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题型:阅读理解-阅读单选 难度:0.65 引用次数:31 题号:13098493

My fifteen-year-old son has just returned from abroad with rolls of exposed film and a hundred dollars in uncashed traveler’s checks, and is asleep at the moment. His blue duffel (粗呢) bag lies on the floor where he dropped it. Obviously, he postponed as much sleep as he could, when he walked in and we hugged, his electrical system suddenly switched off, and he headed directly for the bed, where I imagine he beat his old record of sixteen hours.

It was his first trip overseas, so weeks before it, I pressed travel books on him, and a tape cassette of useful French phrases; drew up a list of people to visit; advised him on clothing and other things. At the luggage store where we went to buy him a suitcase, he headed for the duffels, saying that suitcases were more for old people.

During the trip, he called home three times: from London, Paris, and a village named Ullapool. Near Ullapool, he climbed a mountain in a rainstorm that almost blew him off. In the village, a man spoke to him in Gaelic, and, too polite to interrupt, my son listened to him for tenor fifteen minutes, trying to nod in the right places. The French he learned from the cassette didn’t hold water in Paris. The French he talked to shrugged and walked on.

When my son called, I sat down at the kitchen table and leaned forward and hung on every word. His voice came through clearly, though two of the calls were like ship-to-shore communication. When I interrupted him with a “Great!” or a “Really?”, I knocked a little hole in his communication. So I just sat and listened. I have never listened to a telephone so attentively and with so much pleasure. It was wonderful to hear news from him that was so new to me. In my book, he was the first man to land on the moon, and I knew that I had no advice to give him and that what I had a ready given was probably not much help.

The unused checks are certainly evidence of that. Youth travels light .No suitcase, not much luggage and a slim expense account, and yet he went to the scene, and came back safely. I sit here amazed. The night when your child returns with dust on his shoes from a country you’ve never seen is a night you would gladly turn into a week.

1. During the trip, the author’s son ______.
A.ran out of moneyB.had inadequate sleep
C.forgot to call his motherD.failed to take good pictures
2. According to the passage, which of the following could best describe the author’s son?
A.Polite and careless.B.Creative and stubborn.
C.Considerate and independent.D.Self-centered and adventurous.
3. What can we infer from the passage?
A.Good parents should protect their children from potential dangers.
B.The world is a book and those who do not travel read only one page.
C.It’s a win-win choice to give a child space to experience and explore.
D.Communication between parents and children is extremely important.
20-21高二·浙江·阶段练习 查看更多[1]

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【推荐1】It all started with a simple question: “Can I paint your portrait?”

This summer, Brian Peterson and his wife, Vanessa, had just moved to California. Outside the couple’s fourth-floor apartment, an untidy homeless man was often yelling on the street corner, sometimes keeping them awake at night.

One day, Peterson was relaxing in his living room, reading the book Love Does, about the power of love in action, when his quiet was disturbed by the homeless man. Inspired by the book’s compassionate message, Peterson made an unexpected decision: He was going to go outside and introduce himself.

In that first unexpected, Peterson learned that the man’s name was Matt Faris. He’d moved to California to pursue a career in music, but he soon fell on hard times and ended up living on the street for more than a decade. “It was the weirdest thing to me,” Peterson recalled later. “I saw beauty on the face of a man who hadn’t shaved in probably a year. But his story, the life inside of him, inspired me.” And even though Peterson hadn’t picked up a brush in about eight years, he found himself asking if he could paint Faris’s portrait. Faris said yes.

Peterson’s connection with Faris led him to form Faces of Santa Ana, a nonprofit organization focused on befriending and painting portraits of members of the community who are unhoused. Peterson sells the impressive 30-by-40-inch canvas-signed by both subject and artist-for a few thousand dollars, splitting the proceeds and putting half into what he calls a “love account” for his model. He then helps people use the money to get back on their feet.

