There are many interesting stories about Chinese fans in historical records, novels, and legends.
The reason why fans evolved into artwork was largely related to men of letters, who liked to paint or write poetry on fans, and gave them to their friends as gifts.
It has been popular to draw fans or write poems about fans, and paint or write on paper fans. There is a story about Wang Xizhi, known for his Chinese calligraphy(书法). Wang once saw an elderly lady selling fans. The business was not so good. She looked very upset, so Wang decided to help her.
It has been popular to paint on fans since Tang Dynasty, and it became even more popular during the Song and Yuan dynasties.
For thousands of years, Chinese people never stopped innovating fan design, and adopted different materials such as bamboo, palm tree leaves, wood, paper, feathers, silk and bones. They made fans of many shapes, such as circular and square shapes.
A.They asked for better decoration of fans. |
B.Feather fans are famous because of Zhu Geliang |
C.Wang Xizhi taught the old woman to draw on fans |
D.In ancient times, fans also served as the symbol of status. |
E.Artwork on fans is also a unique type of Chinese painting. |
F.Some famous ones are the goose feather fan held by Zhu Geliang. |
G.He wrote a few characters on each fan and told the old woman to raise the price. |
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The Canal runs from Beijing in the north to Zhejiang Province in the south. Constructed in sections from the 5th century BC onwards, it was designed as a means of communication in the 7th century AD. The Canal is the world’s greatest civil engineering project before the Industrial Revolution.
The Grand Canal reached a peak in the 13th century, providing an inland navigation(航行) network consisting of more than 2,000 kilometers of artificial waterways, linking five of the most important river basins in China, including the Yellow River and the Yangtze. It entered a bid as a UNESCO(联合国教科文组织) cultural heritage site in 2008.
The Grand Canal cultural square is located in Beijing’s Tongzhou district. Ever since the Yuan dynasty 800 years ago, the Tongzhou section of the Grand Canal has been the life blood of Beijing. Grain and building materials were all transported to meet the endless demands of the big cities. Even today, the Grand Canal plays a major role in the lives of its citizens.
"I grew up near the Grand Canal. In the past the waterway was a lot narrower, but now it’s nice and wide and bridges are built over it. I think if the bid for world heritage status succeeds, it will greatly make Tongzhou more famous in the world, especially with Tongzhou aiming to be a sub-center of the capital Beijing," a citizen said.
The result of the bid is set to be released next week, and no doubt it will certainly make it into the history books if the Canal is listed as a world heritage site.
1. It can be concluded from the passage that .
A.The bid’s result of the Canal will be announced soon |
B.the Canal is the UNESCO’s newest world heritage site |
C.the Canal is to connect Tongzhou with Zhejiang Province |
D.the Canal will be a bid for a UNESCO cultural heritage site |
A.when it was aimed as a means of communication |
B.when it crossed the Yellow River and the Yangtze |
C.when it was born about six hundred years later |
D.when it was designed as an artificial waterway |
A.Tongzhou used to be the capital of the Yuan dynasty. |
B.Most citizens living in Tongzhou depend on the Canal. |
C.Tongzhou will benefit if the Canal is made a heritage site. |
D.Some citizens think the Canal not to be a cultural heritage item. |
【推荐2】The concept of planning entire communities before their construction is an ancient one. In fact, one of the earliest such cities on record is Miletus, Greece, which was built in the 4th century BC. Throughout the Middle Ages and the Renaissance various planned communities (both theoretical and actual) were conceived (构思). Leonardo da Vinci designed several cities that were never constructed. Following the Great Fire of London in 1666, the architect Christopher Wren created a new master plan for the city, combining park land and urban space. Several 18th century cities, including Washington D.C., New York City, and St Petersburg, Russia, were built according to comprehensive planning.
One of the most important planned city concepts, the Garden City Movement, arose in the latter part of the 19th century as a reaction to the pollution and crowding of the Industrial Revolution. In 1898, Ebenezer Howard published the book To-Morrow: A Peaceful Path for Real Reform in which he laid out his ideas concerning the creation of new economically sustainable towns. Howard believed that these towns should be limited in size and density, and surrounded with a belt of undeveloped land. The idea gained enough attention and financial backing to lead to the creation of Letchworth, in Hertfordshire, England. This was the first such 'Garden City'. After the First World War, the second town built following Howard's ideas, Welwvn Garden City, was constructed.
In the early 1920s, American architects Clarence Stein and Henry Wright, inspired by Howard's ideas and the success of Letchworth and Welwyn, created the city of Radbum, New Jersey. Conceived as a community which would be safe for children, Radbum was intentionally designed so that the residents would not require automobiles. Several urban planning designs were pioneered at Radbum that would influence later planned communities, including the separation of pedestrians and vehicles, and the use of 'superblocks', each of which shared 23 acres of commonly held parkland.
