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题型:阅读理解-阅读单选 难度:0.65 引用次数:21 题号:12606847

There was a time an event would not begin without a photographer.“I remember the days when event organizers would even delay a show if the photographer was running late,” says Balachandra Raju,a photographer of Sathyam studio,a still surviving photo studio in India’s southern city of Chennai.

Photo studios are facing extinction in the digital age.But as they struggle to continue doing the business,one research project is looking at ways to preserve their legacy(遗产) by digitizing archival(档案的) pictures.

The project,funded by the British Library,visited around 100 photo studios across the south Indian state of Tamil Nadu and digitized 10,000 prints.Many of the photos were taken between 1880-1980,and they ranged from pictures of families and famous stars to weddings and funerals.“The digital archive will be useful for those interested in history,” Said Zoe E Headley,one of the researchers.Ramesh Kumar,another researcher on the project,called it a “gold mine” for photographers.“The research we’ve done also highlights production techniques used before digital photography arrived in our cities and towns,” he said.

However, the researchers would often find old photos piled on top of one another in the storage room of a studio.“No one had bothered to clean them,” Kumar said,adding that many photos had been damaged due to the hot and wet weather in Tamil Nadu.

The owner of Nallapillai studio in central Tamil Nadu said he spends about 20,000 rupees (£230;$310) each month to run the studio that was founded by his great grandfather almost 150 years ago.To survive in this digital age has been a struggle.“Many customers don’t book us for special events anymore,” he said,adding that they had all got smartphones to do the job.“I’m not sure if photo studios will exist five years from now,” he said.But this is why,according to Mr Raju,this archival project is so important.

1. What’s the main function of the research project?
A.Protect the legacy of photo studios.
B.Speed up the extinction of photo studios.
C.Search for better ways of taking photos.
D.Visit all the photo studios across the India.
2. Which shows the effect of the project?
A.Photo studios can attract many visitors.
B.Photographers can have a good working place.
C.Photographers get to learn about old photography techniques.
D.Photo studios have the chance to take pictures of famous stars.
3. What has the researchers found?
A.Some photo studios are doing well.
B.Photo studios are booked for special events.
C.Some photo studios suffer from bad weather.
D.Photo studios give old pictures little protection.
4. What is Raju’s attitude towards the project?
A.Hopeful.B.Negative.
C.Indifferent.D.Dissatisfied.

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【推荐1】Tens of thousands of ancient pictures carved into the rocks at one of France’s most important tourist sites are being gradually destroyed. Scientists and researchers fear that the 36,000 drawings on rocks in Mont Bego in the French Alps are being damaged so rapidly that they will not survive for future generations.

The mountain, believed to have once been a site for prayer, is scattered (散布) with 4,000-year-old drawings cut into bare rock. They include pictures of cows with horns, cultivated fields (耕地) and various gods and goddesses. But as the popularity of the site increases, the pictures are being ruined by thoughtless graffiti (涂鸦).

Jean Clottes is the chairman of the International Committee on Rock Art. He says, “People think that because the pictures have been there so long they will always continue to be there. But if the damage continues at this rate there will be nothing left in 50 years.”

He describes seeing tourists stamping on the drawings, wearing away the rock and definition (清晰) of the artwork as they do so. Some visitors, he says, even cut off parts to take home as souvenirs. “When people think they can’t take a good enough photograph, they rub the drawings to get a clearer picture,” he said. “The drawings are polished by the weather, and if the sun is shining and the visitors can’t see them properly they simply rub them to make them look fresher.” Other researchers describe how people arrive carrying long sticks with sharp ends to scratch (刮) their own drawings, or even their names, in the rocks.

But experts are divided over the best way to preserve the drawings. Henry de Lumley, director of the Museum of Natural History in Paris, believes that the only way to save the site is to turn the whole mountain into a “no-go” area, preventing the public from going there except on guided tours. Otherwise, he says, not only will the site be completely destroyed but important research work will be reduced.

Clottes disagrees, “The measure suggested by Henry de Lumley is the most severe, and while it is the most effective, it is also certain to bring about protests from people who live there,” he said. “The site was classified as a historic monument years ago by the Ministry of Culture, and we must do as much as possible to save what is there.”

David Lavergne, the regional architect, also wants to avoid closing the site. “Henry de Lumley’s idea isn’t ideal,” he said. “Our department feels that the best solution is to let people look at the site, but because the area is very big it is difficult to prevent visitors from damaging it. I would prefer that everyone was able to look at it, but the main problem is money. We do not have the funds to employ the necessary number of guards. We may have to consider charging a fee. It doesn’t seem to be possible to get the government support.”

In Nice, Annie Echassoux, who also worked on researching the site, is alarmed that as the mountain becomes easier to reach — tourists can now avoid the three-and-a-half-hour walk by hiring vehicles — the damage will increase rapidly. She thinks that the only solution is to rope off the area and provide guides. “You can’t say the plan can’t go ahead because there is no money,” she said. “That is not good enough. Money must be provided because the Ministry of Culture has classified this area as a historic site. If we don’t take steps, we will be responsible for losing the drawings for the next generation.”

