1 . Artist Susan Shepherd is best known for her flower paintings, and the large garden that surrounds her house is the source of many of her subjects. It is full of her favourite flowers, most especially vancties of tulips and poppies. Some of the plants are unruly and seed themselves all over the garden. There is a harmony of colour, shape and structure in the two long flower borders that line the paved path which crosses the garden from east to west. Much of this is due to the previous owners who were keen gardeners, and who left plants that appealed to Susan. She also inherited the gardener, Danny. “In fact, it was really his garden,” she says. “We got on very well. At first he would say, “Oh, it’s not worth it” to some of the things I wanted to put in, but when I said I wanted to paint them, he recognized what I had in mind.”
Susan prefers to focus on detailed studies of individual plants rather than on the garden as a whole, though she will occasionally paint a group of plants where they are. More usually, she picks them and then takes them up to her studio. “I don’t set the whole thing up at once,” she says. “I take one flower up at once,” she says. “I take one flower out and paint it, which might take a few days, and then I bring in another one and build up the painting that way. Sometimes it takes a couple of years to finish.”
Her busiest time of year is spring and early summer, when the tulips are out, followed by the poppies. “They all come out together, and you’re so busy,” she says. But the gradual decaying process is also part of the fascination for her. With tulips, for example, “you bring them in and put them in water, then leave them for perhaps a day and they each form themselves into different shapes. They open out and are fantastic. When you first put them in a vase, you think they are boring, but they change all the time with twists and turns.”
1. In the first paragraph, the author describes Susan’s garden as ________.A.being only partly finished |
B.having a path lined with flowers |
C.having caused problems for the previous owners |
D.needing a lot of work to keep it looking attractive |
A.He felt she was interfering in his work. |
B.He immediately understood her feelings. |
C.He was recommended by the previous owners. |
D.He was slow to see the point of some of her ideas. |
A.She creates her paintings in several stages. |
B.She spends all day painting an individual flower. |
C.She likes to do research on a plant before she paints it. |
D.She will wait until a flower is ready to be picked before painting it. |
A.look best some time after they have been cut. |
B.should be kept in the house for as long as possible. |
C.are not easy to paint because they change so quickly. |
D.are more colourful and better shaped than other flowers. |
2 .
15 TH OCT 2023 CULTURE Gazelle Twin, a composer, producer, and musician, opens up about being a conceptual artist and establishing a unique identity ahead of the release of her new album (专辑), Black Dog. Q: Would you describe your music as conceptual? A: Conceptual is a good term. I don’t make music just for the sake of making music. My records are inspired by themes. I spend a considerable amount of time before writing the music, learning about subjects related to the theme. Then I work on the structure of the album. Ideas can change. For example, Black Dog was originally about ghosts (幽灵), but I ended up with an album about my childhood experiences, through to adulthood and parenthood, and the anxiety and fear that has been with me during that time. Q: Throughout the album, there is a sense of an observer. Is that person yourself, or another presence? A: Both. There is the voice of depression and anxiety, and also this other person you know is always there. I thought of having this ominous presence (不祥之兆) around you. There is also that sense of being out in the world, as a woman, aware of my vulnerability (脆弱). For example, just going for a walk is never simple. We have to build protective instincts around ourselves. Q: When you started out, did you have any idea of the kind of artist you wanted to be? A: I knew I didn’t want to fit a fixed style or be restricted by being female. I wanted to be flexible. I like to think in scale and of more than I can achieve as one person. I like artists with unique identities. Q: What would be your advice to anyone with ambitions to become a musician? A: Follow your instincts. Put yourself out there without pressure to be “finished”. Absorb things, experiment, and allow yourself to follow a journey where you don’t know where you will end up. Being successful commercially takes a team and time. You have to love it and be in it for the long journey. Q: Fast forward ten years, where do you want to be? A: I would love to carry on following my instincts and making albums. I would like more of a collection of TV and film scores because I enjoy writing scores and cooperative work. |
