1 . Inside the low lighting of Gather East Rock, the smell of coffee beans swirls (打旋) through the air. Art adorns (装点) the blue walls, but one painting stands out among the others. The painting’s name is “Mother Divine”, by the artist Sarahi Zacatelco. The mother in question is a green woman, with colorful plants adorning her head and water dripping (滴下) down her neck. In every brushstroke, Zacatelco pays homage to the man who taught her how to paint: her grandfather Agustin.

Born in 1982, Zacatelco learned how to create art from her grandfather in Oaxaca. At the time, her grandfather lived with her while her mother worked. Together, the two spent hours going out to the central plaza in Juchitán, where she let her senses take over. “You can see the food, you can smell it, you can see the lady selling flowers, and you can see everything,” she recalled excitedly. When she was six years old, her grandfather gave her a piece of paper and watercolors and showed her how to put the colors on it. She hasn’t stopped making art since.

Zacatelco’s grandparents made chess pieces out of rocks and wood to sell. They also made Talavera pottery (陶器) pieces, which Zacatelco described as “a Baroque tradition” that one might see in old colonial (殖民地的) homes. She no longer has any of her grandparent’s Talavera —“the tradition was lost due to being poorly paid and a lot of effort going into each piece.”

In the 1990s, Zacatelco’s mother decided to move her family to give them a better life. She moved her children to Mexico City, then to the Bronx, and then to the Brownsville neighborhood in Eastern Brooklyn. The family moved to Fair Haven, where Zacatelco still lives, in 2001. She called it the perfect place to raise two boys and two girls. Her family did not keep any of her grandfather’s old art before he died. But his artistic spirit did not die with him. Zacatelco carries on his legacy today with her art.

1. How is paragraph 1 developed?

A．By testing an assumption.	B．By giving a description.
C．By making a comparison.	D．By analyzing a phenomenon.

2. How did Agustin inspire Zacatelco’s artistic spirit at first?

A．He instructed her in watercolor painting.

B．He introduced sensory experiences to her.

C．He taught her to make chess pieces out of rocks.

D．He asked her to observe his creation of pottery pieces.

3. Why did Zacatelco’s mother move her family?

A．She wanted them to live a better life.

B．She needed to change jobs frequently.

C．She found their house was too small for them.

D．She wanted to relieve the pain of losing a loved one.

4. What would be the best title for this text?

A．Art: comfort for imperfect lives

B．Baroque tradition: a dying art form

C．An artist’s first teacher: her grandfather

D．An artist’s moving experiences: sources of inspiration

2 . 阅读下面短文，在空白处填入1个适当的单词或括号内单词的正确形式。

Recently, Ma Xiaohui, a famous Chinese erhu     1     (perform) and composer with the Shanghai Chinese Orchestra, held     2     erhu concert with the theme of “Erhu Holding Hands with the World, New Music Trend, New Cultural Tour” in the Delegates’ Room at the UN headquarters in New York City.

Attendees from different backgrounds and participants in the World Madam Global Awards Ceremony were     3     (deep) moved by the unique charm of traditional Chinese musical instruments     4     (display) during the concert.

The concert began     5     the song “Woman Flower”. In the first movement, “Seven Colors of Erhu, Walking with Beauty, Colorful Silk Road,” melodies from Chinese and Western songs created an “ink painting” of the Silk Road.

In the next three     6     (movement), a classical repertoire (曲目) including “Butterfly Lovers”, “Thoughts on a Silent Night”     7     “The Spirit of My Erhu” attracted the audience. Next     8     (come) the theme song from the movie “Crouching Tiger, Hidden Dragon”,     9     beautifully celebrated the classic dialogue between erhu and cello (大提琴).

“This beautiful and     10     (inspire) concert wonderfully mixed classical, Chinese, and cross-cultural themes. It was a feast (盛宴) for the ears and souls,” multimedia artist Ranjit Bhatnagar said.

3 . 阅读下面材料，在空白处填入1个适当的单词或括号内单词的正确形式。

Spanish pianist Alonso Herrero has been appointed as ambassador in the promotion of Shanghai as an international tourist destination. Having lived in the city for more than seven years, he believes Shanghai is the perfect home for     1     musician like himself.

In the role, he witnessed China’s first     2     (domestic) built cruise ship depart on her first voyage. He speaks fluent Chinese, cooks authentic Chinese food     3     always manages to include Chinese music into his pieces. Alonso is recognized as “a pianist with the maturity and professionalism needed     4     (overcome) any technical difficulty”.

