William Butler Yeats, a most famous Irish writer, was born in Dublin on June 13,1865. His childhood lacked the harmony (和睦) that was typical of a happy family. Later, Yeats shocked his family by saying that he remembered "little of childhood but its pain". In fact, he inherited (继承) excellent taste in art from his family — both his father and his brother were painters. But he finally settled on literature, particularly drama (戏剧) and poetry.
Yeats had strong faith in coming of new artistic movements. He set himself the fresh task in founding an Irish national theatre in the late 1890s. His early theatrical experiments, however, were not received favourably at the beginning. He didn't lose heart, and finally enjoyed success in his poetical drama.
Compared with his dramatic works, Yeats's poems attract much admiring notice. The subject matter includes love, nature, history, time and aging. Though Yeats generally relied on very traditional forms, he brought modern sensibility to them. As his literary life progressed, his poetry grew finer and richer, which led him to worldwide recognition.
He had not enjoyed a major public life since winning the Nobel Price in 1923. Yet, he continued writing almost to the end of his life, for there is no other example in literary history of a poet who produced his greatest works between the ages of 50 and 70. He died in 1939, aged 73.
1. Which of the following can describe Yeats's family?A.It filled Yeats's childhood with laughter. |
B.It was shocked by Yeats's choice. |
C.It was a typically wealthy family. |
D.It had an artistic atmosphere. |
A.The theme of his poems includes love, nature, history, time and aging. |
B.His poems catch more attention than his dramatic works. |
C.His poems only receive recognition in Ireland. |
D.His poems carried traditional forms and modern sensibility. |
A.A travel guide. |
B.A literary journal. |
C.A science book. |
D.A health magazine. |
A.Yeats's literary achievements. |
B.Yeats's historical influence. |
C.Yeats's artistic ambition. |
D.Yeats's national honour. |
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【推荐1】I was sitting in an airport when a woman behind me asked, “What's the best gift you’ve ever got?” I closed the magazine I'd paid too much for and listened for an answer. “What do you mean, like the best birthday present?” a young man said, “Probably the gold coin I got for graduation.”
I threw my magazine onto a neighboring chair and thought about the question. What’s the best gift I’ve ever got? Good health aside, when it comes to material objects, for me the answer is easy. It was a high school graduation present, gift-wrapped and hand-delivered by my grandfather. He handed it to me and said, “Stay close to the land. Don’t be afraid to dig in and get a little dirt on you.”
That fall, I went off to college and that shiny new green-handled spade with the silver blade (刀刃)hung untouched on the wall in my parents, garage. A few years later, I had my own family and that graduation spade made its way from my folks5 garage into my own. I dug gardens, planted trees, roses and bushes. The spade was nothing but a tool.
The years rolled by. The spade has lost some of its color and I've added some gray, but I still dig hard into the earth, more often than ever. It’s more than a trusted workout partner. It’s a reminder of my family, one proudly rooted in agriculture. It’s a useful tool with a memorable message about staying close to the earth. Priceless!
A few months from now, my daughter will finish graduate school, and she has already had a job waiting in another city. She’s knowledge-rich but cash-poor, and though she’s expecting nothing from me, I have something valuable to give her before she moves away. It'll be wrapped of course, and it'll be worth the weight in gold.
1. Why did the author mention his experience in the airport?A.To compare his gift with the man's. |
B.To introduce the topic of the text. |
C.To recall his graduation ceremony. |
D.To share his way of killing time. |
A.It was hung on the wall. |
B.It was sold for gold coins. |
C.It was used to plant trees. |
D.It was wrapped without touch. |
A.A practical garden tool. |
B.An ordinary workout partner. |
C.A very precious present. |
D.A reminder of his school life. |
A.The family makes a living by farming. |
B.The spade is kept in the garage at present. |
C.The author gradually changed his attitude to life. |
D.The spade will be passed down to the next generation. |
【推荐2】Born in Ryazan, Russia, the hometown of Russian poet Sergei Yesenin, Anastasia Podareva seems to be destined for a similar career.