A.Her records are usually about ghosts. | B.The album’s structure is a top priority. |
C.The word “conceptual” itself is attractive. | D.Her music is highly motivated by themes. |
A.spiritual growth | B.vivid imagination |
C.inner self-awareness | D.external intervention |
A.She tends to take the bigger picture into account. |
B.Her future planning is profit-driven to some extent. |
C.Black Dog has already become a hit album worldwide. |
D.She expresses willingness to help the potential musicians. |
3 . Every artist knows in his heart that he is saying something to the public. Not only does he want to say it well, but he wants it to be something that has not been
What
Most artists take shapes and colors from the world of nature and from human bodies in
If one painter chooses to paint a gangrenous(坏疽性的)leg and anther a lake in moonlight, each of them is directing our attention to a(n)
A.afforded | B.said | C.involved | D.promised |
A.visual | B.concert | C.mature | D.opera |
A.figures | B.volumes | C.words | D.accents |
A.selection | B.combination | C.translation | D.isolation |
A.transferring | B.showing | C.infecting | D.granting |
A.specialized | B.imaginary | C.particular | D.definite |
A.delight | B.urgency | C.memory | D.advantage |
A.stock | B.entertainment | C.track | D.motion |
A.majors | B.choices | C.comments | D.arguments |
A.tones | B.notes | C.meanings | D.sights |
A.relatively | B.merely | C.alternatively | D.rightly |
A.relation | B.contribution | C.reference | D.inference |
A.irregular | B.odd | C.vague | D.certain |
A.emphasizing | B.objecting | C.responding | D.commenting |
A.consult | B.teach | C.command | D.imply |
4 . The outstanding biography portrays the life of the complicated Renaissance artist with details. We come to see da Vinci as not only an inventor of musical instruments and early flying machines, but also a notebook keeper and vegetarian, who had trouble finishing many of the projects and paintings he started.
Yet what is most thrilling is getting to know da Vinci the scientist. Isaacson explains how loving science and applying the scientific method to observing the world was really what made da Vinci a great artist and, Isaacson argues, a genius. Da Vinci was fascinated with observing and understanding phenomena in nature. He wanted to know about everything around him, in minute detail, Isaacson writes. He wondered about questions “most people over the age of ten no longer puzzle about”—for instance, how the tongue of a woodpecker works.
To learn about the world, da Vinci combined his own observations with experimentation. Never formally schooled, “he preferred to induce from experiments rather than deduce from theoretical principles,” Isaacson explains. He recorded his observations, looked for patterns among them, and then tested those patterns through additional observation and experimentation.
When he became fascinated with the idea that he could invent flying machines, he observed various birds and filled notebooks with the function and speed at which their wings flapped. That’s why Isaacson calls da Vinci an exemplar of this scientific method. He goes on: “Galileo, born 112 years after Leonardo, is usually credited with being the first to develop this kind of approach and is often regarded as the father of modern science.” There can be no doubt that this honor would have been bestowed on Leonardo da Vinci had he published his scientific writings during his lifetime.
Da Vinci’s emphasis on empirical observation also helped him improve his art. First, he was able to use what he learned from looking at nature to paint and draw. His studies of the body, animals, motion, shadow and light, perspective and proportion helped him better understand what he was seeing in front of him, and render it in art more accurately and finely than anyone else of his time. Most importantly, his ability to connect art and science, helped him innovate in his work. Da Vinci made surprisingly diverse series of discoveries, including conceptualizing the helicopter and solar power and advancing knowledge about everything from the reproductive organs to botany. This genius is also what drew Isaacson to Albert Einstein and Steve Jobs as subjects: They’re all innovators who were inspired by and drew connections between art and science.
“Leonardo da Vinci is the ultimate example of the main theme of my previous biographies: how the ability to make connections across disciplines-arts and sciences, humanities and technology—is a key to innovation, imagination, and genius,” Isaacson writes. And this wonderful book is a reminder, in a time of increasingly narrow specialization and focus, that the methods of Renaissance men like da Vinci are as relevant as ever.
