【推荐2】阅读下面短文, 在空白处填入1个适当的单词或括号内单词的正确形式。

Qiao Yu is a songwriter who penned timeless classics that     1     (sing) from generation to generation in China for decades. He wrote more than 1,100 lyrics all his life, many of     2     are being remembered even today.

Qiao is said to have started his     3     (enthusiastic) with words from the early age of 4. He could also recite ancient poems from the Tang and Song dynasties. But it wasn’t     4     his late teens that he penned his first own poem.

Qiao rose to fame in 1955 after writing “Let’s Pull on Our Oars (桨)” known to most Chinese children. “Our boat is     5     (gentle) drifting on the lake/ A cool breeze is rustling for our sake/ Our homework has been well done/ Let’s heartily have a lot of fun,” says the song.

But Qiao’s greatest hit came in 1956,     6     “My Motherland” becoming a patriotic tune in the movie Battle on Shangganling Mountain. “A great river     7     (flow), its waves are wide/ Wind blows the scent of flowers to both shores/ My family lives on the shore/ I am used to hearing the punters’(艄公) call/And seeing the white sails on the boats,” says the start of the song.

Genius as these lines now are,     8     movie director at first asked Qiao to clearly spell out the “great river” as the Yangtze itself. “However,” Qiao said, “the ‘great river’     9     (refer) to in the lines is always there in front of your home, and the stories and memories along the river make up     10     it is to make you feel close to your hometown.”

【推荐3】Directions: After reading the passage below, fill in the blanks to make the passage coherent and grammatically correct. For the blanks with a given word, fill in each blank with the proper form of the given word; for the other blanks, use one word that best fits each blank.

China’s Explosive Artist

Cai Guoqing’s practice spans from gunpowder drawings to ephemeral sculptures and monumental installations, all of     1     are rich with references to Chinese history, Taoist cosmology and current political events. Cai deals with the latter in a spectacular installation for I Want to Believe, his 2008 retrospective in New York, from the centre of the Guggenheim rotunda the artist —a     2    (train) set designer, by the way —suspended Inopportune: Stage One (2004), consisting of a series of nine cars     3     (hover) in mid air to represent in cinematic progression the effect of a car bomb.

Since the 1980s, Cai has been working on drawings realized by     4     (ignite)explosive powder on large sheets of paper. These works possess an aura     5     evokes both the vivid gestures of abstract expressionism and the quieter surfaces of Chinese traditional painting. Gunpowder is also at the centre of a series of environmental works, begun in 1989,     6     combine the tradition of Land Art with     7     of Chinese fireworks. For his explosion events, Cai stages pyrotechnical choreographies that sketch temporary drawing space.

Cai’s     8    (participate) in many international events, imposes himself as one of the strongest in the sky. These events are also meant to act as social, festive collective experiences that the artist— not without irony— believes could be perceived even from outer artists to emerge from China. At the Venice Biennale 1999 he     9    (award) the Golden Lion for Venice’s Rent Collection Courtyard (1999), a series of unfired clay sculptures    10    (depict)heroes in history. Cai also organized the opening ceremony for the 2008 Olympic Games in Beijing.