Podareva, 28, has loved poetry since she was a girl, when her father would introduce her to works by great Russian poets such as Alexander Pushkin and, of course, Yesenin. Growing up, she wrote many poems in both Russian and English. After she came to China to study in 2013, the world of Chinese poetry opened up before her.
She soon gave herself a poetic Chinese name, Tang Xilan, with “tang” referring to the Tang Dynasty (618-907), when Chinese poetry entered a golden age, and both “xi” and “lan” are characters taken from The Book of Songs, the earliest collection of Chinese poetry. Her name means an orchid (兰花) that blooms in the morning.
“One thing that strikes me in reading and writing Chinese poetry is the power of the language-it’s melodious (悦耳的) and rhythmic,” says Podareva in My China Surprise, a video series produced by 21st Century.
Over the past decade, Podareva has won awards in multiple poetry writing competitions, published her own Chinese poetry collections, and participated in Chinese Poetry Conference, one of the leading poetry-themed TV programs in China. On top of that, her most unforgettable memory is that one of her poems was turned into a song. And even better: She sang it herself. The poem, titled If, was written in early of 2020 at the beginning of the COVID-19 pandemic.
After witnessing China’s unity as it faced the pandemic, Podareva felt as one with the Chinese people. “I wanted to create something positive to help inspire and encourage people in times of difficulty,” she says. “Some people may praise China in a very straightforward way, but I prefer to express my feelings about the country through different styles of poems.”
1. What can we learn about Podareva before she came to China?A.She fell in love with poetry. |
B.She learned from Yesenin in person. |
C.She became a famous poet in Russia. |
D.She translated Russian poems into English. |
A.It dates from the Song Dynasty. | B.It showcases her success in China. |
C.It relates to the Chinese poetry. | D.It has beautiful rhythm and melodies. |
A.Podareva’s poetry journey in China. | B.Podareva’s amazing talent in singing. |
C.Podareva’s fight against the pandemic. | D.Podareva’s impression of Chinese poetry. |
A.People have trouble in gaining inspiration. |
B.Podareva has deep love for Chinese people. |
C.Poetry is the best form of showing emotions. |
D.China’s unity was challenged by the pandemic. |
【推荐3】Sadaf’s childhood was happy. She enjoyed going to school and meeting her friends. But one day, she returned home running a high temperature.
“We thought it was regular flu. But we were told that I would not be able to walk ever again now,” she recalls.
Sadaf was just 10 years old then. After the family was turned down by doctors in Kashmir, they went to Mumbai, where an operation was performed to treat her legs. But eventually, Sadaf had to rely on a wheelchair to move around. By this time, she had to discontinue her education.
Things worsened when her father, her “only source of support”, passed away. “Everyone except my father doubted my capabilities. But he always encouraged me to dream big. I missed him.”
“There were days when I would end up crying all day, sitting alone in my room. I was getting into depression,” she says.
“By now, I’ve realized that I have to either end my life or struggle to prove myself. I chose the latter. I wanted to prove to the world that people like me can also achieve something. I had just lost my ability to walk, not my ability to use my brain,” she adds.
That is when Sadaf decided to step up for herself. In 2015, she opened a shop but had to shut it a couple of years later as the work affected her eyesight. She says, “But I wanted to try my hands at everything. So I decided to play basketball as well. I have also been awarded multiple times by the Jammu and Kashmir Basketball Association.”
Recently, Sadaf tried selling unique spices of the Kashmir valley. “Today, I have established my own business without anyone’s emotional or financial support. People would question me what I could achieve sitting in a wheelchair, when their educated and able-bodied children sat idly (闲散地). Now the very same people give my example to others,” she says.
Sadaf believes that people with disabilities should never doubt themselves. “If you hear others say something not so positive, you may end up depressed. Instead of living within the confines (限制) of a room, try to prove yourself,” she advises.
