One of the world’s oldest preserved human settlements has been significantly damaged by pouring rain in Pakistan as the country battles the worst floods in its history.
Moenjodaro, a World Heritage site in the Indus River valley 508 kilometers (316 miles) from Karachi, was built in the Bronze Age, some 5,000 years ago. “Unfortunately we witnessed the mass destruction at the site,” reads a letter from the Cultural, Tourism & Antiquities Department of Singh state sent to UNESCO and signed by director Ihsan Ali Abbasi and architect Naveed Ahmed Sangah. The letter adds the site was being used as temporary accommodation for surrounding residents whose own homes had flooded.
Moenjodaro’s significance can’t be underestimated when it was added to UNESCO’s register in 1980, the organization wrote that Moenjodaro “bears exceptional proof to the Indus civilization,” comprising “the most ancient planned city on the Indian subcontinent”.
The letter explains some of the immediate actions the site team has taken to mitigate the flood damage, like bringing in water pumps and repairing brickwork. But it’s clear that these measures will not be enough.
Abbasi and Sangah ended their letter by asking for 100 million Pakistani rupees ($45 million) to cover the costs of full repairs. UNESCO has responded to the request for help, allocating $350,000 from its emergency fund for damaged historic sites in Pakistan during UN Secretary General António Guterres’s visit to the flood-stricken country this week.
The funds will go to Moenjodaro and other sites including the Amri Museum. While the sum is far less than needed to fully repair the sites, it will pay for urgent work while UNESCO and local organization consider the best way forward. Sadly, the conservators of Moenjodaro have known for some time that flooding could bring a serious risk to the site.
In their letter, Abbasi and Sangah express concern that Moenjodaro could be added to the list of UNESCO sites in danger, which the preservation body updates periodically to highlight historic places that are at severe risk of ruin.
1. What makes Moenjodaro special to Pakistan?A.The geographic feature it bears. |
B.The role it played in fighting floods. |
C.The mass destruction it suffered in history. |
D.The value it holds in history and architecture. |
A.Reduce. | B.Suffer. | C.Avoid. | D.Assess. |
A.Creative. | B.Worrying. | C.Impractical. | D.Satisfactory. |
A.Pakistan’s Deadly Floods Causing Widespread Damage |
B.Moenjodaro Calling for Attention to Its Severe Damage |
C.Moenjodaro Added to the List of UNESCO Sites in Danger |
D.Pakistan UNESCO Site Moenjodaro Badly Damaged by Flooding |
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【推荐1】In China, calligraphy occupies a distinguished position in the field of traditional art. It has always been more than simply a tool for communication, but also a means of expressing a person's inner world in an aesthetic sense.
Chinese calligraphy has endured for more than 2,000 years. Inscribed on animal bones, the oracle bone script is the earliest known writing form of Chinese characters. Following the changes of dynasties, it evolved into five main ways of writing, each with different techniques. With the unification of China by the Qin Dynasty, the Prime Minister Li Si(?—208 BC)actively promoted a uniform pattern of writing—the seal script. In the Eastern Han Dynasty, people simplified the seal characters, which had many strokes, and created the official script. The new calligraphy appears to be much neater, turning the round style into a flat one.
Today’s most popular and influential writing style, the regular script, first came into being between the Han and Wei dynasties. Just as the name implies, it features regularity and varies from the flat font to a square one. The period when the regular script flourished most was during the Tang Dynasty, when Yan Zhenqing(708—784) and Liu Gongquan(778—865) successively established schools of their own styles. In striking contrast, the cursive script puts emphasis on flexibility, for it only maintains the essence of each character and expresses more personal exertion. Therefore, its value lies more in appreciation than in practicality.
The Sage of Calligraphy Wang Xizhi(303—361,307—365, or 321—379), together with his son Wang Xianzhi (344 -386), led the art of calligraphy to its summit. Wang Xizhi was a master of all forms of Chinese calligraphy, especially the running script, and is generally recognized as the greatest Chinese calligrapher in history. People placed great value on his calligraphic works, comparing his handwriting to a “flying dragon”, vigorous yet elegant. His preface to the poems collected from The Orchid Parilion, known as a gem of Chinese calligraphy, was the most representative of his style. However, the original work is no longer available for public admiration. It is said to be buried in the tomb of Emperor Taizong of Tang(599-649) since he admired it so much.