In America, following the stock market crash of 1929, there was great demand for both affordable housing and employment for workers who had lost their jobs. In direct response to this, in 1935 President Roosevelt created the Resettlement Administration, which brought about a total of three greenbelt towns: Greenbelt, Maryland; Greenhills, Ohio; and Greendale, Wisconsin. These towns contained many of the elements of the Garden City Movement developments, including the use of superblocks and a 'green belt' of undeveloped land surrounding the community.
1. The first paragraph talks mainly about ________.A.famous urban planners | B.the history of urban planning |
C.the future examples of urban planning | D.problem associated with urban planning |
A.It came just before the Industrial Revolution. |
B.It was held back by a war and a lack of funds. |
C.It resulted in cities that were larger than they had been before. |
D.It was designed to address problems caused by modernization. |
A.To reduce the danger for families living in the area. |
B.To create something totally different from cities elsewhere. |
C.To make sure people could park their cars close to their home. |
D.To increase green spaces by designing houses with gardens. |
A.Their residents were affected by the stock market collapse. |
B.They were built for the wealthiest people in America. |
C.They were each surrounded by natural parkland. |
D.They were all constructed in the same year. |
【推荐3】Marco Polo’s tales inspired European explorers to search for sea routes (路线) from west to east. However, businessmen and explorers from the East set sail from east to west many years before Columbus first did.
In ancient times, silk from China found its way over land to India, the Middle East, and Rome, along what became known as the Silk Road. But another trading route across the sea was also formed along the coasts of the Indian Ocean, centered around Ceylon. Here, businessmen from China and many other places met to exchange goods.
Later, the Ming Dynasty further developed relations with these regions. Between 1405 and 1433, seven large fleets (舰队) sailed west on voyages of trade and exploration. Under the command of Zheng He, they set sail from the South China Sea across the Indian Ocean to the mouth of the Red Sea, and then to the east coast of Africa. African royal families sent gifts such as giraffes as gestures of friendship in return for silk, and spices. Although China stopped further expeditions (远征) after 1433, these land and sea routes remained active for centuries.
To reach out across the sea remains a strong desire today. The ancient sea routes travelled by Zheng He are being revisited with the 21st Century Maritime Silk Road, which is part of the Belt and Road Initiative (一带一路倡议). The aim of this initiative is to encourage cooperation and trade across the historic Silk Road areas, and strengthen the relations between China and the rest of the world. China has poured billions of money in systems and services along these routes, which will help to greatly develop the whole area for the benefit of future trade and cultural exchange.
China has also joined its friends across the sea on other important projects. In recent years, China has joined other nations on several expeditions to explore the Arctic. From a scientific point of view, there is an urgent need to study the Arctic in order to understand climate change and its effects.
1. What do we know about the ancient sea routes?A.The Silk Road existed longer than the sea routes. |
B.It was Columbus who first explored the sea routes. |
C.Businessmen travelled along the sea route for their king. |
D.The sea route was extended along the Indian Ocean coasts. |
A.They were stopped for economic reasons. |
B.They were considered to be a waste of money. |
C.They also had an influence on the world trade. |
D.Seven large fleets set sail from the East China Sea. |
A.To satisfy people’s strong desire and need. |
B.To promote trade and develop friendships. |
C.To understand the climate change and its effects. |
D.To improve the system and service along the routes. |
A.The Belt and Road Initiative. | B.The history of Silk Road. |
C.Brave businessmen and explorers. | D.China’s exploration across the sea. |
【推荐1】What is the place of art in a culture of inattention? Recent visitors to the Louvre report that tourists can now spend only a minute in front of the Mona Lisa before being asked to move on. Much of that time, for some of them, is spent taking photographs not even of the painting but of themselves with the painting in the background.
One view is that we have made tourism and gallery-going so easy that we have made it effectively impossible to appreciate what we’ve travelled to see. In this society, experience becomes goods like any other. There are queues to climb Everest as well as to see famous paintings. Thus, leisure is considered as hard labour rather than relaxation.
In the rapidly developing society, what gets lost is the quality of looking. Consider an extreme example, the late philosopher Richard Wollheim. When he visited the Louvre he could spend as much as four hours sitting before a painting. The first hour, he claimed, was necessary for incorrect impression to be removed. It was only then that the picture would begin to disclose itself. This seems unthinkable today, but it is still possible to organise. Even in the busiest museums there are many rooms and many pictures worth hours of contemplation (沉思) which the crowds largely ignore.
Marcel Proust, another lover of the Louvre, wrote: “It is only through art that we can escape from ourselves and know how another person sees a universe which is not the same as our own and whose landscapes would otherwise have remained as unknown as any there may be on the moon.” If any art remains worth seeing, it must lead us to such escapes. But a minute in front of a painting in a hurried, harried (烦扰) crowd won’t do that.
