“The arrow shot is so straight that it hits the bull’s eye, the young people will have good luck…” Dargye sang as he worked on his handmade bag.
Dargye, 56, an artist who excels at traditional craftsmanship and Tibetan folk music in Drinba village in Dragyib district, Nyingchi, Tibet autonomous region, remembers many folk songs he learned from his father and uncle. Now, it’s his turn to pass them on.
“I have liked traditional songs and dances since I was a child,” said Dargye, who has four apprentices (学徒).“The songs tell the histories of our ancestors and carry our unique culture, and-it’s always a lot of fun to perform these traditional songs and dances at various gatherings.” The song topics vary from archery, love, to labor and praise for the land. In addition to teaching these songs to/his family members and apprentices, he also uses social media platforms such as WeChat to teach songs.
His daughter, Chok Butri, also admires the folk culture. After posting a video of her daughter, Tsering Kyi, dancing on Douyin, she gained a lot of new fans on the popular short-video platform. “We are modern people living in a modern era, so it’s important and our responsibility that we use modern tools to pass on our traditional culture to make it last forever.” said Chok Butri, adding that she often posts songs and dances on WeChat and Douyin.
Dargye and his fellow villagers also recreate songs, adding modern elements such as aircraft and trains to the lyrics. Besides singing and dancing, Dargye makes handicrafts decorated with Tibetan cultural elements, including various hide and hair ropes, bags made of leather and cloth, and knife sheaths.
The local government encourages villagers to inherit (继承) and develop folk songs and other forms of traditional culture. Dargye’s efforts to preserve folk culture have been acknowledged by the government. In 2014, he was chosen as a county-level intangible (无形的) cultural inheritor and receives funds every year.
1. Why does Dargye want to pass the culture on?A.He wants to satisfy his interest. | B.He wants to learn from the seniors. |
C.He wants to bring people fun. | D.He wants to inherit and develop it. |
A.To show folk music’s effect on her. | B.To stress Dargye’s influence on her. |
C.To emphasize her love for folk culture. | D.To reveal the popularity of folk culture online. |
A.Ambitious and honest. | B.Talented and curious. |
C.Devoted and creative. | D.Generous and determined. |
A.All efforts to preserve culture pay off |
B.Craftsman carries tunes to preserve culture |
C.An artist prefers traditional songs and dances |
D.Tibetan culture is being protected and passed on |
相似题推荐
【推荐1】As more and more people speak the global language of English, Chinese, Spanish, and Arabic, other languages are rapidly disappearing. In fact, half of the 6,000-7,000 languages spoken around the world today will be likely to die out by the next century, according the United Nations Educational, Scientific, and Cultural Organization (UNESCO).
In an effort to prevent language loss, scholars from a number of organizations — UNESCO and National Geographic among them — have for many years been documenting dying languages and the cultures they reflect.
Mark Turin, a scientist at the Macmillan Center, Yale University, who specializes in the languages and oral traditions of the Himalayas, is following in that tradition. His recently published book, A Grammar of Thangmi and Their Culture, grows out of his experience living, working, and raising a family in a village in Nepal.
Documenting the Thangmi language and culture is just a starting point for Turin, who seeks to include other languages and oral traditions across the Himalayan reaches of India, Nepal, Bhutan, and China. But he is not content to simply record these voices before they disappear without record.
At the University of Cambridge Turin discovered a wealth of important materials —including photographs, films, tape recordings, and field notes — which had remained unstudied and were badly in need of care and protection. Now, through the two organizations that he has founded — the Digital Himalaya Project and the World Oral Literature Project — Turin has started a campaign to make such documents, found in libraries and stores around the world, available not just to schools but to the younger generations of communities from whom the materials were originally collected. Thanks to digital technology and the widely available Internet, Turin notes, the endangered languages can be saved and reconnected with speech communities.