Chinese calligraphy has also been introduced to many neighboring countries and has built up a worldwide reputation. Picasso(1881—1973),the world-renowned master of art, reportedly once said, “If I had lived in China, I must have become a calligrapher rather than a painter.” In 2009,Chinese calligraphy was inscribed on the Representative List of the Intangible Cultural Heritage of Humanity by the U NESCO.
1. How many writing forms of Chinese characters are mentioned in the passage?A.4. | B.5. | C.6. | D.7. |
A.Described | B.Carved | C.Inserted | D.Decorated |
A.The cursive script highlights flexibility and more personal exertion. |
B.Compared with the seal script, the official script is flatter and neater. |
C.Yan Zhenqing and Liu Gongquan built up schools to teach the regular script. |
D.Wang Xizhi's most representative calligraphic work was written in the running script. |
A.Chinese calligraphy attracted him a lot. | B.He wanted to move to China. |
C.He regretted becoming a painter. | D.The UNESCO gave him a report. |
【推荐2】Before war and time destroy more of our important cultural sites, we need to save them in 3-D digital libraries. Across 163 different countries, more than 1,000 natural and cultural historic places make up our most precious human heritage, which UNESCO calls World Heritage Sites.
We lose a little of that heritage every day. War, climate change and pollution have bad effects, as do wind and rain. The $4 million a year that UNESCO spends on preservation is not nearly enough to take care of even the four dozen sites considered to be at approaching risk of being lost forever. Now there’s a better choice. New digital conservation technologies let us hold on to them, at least virtually, through 3-D scanning, modelling and digital storage. Such projects can be accomplished through cooperation between governments, universities, industries and non-profit organizations.
To make a 3-D model, a laser (激光) scanner bounces light off an object and records the results. To reproduce every corner and opening, the scanner collects overlapping (重登的) images from all possible angles. A computer then sews them together into one large surface image and draws lines from one point to another to create a wireframe model. High-resolution digital cameras add colour and texture. When fully put together, the models can be viewed, printed or operated.
These scans do more than preserving a memory in a database. With highly accurate measurements, archaeologists (考古学家) can find hidden passages or reveal ancient engineering tricks. School kids can explore places they might otherwise never see. And when a site is destroyed, the scans can even be used to reconstruct what was there. That has already happened to one World Heritage Site, the Kasubi Tombs in Uganda. Built of wood in 1882, they were destroyed by fire in 2010 and rebuilt in 2014, based in large part on 3-D models made in 2009. More than 100 World Heritage Sites have already been preserved through 3-D models, and conservationists are racing to record as more as possible.
1. How does the author show the necessity for 3-D digital libraries in the first two paragraphs?A.By listing the threats to our human heritage. |
B.By introducing some damaged historical sites. |
C.By quoting some experts’ views on heritage protection. |
D.By explaining UNESCO’s research on World Heritage Sites. |
A.The function of a laser scanner. |
B.The process of making a 3-D model. |
C.The reflection of light off an object. |
D.The development of 3-D digital technology. |
A.They are metal-framed. |
B.They were once destroyed in an earthquake. |
C.They were reconstructed thanks to 3-D models. |
D.They are still in its original condition. |
A.Never ignore the destructive power of war. |
B.Take action to reduce pollution in historic places. |
C.Invest more money to preserve World Heritage Sites. |
D.Take advantage of 3-D technology to keep history. |
【推荐3】Sites of cultural heritage(遗产) often carry a large degree of value. Famous World Heritage Sites like the Pyramids of Giza or the Forbidden City in Beijing are truly impressive.
However, cultural relics(遗迹) are more than just valuable in art—they tell a story of human history. Everything that makes up our society (our values, our language, our traditions, our way of life, etc.) comes from our ancestors.
