1 . “When I was young, I had so much energy and I loved building stuff. If I had an idea, I had to build it right away using whatever I could find around me.” says Danish recycle artist Thomas Dambo. When Dambo was just seven years old, he bought some materials from the local market to construct a game room in his parents’ basement. As a teenager, he built a “crazy” castle in his backyard.

Decades later, 42-year-old Dambo is proudly surveying his latest creation: a troll (巨人) called Little Lui. Towering at five meters tall, Little Lui is one of the six trolls hidden in secret corners of the Peel Region of Western Australia as part of Thomas Dambo Giants of Mandurah, an Australian-first exhibition, which will be on show for at least a year. Dambo has made many impressive trolls, which have found homes in the United States, Belgium, China, Denmark, South Korea and so on.

“For me, trolls represent the voice of nature,” Dambo says. This deep respect for the natural world is a central message of Dambo’s practice. Dambo’s troll are made almost entirely from locally sourced recycled wood: their faces from secondhand furniture and their hair from branches and leaves. Taking about 750 hours to complete, each troll is constructed out in nature.

“We are slowly turning the world into a landfill. I hope that by visiting the trolls, people will think of rubbish as a resource. I think it’s really important that the next generation is connected to nature.” Dambo says. “That’s why I tried to design the trolls to appeal to younger people. I want people to be inspired to play and experiment, and to realize they don’t need a lot to create something big and beautiful. Go out, go around the corner and take advantage of whatever is there — you will find a lot of adventure in your own backyard.”

1. Which of the following can best describe young Dambo?

A．Creative.

B．Generous.

C．Independent.

D．Courageous.

2. What do you know about Little Lui?

A．It is kept underground.	B．It is Dambo’s first creation.
C．It will be shown to the public.	D．It will be sent to foreign countries.

3. Which aspect of trolls does paragraph 3 highlight?

A．Their basic theme.	B．Their artistic value.
C．Their expensive materials.	D．Their building procedures.

4. What does Dambo intend to do with his trolls?

A．Inspire more people to take adventures.

B．Encourage the young to approach nature.

C．Help people spend less time playing games.

D．Call on the young to save natural resources.

2 . Directions: After reading the passage below, fill in each blank with a proper word given in the box. Each word can only be used once. Note that there is one word more than you need.

A. inspired            B. detail          C. art          D. marker          E. sculptor        F. stared G. considerably     H. approach       I. worthy     J. gradually       K. widened

Tom Friedman

Those who believe that art is simply handicraft taken to the extreme might find confirmation upon a first glance at     1     and installation artist Tom Friedman’s work. He creates sculptures and drawings with obsessive attention to     2     and handiwork, and then combines them to make installations. His materials can be picked up at any supermarket: paper, wire, cardboard, foam, foil and     3     pens. Friedman is influenced by 1960s conceptual art and minimalism. The Fluxus movement is     4     of special mention here, as its humorous, art-conscious work    5     him for pieces such as 1000 Hours of Staring (1992-1997). an empty sheet of paper that — as the title suggests — the artist     6     at for 1000 hours. In his new collages and sculptures (see his 2008 Monsters and Stuff exhibition), Friedman has stayed true to his choice of materials and painstakingly elaborate production process, but the gulf between the banality of the material and the spectacular forms that emerge from it has    7     , for example in the sculpture Green Demon (2008). The field of reference is also     8     broader here, with Frankenstein and voodoo associations slotting in easily next to African sculpture, Miro and Picasso. However, the question remains as to whether the harmless material removes the horror aspect or whether the artist has drawn hidden horror out of the material. And thus the question of art as handicraft comes full circle. As soon as handicraft is supported by a conceptual    9     and — in the true spirit of the surrealist idea of the miraculous-mundane everyday material is transformed to something astounding, then you have     10     .

3 . Directions: After reading the passage below, fill in the blanks to make the passage coherent and grammatically correct. For the blanks with a given word, fill in each blank with the proper form of the given word; for the other blanks, use one word that best fits each blank.

China’s Explosive Artist

Cai Guoqing’s practice spans from gunpowder drawings to ephemeral sculptures and monumental installations, all of     1     are rich with references to Chinese history, Taoist cosmology and current political events. Cai deals with the latter in a spectacular installation for I Want to Believe, his 2008 retrospective in New York, from the centre of the Guggenheim rotunda the artist —a     2    (train) set designer, by the way —suspended Inopportune: Stage One (2004), consisting of a series of nine cars     3     (hover) in mid air to represent in cinematic progression the effect of a car bomb.