1. Many scholars are making efforts to ________.A.promote global languages | B.rescue disappearing languages |
C.search for languages communities | D.set up language research organizations |
A.having detailed records of the languages | B.writing books on language users |
C.telling stories about language speakers | D.living with the native speakers |
A.The cultural studies in India. | B.The documents available at Yale. |
C.His language research in Bhutan. | D.His personal experience in Nepal. |
A.Write, sell and donate. | B.Record, repair and reward. |
C.Collect, protect and reconnect. | D.Design, experiment and report. |
【推荐2】In November 2016, two influential art curators(艺术策展人)threw a memorable party in Shanghai. The hosts — Linyao Kiki Liu, and Klaus Biesenbach, — picked an unusual place for the great event: a repaired underground bomb shelter. That night it was filled mostly with an oversea crowd that had flown in to celebrate the art event. Shanghai seemed determined to present itself as a new centre of the art world.
Chinese contemporary art was actually born in Beijing. In 1979, soon after the country began rolling out economic reforms, a small group of artists held an unofficial exhibition, which lasted just two days but the seed for China’s grass roots arts movement was sown. By the early 2000s the 798 arts district in the north-east of the city was becoming a vital destination for international dealers and curators. Now Shanghai is competing with Beijing to become China’s cultural capital.
Shanghai’s initial embrace of art was restricted. Beginning in the early 2000s, a few local galleries supported a scattering of artists. There were no more than a handful of museums. The prospect of hosting Expo 2010 helped motivate Shanghai’s local government to encourage property developers to launch an ambitious urban-regeneration programme that would reframe the city as a cultural hub. At the heart of this renewal was West Bund, a 9.4km belt of Shanghai riverside, whose old industrial buildings and former airport were to be repurposed under the declaration “Culture First, Industry Oriented”.
In 2014 two landmark contemporary-art museums opened there — the Long Museum and Yuz Museum. The same year also saw the introduction of Le Freeport West Bund, a warehouse built to help the tax-free import, export and storage of artworks, a prime example of the city’s market-friendliness.
The inflow of collectors triggered by the series of events presented an important opportunity for galleries to hold exhibitions, unveil new spaces and host parties. Much of the activity took place in the newest art facilities — West Bund and the Power Station of Art.
All the glamour, though, cannot mask the concern felt by some artists and gallerists in Shanghai. Does projecting the city as such a high-end, outward-looking hub risk endangering some of other important corners of the city? Rapid gentrification(中产阶级化)is already forcing many small businesses, like the family-run noodle joints and the bicycle-repair shops, to close down. And indeed, the art party, Shelter, is due to close after the Culture Bureau refused to renew its lease(租约).
This upgrading of the city is already affecting the arts sector. Rising rents — a direct outcome of urban redevelopment—have made the production of art in Shanghai difficult, forcing artists to the city’s fringes, and beyond. It risks crushing the kind of grass roots, artist-led initiatives on which so much of China’s contemporary art was founded. The shift also affects galleries. Three of the city’s most important names — MadeIn Gallery, Aike Dellarco and ShanghART — have relocated this year from Shanghai’s original art hub, M50, to West Bund. Their departure will mean fewer visitors to M50’s remaining lower-tier, entry-level galleries for whom a move to West Bund is out of the question. If M50 struggles, that may affect new artists seeking representation in the city.
The cultural transformation of Shanghai has been astonishing. But it risks threatening the kind of complex and sustainable engagement that a lively arts sector needs. If local government can encourage affordable spaces for young artists and help promote a climate where artists and art professionals can prosper, then this most dynamic of cities might truly have it all.
1. “Linyao Kiki Liu, and Klaus Biesenbach” are mentioned at the beginning of the passage to show that _____.A.Shanghai has been racing to become China’s cultural capital. |
B.Shanghai encourages property developers to build museums. |
C.Shanghai is appealing to more celebrities(名人)to go sight-seeing. |
D.Shanghai has beaten Beijing in holding art exhibitions. |
A.“We’ll give her some VIP treatment and roll out the red carpet”. |
B.“He let a couple of golden apples roll out from under the basket”. |
C.“Then it was time to roll out of bed and line up for breakfast”. |
D.“We have rolled out an improvement initiative across our organization”. |
A.the 798 arts district in Shanghai has already attracted many international dealers. |
B.Shanghai has adopted preferential tax policies in West Bund to inspire cultural industry. |
C.the prospect of contemporary art in Shanghai is greatly determined by Expo 2010. |
D.more art enthusiasts will go and appreciate high quality art exhibitions in M50. |
A.local galleries | B.new artists |
C.Culture Bureau | D.bicycle-repair shops |
A.Critical. | B.Optimistic. |
C.Subjective. | D.Indifferent. |
A.Global business. | B.Finance and economics. |
C.Books and arts. | D.The world this week. |
【推荐3】New York's iconic, blue-green statue of liberty wasn't always green. When the statue was gifted to the US from France in 1885, she was actually a shiny copper color. A new video reveals the chemical reactions involving oxygen and even air pollution that led to her color change from copper to liberty green. The statue of liberty was a gift from France to the US as a way of commemorating the US's fight for independence, as well as their own aspiration for democracy.