So it is important to set an international rule to be followed during a war in order to greatly reduce the harms to cultural relics.
A.They are worth protecting. |
B.They are beautiful pieces of art. |
C.Recently there have been many terrible acts. |
D.Cultural heritage is important for many reasons. |
E.Cultural relics are the only means we have of connecting with our past. |
F.The harms do not only influence our present - day society, but all of our future. |
G.This is the case, for example, with the laws about attacking common people in a war. |
【推荐1】Barcelona’s opera house has celebrated its reopening to the public since the coronavirus pandemic (新冠疫情) put the world into a huge horror, but their opening night had an unusual audience. For its first concert, the theater refused the usual crowd of people and instead packed the house with plants. Yes, that’s correct. All 2,292 seats at the Gran Teatre Liceu were occupied by leafy green plants.
The idea was put forward by conceptual artist Eugeno Ampudia and was broadcast live on the theater’s website. These lucky ficus trees, palms, and Swiss cheese plants—which were brought in by local nurseries (苗圃) — got the pleasure of hearing Puccini’s Crisantemi performed by the UceLi Quartet string musical group.
Ampudia hopes that his idea and the work will inspire people to think more deeply about their relationship with nature and the concept of sustainability (持续性). “We are at the end of an era and that means that we have to change certain patterns,” he shares. “We don’t live in the same world as 90 days ago, and this means we have to reflect on everything that we do.”
As plants can respond to different vibrations (震动) caused by music, they certainly weren’t a passive audience—even if they weren’t able to give applause. Now that the concert is over, each plant will be given to a different frontline healthcare worker who helped guide the country through its battle with the coronavirus.
The moving concert is a continuation of the Liceu’s mission to create a dialogue between music and the visual arts. Pictures and a video of the performance taken by Ampudia will now become part of La Caixa contemporary (当代的) art collection.
1. What was the special part of the concert?A.It had only 2,292 seats. |
B.It made the world fall in horror. |
C.It gave plants opportunities to enjoy music. |
D.It welcomed audience with plants to come. |
A.Barcelona | B.Eugeno Ampudia |
C.the Gran TeatreLiceu | D.the Uceli Quartet |
A.We didn’t do very well in dealing with nature. |
B.The healthcare workers were more important. |
C.The plants should have the equal rights. |
D.We did everything in a wrong way. |
A.Daily Hero. | B.Teens’ Life. |
C.Art Around the World. | D.Animals and Plants. |
【推荐2】The Chinese public on Tuesday sent their blessings to astronauts Zhai Zhigang, Wang Yaping and Ye Guangfu—the crew of the Shenzhou-13 spaceflight mission, who have lived and worked in Tianhe space station core module for exactly one month since October 16.
Some 30 million Chinese netizens participated in online discussions of the event on Tuesday.
On seeing the latest images of the crew, some sharp eyes netizens are wondering if the food onboard is so yummy that the three lookedpuffyon camera.
“In zero gravity, liquids inside the human body would go upward into their faces and heads, causing them to look fatter. That’s a moon face, which is a common phenomenon.”said Pang Zhihao, a senior space expert in Beijing. Two-thirds of people’s bodies are made up of liquids. On Earth, gravity pulls most of this toward legs. The extra liquid in the head may lead to blocked noses and sinuses (鼻窦炎), but once the astronauts are back on Earth, they return to their normal appearance, according to the BBC. To feel better and relieve the “puffy face syndrome”, suggested that a negative pressure device may come in handy, as it could reverse the upward movement of liquids.
Planned to last six months, Shenzhou-13 mission is the longest space stay for a single space-flight mission in China’s history. One of the highlights of the first month’s stay in the Tianhe station was the successful execution (实施) of the Shenzhou-13’s first spacewalk, during which Zhai and Wang, the female astronaut, stepped out of the core module and completed all planned tasks in six and a half hours.
The China Manned Space Agency (CMSA)said in a statement at the time that the spacewalk, the first of the Shenzhou-13 mission and the third during the country’s space station building period, has further proved the performance of China’s home-developed spacesuit, the ability of the astronauts to work with the robotic arm, and the reliability and safety of the supporting system. The Shenzhou-13 crew will carry out another one or two spacewalks during the mission.
