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题型:阅读理解-阅读单选 难度:0.65 引用次数:115 题号:12669260

I loved watching comedians on television as a kid. I’d hear a joke and ask myself: why it got a laugh? What made it work? Could I ever make it as a comedian? But first I had to finish school and earn a living.

After graduation, I worked as an accountant, managing the petty cash in the drawer. It was in this area that I developed my own very odd theory of accounting: If you got a couple of dollars , everything was okay(The theory never really caught on). Every day I’d have to check what was in the drawer with the receipts. It never balanced. At first I’d be tearing my hair out until I found the balance. Finally, one day I pulled the amount I was short of from my pocket and called it a day. Mr. Hutchinson, head of accounting, discovered my shortcut to balancing petty cash. he lectured me: “These are not sound accounting principles.” I said: “I’m not cut out for accounting. Why would you pay me $6 an hour to spend four hours finding $1.40?”

Meanwhile, I often called my friend Ed Gallagher to kill boring afternoons, imitating things from my everyday world and identifying myself as plant manager of a yeast factory. “Sir”, it is Mr. Tomkins. We have a problem at your yeast factory. There’s a fire. I’d like you to hold on. Are you still there?”

Ed Gallagher heard the routines and offered to provide the money to record them and send them to radio stations. Three wrote back asking how much we wanted .Soon I was on the air.

Being a comedian is out of place with my intention, though. I left the world of accounting and took a series of part-time jobs to get me through, hoping for a big chance.

1. Why did he love watching comedians on television?
A.He just wanted to be a comedian as they were.B.He wanted to make a living as a comedian.
C.He was curious about their way of humour.D.He was good at thinking and raising questions.
2. How did the author practice his odd theory of balancing?
A.He stole the receipts to balance the account.B.He got enough dollars to keep everything okay.
C.He contributed his own money to the drawer.D.He adopted a sensible and simple principle.
3. What can we learn from the text?
A.The head of accounting paid too much for his work.
B.The author loved being funny and was imaginative.
C.The author would patiently find the balance at the beginning.
D.The author’s record of the routines was a complete failure.
4. What’s the writing style of the text?
A.Humorous.B.Critical.C.Ridiculous.D.Serious.

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文章大意:本文是一篇记叙文。文章讲述的是Veal 和David Gutenmacher通过老照片帮助人们寻找失去的记忆的故事。

【推荐1】Derek Veal found an old suitcase filled with photos, some more than 100 years old, when he explored his grandfather’s old house in Georgia. It belonged to his great-grandmother, who had Alzheimer’s(老年痴呆症)and lived in a nursing home. Veal and his grandfather went to visit her with the photos, hoping she could tell them more about the photos. What happened next changed Veal’s life.

“Everything came back to her when she saw these pictures,” Veal said. “She recognized her sisters, her aunts, her grandparents…It was the first time I had ever seen someone’s excitement from an old photo returning to them.”

The experience made Veal realize the power of old photos to hold precious and long-forgotten memories and restore a sense of identity. It never left him. Two years ago, when he came across old family photos for sale at a thrift store(旧货店), he decided to pick one picture and try to track down the family. Soon, he was inspired to buy more photos and started a Facebook group called Old Photo Project to aid in finding their families.

Veal is not alone in this hobby. David Gutenmacher, 26, lives in Queens, New York, and started his project, Museum of Lost Memories, in late 2020. He has already had over 300,000 followers on Instagram and over 750,000 on TikTok. “Some of my posts have gone viral and twice a person or family was tracked down in a matter of minutes!” Gutenmacher said. These lost pictures can bring the memories back to the families they belong to.

What makes this hobby so unique is not only how it gives people the chance to help others, but it also brings these enthusiasts a sense of purpose. “I feel like this is my calling,” said Gutenmacher. “The more I return memories, the more it feels like I’m supposed to be doing this.”

1. According to the text, what changed Veal’s life?
A.His awareness of the value of old photos.
B.The true stories about his great-grandmother.
C.His family’s history shown in the photos.
D.His exploration of his grandfather’s old house.
2. What do the underlined words “have gone viral” mean in paragraph 4?
A.Have been updated regularly.B.Have received some comments.
C.Have made people think deeply.D.Have spread quickly and widely.
3. How does Gutenmacher feel about what he does?
A.It’s not easy.B.It’s not enough.
C.It’s his duty.D.It’s just a hobby.
4. What is a suitable title for the text?
A.Returning Lost MemoriesB.Old Photos for Photo Enthusiasts
C.The Power of Photos on the InternetD.Researching the History of a Family
2023-04-13更新 | 105次组卷
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文章大意:本文为一篇夹叙夹议文。猫头鹰弗拉科被释放后却碰撞建筑物死亡,他获得了自由,但是失去了生命,这一切值得吗?作者通过文章告诉我们,追求自由有风险,也有收获。

【推荐2】Flaco the owl (猫头鹰) is gone, but his life had all the elements of a classic hero’s story, not soon forgotten. Flaco lived a dozen years in a comfortable cage in the Central Park Zoo where little happened and less was needed. His life was a safe existence without freedom. Then, a year ago, someone released him.

