1 . 阅读短文，按照题目要求用英语回答问题。

“I never lied to my father. When I was young, my father told me that if I tried to lie to him, he would always know. My body would tell him the truth because the body’s movement never lies.”, said Martha Graham, an influential American dancer and teacher, fascinated with the ideal that “movement never lies”. Martha realized that the body is its own storyteller. She just wanted to find ways to tell those stories through dance.

She began by studying ballet, but soon realized that it wasn’t right to her. From the very beginning of her dancing career, Martha saw dance differently. She was tiny, not tall like ballerinas (芭蕾舞女演员) at that time. But she had a strong, powerful body and dark, soulful (热情的) eyes. So she developed a style of movement different from traditional romantic ballet and called it modern dance. She brought modern dance to a new level of popularity in American culture.

Unlike ballet, which took place in a fairylike world, Martha’s modern dance expressed real emotions. Martha believed that it was important that the audience see themselves within her dances. She created and arranged many dances that showed emotions such as anger, jealousy, love or hate of common people.

Martha loved to wear long, dark, flowing robes when she performed. In the dances she used her robes in many different ways. Martha’s most important prop (支撑物) was the floor. She always danced in her bare feet, and her feet worked hard to tell their stories. The technique catching on, she founded the Dance Repertory Theater, and later, the Martha Graham School of Contemporary Dance.

Martha Graham died in 1991, just short of 100 years old. During her life she never stopped dancing. A part of Martha Graham lives on in modern dancers everywhere who continue to study the “Graham technique”. They strive for her honesty, always remembering that movement never lies.

1. Why did Martha Graham never lied to her father when she was young?(no more than 12words)
__________________________________________________________________
2. What does the underlined word“ideal”mean in paragraph 1?(no more than 2 words)
__________________________________________________________________
3. For what reason did Martha Graham develop modern dance?(no more than 15 words)
__________________________________________________________________
4. What is unique of her modern dance?(no more than 20 words)
__________________________________________________________________
5. What impresses you most of Graham’s story? And why?(no more than 20 words)
__________________________________________________________________

2 .

15 TH OCT 2023 CULTURE Gazelle Twin, a composer, producer, and musician, opens up about being a conceptual artist and establishing a unique identity ahead of the release of her new album (专辑), Black Dog. Q: Would you describe your music as conceptual? A: Conceptual is a good term. I don’t make music just for the sake of making music. My records are inspired by themes. I spend a considerable amount of time before writing the music, learning about subjects related to the theme. Then I work on the structure of the album. Ideas can change. For example, Black Dog was originally about ghosts (幽灵), but I ended up with an album about my childhood experiences, through to adulthood and parenthood, and the anxiety and fear that has been with me during that time. Q: Throughout the album, there is a sense of an observer. Is that person yourself, or another presence? A: Both. There is the voice of depression and anxiety, and also this other person you know is always there. I thought of having this ominous presence (不祥之兆) around you. There is also that sense of being out in the world, as a woman, aware of my vulnerability (脆弱). For example, just going for a walk is never simple. We have to build protective instincts around ourselves. Q: When you started out, did you have any idea of the kind of artist you wanted to be? A: I knew I didn’t want to fit a fixed style or be restricted by being female. I wanted to be flexible. I like to think in scale and of more than I can achieve as one person. I like artists with unique identities. Q: What would be your advice to anyone with ambitions to become a musician? A: Follow your instincts. Put yourself out there without pressure to be “finished”. Absorb things, experiment, and allow yourself to follow a journey where you don’t know where you will end up. Being successful commercially takes a team and time. You have to love it and be in it for the long journey. Q: Fast forward ten years, where do you want to be? A: I would love to carry on following my instincts and making albums. I would like more of a collection of TV and film scores because I enjoy writing scores and cooperative work.

1. Why is Gazelle Twin’s music conceptual?

A．Her records are usually about ghosts.	B．The album’s structure is a top priority.
C．The word “conceptual” itself is attractive.	D．Her music is highly motivated by themes.

