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题型:阅读理解-六选四 难度:0.4 引用次数:37 题号:22714977

Today, in most of the theatres in Britain, the stages are situated behind a sort of arch (拱门), called the proscenium (幕布前的舞台部分) arch. The arch runs across the building with the stage on one side of it and the auditorium, housing the audience, on the other. The audience is kept to the area from which it can get a clear view of the stage.    1     The actor can ignore them until the end, when they applaud the performance.

    2     Stage furniture or properties -“props”, as they are referred to in the business -are now as few as possible. Elaborate scenery is used only when it is going to last throughout the play, or when it is so constructed that it can be changed quickly. Modern theatres are built with the stage extending far in front of the proscenium arch, if indeed they have a proscenium arch at all, electricity, already long in use, has recently had a revolutionary effect.

The modern idea of having the stage in front of the proscenium arch is not really modern, of course. It makes our stages much like Shakespeare’s.    3    The famous speeches of Hamlet, for instance, can be delivered more quietly and naturally than they were in the last century. The actors no longer have to worry much about not being heard, or about turning their backs to the auditorium.

Moreover, nowadays, people are finding that modern theatres are built to sit in comfortably for two or three hours at a stretch.    4     The result of these improvements is that, in spite of the high price of seats, perhaps more people than ever before are keen on theatre-going.

A.Over the last few decades, since the Second World War, theatrical customs have altered.
B.It makes people feel, as they watch a play or a show, that they are seeing a living and moving picture.
C.All these innovations have quickened up the pace of the drama.
D.This is an advantage both for actors and audience.
E.Today the theatres are much more comfortable because of the many improvements.
F.Often they can meet and eat in the restaurants attached to the theatres.

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阅读理解-阅读单选(约620词) | 较难 (0.4)
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文章大意:这是一篇记叙文。文章讲述了奥斯卡最佳影片《泰坦尼克号》的编剧、导演、制片人James Cameron再次否认了影迷们长期以来提出的一个说法:在北大西洋海难发生后,Jack可以爬上载着Rose的浮门,因为上面还有空间。James Cameron给出了自己的理由。

【推荐1】James Cameron, writer-director-producer of best picture Oscar winner “Titanic” (1997), has again denied a claim perennially put forth by fans: that there was room for Jack (Leonardo DiCaprio) to climb aboard the floating door holding Rose (Kate Winslet) and avoid death by hypothermia (低体温) following the shipwreck in the North Atlantic.

Stating that “it says on page 147 [of the script] that Jack dies,” Cameron, 63, told Vanity Fair, “Obviously it was an artistic choice, [that] the thing was just big enough to hold her, and not big enough to hold him”. Finding it “silly, really, that we’re having this discussion 20 years later.” the filmmaker pointed out that, “Had he lived, the ending of the film would have been meaningless... So whether it was that, or whether a smokestack fell on him, he was going down.”

He added he believed the physics were correct as well. “I was in the water with the piece of wood putting people on it for about two days getting it exactly buoyant (漂浮) enough so that it would support one person with full free-board, meaning that she wasn’t immersed at all in the 28 degree water, so that she could survive the three hours it took until the rescue ship got there... And we very, very finely tuned it to be exactly what you see in the movie because I believed at the time, and still do that that’s what it would have taken for one person to survive.”

Winslet and fellow “Titanic” star Kathy Bates suggest otherwise, with Bates at the SAG AFTRA Foundation 2nd Annual Patron of the Artists Awards on Nov. 9 introducing Winslet by saying, “He lets go of her hand and sinks into the depth of the Atlantic. And I personally think that there was plenty of room on there!” Winslet agreed, telling the audience lightheartedly, “He could have fit on it! He could have fit on that door!” She similarly said on “Jimmy Kimmel Live!” in February 2016 that Jack “could have actually fitted on that bit of door.”

As far back as 2012, Cameron told IGN.com, “It’s not a question of room, it’s a question of buoyancy... It’s clear that there’s really only enough buoyancy available for one person... She’s completely out of the water on the raft, and ... if he got on with her, they’d both be half in and half out of the water ... and they would have both died of hypothermia.

As well, he had told The Daily Beast in January, “You read page 147 of the script and it says, ‘Jack gets off the board and gives his place to her so that she can survive’ It’s that simple”

Referring to a 2012 episode of Discovery’s “MythBusters” in which he gamely guest-starred, Cameron told the website, “You’re Jack, you’re in water that’s 28 degrees, your brain is starting to get hypothermia. ‘MythBusters’ asks you to now go take off your life vest, take hers off, swim underneath this thing, attach it in some way that it won’t just wash out two minutes later - which means you’re underwater tying this thing on in 28-degree water, and that’s going to take you five to 10 minutes, so by the time you come back up you’re already dead. So that wouldn’t work. His best choice was to keep his upper body out of the water and hope to get pulled out by a boat or something before he died.”

1. What question have the fans raised about the plot of the Titanic?
A.They think the ending of the story was not good enough.
B.They question the director’s level of direction.
C.They oppose the separation of the hero and heroine.
D.They believe that the hero has a chance of survival as well.
2. According to James Cameron, Jack should have been dead because ________.
A.it comes up to the fans’ expectations
B.the process the screenplay can be satisfied
C.the true story that attracts more fans
D.the core role of the film is the actress not the actor
3. Which of the following people hold(s) a different viewpoint of Jack’s life?
A.Kathy Bates.B.Winslet.C.James Cameron.D.The fans.
4. According to the passage, which of the following is incorrect?
A.According to the director, the hero is dead on page 147 of the script.
B.If the hero were still alive, the ending of the movie would be meaningless.
C.James Cameron attended the Foundation 2nd Annual Patron of the Artists Awards.
D.Some fans don’t want to believe that the hero is dead in the movie.
2022-04-26更新 | 147次组卷
阅读理解-阅读单选(约410词) | 较难 (0.4)
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【推荐2】There are several ways of retelling “Charlie and the Chocolate Factory”. In 2005 Hollywood focused on Willy Wonka, the factory’s owner, portraying him as a purple-gloved man-child. A new musical production of Roald Dahl’s children’s story at the Theatre Royal in London concentrates on the up-from-poverty fortune of Charlie Bucket, the boy who finds the golden ticket.

