1 . During the 19th and 20th centuries, Qi Baishi (1864-1957) was one of the best-known Chinese artists. He grew up in a poor peasant family, but this did not prevent him from pursuing his interest in painting.
Qi was schooled for less than a year due to illness, and he dropped out of school. However, he was too weak to do much of the work and this was why he became a carpenter. As a carpenter, he showed his creativity. He could carve figures of animals, woodblock prints, and sniff-boxes. At the age of 20, he taught himself to paint with Mustard Seed Garden Manual of Painting. He met many mentors who greatly influenced his painting skills through his painting journey, among whom are the renowned artists Zhu Da and Xu Wei. When he was 28, he became a student of the famous artist Hu Qinyuan, and he began to study Chinese painting.
Qi arrived in Beijing in 1917. While he was in Beijing, he stayed devoted to painting. Most of his paintings represented Chinese tradition. Qi’s works are now found in several famous museums, including National Gallery Prague and the Hermitage in St. Petersburg. His works now are the most expensive ever sold at auctions.
Qi got noticed by many institutions, one of which is the Ministry of Culture. In 1954 he was selected as the representative of the Chinese people. Also, in 1956, he was awarded the World Peace Prize by World Peace Council. A college was also named after him, the Baishi School of Art in Hunan University of Science Technology.
1. Why did Qi Baishi drop out of school?| A．He suffered from illness and was too weak. |
| B．He wanted to devote himself to painting. |
| C．He wasn’t interested in what he learned at school. |
| D．His family was too poor to afford his schooling fees. |
| A．He learned Chinese painting on his own. |
| B．He showed great creativity of art since childhood. |
| C．His works are one of the costliest ever sold at auctions. |
| D．At first he learned to paint from some renowned artists. |
| A．His painting style. | B．His painting works. |
| C．His achievements. | D．His contributions to his hometown. |
| A．By giving examples. | B．By using data. |
| C．By raising questions. | D．By following the order of time. |
2 . Four Self-Portraits (自画像) by Famous Artists
Raphael (Raffaello Sanzio da Urbino)—“Self-Portrait”, 1506
One of the beautiful self-portraits by famous artist Raphael was drawn at the age of 23. It measures around 45cm×33cm and is located at the world-famous Uffizi Gallery. The Italian painter used oil on board to draw his self-portrait, which was the clearest and the most recognizable self-portraits of Raphael himself.
Leonardo da Vinci—“Portrait of a Man in Red Chalk”, 1512
“Portrait of a Man in Red Chalk”is a self-portrait of da Vinci at the age of 60 and measures around 33.3cm×21.6cm, which is on display in Biblioteca Reale, Turin, Italy. It is drawn with red chalk on paper and represents the head of an elderly man in a three-quarter view. In the portrait, the length of the hair is uncommon in Renaissance (文艺复兴) portraits.
Rembrandt van Rijn—“Self-Portrait with Beret and Turned-up Collar”, 1659
Dutch painter Rembrandt van Rijn painted his self-portrait in 1659 when he was 53 years old. It shows his worried expression that clearly portrays the troubled condition of his mind at that point of his life since the year 1659 was a year of anxiety for him. This self-portrait found its place among the Benjamin Altman Collection, which has been exhibited in the Metropolitan Museum of Art since 1913.
Edgar Degas—“Degas Au Porte-Fusain’”, l855
Edgar Degas made this self-portrait only when he was twenty-one years old. It was one of the most remarkable of his fifteen self-portraits. Degas was seated as seemingly without fear and anxiety. The pose in the painting was formal and academic. The painting is located in the musée d’Orsay, Paris, France.
1. Where should visitors go if they want to admire Raphael’s self-portrait in 1506?| A．Uffizi Gallery. | B．Biblioteca Reale. |
| C．The musée d’Orsay. | D．The Metropolitan Museum of Art. |
| A．The red clothing. | B．The formal pose. |
| C．The long hair. | D．The worried expression. |
| A．Raphael. | B．Edgar Degas. |
| C．Leonardo da Vinci. | D．Rembrandt van Rijn. |
3 . For more than 40 years, the National Endowment for the Arts (NEA) has annually selected a group of Jazz Masters. Here are the NEA Jazz Masters selected for 2024.