“After a week in Shanghai I felt like I belonged here,” he says, and owes that to the     5     (friendly) of people here, and common values between Spain and China. Another important reason     6     he feels at home in Shanghai is that, as an artist     7     constant need of inspiration, he finds that Shanghai offers a rich cultural life with a multicultural landscape.

Alonso notes that, in the past decade, new performing halls     8     (mushroom) not only in Shanghai, but also the second-and-third tier cities in China . Plus, he has found that audiences are more knowledgeable about music,     9     (compare) to 2014, when he played his first concert in Shanghai. Next month, he will play in the AIA Grand Theater, a 1,715-seat hall     10     (lie) on the northern tip of the Western bank of the Huangpu River.

4 . Pablo Picasso was probably the most famous artist and one of the greatest creative minds of the 20th century. This great artist lived more artistic lifetimes than any of his peers. During his 75-year career, he produced thousands of works, not only paintings but also sculptures, prints, and ceramics, using a wide variety of materials. He almost single-handedly created modern art, changing art more profoundly than any other artist of his century.

Born in 1881, in Spain, Picasso was a child with great talents, completing the one-month qualifying examination for the Academy of Fine Arts in Barcelona in one day at the age of 14. After finishing his studies in Barcelona, the artist continued his training in Madrid but later returned to Barcelona. There began his “blue period”, so named for the dominant blue tones in the artist’s paintings. During this time, he moved frequently between Barcelona and Paris. In Paris, he spent his days studying the masterworks at the Louvre and his nights with other artists at night clubs, during which time he became fascinated with the circus world’s acrobats and wandering performers. This marked a radical change in color and mood for the artist. He began painting in subtle pinks and grays, often highlighted with brighter tones. This was known as his “rose period”.

The peak of Picasso’s creativity is evidenced in his pioneering role in Cubism. In 1907, he painted Les Demoiselles d’Avignon, a Cubist painting which changed 20th century art completely. In it, the artist and viewer look at the subjects from many different angles at the same time. Picasso and French painter Georges Braque were the leading figures of the Cubist movement. For Picasso, the 1920s were years of rich artistic exploration and great productivity. He designed theater sets and painted in Cubist, Classical styles. In the last decades of his life, he still experimented with new methods of printing and painted a series of variations of old master paintings. He died in France in 1973, at the age of 91. His powers of creativity and execution continue to astonish artists all over the world.

1. How are Picasso’s early paintings categorized?

A．According to their subject matter.

B．According to where he lived and worked.

C．According to the colors he used.

D．According to the trainings he got.

2. What does the writer suggest in this passage?

A．Picasso was accomplished in a number of media.

B．Picasso was primarily an accomplished painter and illustrator.

C．Picasso was an artist who was known for a limited number of works.

D．Picasso was an artist who had the longest life span.

3. What can we assume according to the passage?

A．Picasso’s reputation exceeded other artists of the period.

B．Picasso was a solitary genius, unconnected to others of the period.

C．Picasso’s genius failed him in the later years of his life.

D．Picasso’s genius astonished artists all over the world after his death.

4. Why does the author write this passage?

A．To explain the reasons for Picasso’s creativity.

B．To describe the major periods that marked Picasso’s artistry.

C．To compare Picasso with other painters and styles of the period.

D．To stimulate modern artists to learn from Picasso.

5 . Directions: Complete the following passage by using the words in the box. Each word can only be used once. Note that there is one word more than you need.

A.breakdown               B.masterpieces          C.committed                 D. reduced          E.extreme   F.allowances G.memorable       H.security       I.   attribute          J.tribute        K.conducted

The little thief: How Charlie Chaplin survived his hungry childhood

A recently unearthed interview with an old friend recalls how the actor was looked after by a kindly ‘foster mother’ who made sure he did the right thing.

The     1     poverty endured by Charlie Chaplin while growing up in the slums (贫民窟) of Victorian London    2    him to stealing and being scolded by the woman who took care of him, according to an interview with one of his childhood friends that has remained unheard in the British Film Institute for almost 40 years.

Effie Wisdom, whose aunt gave him a home from home when he needed it most, lamented that Chaplin “had a terrible life” as a child, “always hungry”, dressed in “ragged”, filthy clothes - no doubt later inspiring the comic genius who created the Tramp, society’s eternal victim and one of cinema’s most     3     characters.

In 1983, aged 92, Wisdom gave an interview in which she recalled first meeting Chaplin when he was five and she was seven, with her aunt becoming his “foster mother”, as he used to tell her.

She recalled: “My aunt used to feed him because there was no social    4     in those days, no free milk, no children’s     5    , nothing. You never starved and yet you were on the breadline.”