Tales of upward social mobility attempted or achieved are crowding the London stage. “Billy Elliott”, the story of a miner’s son who strives with the death of family strikes to make it as a ballet dancer, recently celebrated its four-millionth visitor. “Port”, an account of a Stockport girl’s attempts to escape her depressing origins, was a success at the National Theatre this spring. Last year “In Basildon” described strivers in the typical upwardly-mobile Essex town.

It is a respectable theatrical (and literary) theme, but it is being handled in a different way. John Osborne’s 1956 play “Look Back in Anger” showed a working-class man’s anger at the middle class he had married into. By the 1970s and 1980s writers were looking down their noses at social climbers, in plays like “Top Girls” and “Abigail’s Party”, in which a middle-class arriviste (暴发户) serves inferior snacks and the wrong kind of wine.

Social mobility moved away as a topic for a while, as playwrights like David Hare turned to examine carefully the state of the nation. Now it has returned—and is described much more sympathetically. Dominic Cooke, who directed “In Basildon” at the Royal Court Theatre, says this may be a delayed reaction to the collapse of state socialism in Europe.

A possible reason for the sympathetic tone is that upward mobility can no longer be taken for granted. In 2011 researchers at the London School of Economics concluded that intergenerational social mobility, assessed by income for children born between 1970 and 2000, had suspended. Another study, by Essex University academics, found matters had not improved during the crisis.

So it is fantastic fun to see people make it. Charlie Bucket does so spectacularly(壮观地). At the end of “Charlie and the Chocolate Factory” he is a pint-size entrepreneur(企业家), with an immigrant workforce of Oompa-Loompas to ensure he does not fall back down the social ladder.

1. What are the versions of “Charlie and the Chocolate Factory” mentioned in the passage?
A.Magic and ballet.B.Movie and musical.
C.Drama and painting.D.Novel and documentary.
2. What does “It” in Paragraph 3 refer to?
A.The story of a miner's son.
B.The topic of upward social mobility.
C.An account of a Stockport girl's attempts.
D.A striver in the upwardly-mobile Essex town.
3. According to the author, ______ may attribute to(归因于) being classified as middle-class.
A.gaining by dishonest means
B.serving others what they like
C.being involved in social climbing
D.marrying the one sharing your background
4. How does the author feel about social mobility in reality?
A.Curious.B.Optimistic.
C.Pessimistic.D.Concerned.
2020-07-03更新 | 288次组卷
阅读理解-阅读单选(约340词) | 较难 (0.4)
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【推荐3】The spiders have long, scary legs. Some spiders even bite. But Spider-Man is another story. He might help people see spiders less negatively, a new study finds.

After Menachem Ben-Ezra, a proud fan of the Marvel (漫威漫画公司)films and also a psychologist. saw the movie Ant-Man and the Wasp (黄蜂), lie walked out with a sudden scientific idea that he should measure people before they went into the theater, and afterwards to see if the fear of ants would be reduced or changed.

Ben-Ezra and his colleagues asked 424 people questions, about one-quarter of them about spiders, such as “Did they find them scary?” “Did seeing one make their hearts race and palms sweat?” A second group received similar questions, this time about ants. The last two groups got the same questions about other insects. Afterward, everyone watched videos. Group one got a Spider-Man movie. Group two saw Ant-Man and the Wasp. Groups three and four watched unrelated video-wheat waving peacefully in the breeze.

After viewing the movie, Ben-Ezra again asked the participants how they felt about spiders, ants or insects in general-and found the ant and spider exposures seemed to make people insensitive and less afraid. Between 3.5 and 6.1 percent of people experience such a phobia (恐惧症) of spiders. Phobias can stop people from traveling, working and enjoying their lives.

Ben-Ezra hopes that their movie research might help people with phobias. But they caution that people with phobias shouldn’t just run out and watch movies and expect their fears to go away. “What we did is only the first step in a very long road.” Ben-Ezra says. “We didn’t say you’ll be cured. We don’t have evidence for that.” But eventually, presenting people’s fears in a positive context-such as a superhero movie—might help people surmount their fear or disgust. After all, if spiders produce Spicier-Man, maybe they’re not so bad.

1. How did Ben-Ezra conduct the study?
A.By doing lab experiments.B.By asking questions.
C.By analyzing former data.D.By observation.
2. What does the underlined word“surmount” in the last paragraph mean?
A.Delete.B.Regain.
C.Discover.D.Overcome.
3. What did Ben-Ezra advise people to do with phobias?
A.They should not try to face their phobias.
B.They should travel, work and enjoy their lives.
C.They should adopt a positive attitude to their fear.
D.They must keep away from the insects they fear.
4. What is the best title for the text?
A.The Movies about the Insect Fear
B.The Positive Energy of Superheroes
C.The Cartoon Characters Made by Marvel
D.Fighting Spider Fear with Spider-Man
2020-04-20更新 | 233次组卷
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