2. In the second part of the interview, “this other person” most likely represents __________.

A．spiritual growth	B．vivid imagination
C．inner self-awareness	D．external intervention

3. Which of the following can be inferred from Gazelle Twin’s response in the interview?

A．She tends to take the bigger picture into account.

B．Her future planning is profit-driven to some extent.

C．Black Dog has already become a hit album worldwide.

D．She expresses willingness to help the potential musicians.

3 . Pablo Ruiz Picasso’s family moved to Barcelona in the autumn of 1895, and Pablo entered the local art academy, where his father had assumed his last post as professor of drawing. The family hoped that their son would achieve success as an academic _____ , and in 1897 his eventual _____ in Spain seemed assured; in that year his painting Science and Charity, for which his father modelled for the doctor, was _____ an honourable mention in Madrid at the Fine Arts Exhibition.

The Spanish capital was the _____ next stop for the young artist intent on gaining recognition and _____ family expectations. Pablo duly set off for Madrid in the autumn of 1897 and entered the Royal Academy of San Fernando. But finding the teaching there _____ , he increasingly spent his time recording life around him, in the cafes, on the streets, and in the Prado, where he discovered Spanish painting. Works by those and other _____ would capture Picasso’s imagination at different times during his long career.

Picasso fell _____ in the spring of 1898 and spent most of the _____ year convalescing(逐步康复) in the Catalan village of Horta de Ebro in the company of his Barcelona friend Manuel Pallares. When Picasso ______ Barcelona in early 1899, he was a changed man: he had put on weight; he had learned to live on his own in the open countryside; he spoke ______ ; and, most importantly, he had made the decision to break with his art-school training and to reject his family’s plans for his future. He even began to show a ______ preference for his mother’s surname, and more often than not he signed his works P. R. Picasso; by late 1901 he had dropped the Ruiz altogether.

In Barcelona Picasso moved among a circle of Catalan artists and writers whose eyes were turned ______ Paris. Those were his friends at the café Els Quatre Gats (“The Four Cats”, styled after the Chat Noir (“Black Cat”) in Paris), where Picasso had his first Barcelona exhibition in February 1900, and they were the ______ of more than 50 portraits in the show. In addition, there was a dark, moody “modernista” painting, Last Moments (later painted over), showing the visit of a ______ to the bedside of a dying woman, a work that was accepted for the Spanish section of the Exposition Universelle in Paris in that year. Eager to see his own work in place and to experience Paris firsthand, Picasso set off in the company of his studio mate Carles Casagemas (Portrait of Carles Casagemas, 1899) to conquer, if not Paris, at least a corner of Montmartre.

1.

A．painter

B．writer

C．professor

D．critic

2.

A．works

B．success

C．power

D．fame

3.

A．offered

B．sold

C．awarded

D．presented

4.

A．necessary

B．obvious

C．favourite

D．interesting

5.

A．achieving

B．obeying

C．seeking

D．fulfilling

6.

A．academic

B．stupid

C．indifferent

D．satisfying

7.

A．travellers

B．teachers

C．artists

D．archaeologists

8.

A．ill

B．upset

C．down

D．asleep

9.

A．permitting

B．recovering

C．remaining

D．struggling

10.

A．moved to

B．settled in

C．lived in

D．returned to

11.

A．Barcelona

B．Catalan

C．French

D．British

12.

A．welcomed

B．planned

C．decided

D．covered

13.

A．on

B．over

C．up

D．toward

14.

A．subjects

B．characters

C．spectators

D．painting

15.

A．doctor

B．priest

C．policyholder

D．policeman

4 . Directions: After reading the passage below, fill in each blank with a proper word given in the box. Each word can only be used once. Note that there is one word more than you need.

