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题型:阅读理解-阅读单选 难度:0.65 引用次数:45 题号:16397098

Like many of the arts, music flourished during the Zhou dynasty. From this period we have instruments, models of performers, descriptions of musicians and dancers, and the Shijing, or The Book of Poetry, which contains poems and songs of court and common people during the Zhou dynasty. It is likely that music played an extremely important role in the Zhou dynasty for all social classes.

One of the most important sources of information the researchers have regarding Zhou-dynasty music is from the tomb of the Marquis Yi of Zeng (433 B. C. E.). This tomb was uncovered in 1977 in Hubei Province and contained the most extensive and well-preserved set of musical instruments ever found in an ancient Chinese tomb. This four-chamber (室) tomb was designed in imitation of a palace with a central courtyard, reflecting the belief that the Marquis Yi would require the same comforts in the afterlife that he had enjoyed during his lifetime. The central chamber of the tomb, which reflected a palace courtyard, contained most of the musical instruments found, including a complete set of sixty-five graduated bells fixed on wooden shelves. In addition, twenty-one young women were buried with the Marquis Yi, some of whom were likely his favorite musicians and dancers.

The Marquis Yi’s set of sixty-five bells is remarkable for a variety of reasons. First, they are clearly dated—an inscription (碑文) indicates that the bells were a gift given to him in 433B. C. E. . Second, the bells were very expensive to produce and to purchase, particularly a set of this size, so they are further evidence of the Marquis Yi’s status. Finally, the bells, along with the other instruments in the room, illustrate what an instrumental band might have consisted of during this period. Scholars predict that it would have required twenty-four musicians to play all instruments at once.

There are still many gaps in our knowledge of ancient Chinese music, partly because there was no system for recording music in a written form.

1. The Book of Poetry is mentioned in Paragraph 1 to ________.
A.show the significance of the book
B.show the popularity of music in the Zhou dynasty
C.describe the meaning and the history of the book
D.represent the life of people in the Zhou dynasty
2. According to the passage, what can we know about the tomb?
A.It contains all kinds of musical instruments.
B.It is designed by the Marquis Yi of Zeng.
C.It reflects the wish of the Marquis Yi for his life after death.
D.It is of the same size as that of the palace.
3. Why is the set of sixty-five bells extraordinary?
A.Because it might prove the Marquis Yi’s position.
B.Because it was difficult to buy at that time.
C.Because it once was an expensive gift.
D.Because it needs 24 performers to play at the same time.
4. In which column of the newspaper can we read the text?
A.Health.B.Business.C.Sports.D.Art.

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【推荐1】Years ago, I appeared on stage with the Royal Melbourne Philharmonic Choir in the Town Hall. There I was, my feet in plain shoes, sweat dirtying my clean white shirt, singing my heart out in front of the big organ. I still have a tape recording of that performance somewhere, where I swear I can hear myself singing, high and thin and possibly off-key.

But life got in the way and I stopped singing. Then, in the summer of 2019, I found myself facing some gloom in my own life. It felt as if it had been a long time between songs, as if there was something unsung, some absent music in my ears. I began to fear I might be making myself ill and unable to breathe in a normal way.

Could singing help me reclaim my voice and calm my fast-beating heart? Research from the Royal Society noted that “group singing can improve physical and mental health, as well as promote social bonds”. So, rather than letting my unsung tunes strangle (扼杀) me, I decided to take on a new choral experience, one being in the Big Feminist Sing, a community choir.

“If you don’t know what to sing,” the choir director said, “find someone who looks confident and go and stand next to them.” Find a friend if you’re in trouble; take a risk; use your voice; be part of something bigger than yourself. I’ve been singing in the choir ever since, because group singing gives me a sense of safety — and each rehearsal (排练) is a lifeline, a connected thread, an intake of air working toward a collective voice. It doesn’t matter if I am a bit off-key to start with. Decades of unsung situations have changed, and I have flown.