A video, published by the American Chemical Society, explains that the 305-foot (93 meter) statue was built over nine years in sections of copper skin on top of an iron skeleton.
In her first few decades in the Big Apple, the statue slowly turned from that shiny copper color to a dull brown and the, finally, to the blue-green, or as they'd say back in France, 'verdigris' we see today,' said the video's narrator.
When it changed color, some officials suggested restoring her back to her original color, but after the public protested against this decision, she was left the way she is. The statue's color change was as a result of oxidation reactions between copper and the air. But it was more than one reaction - the color change is due to about 30 years worth of different reactions leading to a mixture of greenish minerals.
Oxidation reactions happen when an atom loses an electron to another atom.
In the case of the statue of liberty, her color change was bound to happen due to oxygen in the atmosphere that is 'hungry' for electrons. On top of this, elements of New York City's polluted air added to the color change too.
The first chemical reaction of the color change involved copper giving up electrons to electron-hungry oxygen in the atmosphere. This led to a mineral called cuprite - which is pinkish red.
Then, cuprite loses even more electrons to oxygen, forming a new mineral(矿物质) called tenorite, which is blackish in color. The black color of tenorite explains why the statue got darker over time, forming a dark brown color.
Then, further chemical reactions occurred when sulfur(硫) in the atmosphere reacts with oxygen to form sulfur dioxide. Sulfur comes from natural processes such as volcanic eruptions, but also from man-made emissions from boats, cars, airplanes and factories. When sulfur dioxide in the atmosphere reacts with water, it produces sulfuric acid. Sulfuric acid forms green minerals with copper oxides, so the sulfuric acid in the atmosphere made the state green over time.
Added to that, chloride from the sea spray surrounding Ellis Island where the statue is located made the statue even greener.
The statue stayed this way for over 100 years because the exposed copper is now oxidized and stable, but the statue wouldn't be the same anywhere else.
1. What is statue of liberty like at present? .A.copper |
B.pinkish red |
C.blackish |
D.verdigris |
A.Washington DC |
B.New York |
C.Los Angeles |
D.Chicago |
A.4 |
B.5 |
C.6 |
D.7 |
A.oxidation reactions between copper and the air |
B.the surrounding sea spray |
C.emissions from traffic vehicles |
D.the sunshine from nature |
【推荐1】In the South China Sea, there is a group of Jiaoren, or Chinese mermaids (美人鱼), whose teardrops become pearls after they fall. To the north of Kunlun Mountains, there’s a monster called Xiangliu, which has nine heads with human faces but the body of a snake.
These magic creatures from the ancient book of legends Shan Hai Jing, which inspired J. K. Rowling for her Fantastic Beasts and Where to Find Them series, are now brought back to life by a young Chinese girl in her photos.
Chen Xin, who learned painting as a child, said she started the photo series to commemorate (纪念) the days she spent with her grandma.
Every night before she went to sleep, her grandma told her stories in Shan Hai Jing. “I remember, especially in the summer nights, my grandma stayed outside to enjoy the light wind,” Chen said. “She sat on a rocking chair while I counted the stars and listened to her stories.” These stories opened her mind to an imaginative world with fantastic creatures.