“He used to go up Lambeth Walk and pinch . He’d come home with four eggs one day in his pocket. He came home with a pair of boots one day he’d nicked.”

Her aunt scolded him: “Do you want me to get the police? If you go on doing this, you’ll be locked up. You realize that, don’t you?”

The interview was     6    by Kevin Brownlow, one of Britain’s leading experts in silent films after researching Unknown Chaplin, the acclaimed three-part 1983 documentary series that he made with David Gill. It has been stored in the British Film Institute’s archive (档案) ever since.

Chaplin’s parents were music-hall performers and his mother was abandoned by her husband. His mother was then    7    to an asylum (精神病院).

After Chaplin’s death in 1977, Wisdom had written to his widow (遗孀), with memories of his mother’s desperate concern for her sons, Charlie and Sydney “I told Lady Chaplin I knew Charlie when he was a little boy. I used to play with him out in the street. When his mother had a nervous    8    , she said to my aunt, ‘If I had to go away, you wouldn’t let my lovely sons go into an orphanage?’ My aunt said, ‘No, I’ll look after them, don’t you worry’. My aunt looked after them, fed them and clothed them.”

Chaplin never forgot that. Wisdom paid     9    to his generosity towards her after finding success in America: “He used to send my aunt so much money because she used to look after him.”He also wrote to her.

Chaplin, with his derby hat (圆顶窄边礼帽)，toothbrush moustache and impossibly large boots, was the protagonist in such    10    as City Lights, The Great Dictator and Limelight.

Wisdom, who left school at 13 and worked in a London pub into her 80s, recalled his natural comedic talent, “He was always falling about being funny. He’d get an old table out in the yard, and he’d get all the kids in there, and get up there, put an old pair of trousers on, an old coat and a stick when he was 12. The kids loved that, he used to fall off the table, then he’d get up.” But she joked: “I never thought he’d get to where he got.”

She remembered him writing to her aunt from America, telling her that he would visit on his return to England: “He said, I’m not like when I left England with nothing. I’m going on to be a rich man.”

She added that Chaplin stayed at the Ritz (一家豪华酒店) and turned up at his aunt’s home in-a chauffeur (私人司机)-driven Rolls-Royce: “He invited my aunt and my uncle and me to the Ritz. My aunt says to me, ‘Of course I’d never been in a place like that’.”

From the Gardian

6 . In the complicated network of global economics, one figure has emerged at a highly influential level over the past couple years: Taylor Swift. The pop singer’s impact has extended far beyond her award-winning songs and into the international business stage, with what’s been referred to as “swiftonomics”.

Many believe that the start of Swift’s ongoing world tour, named “The Eres Tour,” was the beginning of exceptionally high economic impact across the United States. Ticketing giants like Ticketmaster and Seat Geek saw impressive sales as fans packed stadiums nationwide, earning an amazing $ 554 million. Globally, the tour raked in an estimated $ 1.04 billion in ticket sales-the first tour in history to hit the billion-dollar milestone.

Swiftonomics go beyond just ticket sales. As the singer added more dates in different countries to her tour, hotels, restaurants, and transportation services of each location’s economy experienced a notable rise. So far, Swift has generated $ 4.6 billion in consumer spending in the United States alone, and this number is expected to exceed $ 5 billion overall. With the Asia leg of her tour kicking off yesterday- starting in Japan-experts have predicted that similar economic boosts will ensue. According to Tokyo City University lecturer Mitsumasa Etou, Swift is expected to generate up to 34.1 billion yen. Etou named the tour Japan’s “biggest ever musical event in terms of predicted economic impact.”

For countries like Singapore, swiftonomics present an opportunity to boost more than just their economy; according to Singapore University Associate Professor Lau Kong Cheen. the Eras Tour concerts breathes new life into the country s reputation in terms of tourism. Cheen said the ripple effect of the tour makes them look “modern, open-minded, and vibrant” Experts say the country’s tourism levels are rising, reaching about 80% of pre-pandemic levels.

The level of spending, engagement, viewership and overall impact that Taylor Swift ha generated continues to reach unexplored heights, and it’s clear that many corporations and countries have profited off her global appeal.

1. Why does the author include so many figures in Paragraphs 2- 3?

A．To discuss Taylor Swift’s musical achievements.

B．To highlight the global popularity of Taylor Swift.

C．To showcase the diversity of Taylor Swift’s fanbase.

D．To emphasize the economic impact of Taylor Swift’s tour.

2. What does the underlined word “leg” in Paragraph 3 mean?

A．Part.

B．Performance.