On Friday, when he died of injury, perhaps from a collision (碰撞) with a Manhattan apartment building’s glass windows, his death offered us a chance to reckon with the question at the heart of many a hero’s journey: Can we put a price on freedom?

Flaco’s liberation from his cage came at a cost — he spent the final year of his life free, but threatened from all sides by a booming city. Was it worth it?

Almost from the moment he was released, Flaco became a symbol of hope for many of the people who followed his story and recognized parts of themselves in him. Some saw him as the symbol of the American dream, an outsider who had come to Manhattan and made a life for himself here, like millions of others who arrived penniless and unconnected in search of freedom.

As a result, he flew around the city. We were terrified that he’d succumb to (屈服于) the dangers of city life. Flaco had no experience living outside a cage, and New Yorkers initially doubted his chances of survival. We worried that he’d eat a rat with enough poison in its system to kill him. But Flaco never looked back. Perhaps freedom itself was the home he’d discovered.

And though we feared for him, his new life excited us. How many of us, our circumstances familiar and sale, are too frightened to seek our more fully realized selves?

How many of us, viewing our confinements as nothing out of the ordinary, have long stopped wondering what our wings are for?

Have we not all desired a life beyond the range of the one we lead? Flaco showed that our desire is not misplaced. His choice proved a truth that given a chance, living things choose freedom of movement.

1. What do the underlined words “reckon with” in Paragraph 2 probably mean?
A.Bring up.B.Deal with.C.Reflect on.D.Look into.
2. What happened to Flaco the owl after he was released from his cage?
A.He died a natural death.
B.He was caught and returned to the zoo.
C.He died from a collision with a building.
D.He lived a free life but faced many threats.
3. What was the initial reaction of New Yorkers towards Flaco’s release?
A.They were excited and supportive.
B.They were worried about his survival.
C.They were indifferent and unconcerned.
D.They were angry and opposed to his release.
4. What does the author want to convey through the story of Flaco?
A.The importance of protecting wildlife.
B.The risks and rewards of seeking freedom.
C.The value of overcoming challenges in life.
D.The need for more awareness about animal rights.
2024-05-10更新 | 67次组卷
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文章大意:本文是一篇记叙文。文章主要讲述了南方卫理公会大学的音乐系教授Carol Leone如何引入小钢琴键盘来改变钢琴教育的现状和Eliana Yi使用小钢琴键盘的经历。

【推荐3】Eliana Yi dreamed of pursuing piano performance in college, never mind that her fingers could barely reach the length of an octave (八度音阶). Unable to fully play many works by Romantic-era composers, including Beethoven and Brahms, she tried anyway — and in her determination to spend hours practicing one of Chopin’s compositions which is known for being “stretchy”, wound up injuring herself.

“I would just go to pieces,” the Southern Methodist University junior recalled. “There were just too many octaves. I wondered whether I was just going to play Bach and Mozart for the rest of my life.”

The efforts of SMU keyboard studies chair Carol Leone are changing all that. Twenty years ago, the school became the first major university in the U.S. to incorporate smaller keyboards into its music program, leveling the playing field for Yi and other piano majors.

Yi reflected on the first time she tried one of the smaller keyboards: “I remember being really excited because my hands could actually reach and play all the right notes,” she said. Ever since, “I haven’t had a single injury, and I can practice as long as I want.”

For decades, few questioned the size of the conventional piano. If someone’s hand span was less than 8.5 inches — the distance considered ideal to comfortably play an octave — well, that’s just how it was.

Those who attempt “stretchy” passages either get used to omitting notes or risk tendon (腱) injury with repeated play. Leone is familiar with such challenges. Born into a family of jazz musicians, she instead favored classical music and pursued piano despite her small hand span and earned a doctorate in musical arts.

A few years after joining SMU’s music faculty in 1996, the decorated pianist read an article in Piano and Keyboard magazine about the smaller keyboards. As Leone would later write, the discovery would completely renew her life and career.

In 2000, she received a grant to retrofit a department Steinway to accommodate a smaller keyboard, and the benefits were immediate. In addition to relieving injury caused by overextended fingers, she said, it gave those with smaller spans the ability to play classic compositions taken for granted by larger-handed counterparts.

Smaller keyboards instill many with new confidence. It’s not their own limitations that have held them back, they realize; it’s the limitations of the instruments themselves. For those devoted to a life of making music, it’s as if a cloud has suddenly lifted.

1. What is the similarity between Eliana Yi and Carol Leone?
A.Their interest in jazz extended to classical music.
B.Short hand span used to restrict their music career.
C.They both joined SMU’s music faculty years ago.
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2. Why did SMU initiate an effort to scale down the piano?
A.To reduce the number of octaves.
B.To incorporate Bach into its music program.
C.To provide fair opportunities for piano majors.
D.To encourage pianists to spend more hours practicing.
3. How did Yi probably feel when she played the retrofitted piano?
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4. Which of the following is the best title of the passage?
A.Who Qualifies as an Ideal Pianist?
B.Traditional or Innovative Piano?
C.Hard-working Pianists Pays off
D.The Story behind Retrofitted Pianos
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