1. What did Sadaf lose after her father’s death?A.Walking ability. | B.Financial support. |
C.Spiritual backing. | D.Precious eyesight. |
A.To build up her body. | B.To prove herself. |
C.To win awards. | D.To pursue her dream. |
A.Talented but inflexible. | B.Disabled but learned. |
C.Independent and honest. | D.Determined and capable. |
A.A fine example has limitless power. | B.Do not let your disability rule you. |
C.Encouragement is the source of power. | D.Do not put all your eggs in one basket. |
【推荐1】French writer Annie Ernaux won the 2022 Nobel Prize in literature on Oct. 6. She is the first French female to win the prize, following 15 male winners. In the words of the Nobel Committee, Ernaux was given the award “for the courage and clinical acuity (敏锐的洞察力) of her writing.”
Born in 1940 in a village in Nonnandy, France, Ernaux grew up in a working-class environment. Her parents ran a combined grocery store and cafe. She studied in Rouen and Bordeaux, taught in secondary schools and then, for 23 years, worked for a French distance-learning university. Her shelf of two-dozen books began with fiction (Cleaned Out in 1974) but soon moved into a form of creative autobiography.
A Woman’s Story (1987), an emotional account of her mother’s life and death from Alzheimer’s disease, better promoted her reputation in France. The injustices of class, gender and background stand out in this work. Her most welcomed book, however, was The Years, published in 2008 and describing herself and wider French society from the end of World War II to the present. The seemingly casually (随意地) mentioned goods and songs in the novel are actually carefully selected by her and concerned by the public, so readers of all ages can find familiar content and clear memories.
Though the matters Ernaux describes in her books are serious and even sometimes heavy, they are always written in simple language. Ernaux described her style as flat writing through which she aims to tell her stories objectively (客观地) unshaped by flowery description or intense emotions.
“Her path to being an author was long and tough,” the Swedish Academy said. “And when she with great courage shows the suffering of the experience of class, describing shame or inability to see who you are, she has achieved something admirable and lasting,”Anders Olsson, chairman of the Nobel Committee for Literature added.
1. What can we learn about Annie Ernaux?A.She was the 15th French to win the prize. |
B.She was born with a literature background. |
C.She was a teacher before her writing career. |
D.She began her writing with stories of herself. |
A.It brought Ernaux to fame in France. | B.It reflects the French social injustices. |
C.It’s Ernaux’s most welcomed book. | D.It describes Ernaux’s life after World War Ⅱ. |
A.She casually chooses goods and songs in her works. |
B.She aims at readers of a specific age group. |
C.She uses easy language to discuss serious topics. |
D.She puts strong personal emotion into her works. |
A.Courageous and respectable. | B.Energetic and sensible. |
C.Thoughtful and generous. | D.Capable and self-focused. |
【推荐2】Sandra Boynton, a children’s author, has in more recent years branched out into kids music. Her most recent album Hog Wild!, for example, features Samuel L. Jackson as a Tyrannosaurus Rex. She talked in an interview about how to tap into kids’ imaginations and how to make scary things less threatening for them.
In your years of writing and illustrating children’s books, have you noticed anything that really sparks a child’s imagination?
I think maybe there’s no basic difference between what fascinates a child and what fascinates the rest of us. We’re all drawn to things that wake us up, things that grab our attention through our hearing or our sight or our sense of touch. We’re curious about the world as it is, and we’re curious about what could be. Imagination follows curiosity pretty naturally.
It doesn’t feel to me like it’s been a long time that I’ve been drawing and writing things. It doesn’t feel like a short time, either. It just feels like what I do. I make things. I’m a permanent Kindergartner, I guess.
You often take a threatening figure like a Tyrannosaurus Rex or a monster and make him cute. Do you have any suggestions for how to make children less afraid of things?