To design the makeup and look of these creatures, Chen checked documents and combined the images with the appearance of animals. She used various means and materials to make the items look like horns or tails. “I used real yak horns (牦牛角). It’s difficult to fix them onto the head and face of models, as they will drop. So it takes a long time,” Chen said. She also chose places whose geographical conditions met the descriptions of the creatures for photos. “For example, some creatures live in areas surrounded by rocks, so I will try to find such a place,” she said.
Recently, Chen has been working on another two photo series about the 24 solar terms and Chinese food. “I’m happy that more and more people are now paying attention to and falling in love with Chinese traditional culture,” she said.
1. Why does the author write the first paragraph?A.To amuse the readers. |
B.To recommend an ancient book. |
C.To introduce the topic of the text. |
D.To stress the diversity of Chinese culture. |
A.To become famous. |
B.To show off her talent. |
C.To spread traditional Chinese culture. |
D.To remember the happy days with her grandma. |
A.Chen’s carefree childhood. |
B.Those peaceful starry nights. |
C.One of J. K. Rowling’s books. |
D.Stories told by Chen’s grandma. |
A.How to draw creatures from Shan Hai Jing. |
B.The efforts Chen made to bring legendary animals to life. |
C.The makeup and look of creatures from Shan Hai Jing. |
D.Where to find a place to match the creatures from Shan Hai Jing. |
【推荐2】I've been writing since before I could write. As a kid, I dictated stories to my parents.About 12 years ago,I was living in New York City and pursuing a master in creative writing. For years I'd been suffering vision disorder,but in New York my symptoms worsened. I became unable to read or write for any considerable length of time. I tried vision therapy(疗法),an overhead projector,a special pair of glasses-all in vain.
Eventually,I discovered a computer program for the visually challenged. As I typed,my words were read aloud by an automated voice. With my screen dimmed to black,I relied entirely on audio feedback to know what I had written.
Facing the blank page is worrying,but facing the black page is worse. The dark screen is a sinkhole that swallows creative hope. Sentences disappear into it like an astronaut into a black hole. I managed to complete my master degree, but it took me years to adapt to my new reality. The greatest barrier seemed to be the automated voice, which was like a robot parrot on my shoulder, and I wanted nothing more than to drive it away. If a pianist were forced to practice on an untuned piano,would it corrupt his ear over time?
Of course,I could have quit writing and stopped making myself suffer.But it honestly never occurred to me-and I'm glad it didn't. Last year, after I told my story on the radio,I was contacted by VocaliD,a Massachusetts-based company that created a voice modeled on my own.
The first time I heard the voice they created, it is so close to my own that the two are nearly indistinguishable. I've only just begun using this new voice. My hope is that this will restore a sense of solitude(孤独) to my writing process,allowing me easier access to that inner space where the imagination can take over, and I can forget myself, and the real work can begin.
The black screen still exists-it always will-but the robot parrot has taken wing.
1. What happened to the author when pursuing a master degree in New York?A.His sight started to fail due to much reading. |
B.His eyes couldn't sustain long hours of reading. |
C.He had to drop out due to his vision disorder. |
D.He successfully overcame his vision problem. |
A.The untuned automated voice. |
B.The pet parrot on his shoulder. |
C.The computer with a dark screen. |
D.The noise from a neighboring pianist. |
A.Excited. | B.Annoyed. |
C.Unmoved. | D.Relaxed. |
A.The automated voice is too annoying to bear. |
B.The author can restore his sight to normal. |
C.The author starts to enjoy his writing again. |
D.It is likely that the technology will improve. |
【推荐3】An old man in a faded yellow shirt sat in a windowless room on a raised concrete form. The only source of heat came from somewhere beneath the plastic mattress and the rough blanket the blank-faced police woman had handed him after taking his thumb prints. He heard voices and metallic clang as the cell door swung open.
At the front desk a tired looking policeman handed the old man back his belongings, his worn-out cap and the Seiko watch that had stopped working the day his beloved Evelyn left. The policeman dramatically held the blue plastic bag at an arm's length to the old man who took it and made sure its contents were undamaged: the goat meat, palm oil, leaves and spices. He ignored the confused expression on the officer’s face and signed the document declaring he had been returned the possessions they had taken off him the night before.
No one spoke to him as he walked slowly towards the exit.
