Few parlor games (室内游戏) have left a larger global impact than mahjong, which is at once a mainstay at immigrant family gatherings.
Mahjong is a four-player game that, like poker, operates on the interplay between chance and skill. Chinese icons are visible in tiles’(麻将牌) “suits”, which include bamboos and circles, which represent ancient Chinese currency; arrows or “dragons”, which symbolize the ancient art of archery; and flowers, which represent the four Confucian plants, including chrysanthemum and orchid.
There are more than 40 versions of the game across the world, according to Annelise Heinz, author of the bestselling Mahjong: A Chinese Game and the Making of Modern American Culture. She says the material connection and core tile design keep it recognizable.
The rhythms of mahjong are especially conducive to building community, Heinz says. Whereas the shuffling of cards in between poker games takes mere seconds, mahjong players must sit through extended pauses to reset tiles after every round. The interval encourages conversation.
In the early 1920s, American businessman Joseph P. Babcock brought the game to the U.S., where it became an “enormous national fad” that Heinz says reflected the country’s shifting cultural norms. Dubbed “the game of a hundred intelligences” and “the gift of heaven”, the first imported mahjong sets quickly sold out at Abercrombie & Fitch in New York City.
Over the past century in the US, mahjong has changed into a staple that extends far beyond the Chinese immigrant family. More recently, the record-shattering 2018 romantic comedy Crazy Rich Asians, which features a crucial mahjong scene, brought the game back into popular culture, fueling interest among Asian American millennials and Gen Zers. Mahjong’s lasting popularity, Heinz says, speaks to rapid cultural changes that have unfolded over the past century. “It also offers a kind of hopeful vision of positive identity building and community building that this game can be a part of into the future,” she says.
1. Which of the following is the synonym for underlined word “mainstay” in Para.1?A.Backbone | B.Guest | C.Maintainer | D.Decoration |
A.Confucian plants and thoughts. |
B.Chinese arrows or “dragons”. |
C.Ancient forms of art. |
D.Ancient Chinese currency. |
A.Quick shuffling between rounds. |
B.Extended pauses to reset tiles. |
C.Interplay between chance and skill. |
D.Complex game rules and strategy. |
A.The rhythms of mahjong is catchy. |
B.The imported mahjong sets are costly. |
C.It is outdated for the young generations. |
D.It is widely influential and promising. |
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【推荐1】Little New Year usually falls a week before the lunar New Year. It is also known as the Festival of the Kitchen God, the deity (神) who oversees the moral character of each household. Here are six things you should know about the Little New Year, another sign of the start of spring.
1. Offer sacrifices to Kitchen God
One of the most distinctive traditions of the Little New Year is the burning of a paper image of the Kitchen God, who will report on the family’s conduct over the past year. The offerings to the Kitchen God include pig’s head, fish, sweet bean paste, melons, fruit, boiled dumplings, barley sugar, and Guandong candy. Most of the offerings are sweets of various varieties. It is thought that this will seal the Kitchen God’s mouth and encourage him to only say good things about the family when he ascends to Heaven to make his report.
2. House cleaning
According to Chinese folk beliefs, during the last month of the year ghosts and deities must choose either to return to Heaven or to stay on Earth. It is believed that in order to ensure the ghosts and deities’ timely departure people must thoroughly clean both their persons and their houses, down to every last drawer and cupboard.
3. Eat Guandong candy
Guandong candy, a sticky treat made out of glutinous millet and sprouted wheat, is a traditional snack that Chinese people eat on the Festival of the Kitchen God.
4. Paste paper-cuts to windows
In the Little New Year, old couplets and paper-cuts from the previous Spring Festival are taken down, and new window decorations, New Year’s posters, and auspicious (吉利的) decorations are pasted up.
5. Bath and hair-cut
As the old Chinese saying goes, whether they’re rich or poor, people often have a haircut before the Spring Festival. The activity of taking bath and haircut is often taken on the Little New Year.
6. Preparations for the Spring Festival
People start to stock up necessary provisions for the Spring Festival since the Little New Year. Everything needed to make offerings to the ancestors, entertain guests, and feed the family over the long holiday must be purchased in advance.
1. What is the most unusual tradition in the Little New Year?A.Offering sacrifices to the Kitchen God. |
B.Burning a paper image of the Kitchen God. |
C.Preparing the necessities for the New Year. |
D.Cleaning houses and people themselves. |
A.Collecting the information of the man’s world. |
B.Protecting the character of each home. |
C.Gathering sacrifices for other Gods in Heaven. |
D.Watching out for the moral people in the world. |
A.Because the Kitchen God loves sweet foods. |
B.Because it is the traditional custom. |
C.Because people hope the God says good for them. |
D.Because sweets are the best sacrifices. |
A.Little New Year always falls in February. |
B.House cleaning is to welcome the New Year. |
C.In the Little New Year only paper-cuts are pasted up. |
D.People will make full preparations for the coming New Year. |
Have you ever wondered about people’s names? Where do they come from? What do they mean?