Since the 1980s, Cai has been working on drawings realized by     4     (ignite)explosive powder on large sheets of paper. These works possess an aura     5     evokes both the vivid gestures of abstract expressionism and the quieter surfaces of Chinese traditional painting. Gunpowder is also at the centre of a series of environmental works, begun in 1989,     6     combine the tradition of Land Art with     7     of Chinese fireworks. For his explosion events, Cai stages pyrotechnical choreographies that sketch temporary drawing space.

Cai’s     8    (participate) in many international events, imposes himself as one of the strongest in the sky. These events are also meant to act as social, festive collective experiences that the artist— not without irony— believes could be perceived even from outer artists to emerge from China. At the Venice Biennale 1999 he     9    (award) the Golden Lion for Venice’s Rent Collection Courtyard (1999), a series of unfired clay sculptures    10    (depict)heroes in history. Cai also organized the opening ceremony for the 2008 Olympic Games in Beijing.

4 . The question of whether it is possible to dissociate the artist from their work has been debated for a long time. Even though positive critical reviews about an artist’s behavior can improve their artistic accomplishments, people should treat artists as individuals who have lived apart from their work.

One of the reasons is that even artists have shortcomings. Like any other human being, an artist can err, and we cannot be severely judgmental of every person that falls into error. Cancel culture with endless criticism is concerned more with how we should disregard the artists when they make mistakes than with how their weaknesses can be used by the artists to create art that is unique.

Perhaps Kevin Hart’s words support this thought. He asks, “When did we get to a point where life was supposed to be perfect? Where people were supposed to operate perfectly all the time?” When people start seeing artists as human beings, they’ll see them for who they are and review their behavior not on the basis of their art but on the basis of their humanity.

It should be also noted that there are works of art that are inspired by the artist’s experience. For example, the themes in the Harry Potter books are so connected with J. K. Rowling’s wicked worldview that it is virtually impossible to distinguish the two from each other. Since canceling artists based on their worldview would mean the reception to their art will suffer, artists become tense and unwilling to express themselves, which will kill creativity, eventually leading to the death of art. Comedians, singers or painters who should be integrating contemporary issues with their works become boring, and art stops functioning as the social mirror it ought to be.

An artist who makes mistakes still has art with intrinsic (内在的) value, benefiting entire communities or cultures. For instance, when Kendrick Lamar launched his album and frequently used the F-slur in one of his songs, there was much-heated discussion. He was entirely mistaken in using the F-slur, but as an artist, he still had a wide-reaching impact on society. Similarly, one can respect the late Michael Jackson because of how he impacted pop music and the inclusion of black musicians in mainstream media despite his personal weaknesses, opinions, worldviews and associations.

While these artists may engage in their terrible behavior, the art they produce today may serve as an example for others to produce outstanding work in the future. Some would refer to this process as a cycle. Good art should, therefore, be judged due to its value and not the value of the artist.

1. Which would Kevin Hart probably agree with?

A．People should perform perfectly all the time.

B．Artists’ shortcomings might be their inspiration.

C．If artists have weaknesses, we’d better cancel them.

D．Artists should be evaluated based on their humanity.

2. Why will “cancel culture” lead to the death of art?

A．Artists will be unwilling to create any artwork.

B．Artists will stop concerning with contemporary issues.

C．Artists will lose their desire for expression and creativity.

D．Artworks are unavoidably inspired by artists’ experiences.

3. How can an artist with mistakes benefit others?

A．The artist may make some new words popular.

B．The artist’s opinions may provoke heated discussion.

C．The artist will benefit entire communities or cultures.

D．The artist’s art may give others ideas of artistic creation.

4. Which would be the best title of the passage?

A．Judge Art Due to Its Value

B．Separate the Art From the Artist

C．Regard Artists as Human Beings

D．Stop Criticizing Artists’ Behavior

5 . 听下面一段独白，回答以下小题。
1. When did Mozart begin to compose music?

A．At the age of four.

B．At the age of five.

C．In his early teens.

2. Where was Mozart’s first major opera performed?

A．In Milan.

B．In Vienna.

C．In Salzburg.

3. What did Mozart do when he stopped performing?

A．He did business.

B．He taught for a living.

C．He composed music.

6 . “The arrow shot is so straight that it hits the bull’s eye, the young people will have good luck…” Dargye sang as he worked on his handmade bag.

Dargye, 56, an artist who excels at traditional craftsmanship and Tibetan folk music in Drinba village in Dragyib district, Nyingchi, Tibet autonomous region, remembers many folk songs he learned from his father and uncle. Now, it’s his turn to pass them on.

“I have liked traditional songs and dances since I was a child,” said Dargye, who has four apprentices (学徒).“The songs tell the histories of our ancestors and carry our unique culture, and-it’s always a lot of fun to perform these traditional songs and dances at various gatherings.” The song topics vary from archery, love, to labor and praise for the land. In addition to teaching these songs to/his family members and apprentices, he also uses social media platforms such as WeChat to teach songs.