A. inspired            B. detail          C. art          D. marker          E. sculptor        F. stared G. considerably     H. approach       I. worthy     J. gradually       K. widened

Tom Friedman

Those who believe that art is simply handicraft taken to the extreme might find confirmation upon a first glance at     1     and installation artist Tom Friedman’s work. He creates sculptures and drawings with obsessive attention to     2     and handiwork, and then combines them to make installations. His materials can be picked up at any supermarket: paper, wire, cardboard, foam, foil and     3     pens. Friedman is influenced by 1960s conceptual art and minimalism. The Fluxus movement is     4     of special mention here, as its humorous, art-conscious work    5     him for pieces such as 1000 Hours of Staring (1992-1997). an empty sheet of paper that — as the title suggests — the artist     6     at for 1000 hours. In his new collages and sculptures (see his 2008 Monsters and Stuff exhibition), Friedman has stayed true to his choice of materials and painstakingly elaborate production process, but the gulf between the banality of the material and the spectacular forms that emerge from it has    7     , for example in the sculpture Green Demon (2008). The field of reference is also     8     broader here, with Frankenstein and voodoo associations slotting in easily next to African sculpture, Miro and Picasso. However, the question remains as to whether the harmless material removes the horror aspect or whether the artist has drawn hidden horror out of the material. And thus the question of art as handicraft comes full circle. As soon as handicraft is supported by a conceptual    9     and — in the true spirit of the surrealist idea of the miraculous-mundane everyday material is transformed to something astounding, then you have     10     .

5 . How Did Wolfgang Amadeus Mozart Die?

On November 20th, 1791, Mozart suddenly came down with fever and was wracked with pain. His arms and legs were severely swollen. In the following days his health significantly deteriorated. He died on December 5 after lapsing into a coma. The death certificate states he died of “severe miliary fever”. Exactly which disease led to Mozart’s death has been a mystery for the last 200 years.

Speculations

Many myths —some more plausible than others — entwine (缠绕) Mozart’s early demise. One of the most popular myths — that Mozart was poisoned by his rival Antonio Salieri — rose to prominence due to the popularity of the film Amadeus. This theory is supported by the fact that Mozart had been living through a phase of depression before his death, suffering from paranoia and existential fear. Mozart himself suspected that the cause of his deteriorating health was being poisoned over a long time. However, it is highly likely that this was just his subjective view of reality.

Many other speculations circulate. Syphilis and trichinellosis are frequently mentioned. In 1905, a French physician assumed uric acid poisoning due to a never fully healed nephritis. In 1961, lead poisoning was suggested as a possible cause of death.

Scientific attempts to explain Mozart’s death

In 2000, a group of American scientists proposed rheumatic fever caused by a strep infection after conducting meticulous detective work. The symptoms stated in literature and the reports of Mozart’s contemporaries yielded the clues. Without antibiotics, such an infection would inevitably lead to death. Rheumatic fever causes a weakening of the heart, which could explain Mozart’s swollen limbs.

In 2009, the Dutch scientist Richard Zegers extensively studied surviving documents and concluded that Mozart had been suffering from pharyngitis, a throat infection with symptoms including cramps, fever, rashes and a swollen neck. Mozart’s sister-in-law Sophie Haibel had described these symptoms. The death registry of Vienna for winter 1791 lists several deaths caused by this disease.

Whatever the cause of Mozart’s death, it came far too early. Let us thank him for his manic urge to create art and remember him on December 5th!

1. Which of the following is similar in meaning to the underlined word “deteriorate” (Paragraph 1)?

A．To become worse.	B．To change greatly.
C．To recover quickly.	D．To be harmed rapidly.

2. Which of the following statements is TRUE according to the passage?

A．It is generally believed that Mozart was poisoned by his friend.

B．Mozart’s depression paranoia and existential fear led to his death.

C．Mozart had been poisoned sustainably for a long time before he died.

D．Mozart once got a nephritis and it was never healed.

3. What can we infer from Paragraph 4?

A．Mozart’s disease was recorded in contemporary literature and reports.

B．Antibiotics were not discovered at that time.

C．Rheumatic fever can only be caused by strep infection.

D．Mozart’s illness cannot be cured even today.

4. What is the author’s purpose mentioning Mozart’s sister-in-law’s words?

A．To back up the Dutchman’s study.

B．To prove they were common symptoms causing death in 1791.

C．To prove Mozart did have such symptoms before his death.

D．To emphasize her special identify as a witness to Mozart’s death.

6 . Directions: After reading the passage below, fill in the blanks to make the passage coherent and grammatically correct. For the blanks with a given word, fill in each blank with the proper form of the given word; for the other blanks, use one word that best fits each blank.