Peterson has painted 41 of these portraits himself. But there’s more to the finished products than the money they bring to someone down-and-out. He’s discovered that the buyers tend to connect to the story of the person in the painting, finding similarities with someone they might have otherwise overlooked or misunderstood.

“People often tell me, ‘I was the one that would cross the street. But I see homeless people differently now,’” Peterson says. “I didn’t know that would happen.”

1. What inspired Brian Peterson to approach the homeless man?
A.The loud yell from the street comer.
B.The beauty he saw on the homeless’ face.
C.The desire to donate money to the homeless.
D.The positive impact from Love Does.
2. What does Peterson do with the proceeds from selling the portraits?
A.Donates them to local homeless shelters and relief centers.
B.Invests them in his nonprofit organization, Faces of Santa Ana.
C.Gives money to the portrait subject and helps people regain stability.
D.Uses them to fund the local disadvantaged communities.
3. What impact have the portraits had on buyers?
A.They have become friends with the homeless individuals.
B.They have overcome their misconceptions about the homeless.
C.They have stopped crossing the street to avoid the homeless.
D.They have gained profits from those who are down-and-out.
4. What is the main purpose of Faces of Santa Ana?
A.To raise awareness about the homeless through art.
B.To provide resources and housing for the homeless.
C.To boost connection between artists and their subjects.
D.To discover the root cause of homelessness.
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【推荐2】Whenever a new person walks through the gates of the Science of Spirituality Meditation (冥想) and Ecology Centre in Richmond, one often hears the words, “I never knew such a place existed. It’s so peaceful and the gardens are so beautiful.”

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Our group was inspired to take this step under the loving guidance of Sant Rajinder Singh Ji Maharaj, a living Master in an ancient family of spiritual experts. Despite the small size of our local charity, we took chances to purchase this place that spoke to us at some very deep level. Generous donations and effort flowed in from members at exactly the right time. Thus, we could begin the physical origins of the SOS Meditation and Ecology Centre.

And to create it took a great deal of sweat efforts. Gardens were dug and planted by volunteers. Brothers and sisters worked together. Over the following years, beautiful gardens were established and every inch of the old building and roof took on a new look.

From a wishful dream and a loving handful, this special place, with its green gardens, became a reality. The Centre has become a sign of light and love in a materialistic society, where seekers find peace, joy, help in meditation, friendship and an opportunity to grow spiritually.

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D.The centre was a school with good environment.
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A.With the help of the old school.
B.With the contributions of generous people.
C.With the funds donated by a spiritual expert.
D.With the local government’s financial support.
3. Which word can best describe the members?
A.Rude.B.Distant.C.Conventional.D.Selfless.
4. What is the author’s purpose of writing the text?
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B.To tell the story about the construction of the centre.
C.To call for people to meditate.
D.To explain the influence of meditation on average people.
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【推荐3】Nothing good generally comes of a conversation that start with the words, “I think you should probably sit down before I tell you this.”

And so it came to pass. Away for Christmas, we got a call from kind friends at home, our neighbor's house had caught fire while they were out. The fire didn't spread to our house but the smoke very much did.

It's weeks of either throwing out, or sending away for specialist cleaning, every single thing into which smoke could have permeated because the particles are an ongoing health risk and washing isn't enough. Anything soft-sofas and carpets and children's teddy bears, clothes — is suspected. We will be seeing in the New Year in a decidedly minimalist fashion.

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The surprise on being forced to think about what might urgently need replacing is how short the list of essentials seems; how much we must have been hanging on to out of habit, and how much we have been conditioned to think was important.

It's all too easily assumed that family history lives in tangible things — old photographs, a dress bought decades ago for a night heavy with memories — but that's not quite right. These things were only reminders of what we already carry with us in head and heart.

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1. What happened to the author's house?
A.It caught a fire.B.It was affected by a fire.
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A.People around him were cold to others' trouble.B.His friends and neighbors were so generous.
C.People in his community were close to each other.D.He was so lucky to find much that was good.
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