Amina Claudine Myers
Amina Claudine Myers grew up in Dallas, Texas. She moved to New York City in the 1970s. The former elementary school teacher also worked in theaters and cooperated with musicians around the world.
Willard Jenkins
Willard Jenkins is familiar to jazz fans in New Orleans and Washington, D. C., where he’s hosted radio programs on stations such as WWOZ and WPFW. The Pittsburgh native first started writing about jazz for the Black student newspaper as an undergraduate at Kent State University. He also taught at various universities and contributed to leading jazz publications.
Gary Bartz
Gary Bartz has played with generations of jazz stars. In the 1960s, after graduating from Juilliard, he joined the Max Roach/ Abbey Lincoln Group and the Charles Mingus Jazz Workshop. In the 1970s, he played with Miles Davis and founded the Ntu Troop, which united jazz with African folk and other kinds of music. He has published more than 40 personal albums.
Terence Blanchard
It’s almost amazing that Terence Blanchard was named the NEA Jazz Master. He is only 61. It’s relatively young for the recognition.
Born in New Orleans to an opera-loving father, Blanchard started playing the trumpet (小号) as a child. Over the years, he has won multiple Grammys and a Peabody Medal. He made history in 2021 when his opera Fire Shut Up in My Bones became the first by a Black composer to be staged by the Metropolitan Opera.
1. Who was born in Pittsburgh?| A．Gary Bartz. | B．Terence Blanchard. |
| C．Willard Jenkins. | D．Amina Claudine Myers. |
| A．In the 1950s. | B．In the 1960s. | C．In the 1970s. | D．In the 1980s. |
| A．He is the first Black composer to be the NEA Jazz Master. |
| B．He is the youngest to be selected as the NEA Jazz Master. |
| C．He won a Grammy and a Peabody Medal in the same year. |
| D．One of his works was performed by the Metropolitan Opera. |
4 . Wang Fang, a Suzhou native, has given her heart and soul to Kunqu Opera. Wang, who has twice won the Plum Performance Award — China’s top award for theater and opera performances-started to learn the traditional art form in 1977.
Born with a melodic voice, Wang loved to sing and dance when she was little. She performed frequently, and was recruited by the Suzhou Kunqu Opera Troupe (剧团) when she was in middle school. However, her parents refused the troupe’s invitation, insisting that she should concentrate on her studies and not drop out of school. After members of the troupe visited the parents repeatedly and showed great sincerity,Wang’s parents finally agreed.
Learning the traditional art form was never easy. She started to learn how to pronounce words, sing them lyrically and make gestures gently. As an actress playing martial artists roles at first, she had to spend extra time practicing kung fu movements. Years later, Wang used the word “unimaginable” to describe how hard the days were when she first learned Kunqu. She was soaked in sweat when practicing movements in summer, while in winter she often had chilblains (冻疮) on her hands when training in shabby classrooms with broken windows. “But I was young and determined at the time. No matter how difficult, I always got up early the next morning to practice,” Wang recalls.
Wang says she did not love Kunqu at first, but in her early 20s,when she watched the show Peony Pavilion performed by Zhang Jiqing, a master of the art form, it clicked. “I was shocked,” Wang says. “Her every movement was full of elegance and delicacy. Each of her lines and songs was perfect. I was overwhelmed by the beauty of Kunqu for the first time in my life, and it has stayed with me since.” Now, Wang has herself become a master of Kunqu. Her performances have impressed generations and helped to promote the art form among young people.
1. Why did Wang’s parents turn down the troupe’s invitation at first?| A．They didn’t think Wang had artistic talent. |
| B．They saw no future in learning Kunqu Opera. |
| C．They didn’t want Wang to ignore her studies. |
| D．They regarded members of the troupe as insincere. |
| A．Wang has made great efforts to learn Kunqu well. |
| B．Artists should be given more attention and care. |
| C．Traditional culture needs to be further promoted. |
| D．Wang has played a key role in the development of Kunqu. |
| A．Winning the Plum Performance Award. |
| B．Joining the Suzhou Kunqu Opera Troupe. |
| C．Watching Zhang’s masterly performance. |
| D．Being greatly admired by the audience. |
| A．It is never too late to learn. | B．Rome was not built in a day. |
| C．Doing is better than saying. | D．Don’t judge a book by its cover. |