1. What made da Vinci a great artist?A.Viewing the world from the perspective of science. |
B.Combining experimentation with theoretical principles. |
C.Attempting to know about the world like a child. |
D.Being filled with ambition to become an artist and inventor. |
A.To introduce his important findings. |
B.To memorize the father of modern science. |
C.To show the prejudice faced by da Vinci during his lifetime. |
D.To illustrate the significance of da Vinci’s research method. |
A.Da Vinci improved his art and drew more accurately by painting mostly in the natural world. |
B.The methods of Renaissance men like da Vinci can still apply to contemporary scientific research. |
C.Albert Einstein and Steve Jobs are as famous as da Vinci because they all have a talent for combining art with science. |
D.Da Vinci failed to publish his scientific writing because the scientific method kept in it was too complicated to understand at that time. |
A.How a Genius Changed the World |
B.The Features of Renaissance Art |
C.How Science Shaped His Art |
D.The Comparison between Induction and Deduction |
The Great Voice Actor
Since the creation of animated (动画的) motion pictures, the use of actors supplying voices
Mel Blanc, known as “The Man of Thousand Voices”,
Mel Blanc lent his voice to many classic characters, but the one he is best known for is Bugs Bunny. There is little that can be said about Bugs’ impact
Mel Blanc paved the way for voice acting as a true art, though it’s a skill that often goes unrecognized when praise is focused on movies and TV. The characters we all love wouldn’t be where they are in the public eye without
6 . Zhang Daqian was born in 1899 in Sichuan province. Brought up in an artistic family, Zhang was first taught to paint by his mother and older siblings. He went on to copy as many masterpieces as he could set his eyes on, and was especially influenced by the individualistic masters Shitao (石涛) and Bada Shanren (八大山人). In the early 1940s, Zhang spent two years studying the Buddhist mural paintings at Dunhuang, which proved to be a crucial experience in his artistic development.
In particular, Zhang’s works are noteworthy for the many painting styles that he mastered, from highly meticulous (注意细节的) and detailed portraits to bold and expressive splashed-ink landscapes (泼墨风景画). While he was highly innovative as he developed his own unique style, he always ensured that his art was firmly rooted in Chinese tradition. As is usually the case with ink artists, his later works, especially his vibrant splashed-ink landscapes, are the most sought after.
Zhang mastered the art of painting “from heart to hand” late in his life. In 1971, he selected this particular phrase to carve into a seal (印章). The phrase probably conveyed a twofold message. First, it was Zhang’s proud claim that he had developed a stylistic versatility (多才多艺) for depicting the endless variations of the natural world. He acquired this ability by imitating the works of previous masters, which led to a grand combination of historical styles in his art. He also enriched his personal experience with his extensive travel and enhanced his artistic vocabulary in order to capture the beauty of the world. Second, the phrase communicates Zhang’s belief that an artist should follow his heart to convey their “spirit resonance (气韵生动),” a historical principle in judging the beauty of Chinese painting. Before applying his brush to paper, Zhang had already conceived (构思) the forms he wanted to depict and the inspiration he wished to convey through the painting. He would be fully aware of the most effective means by which to inspire awe and wonder in his audience.
Blessed with a long life—he was 83 when he died in 1983—and filled with an enormous amount of passion and energy for life, the artist produced a huge number of paintings over his lifetime. He is estimated to have completed an average of about 500 per year.
In 2011, Zhang became not only the most popular Chinese artist at auction but the best-selling artist in the world as well, surpassing Pablo Picasso. And demand for his works has remained high since then.
1. What does Paragraph 2 mainly talk about?A.The characteristics of Zhang Daqian’s art. |
B.The most sought-after works by Zhang Daqian. |
C.Where Zhang Daqian got inspiration for his paintings. |
D.The reason why Zhang Daqian’s artworks are so popular. |
①How Zhang Daqian became aware of the most effective means to inspire his audience.
②How Zhang Daqian was able to put what he wanted on the canvas without thinking about it.
③How Zhang Daqian learned to freely convey the principle of “spirit resonance” through his approach to painting.
④How Zhang Daqian was able to depict the endless variations of the natural world using a combination of different styles.
A.①② | B.①③ | C.②③ | D.③④ |
①the beauty of the natural world
②the Buddhist mural paintings at Dunhuang
③masters in the likes of Shitao and Bada Shanren
④the rich nature of his travels and personal experiences
A.①②③ | B.①②④ | C.②③④ | D.①②③④ |
7 . “The arrow shot is so straight that it hits the bull’s eye, the young people will have good luck…” Dargye sang as he worked on his handmade bag.
Dargye, 56, an artist who excels at traditional craftsmanship and Tibetan folk music in Drinba village in Dragyib district, Nyingchi, Tibet autonomous region, remembers many folk songs he learned from his father and uncle. Now, it’s his turn to pass them on.
“I have liked traditional songs and dances since I was a child,” said Dargye, who has four apprentices (学徒).“The songs tell the histories of our ancestors and carry our unique culture, and-it’s always a lot of fun to perform these traditional songs and dances at various gatherings.” The song topics vary from archery, love, to labor and praise for the land. In addition to teaching these songs to/his family members and apprentices, he also uses social media platforms such as WeChat to teach songs.
