you can imagine that I was unprepared for the outpouring of public grief at a Chinese funeral.

My editorial team leader died recently after a short illness. He was 31. The news was so unexpected that it left us all shocked and upset. A female colleague burst into tears and cried sadly at her desk. Somehow, we got through the day’s work. The next day was the funeral.

Our big boss stepped forward to deliver a eulogy (悼词) and was soon in tears. She carried on, in Chinese of course, but at the end said in English: “There will be no more deadlines for you in heaven.” Next came a long-term colleague who also dissolved in tears but carried on with her speech despite being almost overcome by emotion. Then a close friend of the dead man paid tribute, weeping openly as he spoke. Sorrow is spreading. Men and women were now sobbing uncontrollably. Finally, the man’s mother, supported between two women, addressed her son in his coffin. She almost collapsed and had to be held up. We were invited to step forward to each lay a white rose on the casket. Our dead colleague looked as if he was taking a nap. At the end of the service I walked away from the funeral stunned at the outpouring of emotion.

In the UK, families grieve privately and then try to hold it together and not break down at a funeral. Here in China it would seem that grieving is a public affair. It strikes me that it is more releasing to cry your eyes out than try to keep it bottled up for fear of embarrassment, which is what many of us do in the West.

Afterwards, a Chinese colleague told me that the lamenting (哀悼) at the funeral had been restrained (克制) by Chinese standards. In some rural areas, she said, people used to be paid to mourn noisily. This struck me like something out of novel by Charles Dickens. But we have all seen on TV scenes of grief-stricken people in Gaza and the West Bank, in Afghanistan, Iraq and the relatives of victims of terrorist bombings around the world. Chinese grief is no different. I realized that it’s the reserved British way of mourning that is out of step with the rest of the world.

4 . It may seem as if Mother’s Day was invented by a company named Hallmark, but people have been giving a shout-out to Mom for a long time. A more recent tradition was Mothering Sunday, which developed in the British Isles during the 16th century. On the fourth Sunday in April, young men and women who were living and working apart from their families were advised to return to their mothers’ houses.

Mother’s Day as it is observed in the United States started in the 1850s with Ann Jarvis, a West Virginia woman who held “Mothers’ Work Days” to promote health and hygiene at home and in the workplace. During the Civil War, Jarvis organized women to improve sanitary conditions for soldiers on both sides, and after the war she became a peacemaker, bringing together mothers of Union and Confederate soldiers and promoting a Mother’s Day holiday.

Jarvis’s work inspired another 19th-century woman, Julia Ward Howe. In 1870, Howe published her “Mother’s Day Proclamation”, which envisioned the day not as appreciation of mothers by their children but as an opportunity for women to exercise their collective power for peace. Howe started holding annual Mother’s Day celebrations in Boston, her hometown, but after about a decade the tradition faded away.

It was Jarvis’s daughter, Anna, who succeeded in getting Mother’s Day recognized as a national holiday. After her mother died in 1905, Anna started holding yearly ceremony on the anniversary. In 1912, West Virginia and a few other states adopted Mother’s Day. Two years later, Woodrow Wilson signed a resolution naming the second Sunday in May as Mother’s Day, making it an official US holiday.

It wasn’t long before whatever ideals the day was supposed to celebrate were buried under an amount of greeting cards and candy. By the 1920s, Anna Jarvis was campaigning against the holiday she had created. “I wanted it to be a day of emotionalism, not profit,” she said.

7 . The annual Yuyuan Garden lantern show in Shanghai is an important event in the city’s Chinese Lunar New Year celebrations for 28 years. It is one of the country’s oldest lantern fairs, where locals go to experience the festive atmosphere and wish each other well during the Spring Festival.

This year, the beloved Yuyuan Garden lantern show took place outside of China for the very first time, with 60 large-sized bright structures and more than 2,000 lanterns lighting the Jardin d’Acclimatation — the oldest amusement park in Paris, as a way to celebrate the 2024 Year of the Dragon with an interesting combination of Eastern and Western culture.

From dragon-shaped lanterns to motifs (图腾) inspired by the legendary world of Shanhai Jing (a book dating back to 2,000 years ago, regarded as a major source of Chinese mythology), the Yuyuan Garden lantern show in Paris built a world of lights and imagination for visitors, showing the charm of traditional Chinese culture.

Highlighting various cultural and spiritual symbols, the lantern displays include mythical creatures such as Kunpeng and Yinglong, representing ambition and strength.

Beyond the lanterns, the celebration in Paris also consisted of market events. Visitors could also admire traditional Chinese costumes and accessories, and enjoy traditional Chinese cuisine.

With a mixture of dancing, acrobatics (杂技) and martial arts performances, the lantern show was an impressive experience in the world of Chinese folklore and lanterns, which was open until February 25, 2024.

More than just a lantern show, it also served as an opening activity to celebrate the 60th anniversary of the establishment of diplomatic (外交的) relations between China and France in 1964, which is also the China-France Year of Culture and Tourism.

10 . MUSICAL HERITAGES FROM ANCIENT CHINA

Since remote antiquity, Chinese people have used music to record their lives and describe the ideals in their hearts. Catchy tunes are not only played on precious instruments, but also visualized in carvings, paintings, and buildings. Feel free to explore here!

Han Dynasty (202 BC — AD 220)

This period marked the significant development of the manufacturing of guqin and its music. The example unearthed from the Mawangdui Han Dynasty Tomb in Changsha, Hunan province, proves that guqin had developed into the form known today during that period.

Northern Wei Dynasty (386 — 534)

Buddhism (佛教) and its musical culture spread extensively during this period. Buddhist temples provided places for musical activities, which were recorded in many of the-existing stone carvings. Located in Gongyi, Henan province, the Grotto Temple is famous for its reliefs (浮雕) representing musical events. They are precious historical materials reflecting the music characteristics of the dynasty.

Song Dynasty (960 — 1279)

With economic development, a variety of musical cultures emerged to meet the entertainment needs of different social classes. Part of the painting “Riverside Scene at Qingming Festival” vividly reveals a storytelling performance. The painter adopted delicate techniques to truly record a street performer, whose superb skills are reflected by each listener’s show of appreciation.

Ming Dynasty (1368 — 1644)

At this time, traditional Chinese operas developed rapidly, promoting the formation of many singing styles. People began to enjoy operas and drama stages were built. Covering a construction area of more than 160 square meters, the Fancun village drama stage in Shanxi province provides rich materials for the study of the local folk culture.