1. Jean Clottes says that people who visit the mountain____.
A.do not believe the drawings are old.
B.believe they are allowed to paint there
C.think the drawings should be left alone
D.think the drawings will not disappear
2. According to Jean Clottes, some of the visitors to the area have____.
A.helped to clean the drawings
B.taken bits of the rock home
C.been unable to take photographs
D.misunderstood what the pictures mean
3. Henry de Lumley is eager to ____.
A.set up research projects
B.protect public rights
C.keep out individual visitors
D.ban traffic in the area
4. Which word best describes Annie Echassoux’s attitude towards saving the historic site?
A.Supportive.B.Disappointed.
C.Worried.D.Hesitant.
5. This passage has been written about Mont Bego to ____.
A.advertise the closing of the site
B.warn visitors about the dangers of the site
C.encourage scientists to visit the site
D.describe fears for the future of the site
2016-11-26更新 | 156次组卷
阅读理解-阅读单选(约310词) | 适中 (0.65)
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【推荐2】The main hall of a 135-year old temple in Shanghai will be moved 30 meters to its north in order to create more space for visitors. Thousands of people gather and see the moving of the temple that started on Saturday.

The Mahavira Hall, of Shanghai's Jade Buddha Temple, was built in 1882. The temple in downtown Shanghai attracts more than two million visitors a year. Daily visitors can reach as high as 100,000.

A major renovation project started in 2014. The moving of the temple started on Saturday and is set to be finished in two weeks. The main hall of the temple will be relocated 30.66 meters northward within the temple and elevated 1.05 meters.

Master Jue Xing, abbot of the Jade Buddha Temple and vice president of the Buddhist Association of China, said moving the hall will create more space between buildings and reduce the risks of a stampede as the temple is usually tightly packed.

Buddhist statues and relics in the hall will also be moved together with the hall, he said.

Workers pumped cement into the foundation of the hall because the old building's foundation was rather soft, he said.

Statues and other relics in the building were stabilized and protected with frames to avoid damage, he said.

The moving will be carried out with the help of relic preservation experts from the Shanghai Museum, he said.

Shanghai has had several successful projects to move old buildings, including a school in 2009 and a concert hall in 2002. On Aug. 31st, Shanghai Concert Hall began to move 66.46 meters northward after the last concert was held in the previous location and reopened to audience two years later. The moving was recognized as a wonder of construction protection and inspired the experts of the moving of the the Mahavira Hall.

1. Which of the following job will not be done?
A.The temple will be relocated about 30 meters northward
B.Buddhist statues and relics in the hall will be moved together
C.The foundation of the hall will be strengthened with cerement
D.Statues and relics in the hall will be stabilized with frames
2. What can be inferred from the passage?
A.The Jade Temple of Shanghai attracts 100,000. visitors every year
B.The major renovation project completed in 2014
C.Moving the hall is to make more space for visiting and to reduce the risks of stampede
D.Shanghai have had some successful experience of moving buildings
3. Which column on the the website is the article from?
A.Science and technologyB.culture
C.TravelD.Life and Health
2017-10-31更新 | 69次组卷
阅读理解-阅读单选(约300词) | 适中 (0.65)
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【推荐3】Should we allow modern buildings to be built next to older buildings in a historic area of a city? In order to answer this question, we must first examine whether people really want to preserve the historic feel of an area. Not all historical buildings are attractive. However, there may be other reasons --- for example, economic reasons --- why they should be preserved. So, let us assume that historical buildings are both attractive and important to the majority of people. What should we do then if a new building is needed?

In my view, new architectural styles can exist perfectly well alongside an older style. Indeed, there are many examples in my own home town of Tours where modern designs have been placed very successfully next to old buildings. As long as the building in question is pleasing and does not dominate (影响) its surroundings too much, it often improves the attractiveness of the area.

It is true that there are examples of new buildings which have spoilt (破坏) the area they are in, but the same can be said of some old buildings too. Yet people still speak against new buildings in historic areas. I think this is simply because people are naturally conservative(保守的)and do not like change.

Although we have to respect people’s feelings as fellow users of the buildings, I believe that it is the duty of the architect and planner to move things forward. If we always reproduced what was there before, we would all still be living in caves. Thus, I would argue against copying previous architectural styles and choose something fresh and different, even though that might be the more risky choice.

1. What does the author say about historical buildings in the first paragraph?
A.They have nothing to do with the historic feel of an area.
B.Most of them are too expensive to preserve.
C.They are more pleasing than modern buildings.
D.Some of them are not attractive.
2. By “move things forward” in the last paragraph, the author probably means“_______”
A.Destroy old buildings
B.Choose new architectural styles
C.Put things in a different place
D.Respect people’s feelings for historical buildings
3. What is the main purpose of the passage?
A.To explain why people dislike change.
B.To warn that we could end up living in caves.
C.To admit how new buildings have ruined their surroundings.
D.To argue that modern buildings can be built in historic areas.
2017-05-16更新 | 76次组卷
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