China’s Explosive Artist

Cai Guoqing’s practice spans from gunpowder drawings to ephemeral sculptures and monumental installations, all of     1     are rich with references to Chinese history, Taoist cosmology and current political events. Cai deals with the latter in a spectacular installation for I Want to Believe, his 2008 retrospective in New York, from the centre of the Guggenheim rotunda the artist —a     2    (train) set designer, by the way —suspended Inopportune: Stage One (2004), consisting of a series of nine cars     3     (hover) in mid air to represent in cinematic progression the effect of a car bomb.

Since the 1980s, Cai has been working on drawings realized by     4     (ignite)explosive powder on large sheets of paper. These works possess an aura     5     evokes both the vivid gestures of abstract expressionism and the quieter surfaces of Chinese traditional painting. Gunpowder is also at the centre of a series of environmental works, begun in 1989,     6     combine the tradition of Land Art with     7     of Chinese fireworks. For his explosion events, Cai stages pyrotechnical choreographies that sketch temporary drawing space.

Cai’s     8    (participate) in many international events, imposes himself as one of the strongest in the sky. These events are also meant to act as social, festive collective experiences that the artist— not without irony— believes could be perceived even from outer artists to emerge from China. At the Venice Biennale 1999 he     9    (award) the Golden Lion for Venice’s Rent Collection Courtyard (1999), a series of unfired clay sculptures    10    (depict)heroes in history. Cai also organized the opening ceremony for the 2008 Olympic Games in Beijing.

7 . The question of whether it is possible to dissociate the artist from their work has been debated for a long time. Even though positive critical reviews about an artist’s behavior can improve their artistic accomplishments, people should treat artists as individuals who have lived apart from their work.

One of the reasons is that even artists have shortcomings. Like any other human being, an artist can err, and we cannot be severely judgmental of every person that falls into error. Cancel culture with endless criticism is concerned more with how we should disregard the artists when they make mistakes than with how their weaknesses can be used by the artists to create art that is unique.

Perhaps Kevin Hart’s words support this thought. He asks, “When did we get to a point where life was supposed to be perfect? Where people were supposed to operate perfectly all the time?” When people start seeing artists as human beings, they’ll see them for who they are and review their behavior not on the basis of their art but on the basis of their humanity.

It should be also noted that there are works of art that are inspired by the artist’s experience. For example, the themes in the Harry Potter books are so connected with J. K. Rowling’s wicked worldview that it is virtually impossible to distinguish the two from each other. Since canceling artists based on their worldview would mean the reception to their art will suffer, artists become tense and unwilling to express themselves, which will kill creativity, eventually leading to the death of art. Comedians, singers or painters who should be integrating contemporary issues with their works become boring, and art stops functioning as the social mirror it ought to be.

An artist who makes mistakes still has art with intrinsic (内在的) value, benefiting entire communities or cultures. For instance, when Kendrick Lamar launched his album and frequently used the F-slur in one of his songs, there was much-heated discussion. He was entirely mistaken in using the F-slur, but as an artist, he still had a wide-reaching impact on society. Similarly, one can respect the late Michael Jackson because of how he impacted pop music and the inclusion of black musicians in mainstream media despite his personal weaknesses, opinions, worldviews and associations.

While these artists may engage in their terrible behavior, the art they produce today may serve as an example for others to produce outstanding work in the future. Some would refer to this process as a cycle. Good art should, therefore, be judged due to its value and not the value of the artist.

1. Which would Kevin Hart probably agree with?

A．People should perform perfectly all the time.

B．Artists’ shortcomings might be their inspiration.

C．If artists have weaknesses, we’d better cancel them.

D．Artists should be evaluated based on their humanity.

2. Why will “cancel culture” lead to the death of art?

A．Artists will be unwilling to create any artwork.

B．Artists will stop concerning with contemporary issues.

C．Artists will lose their desire for expression and creativity.

D．Artworks are unavoidably inspired by artists’ experiences.

3. How can an artist with mistakes benefit others?

A．The artist may make some new words popular.

B．The artist’s opinions may provoke heated discussion.