People’s first names, or given names, are chosen by their parents. Sometimes the name of a grandparent or other member of the family is used. Some parents choose the name of a well-known person. A boy could be named George Washington Smith; a girl could be named Helen Keller Jones.
Some people give their children names that mean good things. Clara means “bright”; Beatrice means “one who gives happiness”; Donald means “world ruler”; Leonard means “as brave as a lion”.
The earliest last names, or surnames, were taken from place names. A family with the name Brook or Brooks probably lived near a brook (小溪); someone who was called Longstreet probably lived on a long, paved road. The Greenwood family lived in or near a leafy forest.
Other early surnames came from people’s occupations. The most common occupational name is Smith, which means a person who makes things with iron or other metals. In the past, smiths were very important workers in every town and village. Some other occupational names are: Carter—a person who owned or drove a cart; Potter—a person who made pots and pans.
The ancestors of the Baker family probably baked bread for their neighbors in their native village. The Carpenter’s great-great-great-grandfather probably built houses and furniture.
Sometimes people were known for the color of their hair or skin, or their size, or their special abilities. When there were two men who were named John in the same village, the John with gray hair probably became John Gray. Or the John who was very tall could call himself John Tallman. John Fish was probably an excellent swimmer and John Lightfoot was probably a fast runner or a good dancer.
Some family names were made by adding something to the father’s name. English-speaking people added –s or –son. The Johnsons are descendants of John; the Roberts family’s ancestor was Robert. Irish and Scottish people added Mac or Mc or O. Perhaps all of the MacDonnells and the O’Donnells are descendants of the same Donnell.
1. Which of the following aspects do the surnames in the passage NOT cover?
A.Places where people lived. | B.People’s characters. |
C.Talents that people possessed. | D.People’s occupations. |
A.owned or drove a cart | B.made things with metals |
C.made kitchen tools or containers. | D.built houses and furniture. |
A.Beatrice Smith | B.Leonard Carter |
C.George Longstreet | D.Donald Greenwood |
【推荐3】Many Chinese people have awakened their interest in classical Chinese poetry recently thanks to a popular TV show that aims to “appreciate classical Chinese poetry, explore cultural genes and enjoy the beauty of life” by combining traditional literary form with light-hearted TV quizzes.
The ten-episode “Chinese Poetry Competition”, since its broadcast has been praised for injecting vitality into TV programs with fantastic performances of contestants, impressive comments from judges as well as its innovative interactive mode. In the show, poems can be adapted into songs or depicted through artistic pictures. Any contestant who can memorize the largest number of poems may not necessarily be the final winner.
Wu Yishu, a 16-year-old student from the High School Attached to Fudan University in Shanghai, is the champion of this season. Her rich knowledge of classical poetry impressed everyone and she rose to become famous online.
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When it comes to teaching people about poetry, Li Dingguang, the show’s academic advisor, suggested that teachers should explain more about the beauty of the poetry from both the aesthetic (审美的) and emotional sides, and guide students to lose themselves in the poems’ rhythmic and rhyming lines.
“Although the proportion of ancient Chinese poems in the textbooks of primary and secondary schools has increased, many students still learn them for exams.” Li Dingguang said, “Therefore,
A.In an earlier episode, Wu wowed the audience when performing in a section. |
B.Perhaps innovation and interaction matter the most. |
C.Fast reaction and usage of poems matter a lot more in the competition. |
D.What is the permanent appeal of poetry? |
E.it’s important to help students truly appreciate the artistry and fun of poetry. |
F.Learning poems isn’t about winning or losing. |
【推荐1】Gather together a couple of good friends and take a leisurely stroll through the streets — this is what many youngsters in China enjoy doing when they visit a new city.
To them, Citywalk means “roaming around the city” on foot. Participants can follow a distinctive urban route, soaking up the atmosphere, exploring old buildings, browsing boutique shops, sipping a cup of coffee, or indulging in authentic local snacks.
Citywalk can be a special guided trip for a small group of people, or simply a leisurely stroll for one or two to explore new areas, sticking to the key point: avoiding famous scenic spots and big crowds to gain a more inclusive experience of the places you visit. Besides interacting with a city, Citywalk provides young people with a new social scene, where they who share the same interests and ideas can easily make friends.
