1 . Imagine you can open your fridge, open an app on your phone and immediately know which items will go bad soon. This is one of the applications that a new technology developed by engineers at the University of California San Diego would enable.

The technology combines a chip (芯片) integrated into product packaging and a software update on your phone. The phone becomes capable of identifying objects based on signals the chip sends out from specific frequencies, in this case Bluetooth or WiFi. In an industrial setting, a smartphone equipped with the software update could be used as a radio frequency identification (RFID) reader.

The work uses breakthroughs in backscatter (反向散射) communication, which uses signals already generated by your smartphone and re-directs them back in a format your phone can understand. Effectively, this technique uses less power than the latest technology to generate WiFi signals.

The custom chip, which is roughly the size of a grain of sand and costs only a few pennies to produce, needs so little power that it can be entirely powered by LTE signals, a technique for wireless broadband communication for mobile devices. The chip turns Bluetooth signals into WiFi signals, which can in turn be detected by a smartphone with that specific software update.

The technology’s broader promise is the development of devices that do not need batteries because they can harvest power from LTE signals instead. This in turn would lead to devices that are significantly less expensive that last longer, said Dinesh Bharadia, one of the paper’s senior authors.

“E-waste, especially batteries, is one of the biggest problems the planet is facing, after climate change,” Bharadia said.

For future research, the team will integrate this technology into other projects to demonstrate its capabilities, and they also hope to commercialize it, either through a startup or through an industry partner.

2 . When “Rise of the Planet of the Apes” was first shown to the public last month, a group of excited animal activists gathered on Hollywood Boulevard. But they weren’t there to throw red paint on fur-coat-wearing film stars. Instead, one activist, dressed in a full-body monkey suit, had arrived with a sign praising the filmmakers: “Thanks for not using real apes (猿)!”

The creative team behind “Apes” used motion-capture (动作捕捉) technology to create digitalized animals, spending tens of millions of dollars on technology that records an actor’s performance and later processes it with computer graphics to create a final image (图像). In this case, one of a realistic-looking ape.

Yet “Apes” is more exception than the rule. In fact, Hollywood has been hot on live animals lately. One nonprofit organization, which monitors the treatment of animals in filmed entertainment, is keeping tabs on more than 2,000 productions this year. Already, a number of films, including “Water for Elephants,” “The Hangover Part Ⅱ” and “Zookeeper,” have drawn the anger of activists who say the creatures acting in them haven’t been treated properly.

In some cases, it’s not so much the treatment of the animals on set in the studio that has activists worried; it’s the off-set training and living conditions that are raising concerns. And there are questions about the films made outside the States, which sometimes are not monitored as closely as productions filmed in the States.

3 . When “Rise of the Planet of the Apes” was first shown to the public last month, a group of excited animal activists gathered on Hollywood Boulevard. But they weren’t there to throw red paint on fur-coat-wearing film stars. Instead, one activist, dressed in a full-body monkey suit, had arrived with a sign praising the filmmakers: “Thanks for not using real apes (猿)!”

The creative team behind “Apes” used motion-capture (动作捕捉) technology to create digitalized animals, spending tens of millions of dollars on technology that records an actor’s performance and later processes it with computer graphics to create a final image (图像). In this case, one of a realistic-looking ape.

Yet “Apes” is more exception than the rule. In fact, Hollywood has been hot on live animals lately. One nonprofit organization, which monitors the treatment of animals in filmed entertainment, is keeping tabs on more than 2,000 productions this year. Already, a number of films, including “Water for Elephants,” “The Hangover Part Ⅱ” and “Zookeeper,” have drawn the anger of activists who say the creatures acting in them haven’t been treated properly.

In some cases, it’s not so much the treatment of the animals on set in the studio that has activists worried; it’s the off-set training and living conditions that are raising concerns. And there are questions about the films made outside the States, which sometimes are not monitored as closely as productions filmed in the States.

4 . You’ve heard that plastic is polluting the oceans — between 4.8 and 12.7 million tonnes enter ocean ecosystems every year. But does one plastic straw or cup really make a difference? Artist Benjamin Von Wong wants you to know that it does. He builds massive sculptures out of plastic garbage, forcing viewers to re-examine their relationship to single-use plastic products.