1. What does the underlined word "puffy" mean in Paragraph 2?A.Energetic. | B.Sleepy. | C.Healthy. | D.Swollen. |
A.Negative pressure device. |
B.Spacewalks during the long space mission. |
C.Upward movement of liquids inside human body. |
D.Nutritious diet in Tianhe space station core module. |
A.It is the longest space stay for a single spaceflight mission. |
B.It will take about half a year to complete all planned tasks. |
C.It is supported by several foreign spacesuit manufacturers. |
D.Its first spacewalk was finished successfully by Wang Yaping alone |
A.To entertain | B.To persuade |
C.To explain | D.To analyze |
【推荐3】Chaudhary quietly weaves together lengths of ropes, binding them with grass collected from the riverbank. She skillfully shapes the materials into a jewelry box. Meanwhile, she’s instructing a group of women to work out the materials. The ropes used were once the lifeline for climbers tackling Nepal’s mountains and were then discarded (扔掉). They are now finding new life, transformed by skilled hands into items to sell.
Acharya, working with the cleaning campaign, owns a waste processing business in Kathmandu, also an advocate for sustainable waste management. “Aluminum and other metal waste go through the recycling process, but we found no way to recycle ropes and gas cans,” she says. It struck her that the non-recyclable waste could be reused, but it wasn’t until she met Maya Rai that a solution emerged. Rai, leading Nepal Knotcraft Centre, helped connect Acharya with Chaudhary’s team of craftswomen in hopes of turning the mountain waste into economic opportunity. “While this seems insignificant compared to waste in the mountains, it’s a start. We aim to connect local expertise, mountain waste and local economy,” says Acharya, proudly displaying a mat made from ropes left on Mt. Qomolangma by climbers. Her goal is to ensure that no waste collected from mountains ends up in a landfill again.
Finished crafts are sold at outlets and exhibitions. The craftswomen are paid according to how many items they make and sell. With flexible hours, the project gives women an opportunity to earn money even as they maintain household responsibilities.
Eventually, Acharya hopes to expand the program to involve more women and process more waste. But progress has been slow. “We still have not found a sustainable business plan to make crafts in large quantities, ”she says. Now, she is searching for cooperators to make a model that serves not only the mountain but the communities. “After all, we are trying to craft a sustainable future.”
Each rope turned into a decorative item is a way to help local women earn a living and keep mountains clean.
1. What is the author’s purpose in mentioning Chaudhary in paragraph 1?A.To lead in the topic with her example. |
B.To spread her environmental consciousness. |
C.To show her patient instructions to the women. |
D.To speak highly of her outstanding weaving skills. |
A.A business involving waste processing. |
B.A team transforming waste into treasure. |
C.A campaign advocating sustainable management. |
D.A solution connecting expertise, waste and economy. |
A.Selling crafts at outlets can earn more money. |
B.Removing mountain waste generates a sense of pride. |
C.Cooperating with local experts helps promote skills. |
D.Work-life balance can be achieved due to flexible hours. |
A.Hesitant. | B.Positive. | C.Suspicious. | D.Disapproving. |
【推荐1】16th-century work Epifania is one of only two existing cartoons by the Italian master. It is going through delicate and highly technical conservation (保护)work at the British Museum in an attempt to stabilize the fragile work for the coming decades.
“Michelangelo was one of the great draughtsmen of the 16th century. He worked into his 80s, but left only 600 drawings behind—an astonishingly small number given his long career,”said Emma Turner, a senior conservator (管理员)at the British Museum. “He is known to have burned some of his drawings in his studio before his death because he didn’t want to reveal his working methods. He was very clear that what he wanted to remain was the idea. ”
The cartoon was in Michelangelo’s studio at the time of his death. It remained in Italy until the late 18th century, and then travelled to England, the Netherlands and back to England. It was acquired by the British Museum in 1895.