C．The artist will benefit entire communities or cultures.

D．The artist’s art may give others ideas of artistic creation.

4. Which would be the best title of the passage?

A．Judge Art Due to Its Value

B．Separate the Art From the Artist

C．Regard Artists as Human Beings

D．Stop Criticizing Artists’ Behavior

8 . “Painters, do not fear perfection. You will never achieve it! Just try as you will if you are ordinary. Even if you paint terribly, badly, people will still see that you are ordinary. ”

-Salvador Dali

“Every morning when I awake,” wrote the artist of the soft watches and burning giraffes, “the greatest of joys is mine: that of being Salvador Dalí. . .” The Spanish artist, so famous and so rich, was creative not only in his art. He talked nonstop too; his favorite topic was how to be a genius. “Oh Salvador,” he concluded, “now you know the truth: that if you act the genius, you will be one!”

Had he lived during the Renaissance (文艺复兴), Dalí would have been recognized sooner as a genius. In our age, though, which he felt was growing increasingly stupid, Dalí represented an air of challenging and annoying everyone else. Today he is ranked alongside Picasso as one of the modernist greats, and the general public quite clearly loves his art as well; therefore, it is difficult to understand why he should still be seen as so challenging and annoying, and why many people should still consider him as mad. Dalí himself declared: “The only difference between myself and a madman is the fact that I am not mad!” Writer Michel Déon once said, “His personality -whether it is loved or hated-is based on something deep and appealing, and that is his roots and his feelings. Roots that reach deep into the earth, absorbing everything that has been produced in four thousand years of painting, architecture and sculpture. Feelings that are picking up things to come, from the future, expecting it and flying to it at lightning speed. It cannot be emphasized enough that Dalí is a man of tireless scientific curiosity.” One might say that Dalí was typical of his age: he had grasped how to make himself a star.

1. What does Dali actually want to say to other painters?

A．“Be brave to show yourself.”

B．“Be honest to yourself.”

C．“Be pleased to stay ordinary.”

D．“Be respectful to the public.”

2. How does the author look at Dalí?

A．He was too proud of himself.

B．He was undoubtedly a genius.

C．He was too challenging and annoying.

D．He was unfairly understood.

3. What can we learn from the last paragraph about Dalí?

A．He was not only learned but advanced.

B．He was not only honest but emotional.

C．He was a scientist rather than an artist.

D．He was a star rather than a genius.

4. What aspect of Dalí is the text mainly about?

A．His amazing achievements in art.

B．His special ability in learning.

C．His extraordinary belief in himself.

D．His annoying behavior in public.

9 . Zhang Daqian was born in 1899 in Sichuan province. Brought up in an artistic family, Zhang was first taught to paint by his mother and older siblings. He went on to copy as many masterpieces as he could set his eyes on, and was especially influenced by the individualistic masters Shitao (石涛) and Bada Shanren (八大山人). In the early 1940s, Zhang spent two years studying the Buddhist mural paintings at Dunhuang, which proved to be a crucial experience in his artistic development.

In particular, Zhang’s works are noteworthy for the many painting styles that he mastered, from highly meticulous (注意细节的) and detailed portraits to bold and expressive splashed-ink landscapes (泼墨风景画). While he was highly innovative as he developed his own unique style, he always ensured that his art was firmly rooted in Chinese tradition. As is usually the case with ink artists, his later works, especially his vibrant splashed-ink landscapes, are the most sought after.

Zhang mastered the art of painting “from heart to hand” late in his life. In 1971, he selected this particular phrase to carve into a seal (印章). The phrase probably conveyed a twofold message. First, it was Zhang’s proud claim that he had developed a stylistic versatility (多才多艺) for depicting the endless variations of the natural world. He acquired this ability by imitating the works of previous masters, which led to a grand combination of historical styles in his art. He also enriched his personal experience with his extensive travel and enhanced his artistic vocabulary in order to capture the beauty of the world. Second, the phrase communicates Zhang’s belief that an artist should follow his heart to convey their “spirit resonance (气韵生动),” a historical principle in judging the beauty of Chinese painting. Before applying his brush to paper, Zhang had already conceived (构思) the forms he wanted to depict and the inspiration he wished to convey through the painting. He would be fully aware of the most effective means by which to inspire awe and wonder in his audience.