C．Stage.

D．Impact.

3. What effect has Taylor Swift’s tour had on Singapore?

A．Putting an end to the pandemic.	B．Restoring its tourism reputation.
C．Reshaping its entertainment image.	D．Boosting its pre-pandemic economy.

4. What is the best title of the passage?

A．Taylor Swift: An award-winning Musician

B．The Eras Tour: An influential Global Concert .

C．Swiftonomics: The Global Impact of Taylor Swift

D．Swift Impact: Transforming Singapore’s Tourism Reputation

7 . Workers at the National Galleries of Scotland recently experienced quite a surprise after they X-rayed a painting by Vincent van Gogh. Hidden on the back of the painting Head of a Peasant Woman, which Van Gogh completed in 1885, was a self-portrait (自画像) of the Dutch painter. No one had ever found it.

The hidden self-portrait had been covered by glue and cardboard that had been attached to the back of the painting. “It was absolutely exciting,” Lesley Stevenson, the museum’s worker, said about the discovery. “We weren’t expecting much of the little painting when we performed the scans,” she said. But museum experts quickly changed their expectations when they looked at the X-rays. “We didn’t see much of the peasant woman, but we saw the lead white that Van Gogh used for his face showing up after the X-ray went through the cardboard,” she added.

Van Gogh painted Head of a Peasant Woman as part of a series of works focused on the working-class residents of Nuenen, a small farming community in the southern part of the Netherlands where he lived briefly in the 1880s. The woman in the painting is Gordina de Groot, a farm worker. She wears a white headpiece. In a letter that Van Gogh penned about the series in 1885 to Anton Kerssemakers, a friend, he described his excitement at his working-class subjects. “I’m working with great pleasure these days, for I would rather paint people than paint anything else,” he wrote.

Van Gogh also loved creating self-portraits, producing about 20 paintings of himself by the end of his life while he was living in Paris. Recreating his own image was a cheap way for him to practice portraiture as he didn’t have to spend money hiring models, according to a report.

Art historians at the National Galleries hope that the hidden self-portrait may help us understand the life of the artist. The museum is currently considering how to best remove the unwanted protective materials without harming the painting.

1. What can be learned about the self-portrait on the back of the painting?

A．It isn’t in very good condition.	B．It describes a well-known woman.
C．It wasn’t known to exist for a long time.	D．It was sold to another artist by Van Gogh.

2. What do Stevenson’s words mainly show about the discovery?

A．It was a wonderful surprise.	B．It failed to meet her expectations.
C．It was the result of her great efforts.	D．It deepened her understanding of Van Gogh’s life.

3. What did Van Gogh tell his friend in the letter?

A．He was encouraged to try different subjects.

B．He was glad to find his love for figure paintings.

C．He was attracted by the lifestyle of people in Nuenen.

D．He wanted to improve the living conditions of the farmers.

4. What would be the best title for the text?

A．X-rays can do harm to artworks

B．Van Gogh sent a secret message to his friend

C．Modern technology has a great influence on art

D．Van Gogh’s hidden self-portrait draws public attention

8 . 听下面一段独白，回答以下小题。
1. What is the talk mainly about?

A．Making money.

B．Becoming successful.

C．Choosing a good job.

2. How old was Albert Einstein when he learned how to read?

A．Four years old.

B．Five years old.

C．Seven years old.

3. Who was told that he had no good ideas?

A．Walt Disney.

B．Thomas Edison.

C．Vincent van Gogh.

4. What difficulty did Michael Jordan have to overcome?

A．He did not get paid for his work.

B．He could not speak until he was four.

C．He was not good enough to play basketball in high school.

9 . A pencil drawing of a broken old man, head in hands, looking extremely exhausted, has been identified as a newly-discovered work by Vincent Van Gogh.

The Van Gogh Museum in Amsterdam said yesterday that it had _______ the authenticity (真实性) of the drawing. Senior researcher Teio Meedendorp described it as a(an) “_______” discovery, shining light on van Gogh’s early career as an artist in the Hague, a time less well-known than his years in Paris or the south of France.

The drawing has been titled Study for _______. It was drawn in late 1882s when the 29-year-old van Gogh was two years into his career as an artist. He was drawing as many studies of _______ as he could. He often recruited models from an almshouse for the elderly run by the Dutch Reformed church, _______ them a modest fee and gave them coffee.

He called these models his “orphan men” and “orphan women”. A favourite was the man in the newly discovered drawing, Adrianus Jacobus Zuyderland, the only one of these models whose name is known.