1. How did the author feel during her performance in the Town Hall?
A.Excited.B.Relaxed.C.Nervous.D.Curious.
2. What does the underlined phrase “some gloom in my own life” in paragraph 2 refer to?
A.Something unsung in the author’s life.
B.Some difficulty in the author’s life.
C.Some disease that stopped the author singing.
D.Something affecting the author’s voice.
3. What does the author learn from her latest choir experience?
A.Finding a true friend is never easy.
B.The choir director’s position counts.
C.Teamwork has benefited her a lot.
D.Singing alone improves her health.
4. Why did the author work on the choir?
A.To get a sense of safety out of singing.
B.To make changes from stage experiences.
C.To taste music in a choir.
D.To enjoy the amazing power of group singing.
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【推荐2】Born in an unknown village in Huarong county, Hunan province, Yi had few opportunities to play instruments when he was young.

At the age of 6, when most performers have already begun studying the piano at music academies, Yi learned the traditional stringed instrument the erhu from a group of people lodging at his home. It was not until much later that he first saw a piano when he visited his cousin’s house in Huarong.

“My family was too poor to buy a piano for me, so I often used to visit my cousin, even though it took about an hour to travel the 20 kilometers to his home over rocky roads just for the opportunity to sit at the keyboard,” Yi said.

Yi first arrived in Shenzhen 19 years ago and worked in factories, on construction sites and in kitchens. He had not played a piano for nearly 30 years.

The public pianos in Huaqiangbei offered him a fresh start. On a hot summer’s day, while   taking a break from work at a nearby construction site, Yi and his son passed one of the instruments. Encouraged by his son, Yi decided to give it a try.

He rubbed his hands nervously on his clothes, but the moment he placed his fingers on the keys, he felt more comfortable and his confidence returned. Although his masterly performance at the piano keyboard quickly made him an online sensation in China and overseas, Yi is not the only one to benefit from the pianos in Huaqiangbei.

Inspired by the British artist Luke Jerram, who has placed more than 2,000 street pianos in over 70 cities worldwide since 2008 with the words “Play Me, I’m Yours” printed on their sides, the public piano project in Huaqiangbei was launched by the local government in 2018.

Zhang Chen, deputy director of the Huaqiangbei subdistrict office, said: “Huaqiangbei is located in the commercial district in the center of Shenzhen. We have been trying to provide diverse facilities to bring high-quality public cultural services to the area. We are surprised that the public piano project has attracted so many people to play the instruments, and others to watch them perform.”

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C.He received musical training at the age of 6.
D.He familiarized himself with erhu at his cousin’.
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A.A city culture featuring the piano needs changing.
B.The street piano project fuels urban development.
C.Huaqiangbei gets in tune with its cultural ambitions.
D.Shenzhen takes the lead in promoting cultural prosperity.
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【推荐3】If you ever visit an English village,make sure to look out for morris dancing.Undoubtedly one of the strangest   of English culture, morris dancing is a form of folk dancing that dates back to the 15th 15th century.If       you ever get the opnortunity,you really have to see it.

Men and   women   wearing old-fashioned,tattered(褴褛的)clothing dance in the street of towns and villages across the country during   the holiday periods. Women wear long,frilly (有 褶皱边的)skirts and men wear short trousers w.th bells attached to them. They dance to traditional folk music which is often played on traditional musical instruments.

Some groups carry heavy black sticks which they bash (击打)against each other while they dance. Other groups wave handkerchiefs in the air whilst they perform. The dances are usually performed near a pub so that when it s over, the dancers and spectators (观众)can sing some traditional folk songs over a pint of beer. The festivities (欢庆)will often continue long into the night, by which point most people are too drunk to think about performing again.

Morris dancing is a great English tradition but it’s facing a big crisis (危机).As the years go by, fewer and fewer young people are joining morris dancing groups. The dancers are getting older and older and eventually, if nothing is done to change this trend, the tradition will die out within the next few decades.

If you’ve ever had the fortune to see morris dancing, you may understand why teenagers aren’t rushing to sign up. Putting it bluntly (直截了当地),it’s not exactly the coolest thing for an 18-year-old to be doing. Why dress up in bells and funny costumes when you could be going clubbing (逛夜店)? Or playing sport? Or doing anything else?

However, it would be a great shame to lose such a fun and vibrant (有活力的)part of England’s history and culture. It’s important to look after some traditions and customs especially when it’s something as harmless and happy as morris dancing. So here's a toast to the next generation of would-be morris dancers! Let's hope they don’t leave it too late.

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B.The origins of mortsdancing   in the UK.
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D.traditions and development of morris dancing in the UK.
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