''Mr. Easy-nwa? '' He stopped and prayed to the God who now took care of Evelyn to please take him far away from this unhappy place of expressionless faces, clipped accents and people who did not even attempt to pronounce his name right.
''Ezenwa,'' He said and looked at a woman with tangerine lips, her name tag said Jessica Harlow, Social Services. ''A bit far from home'' she said as she drove fast and with confidence the way Evelyn used to. He wondered if she meant the 50 miles from Liverpool or the 50,000 miles from Enugu,a city in Nigeria. He did not bother replying as this woman had plenty to say about the weather, bad drivers, her daughter's school play...
At last she drew up outside the block of flats where he lived.
''Got here in the end'',said she seriously, ''Really Mr. Easy-nwa, if you keep getting lost, we will have to consider moving you into a home''.
''No need, I was not lost, '' he answered. He carefully rolled up the sleeves of the oversize bomber jacket he wore and turned on the tap to wash his hands, relieved the pipes were not frozen.
In a clean pan he placed the chopped pieces of goat meat. The herbs and spices that had taken him three months to track down, the uziza seeds had taken him into the heart of Granby Market in Liverpool, his uchanwu leaves down a shady back alley in Manchester, and yesterday, among other food items, the finest goat meat from a Sierra Leonean Butcher in Birmingham. That had taken some time, so much he missed the last train and when the police found him shivering outside the locked-up station, so cold he couldn't answer loudly enough the pink-faced big copper who yelled in his face, ''What's your name sir? '' spraying his face with spittle (唾沫)as he did so, leaving them with no choice but to search an exhausted, frozen old black man and finding him in possession of mysterious condiments (调味品)including a bag of dried bitter-leaf which could of course be mistaken for anything that resulted in him getting read his rights and charged with ...possession???
He lifted the lid of the bubbling soup, the room was filled with the rich and spicy scent of his culinary (烹饪的)effort. He served two bowls, taking the chipped one and placing the other opposite where Evelyn would have sat. He would tell her about his adventure, it was their anniversary and this was the perfect pepper soup to celebrate.
Ken Onyia, UK (Nigeria) Commonwealth Sport Short Story Prize
1. Why was Mr. Ezenwa taken to the prison for a night?A.He was too weak to move. |
B.He couldn't find his way back home. |
C.He then had nowhere else to go. |
D.He was suspected of possessing drugs. |
A.his thumb print was taken immediately |
B.the policeman was confused about what he had |
C.a social worker was assigned to drive him back home |
D.the policeman was so kind as not to damage his belongings |
A.He collected all sorts of valuables as presents. |
B.He cooked native food as a surprise for his wife. |
C.He prepared a special Nigerian pepper soup carefully. |
D.He travelled a lot, attempting to get his wife back. |
A.Hopeless and pessimistic. | B.Affectionate and persistent. |
C.Mysterious and troublesome. | D.Energetic and sympathetic. |
【推荐1】There was once a man who penned comics(漫画) under the name Stan Lee. This man originally wished to leave comics behind and write serious literature. But he never made that career change.
Born Stanley Martin Lieber in 1922 in New York City, he has contributed more to the world than just a few fun stories. At 17, Lee began working as an assistant for the Timely comics group (today’s well-known Marvel Comics). Two years later he was given a chance to write for his first comic, “Captain America”. His skills in the business led him to become the comic-book division’s editor-in-chief until 1972.
After working with comics for many years, Lee became tired of the material he was told to write. For a long time, comic books were considered silly stories. The characters weren’t complex, and the dialogue was short and simple. Lee wanted more from his work.
The Fantastic Four was born after his wife asked, “Why don’t you write one book the way you would like to do it?” With that comic, Lee helped change comics from simple action stories to the complex narratives (叙述文) they are today. However, he still hasn’t done changing the industry.
In the early 1960s, Stan Lee and another writer created the Spider-Man character. In one edition of Spider-Man, Lee wrote a story in which the superhero’s friend almost dies from drug abuse. From the 1950s until 2011, comic publishers followed the rules given by the Comics Code Authority (CCA), who disapproved of drug use in comics.