Van Gogh used a thick carpenter’s pencil on rough watercolour paper. The sheet _______ 48.8 cm by 30 cm.

Experts have _______ the drawing back to the end of November 1882, linking it to several other works made at the time.

Van Gogh talked about the two drawings in a letter to his brother, Theo. “Today and yesterday I drew two _______ of an old man with his elbows on his knees and his head in his hands.... Perhaps I’ll do a lithograph (平版印刷画) of it. What a fine _______ an old working man makes, in his patched bombazine (斜纹布) suit with his bald head.”

At the time Van Gogh was ________ to work as a magazine illustrator, so he could earn money in his own right and be less dependent on his brother.

The drawing, which has been in a ________ collection in the Netherlands since about 1910, goes on display at the Amsterdam museum from 17 September, 2021, until 2 January, 2022, after which it will be returned to the owner.

Meedendorp recalled his ________ on making the discovery: “I’ve worked with Van Gogh for a substantial part of my life, especially the drawings, and it is always a delight to have them in your hand and looking at them up close. These drawings from the Hague are ________ delightful to look at — you can follow the working process of Vincent so well... the way he ________ the pencil.”

“Whenever you have a ________ at drawings like this, you want to pick up a pencil yourself and start drawing.”

1.

A．denied

B．doubted

C．recognized

D．concealed

2.

A．expensive

B．extraordinary

C．impossible

D．useless

3.

A．Worn Out

B．Reach Out

C．Hands Up

D．On the Way

4.

A．animals

B．people

C．buildings

D．nature

5.

A．lent

B．protected

C．showed

D．paid

6.

A．costs

B．values

C．measures

D．weighs

7.

A．traced

B．favoured

C．displayed

D．withdrew

8.

A．squares

B．figures

C．triangles

D．servants

9.

A．design

B．scenery

C．sight

D．drawing

10.

A．talented

B．ambitious

C．modest

D．pessimistic

11.

A．fine

B．new

C．private

D．public

12.

A．annoyance

B．disappointment

C．excitement

D．indifference

13.

A．absolutely

B．barely

C．hardly

D．instantly

14.

A．ruins

B．classifies

C．handles

D．accompanies

15.

A．purchase

B．laugh

C．scream

D．peer

10 . Passing the Cities through the Lens (镜头) of Women, a solo exhibition by Swiss artist Catherine Gfeller, is being held at the Swiss embassy in Beijing.

Between 2016 and 2019, Swiss artist Catherine Gfeller embarked on a journey to a number of Chinese cities, weaving a narrative as she engaged with the stories of women from different backgrounds. Her vision of the women, the challenges they confront, and their distinctive spirit are the focuses of the artist’s subsequent explorations.

In the bustling streets of Guangzhou, Guangdong province, Hong Kong, Beijing and Kunming in Yunnan province, Gfeller found a means of exploring the essence of these urban landscapes by focusing her lens on women. On Saturday, the Swiss embassy in Beijing launched a solo exhibition, Passing the Cities through the Lens of Women, which spotlights the perspectives and voices of women with photographs, texts, and videos. Through her lens, Gfeller skillfully establishes a dialogue and builds a bridge between the narratives of the women and the liveliness of the cities they inhabit.

For Gfeller, women’s voices are very important in modern Chinese society. During shooting, she learned how the women perceive the new ways of life and how they find an anchor in their cities. “The moment I pressed the shutter, I felt like I became part of the city,” Gfeller says.

Ambassador of Switzerland to China Jurg Burri said at the opening ceremony, “Ms Gfeller cares very much about people, especially women in cities. Women’s issues are a global topic and I hope that more women’s voices will be heard.”

The exhibition is open to the public until the end of March. The 58-year-old artist is known for her focus on landscape photography. Using techniques like montage, collage, and superimposition, she creates unique photographic artworks.

1. Where is the passage probably taken from?

A．A leaflet.

B．A newspaper.

C．A brochure.

D．A research paper.

2. What does Catherine Gfeller’s exhibition focus on?

A．Chinese women’s viewpoints.	B．Chinese urban landscapes.
C．Chinese traditional roles of women.	D．Chinese women’s status in society.

3. Why does the author cite Jurg Burri’s words?

A．Jurg Burri is the Ambassador of Switzerland to China.

B．The theme of Catherine Gfeller exhibition is a global topic.

C．Jurg Burri is in favor of Catherine Gfeller’s means of exploring cities.

D．Catherine Gfeller attaches great importance to women’s perspectives.

4. What is the purpose of the passage?

A．To introduce an exhibition.	B．To educate readers.
C．To persuade readers.	D．To advertise an exhibition.