At the beginning of the year, the artist built a piece called “Strawpocalypse,” a pair of 10-foot-tall plastic waves, frozen mid-crash. Made of 168,000 plastic straws collected from several volunteer beach cleanups, the sculpture made its first appearance at the Estella Place shopping center in Ho Chi Minh City, Vietnam.

Just 9% of global plastic waste is recycled. Plastic straws are by no means the biggest source (来源) of plastic pollution, but they’ve recently come under fire because most people don’t need them to drink with and, because of their small size and weight, they cannot be recycled. Every straw that’s part of Von Wong’s artwork likely came from a drink that someone used for only a few minutes. Once the drink is gone, the straw will take centuries to disappear.

In a piece from 2018, Von Wong wanted to illustrate (说明) a specific statistic: Every 60 seconds, a truckload’s worth of plastic enters the ocean. For this work, titled “Truckload of Plastic,” Von Wong and a group of volunteers collected more than 10,000 pieces of plastic, which were then tied together to look like they’d been dumped (倾倒) from a truck all at once.

Von Wong hopes that his work will also help pressure big companies to reduce their plastic footprint.

6 . A RCHAEOLOGISTS have recently made some stunning discoveries at the famed Sanxingdui Ruins site in Sichuan province.

A treasure trove of bronze, gold and jade wares have been uncovered from the site’s six pits. At least 10 of the bronze wares in the trove have never been seen in the history of human civilization.

Researchers described a bronze box with a piece of green jade ware inside of it as the highlight of the 10 relics. The top and bottom of the vessel are covered with turtle shell-shaped lids, each of which resembles a net. And the sides of the box are decorated with dragon head-shaped handles and a few bronze streamers (饰带).

“It would not be an exaggeration to say that the vessel is one of a kind, given its distinctive shape, fine craftsmanship and clever design,” said Professor Li Haichao at Sichuan University. “Although we do not know what this vessel was used for, we can assume that ancient people treasured it.”

Another new find from the past was a bronze altar nearly 0.9 meters tall, upon which researchers believe the people of the Shu civilization made offerings to heaven, earth and their ancestors.

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10 . For the past five years, Paula Smith, a historian of science, has devoted herself to re-creating long-forgotten techniques. While doing research for her new book, she came across a 16th-century French manuscript (手稿) consisting of nearly 1,000 sets of instructions, covering subjects from tool making to finding the best sand.

The author’s intention remains as mysterious (神秘) as his name; he may have been simply taking notes for his own records. But Smith was struck mainly by the fact that she didn’t truly grasp any of the skills the author described. “You simply can’t get an understanding of that handwork by reading about it,” she says.

Though Smith did get her hands on the best sand, doing things the old-fashioned way isn’t just about playing around with French mud. Reconstructing the work of the craftsmen (工匠) who lived centuries ago can reveal how they viewed the world, what objects filled their homes, and what went on in the workshops that produced them. It can even help solve present-day problems: In 2015, scientists discovered that a 10th-century English medicine for eve problems could kill a drug-resistant virus.

The work has also brought insights for museums, Smith says. One must know how an object was made in order to preserve it. What’s more, reconstructions might be the only way to know what treasures looked like before time wore them down. Scholars have seen this idea in practice with ancient Greek and Roman statues. These sculptures were painted a rainbow of striking colours. We can’t appreciate these kinds of details without seeing works of art as they originally appeared-something Smith believes you can do only when you have a road map.

Smith has put the manuscript’s ideas into practice. Her final goal is to link the worlds of art and science back together: She believes that bringing the old recipes to life can help develop a kind of learning that highlights experimentation, teamwork, and problem solving.

Back when science — then called “the new philosophy” — took shape, academics looked to craftsmen for help in understanding the natural world. Microscopes and telescopes were invented by way of artistic tinkering (修补), as craftsmen experimented with glass to better bend light.

“If we can rediscover the values of hands-on experience and craftwork,” Smith says, “we can marry the best of our modern insights with the handiness of our ancestors.”