1. Why does the author mention the example in Louvre in Paragraph 1?A.To express his concern about Louvre. | B.To report the popularity of Mona Lisa. |
C.To introduce a good place to take photos. | D.To show a disappointing current situation. |
A.People need to clear up their misunderstanding of paintings. |
B.People have to stay at least 4 hours when appreciating paintings. |
C.It is impossible for modern people to admire paintings attentively. |
D.The longer one admires the paintings, the more unlikely he loves them. |
A.Art is of help for us to accept ourselves better. |
B.Art makes our life more colourful and meaningful. |
C.Art allows us to know the world in the view of others. |
D.Art pushes us away from ourselves and explores the moon. |
A.Into art attentively. | B.Escape from ourselves. |
C.Beyond art completely. | D.Go to the museums often. |
【推荐2】Some Top Exhibitions in China
Picasso—Birth of a Genius
UCCA Center for Contemporary Art (Jun. 15-Sept. 1)
In this summer, few in the Chinese capital could avoid the Picasso fashion that was felt nearly everywhere, online and offline, thanks to the successful UCCA show, Picasso—Birth of a Genius. The exhibition showed the first three decades of Picasso’s career (事业), with 103 works—34 paintings, 14 sculptures and 55 works on paper, from the collection of the Musee national Picasso-Paris describing his development from childhood.
Chinese Painting Master in the 20th Century
Nanjing Museum (Nov. 27-Apr. 20)
The exhibition presented 158 works by eight of the most famous ink painting masters in modern China like Qi Baishi. Their works are officially regarded as national treasures, and their painting styles and artistic thoughts have had a far-reaching influence on younger generations of Chinese ink painters.
The Splendor of Asia
National Museum of China (May 13-Aug. 11)
The Splendor of Asia showed how splendid (非常好的) Asian cultures are, exciting visitors with a total of 451 cultural relics from 49 countries in Asia. Such a large number of top-level exhibits and participating (参加) countries have never been seen before in one exhibition in China.
Liangzhu and Ancient China
The Palace Museum (Jul. 16 -Oct. 31)
On July 6, 2019, the Archaeological Ruins of Liangzhu City in Hangzhou dating back 5,000 years were added to the UNESCO World Heritage List. Just10 days later, the Palace Museum in Beijing organized the exhibition Liangzhu and Ancient China, bringing together nearly 260 objects gathered from 17 museums nationwide, just in time to feed public curiosity.
1. What can we know about Picasso—Birth of a Genius?A.It was held in Beijing. | B.Its focus was on sculptures. |
C.It showed Picasso’s daily life. | D.Its collections were from UCCA. |
A.Picasso—Birth of a Genius. | B.Chinese Painting Masters in the 20th Century. |
C.The Splendor of Asia. | D.Liangzhu and Ancient China. |
A.UCCA Center for Contemporary Art. | B.Nanjing Museum. |
C.National Museum of China. | D.The Palace Museum. |
【推荐3】Birthdays often involve surprises. But this year’s surprise on the birthday of the great British playwright William Shakespeare is surely one of the most dramatic.
On April 22, one day before his 441st birthday anniversary, experts discovered that one of the most recognizable portraits of William Shakespeare is a fake (假货). This means that we no longer have a good idea of what Shakespeare looked like. “It’s very possible that many pictures of Shakespeare might be unreliable because many of them are copies of this one,” said an expert from Britain’s National Portrait Gallery.
The discovery comes after four months of testing using X-rays, ultraviolet light, microphotography and paint samples. The experts from the gallery say the image -commonly known as the “Flower portrait”-was actually painted in the 1800s, about two centuries after Shakespeare’s death. The art experts who work at the gallery say they also used modern chemistry technology to check the paint on the picture. These checks found traces of paint dating from about 1814.Shakespeare died in 1616, and the date that appears on the portrait is 1609.
“We now think the portrait dates back to around 1818 to 1840.This was when there was a renewed interest in Shakespeare’s plays,” Tarnya Cooper, the gallery’s curator(馆长), told the Associated President.
The fake picture has often been used as a cover for collections of his plays. It is called the Flower portrait because one of its owners, Desmond Flower, gave it to the Royal Shakespeare Company.
“There have always been questions about the painting,” said David Howells, curator for the Royal Shakespeare Company. “Now we know the truth, we can put the image in its proper place in the history of Shakespearean portraiture.”
Two other images of Shakespeare, are also being studied as part of the investigation and the results will come out later this month.________
1. What makes the birthday of Shakespeare dramatic this year?A.It was found that he painted a portrait in 1814 instead of in 1609. |
B.The Flower portrait has been found to be a fake. |
C.Three portraits of Shakespeare are being tested to identify a real one. |
D.It was found that there was a renewed interest in Shakespeare’s plays around 1818 to 1840. |
A.Portraits of Shakespeare are all unreliable. |
B."Flower portrait " was a portrait of Shakespeare given to Desmond Flower. |
C.There were at least four methods used to test the portrait. |
D.The Flower portrait is not often used as a cover for Shakespeare’s play. |
A.Birthdays often involve surprises. |
B.The surprise on the 441st birthday of Shakespeare. |
C.One portrait of Shakespeare is a fake. |
D.How can we know Shakespeare’s appearance? |
A.Soon we’ll know which portrait is reliable. |
B.We cannot find a real portrait of Shakespeare. |
C.If the two portraits are found to be false, they will test more. |
D.But now what Shakespeare really looks like remains a mystery. |