His daughter, Chok Butri, also admires the folk culture. After posting a video of her daughter, Tsering Kyi, dancing on Douyin, she gained a lot of new fans on the popular short-video platform. “We are modern people living in a modern era, so it’s important and our responsibility that we use modern tools to pass on our traditional culture to make it last forever.” said Chok Butri, adding that she often posts songs and dances on WeChat and Douyin.

Dargye and his fellow villagers also recreate songs, adding modern elements such as aircraft and trains to the lyrics. Besides singing and dancing, Dargye makes handicrafts decorated with Tibetan cultural elements, including various hide and hair ropes, bags made of leather and cloth, and knife sheaths.

The local government encourages villagers to inherit (继承) and develop folk songs and other forms of traditional culture. Dargye’s efforts to preserve folk culture have been acknowledged by the government. In 2014, he was chosen as a county-level intangible (无形的) cultural inheritor and receives funds every year.

1. Why does Dargye want to pass the culture on?

A．He wants to satisfy his interest.	B．He wants to learn from the seniors.
C．He wants to bring people fun.	D．He wants to inherit and develop it.

2. What is the author’s purpose in mentioning Dargye’s daughter?

A．To show folk music’s effect on her.	B．To stress Dargye’s influence on her.
C．To emphasize her love for folk culture.	D．To reveal the popularity of folk culture online.

3. Which of the following best describes Dargye?

A．Ambitious and honest.	B．Talented and curious.
C．Devoted and creative.	D．Generous and determined.

4. What can be a suitable title for the text?

A．All efforts to preserve culture pay off

B．Craftsman carries tunes to preserve culture

C．An artist prefers traditional songs and dances

D．Tibetan culture is being protected and passed on

7 . 阅读下面短文, 在空白处填入1个适当的单词或括号内单词的正确形式。

Qiao Yu is a songwriter who penned timeless classics that     1     (sing) from generation to generation in China for decades. He wrote more than 1,100 lyrics all his life, many of     2     are being remembered even today.

Qiao is said to have started his     3     (enthusiastic) with words from the early age of 4. He could also recite ancient poems from the Tang and Song dynasties. But it wasn’t     4     his late teens that he penned his first own poem.

Qiao rose to fame in 1955 after writing “Let’s Pull on Our Oars (桨)” known to most Chinese children. “Our boat is     5     (gentle) drifting on the lake/ A cool breeze is rustling for our sake/ Our homework has been well done/ Let’s heartily have a lot of fun,” says the song.

But Qiao’s greatest hit came in 1956,     6     “My Motherland” becoming a patriotic tune in the movie Battle on Shangganling Mountain. “A great river     7     (flow), its waves are wide/ Wind blows the scent of flowers to both shores/ My family lives on the shore/ I am used to hearing the punters’(艄公) call/And seeing the white sails on the boats,” says the start of the song.

Genius as these lines now are,     8     movie director at first asked Qiao to clearly spell out the “great river” as the Yangtze itself. “However,” Qiao said, “the ‘great river’     9     (refer) to in the lines is always there in front of your home, and the stories and memories along the river make up     10     it is to make you feel close to your hometown.”

8 . About 20 years ago, Daniel Hoffman, a classically trained violinist met a young musician playing in the town square in Marrakech, an ancient city in Morocco. They communicated in the little French they both knew, but their main common language was music. On the back of a motorbike of the fellow violinist, Hoffman weaved through the back streets of the city and then learned his first lessons in Andalusian music, the classical music of North Africa.

That experience gave birth to an idea: What would it be like to try to learn how to play different violin styles around the world in just one week? Oh. yes, and at the end of that week, play a concert. He even got a name for the concept “musical extreme sports”.

It took him almost two decades to launch that dream with a friend, who introduced him to the wonders of Kickstarter, a funding platform for creative projects. Up to now, the dream has taken the form of a new documentary currently airing on American public television stations called “Otherwise, It’s Just Firewood.”

In the documentary, Hoffman travels to County Clare, Ireland, where he takes lessons with James Kelly, a master Irish violin player, for less than a week and then performs together with him in front of an audience, many of whom are star Irish musicians.

The film is what Hoffman hopes will be the first of an eventual series of short documentaries, showing him learning to play the violin in a variety of styles, including the folk music of south India, Sweden, Greece, Romania, and West Virginia.

That would add to his extensive repertoire (全部曲目), which already includes Balkan, Middle Eastern, and Turkish styles. “The big joke is what’s the difference between the fiddle and the violin? It’s the person who plays it,” says Niall Keegan, a traditional flute player. “It’s the music you make on it that makes it Irish or English or French or classical or jazz or whatever else. It’s how we imagine it and how we create through it that make it and give it character.”