The conservation work began in 2018, but was interrupted by the Covid pandemic. It must be completed by May 2024, when the drawing of the Virgin Mary, the Christ Child and other male figures will go back on display as part of the museum’s permanent collection. The work is funded by the Bank of America’s art conservation project, which supports museums and institutions to protect historically or culturally significant works.
“It was incredibly exciting to be working on a rare, complex and very large object with a 500-year history”, Turner said.
1. Why did Epifania need to be protected?A.It is a cartoon. | B.It is from Itally. |
C.It is cultural relic. | D.It is expensive. |
A.Artists. | B.Writers. | C.Scientists. | D.Educators. |
A.In 1795. | B.In 1895. |
C.In 2018. | D.In 2024. |
A.Favorable. | B.Unconcerned. | C.Unreasonable. | D.Worried. |
【推荐2】The Mogao Caves form a system of 492 temples 25 km southeast of the center of Dunhuang, which is located at the religious and cultural crossroads on the Silk Road, in Gansu province. Known as Buddhist (佛教) caves, the caves contain some of the finest examples of Buddhist art, lasting a period of 1,000 years.
The Mogao Caves are especially famous for the colored sculptures and murals (壁画), or wall paintings.
The painted murals in the Mogao Caves tell stories about Buddhist scriptures (经文), scenery, open halls and scenes about production or flower patterns, reflecting society and civilization in ancient China.
In lots of painted murals, the art features of other countries such as India, Iran and Greece can be easily seen.
A.Many ideas were spread through the Silk Road. |
B.The murals were painted to worship the Buddha. |
C.They reflected the development of Buddhism in China. |
D.Different dynasties also showed different painting styles. |
E.The colored sculptures are the main part of Dunhuang art. |
F.All these make them a model for colored Buddhist sculptures. |
G.In the painted murals everywhere are many beautiful flying Apsaras (飞天). |
【推荐3】There comes a time when the old must give way to the new, and it is not possible to preserve everything from our past as we move towards the future. Finding and keeping the right balance between progress and the protection of cultural sites can be a big challenge.
Big challenges, however, can sometimes lead to great solutions. In the 1950s, the Egyptian government wanted to build a new dam across the Nile in order to control floods, produce electricity, and supply water to more farmers in the area. But the proposal led to protests. Water from the dam would likely damage a number of temples and destroy cultural relics that were an important part of Egypt’s cultural heritage. After listening to different voices, the government turned to the United Nations for help in 1959.
A committee was established to limit damage to the Egyptian buildings and prevent the loss of cultural relics. The group asked for contributions from different departments and raised funds within the international community. Experts investigated the issue, conducted several tests, and then made a proposal for how the buildings could be saved. Finally, a document was signed, and the work began in 1960.
The project brought together governments and environmentalists from around the world. Temples and other cultural sites were taken down piece by piece, and then moved and put back together again in a place where they were safe from the water. In 1961, German engineers moved the first temple. Over the next 20 years, thousands of engineers and workers rescue d 22 temples and countless cultural relics. Fifty countries donated nearly $80 million to the project. When the project ended in 1980, it was considered a great success. Not only had the countries found a path to the future that did not run over the relics of the past, but they had also learnt that it was possible for countries to work together to build a better tomorrow.
The spirit of the Aswan Dam project is still alive today. If a problem seems too difficult for a single nation, the global community can sometimes provide a solution.
1. What was the major concern regarding the construction of the new dam?A.The damage to local farms. |
B.The high cost of the construction. |
C.The disapproval of local communities. |
D.The potential harm to cultural remains. |
A.By rebuilding similar cultural sites. |
B.By building fences around them. |
C.By taking them down into pieces. |
D.By removing and piecing them together again. |
A.International cooperation is not necessary for large-scale projects. |
B.It is possible to achieve progress without sacrificing cultural heritage. |
C.The opinions of experts should be ignored in favor of popular opinion. |
D.Countries should always prioritize their own interests over global concerns. |
A.Trial and error. | B.Adequate investment. |
C.Global cooperation. | D.Careful investigation. |