His daughter, Chok Butri, also admires the folk culture. After posting a video of her daughter, Tsering Kyi, dancing on Douyin, she gained a lot of new fans on the popular short-video platform. “We are modern people living in a modern era, so it’s important and our responsibility that we use modern tools to pass on our traditional culture to make it last forever.” said Chok Butri, adding that she often posts songs and dances on WeChat and Douyin.
Dargye and his fellow villagers also recreate songs, adding modern elements such as aircraft and trains to the lyrics. Besides singing and dancing, Dargye makes handicrafts decorated with Tibetan cultural elements, including various hide and hair ropes, bags made of leather and cloth, and knife sheaths.
The local government encourages villagers to inherit (继承) and develop folk songs and other forms of traditional culture. Dargye’s efforts to preserve folk culture have been acknowledged by the government. In 2014, he was chosen as a county-level intangible (无形的) cultural inheritor and receives funds every year.
1. Why does Dargye want to pass the culture on?A.He wants to satisfy his interest. | B.He wants to learn from the seniors. |
C.He wants to bring people fun. | D.He wants to inherit and develop it. |
A.To show folk music’s effect on her. | B.To stress Dargye’s influence on her. |
C.To emphasize her love for folk culture. | D.To reveal the popularity of folk culture online. |
A.Ambitious and honest. | B.Talented and curious. |
C.Devoted and creative. | D.Generous and determined. |
A.All efforts to preserve culture pay off |
B.Craftsman carries tunes to preserve culture |
C.An artist prefers traditional songs and dances |
D.Tibetan culture is being protected and passed on |
A.Birds in different postures. | B.Visitors to those lakes and wetlands. |
C.National parks along the Yellow River. | D.The liveliness and beauty of nature. |
A.Birds’ motions and postures are too stunning. |
B.Bad weather and some terrible wild creatures. |
C.Worsened environment and misunderstanding. |
D.Local residents’ complaints on their actions. |
A.Yue’s pictures of birds are a reflection of the improved environment. |
B.Taking pictures of wild life is not as difficult as expected. |
C.Yue got rich through posting bird photos on social media. |
D.The locals set many habitats for birds on their migration routes. |
A. supervising B. serious C. hit D. illustrate E. transformed F. practiced G. contrasted H. landscape I. comparing J. critical K. starts |
If Stan Lee revolutionized the comic book world in the 1960s, which he did, he left as big a stamp on the even wider pop culture
Mr. Lee was a central player in the creation of all properties of Marvel Comics. Indeed, he was for many the father of Marvel,
Stan Lee was born on Dec. 28, 1922, in Manhattan, the older of two sons born to Jack Lieber, and Celia Lieber, both immigrants from Romania. When graduated at 17 from high school, he aspired to be a writer of
In 1961, Mr. Lee and Mr. Kirby produced the first issue of The Fantastic Four, about a super-powered team with humanizing dimensions, which was a
Mr. Lee
Under Mr. Lee, Marvel
Animated movies use drawings instead of real people. Artists must draw thousands of pictures and each picture must be a little different. For example, if the movie-maker wants to show a girl running, the artist must draw her feet in different places in each picture. When the pictures are shown very quickly, one after the other, it looks like the girl is running. Walt Disney was not the first or only person to use animation in movies, but he is the most renowned. His first Mickey Mouse cartoon, produced in 1927, was called Plane Crazy. This was a short, silent movie about the adventures of a little mouse.
Many people in the movie business thought that animation was only appropriate for short cartoons. Disney did not agree with them. He believed that he could tell any kind of story using animation. His first long movie was Snow White and the Seven Dwarfs. Disney spent all his money making this movie. Fortunately, it was a great success. He made Pinocchio next and then Dumbo (about a baby elephant), and he didn’t look back after this.
When we think of Disney, however, we don’t only think of movies, we also think of Disneyland. There are Disneylands in Japan, the United States of America and France. They are large parks where people can meet Disney’s characters and visit scenes from his movies.
Although Walt Disney made many of the famous movies many years ago, they are as popular now as they were when he made them. Today we can buy them on video and see them in movie theatres from time to time. When Walt Disney began making his animated cartoons all those years ago, people drew all the pictures by hand. Nowadays computers do much of his work.
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