Actually, I think kids kind of like being afraid of things, as long as someone’s calming is right there with reassurance. Hugging helps.
What have you learned about childhood from writing kids’ books?
Accessing childhood has actually never been that hard. It’s adulthood that’s still puzzling. I would guess that most children’s book writers are that way. I’m really writing books and making music for my own child-self. But I’m certainly delighted and grateful that my books work for people other than just me. It keeps me from having to find an actual job.
A lot of authors are worried that children spend too much time on digital devices rather than with books, but you seem to have embraced it. Why?
When the interactive book app universe was new, I was, as a creator of things, curious. My background is theater, and I thought it could be interesting to try to figure out how to create content that’s both theater-like and book-like. I found a superb partner in this, the insanely ingenious Loud Crow Interactive in Vancouver. We worked intensively together for a couple of years and made five very cool apps. I’m proud of them. But now, having too often seen very young kids sitting idly, staring at screens, I have my doubts.
1. What does Sandra Boynton think about imagination?A.It fascinates both adults and children. |
B.It can be waken up by attention to senses. |
C.It can be naturally aroused out of curiosity. |
D.It lasts for long in a permanent kindergartner. |
A.finds herself confused about remembering childhood |
B.agrees with other book writers that writing is hard |
C.puts herself in a child’s place and thinks like a child |
D.is delighted that she doesn’t need to find another job |
A.new ways to increase interactions between users |
B.interactive by combining theatre and book |
C.beneficial with the content based on the original book |
D.created by an insanely ingenious expert and friend |
A.Sandra is good at making a threatening figure cute |
B.kids are always calm instead of being afraid of things |
C.digital devices have been embraced by most of the authors |
D.there were no interactive book apps before Sandra’s apps |
【推荐3】Jon Fosse has won the 2023 Nobel Prize in literature, “for his innovative plays and prose which give voice to the unsayable”. The 64-year-old playwright is not well-known outside his home country of Norway. But the author is internationally celebrated in literary circles and has been called “the most produced living playwright”.
Fosse grew up on a rural farm near Strandebarm, Norway, where his grandparents lived in one house while he, his parents, and two sisters lived in another. His father worked as a manager of Strandebarm Cooperative, a local grocery store, and his mother was a caregiver. Fosse started writing at age 12 or 13, first composing song lyrics and later trying poems.
In 1979 Fosse graduated from high school and moved to Bergen, where he began working for the newspaper Gula Tidend. That same year he became a father, and the following year he married the mother of his child. In the next decades he married twice more and had five additional children. Meanwhile, throughout the 1980s he studied at the University of Bergen, receiving a Master of Art in comparative literature in 1987.
Also during the 1980s, Fosse published his first novels, namely Red, Black, whose topic is suicide, and Stringed Guitar, about a mother in a difficult situation after locking herself out of her house where she has left her baby.
The playwright began as a novelist, and did not break through as a theater writer until he was in his 40s. His international reputation as a playwright was confirmed in 1998, with a Paris production of his first play Someone Is Going to Come, which had been written in 1992. Since then, his work has been performed in more than 60 countries around the world, according to his translator, Ann Henning Jocelyn. According to his publisher, Fosse’s work has been translated into more than 40 languages, and there have been more than 1,000 different productions of his plays.
1. When did Jon Fosse get married to his first wife?A.In 1979. | B.In 1980. | C.In 1981. | D.In 1987. |
A.He started writing in 1979. |
B.His first novel is Someone Is Going to Come. |
C.He gained international popularity as a playwright. |
D.He worked as a theater writer when he was in his 30s. |
A.Talented and productive. | B.Positive and ordinary. |
C.Hardworking and considerate. | D.Imaginative and selfish. |
A.Jon Fosse and His Novels |
B.Jon Fosse and His Awards |
C.Jon Fosse: The Greatest Norwegian Writer |
D.Jon Fosse: Wins 2023 Nobel Prize for Literature |