But Lee published the comic without CCA’s agreement. The story sold, and there was a positive response to the story’s focus on a serious problem in society. The CCA ended up changing its rules to allow more inspirational stories like this.
From this victory, Lee went on to create more interesting and realistic characters that dealt with both super and real life problems.
1. The underlined part “that career” in Paragraph 1 refers to the job as _____.A.a superhero | B.a comic actor |
C.a comic book creator | D.a serious literature writer |
A.In 1939. | B.In 1941. | C.In 1960. | D.In 1972. |
A.Spider-Man was published. |
B.Stan Lee left the comic industry. |
C.Stan Lee’s wife began to work on comics. |
D.The comics began to tell complex stories. |
A.Spider-Man was created by Stan Lee himself. |
B.Stan Lee likes to discuss social issues in his comics. |
C.The story of Spider-Man came from Stan Lee’s friend. |
D.The CCA has been carrying out rules without changing them. |
【推荐2】British singer-song writer James Blunt shot to fame in 2005 with his single You're Beautiful and album(专辑) Back To Bedlam, and since then he remained the top of the UK singles chart.
Before James Blunt became a musician, he served in the army to fight for Queen and country. He spent four and a half years there, with six months in Kosovo as part of the peacekeeping force. Before leaving the army, Blunt had decided to achieve his dream of becoming a musician. In 2003, he was discovered by music producer Linda Perry who signed him to her Custard label. However the road to success never runs smoothly. It seemed that he would become another struggling singer trying to live from hand to mouth (勉强维持生计) when his first two singles failed to make an impact on the British charts. But everything changed when his third single You're Beautiful made it all the way to No.1 on the UK singles charts, and remained there for five weeks. The album Back to Bedlam soon followed and quickly became one of the biggest selling records of the year, remaining then continual weeks at No.1. Since then, he has sold more than three million records, making him the first British artist to top the American singles charts in nearly a decade.
Blunt, 34, a throwback (返祖者) to the 1970s softrock golden age, has been quoted by Western media as saying that he will never get used to people screaming at him in the street.
His success proves a lasting theory: You spend years chasing the right song. Then, if you're lucky, and if the song really takes off, you spend the rest of your life trying to escape it, or learning to live with it, a few years removed from You're Beautiful, he can still fill stages worldwide with fans who stay until the end.
1. What do we learn from the passage?A.Blunt was discovered by Linda Perry before joining the army. |
B.Blunt has already become famous before joining the army. |
C.Blunt spent five years in the army altogether. |
D.Blunt had the dream of becoming a musician before leaving the army. |
A.Difficult | B.Happy |
C.Boring | D.Smooth |
A.Blunt is well-known in the world for his talent. |
B.Blunt's fame as a musician came easily. |
C.Blunt wasn't lucky enough to win his fans' support. |
D.Blunt has to face the inconvenience that his fame has caused. |
A.The song You're Beautiful |
B.The latest album of James Blunt |
C.The success of James Blunt as a musician |
D.The whole life of James Blunt |
Most painters discover a style of painting that suits them and stick to that, especially if people admire their pictures. But Picasso, the great Spanish painter, was like a man who had not yet found his own particular style of painting. He kept on struggling to find the perfect expression till his death in 1973.
Some of Picasso’s paintings are rich, soft, colored and beautiful. Others are ugly and cruel and strange. But such paintings allow us to _____________ for ourselves. They force us to say to ourselves, “What does he see that makes him paint like that?” And we begin to look beneath the surface of the things we see.
Picasso painted thousands of pictures in different styles. Sometimes he painted the natural look of things. Sometimes he seemed to break them apart and throw the pieces in our faces. He showed us what the mind knows as well as what the eye sees. At the age of 90 he remained as curious about the world as he had been when he was young. That is why people have called him “the youngest painter in the world”.
1. What is the best title of the passage? (Please answer within 10 words.)2. Which sentence in the passage can be replaced by the following one ?
At times, things in some of his pictures seemed to be in disorder.
3. Please fill in the blank with proper words to complete the sentence.(Please answer within 10 words.)
4. Translate the underlined sentence in the last paragraph into Chinese.