In China, the Citywalk trend is spreading from first-tier cities like Beijing and Shanghai to second and third-tier cities, encouraging more participants and event organizers to get involved. Some organizers invite folk culture researchers and enthusiasts to act as tour guides. Xiao Yiyi, a young entrepreneur in Changsha, recently launched six Citywalk routes in different cities on her social media account, with the aim of providing experiences for visitors to “walk in open-air museums”. Her Changsha route features more offbeat sights like historical architecture from the 19th century, artsy old alleys, and even a stop-off to sample the local spicy crayfish specialty.
Even though Citywalk is a relatively new phenomenon, it is offering a positive change to urban travelers as they can better choose the experiences based on their interests and needs. At the same time, Citywalk represents an opportunity for tour guides and travel service providers to offer a more tailored, professional service to meet with ever-changing market demands.
1. Why do young people choose Citywalk?A.To enjoy a guided tour. |
B.To cut down expenses. |
C.To dig deeper into a city. |
D.To make new friends. |
A.Doing sightseeing on foot. | B.Avoiding hot scenic spots. |
C.Taking a local tour guide. | D.Keeping a fixed urban route. |
A.A tour guide | B.A culture researcher. |
C.A Citywalk enthusiast. | D.An event organizer. |
A.Favorable. | B.Dismissive. | C.Doubtful. | D.Unclear. |
【推荐2】If the poems you read at school made you think poetry is old-fashioned, here are four poets whose work will make you look at poetry in a different way.
Brian Bilston
Brian Bilston’s poetry is definitely more relevant to today’s issues. He covers subjects such as climate change, modern technology and international events. Although Brian uses rhyme in some of his work, it is extremely effective, especially as so many are humorous poems. He has a skill for word play. He also shares his poems online, making them more accessible to today’s audience.
Ada Limón
Ada is a well-known American poet, and has released several collections of poetry. Her poems are deeply rooted in nature, emotion and relatable metaphors (比喻). Her work feels like a natural progression from the poetry covered in schools. There is still an artistic weaving and careful placement of words, but the messages and inner meanings are more suitable for a modern audience.
Tracy K Smith
Tracy was the winner of the Best First Book by an African American poet, with her 2003 collection, The Body’s Question. Her poems cover important issues around race, family, going beyond from childhood into adulthood and much more. Each is easy to understand and relate to, while at the same time, deeply personal. She has a natural talent for connecting with her audience.
Mel Wardle Woodend
Mel has several published collections including two books for children, making poetry more accessible to them. She also has a collection called Just a Thought, which raises awareness of mental health issues. This topic was rarely discussed at school, so Mel’s work is progressive and inviting to those who may not tick the typical boxes of someone who enjoys poetry.
1. What is Brian Bilston’s poetry mainly concerned with?A.School life. | B.Today’s issues. |
C.Historic events. | D.Today’s audience. |
A.Brian Bilston. | B.Ada Limón. |
C.Tracy K Smith. | D.Mel Wardle Woodend. |
A.It appeals to school students. | B.It concerns mental health issues. |
C.It is intended for younger readers. | D.It is rarely discussed at school now. |
【推荐3】We love the sea. We swim into it, live near it, build beside it, and even imagine living under the sea. But we’re terrified of it, too. For much of our history, we have turned to “hard engineering” to control the marine environment and manage its influence on us. We build dams, sea walls and channels. But all these efforts seem to fail. The sea has a habit of taking back its own. And we suffer.
Johnston, a marine ecologist, is advocating for “blue engineering” — the marine version of the “green engineering” movement on land that has seen nations like Singapore building the walls and roofs of the concrete jungle with plant life.
We are expanding further into the marine environment. This practice does harm to marine ecosystems. We’re loving the sea to death, but we’ve not been thinking about design of structures (建筑物) with respect to ecology. Some coastal structures create shade, which reduces the growth of seaweed. Bright lights at night contuse species such as turtles. That’s why blue engineering comes in.
Throughout the world people are starting to turn things around. Researchers with the World Harbour Project are creating tiles (瓦片) similar to the natural structures found on rocky shores with 3D printing technology. These make more attractive homes for marine creatures. Researchers are also actively seeding these tiles with local seaweeds and creatures such as the Sydney rock oyster, which is particularly good at improving water quality. Twelve harbors around the world are taking part in this marine tile experiment, each working with their own unique marine life.
It’s a far cry from the days when huge number of old tyres were thrown, into the sea to build “artificial reef”(人工礁石). Those clumsy early attempts are now costing millions to remove, showing just how far we have yet to go in understanding how best to co-habit with the underwater world.
1. What do we know about “hard engineering”?A.It can control the influence of sea. |
B.It has improved sea environment. |
C.It forces sea creatures to settle down. |
D.It has not achieved its original purpose. |
A.disadvantages | B.definition | C.necessity | D.measures |
A.Designing structures using sea creatures. |
B.Expanding further into the marine environment. |
C.Building homes for sea creatures with plant life. |
D.Creating an artificial reef off shore with old tyres |