Blessed with a long life—he was 83 when he died in 1983—and filled with an enormous amount of passion and energy for life, the artist produced a huge number of paintings over his lifetime. He is estimated to have completed an average of about 500 per year.

In 2011, Zhang became not only the most popular Chinese artist at auction but the best-selling artist in the world as well, surpassing Pablo Picasso. And demand for his works has remained high since then.

1. What does Paragraph 2 mainly talk about?

A．The characteristics of Zhang Daqian’s art.

B．The most sought-after works by Zhang Daqian.

C．Where Zhang Daqian got inspiration for his paintings.

D．The reason why Zhang Daqian’s artworks are so popular.

2. Based on information from Paragraph 3, what does the phrase “from heart to hand” refer to?
①How Zhang Daqian became aware of the most effective means to inspire his audience.
②How Zhang Daqian was able to put what he wanted on the canvas without thinking about it.
③How Zhang Daqian learned to freely convey the principle of “spirit resonance” through his approach to painting.
④How Zhang Daqian was able to depict the endless variations of the natural world using a combination of different styles.

A．①②

B．①③

C．②③

D．③④

3. According to the article, Zhang Daqian’s artistic style was mainly influenced by ____________.
①the beauty of the natural world
②the Buddhist mural paintings at Dunhuang
③masters in the likes of Shitao and Bada Shanren
④the rich nature of his travels and personal experiences

A．①②③

B．①②④

C．②③④

D．①②③④

10 . “The arrow shot is so straight that it hits the bull’s eye, the young people will have good luck…” Dargye sang as he worked on his handmade bag.

Dargye, 56, an artist who excels at traditional craftsmanship and Tibetan folk music in Drinba village in Dragyib district, Nyingchi, Tibet autonomous region, remembers many folk songs he learned from his father and uncle. Now, it’s his turn to pass them on.

“I have liked traditional songs and dances since I was a child,” said Dargye, who has four apprentices (学徒).“The songs tell the histories of our ancestors and carry our unique culture, and-it’s always a lot of fun to perform these traditional songs and dances at various gatherings.” The song topics vary from archery, love, to labor and praise for the land. In addition to teaching these songs to/his family members and apprentices, he also uses social media platforms such as WeChat to teach songs.

His daughter, Chok Butri, also admires the folk culture. After posting a video of her daughter, Tsering Kyi, dancing on Douyin, she gained a lot of new fans on the popular short-video platform. “We are modern people living in a modern era, so it’s important and our responsibility that we use modern tools to pass on our traditional culture to make it last forever.” said Chok Butri, adding that she often posts songs and dances on WeChat and Douyin.

Dargye and his fellow villagers also recreate songs, adding modern elements such as aircraft and trains to the lyrics. Besides singing and dancing, Dargye makes handicrafts decorated with Tibetan cultural elements, including various hide and hair ropes, bags made of leather and cloth, and knife sheaths.

The local government encourages villagers to inherit (继承) and develop folk songs and other forms of traditional culture. Dargye’s efforts to preserve folk culture have been acknowledged by the government. In 2014, he was chosen as a county-level intangible (无形的) cultural inheritor and receives funds every year.

1. Why does Dargye want to pass the culture on?

A．He wants to satisfy his interest.	B．He wants to learn from the seniors.
C．He wants to bring people fun.	D．He wants to inherit and develop it.

2. What is the author’s purpose in mentioning Dargye’s daughter?

A．To show folk music’s effect on her.	B．To stress Dargye’s influence on her.
C．To emphasize her love for folk culture.	D．To reveal the popularity of folk culture online.

3. Which of the following best describes Dargye?

A．Ambitious and honest.	B．Talented and curious.
C．Devoted and creative.	D．Generous and determined.

4. What can be a suitable title for the text?

A．All efforts to preserve culture pay off

B．Craftsman carries tunes to preserve culture

C．An artist prefers traditional songs and dances

D．Tibetan culture is being protected and passed on