“Otherwise, it’s just firewood,” he says, words that became the film’s title.

1. Where does Hoffman’s idea of musical extreme sports come from?

A．His exploration of the local music.

B．His cooperation with the young violinist.

C．His sightseeing tour on a motorbike seat.

D．His constantly changing taste in violin styles.

2. According to the passage, the series of documentaries ________.

A．help Hoffman to become a master violin player

B．are funded by American public television stations

C．introduce different styles of musicians around the world

D．record Hoffman’s experience in learning various violin styles

3. The title of the documentary “Otherwise, It’s Just Firewood” is used to emphasize ________.

A．the power of diversified artistic expression

B．the pleasure in learning traditional music

C．the technique of instrument playing

D．the importance of famous artists

9 . Hedy Lamarr, a Hollywood actress, who was called “the most beautiful woman in the world,” starred in dozens of films over a career that lasted decades. But there was more to Lamarr than met the eye. An enthusiastic inventor, she worked on everything from a tablet to frequency hopping — a World War II-era secure communications technology that’s used today in wireless internet, GPS, and cellphones, which makes her regarded as the “mother of Wi-Fi.”

The Austrian-born Lamarr grew up in Vienna without a lot of education in science. Her natural curiosity drove her to explore and understand the world around her.Therefore, her father, who was also interested in science and technology, often walked with her around the city, pointing out what made things work.

Lamarr's informal scientific training continued when, as a young girl in 1933, she married a wealthy arms merchant who worked with the German and Italian military. When all of these generals and admirals were coming around, she listened, absorbed and learned.

The marriage didn’t last, and Lamarr set out to seek her acting career. When she got to Hollywood in the 1930s, she quickly became an international icon(偶像). After watching World War II break out, with growing concern, Lamarr began inventing on her own. As an Austrian, she thought she should do more to contribute to the allies’s(同盟国) war efforts.

In Hollywood, Lamarr met George Antheil, a composer who would become her cooperator on the frequency-hopping technology. Together, they invented a system that made it harder for the enemy to track or jam signals on radio-guided weapons. However, it wasn’t until 1997, three years before her death, that Lamarr received professional acknowledgment(认可) for her invention.

Lamarr played the role she expected to play in Hollywood-a beautiful object to admire on the big screen. However, She never yielded to society’s expectation to women. Her story really encouraged young people, and especially young women, to go into fields that are traditionally male-oriented, and not to judge a book by its covers.

1. What mainly made Lamarr develop her interest in science?

A．Her father.	B．Her first husband and his friends.
C．Her own curiosity.	D．Her teachers.

2. What was special about Hedy Lamarr?

A．She was the most beautiful woman in the world at one time.

B．She was gracefully beautiful as well as scientifically intellectual.

C．She encouraged young women to invent.

D．She decided to give up her acting career after World War II broke out.

3. What does the underlined phrase “yielded to” most probably mean in the last paragraph?

A．worried about	B．looked down on
C．disagreed with	D．gave in to

4. Which can be the best title for the text?

A．A Great Inventor.

B．A Famous Actress.

C．A Film Star With A Great Contribution.

D．A Wireless Communication.

10 . Directions: Read the following passage. Summarize the main idea and the main points of the passage in no more than 60 words. Use your own words as far as possible.

Animated movies use drawings instead of real people. Artists must draw thousands of pictures and each picture must be a little different. For example, if the movie-maker wants to show a girl running, the artist must draw her feet in different places in each picture. When the pictures are shown very quickly, one after the other, it looks like the girl is running. Walt Disney was not the first or only person to use animation in movies, but he is the most renowned. His first Mickey Mouse cartoon, produced in 1927, was called Plane Crazy. This was a short, silent movie about the adventures of a little mouse.

Many people in the movie business thought that animation was only appropriate for short cartoons. Disney did not agree with them. He believed that he could tell any kind of story using animation. His first long movie was Snow White and the Seven Dwarfs. Disney spent all his money making this movie. Fortunately, it was a great success. He made Pinocchio next and then Dumbo (about a baby elephant), and he didn’t look back after this.

When we think of Disney, however, we don’t only think of movies, we also think of Disneyland. There are Disneylands in Japan, the United States of America and France. They are large parks where people can meet Disney’s characters and visit scenes from his movies.

Although Walt Disney made many of the famous movies many years ago, they are as popular now as they were when he made them. Today we can buy them on video and see them in movie theatres from time to time. When Walt Disney began making his animated cartoons all those years ago, people drew all the pictures by hand. Nowadays computers do much of his work.

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