The Great Voice Actor
Since the creation of animated (动画的) motion pictures, the use of actors supplying voices
Mel Blanc, known as “The Man of Thousand Voices”,
Mel Blanc lent his voice to many classic characters, but the one he is best known for is Bugs Bunny. There is little that can be said about Bugs’ impact
Mel Blanc paved the way for voice acting as a true art, though it’s a skill that often goes unrecognized when praise is focused on movies and TV. The characters we all love wouldn’t be where they are in the public eye without
2 . The question of whether it is possible to dissociate the artist from their work has been debated for a long time. Even though positive critical reviews about an artist’s behavior can improve their artistic accomplishments, people should treat artists as individuals who have lived apart from their work.
One of the reasons is that even artists have shortcomings. Like any other human being, an artist can err, and we cannot be severely judgmental of every person that falls into error. Cancel culture with endless criticism is concerned more with how we should disregard the artists when they make mistakes than with how their weaknesses can be used by the artists to create art that is unique.
Perhaps Kevin Hart’s words support this thought. He asks, “When did we get to a point where life was supposed to be perfect? Where people were supposed to operate perfectly all the time?” When people start seeing artists as human beings, they’ll see them for who they are and review their behavior not on the basis of their art but on the basis of their humanity.
It should be also noted that there are works of art that are inspired by the artist’s experience. For example, the themes in the Harry Potter books are so connected with J. K. Rowling’s wicked worldview that it is virtually impossible to distinguish the two from each other. Since canceling artists based on their worldview would mean the reception to their art will suffer, artists become tense and unwilling to express themselves, which will kill creativity, eventually leading to the death of art. Comedians, singers or painters who should be integrating contemporary issues with their works become boring, and art stops functioning as the social mirror it ought to be.
An artist who makes mistakes still has art with intrinsic (内在的) value, benefiting entire communities or cultures. For instance, when Kendrick Lamar launched his album and frequently used the F-slur in one of his songs, there was much-heated discussion. He was entirely mistaken in using the F-slur, but as an artist, he still had a wide-reaching impact on society. Similarly, one can respect the late Michael Jackson because of how he impacted pop music and the inclusion of black musicians in mainstream media despite his personal weaknesses, opinions, worldviews and associations.
While these artists may engage in their terrible behavior, the art they produce today may serve as an example for others to produce outstanding work in the future. Some would refer to this process as a cycle. Good art should, therefore, be judged due to its value and not the value of the artist.
1. Which would Kevin Hart probably agree with?A.People should perform perfectly all the time. |
B.Artists’ shortcomings might be their inspiration. |
C.If artists have weaknesses, we’d better cancel them. |
D.Artists should be evaluated based on their humanity. |
A.Artists will be unwilling to create any artwork. |
B.Artists will stop concerning with contemporary issues. |
C.Artists will lose their desire for expression and creativity. |
D.Artworks are unavoidably inspired by artists’ experiences. |
A.The artist may make some new words popular. |
B.The artist’s opinions may provoke heated discussion. |
C.The artist will benefit entire communities or cultures. |
D.The artist’s art may give others ideas of artistic creation. |
A.Judge Art Due to Its Value |
B.Separate the Art From the Artist |
C.Regard Artists as Human Beings |
D.Stop Criticizing Artists’ Behavior |
3 . The exact location in France where Dutch master Vincent van Gogh painted his last work of art has been discovered.
A Dutch researcher figured out that a scene described in the artist’s last work, Tee Root, was visible on a postcard showing a man standing next to a bicycle on a back street of the village Auvers-sur-Oise. Van Gogh spent the last weeks of his life in the village. Helpfully, the card even included the name of the street.
Researchers were given a unique glimpse (体验) into the famous painter’s final hours. He was at work right up to the end.
Wouter van der Veen, scientific director of the Van Gogh Institute in France, made the discovery. While stuck at home, van de Veen used the extra time to organize the numerous files and documents on van Gogh, including images such as the old postcard from Auvers-sur-Oise. One day in late April, he saw the card on his computer screen and it suddenly struck him that he was looking at the location of Tree Roots. Next to the man and his bicycle, roots and trees are clearly visible. He took a virtual trip down the site using Google’s Street View.
“Villagers know the spot and the main tree root well, even giving it the name ‘the elephant’ because of its shapes,” van der Veen said. “It was really hiding in overt sight.”
The discovery provides tourists with an extra reason to visit Auvers-sur-Oise. “They travel a lot just for one reason — to walk in the footsteps of Vincent van Gogh. Now they can stand at the very place where he painted his last painting,” van der Veen said. “And that’s a very moving thing for a lot of people. So I’m very happy to be able to share that with all those who love van Gogh.”
1. What is paragraph 2 mainly about?A.What the postcard revealed. | B.How Tree Roots was discovered. |
C.Why Auvers-sur-Oise became known. | D.Where van Gogh painted his works. |
A.He studied a picture of Auvers-sur-Oise. |
B.He organized his data on van Gogh. |
C.He traveled to France to see for himself. |
D.He paid a visit to the spot online. |
A.Mixed. | B.Obvious. | C.Lovely. | D.Strange. |
A.They enjoy exploring how to paint. | B.They share their love for van Gogh. |
C.They admire van Gogh very much. | D.They want to experience the life there. |
Since the
Among this list of masterpieces are some that are so well known that they’ve become a part of popular culture, as well as others that,
5 . Zhang Daqian was born in 1899 in Sichuan province. Brought up in an artistic family, Zhang was first taught to paint by his mother and older siblings. He went on to copy as many masterpieces as he could set his eyes on, and was especially influenced by the individualistic masters Shitao (石涛) and Bada Shanren (八大山人). In the early 1940s, Zhang spent two years studying the Buddhist mural paintings at Dunhuang, which proved to be a crucial experience in his artistic development.
In particular, Zhang’s works are noteworthy for the many painting styles that he mastered, from highly meticulous (注意细节的) and detailed portraits to bold and expressive splashed-ink landscapes (泼墨风景画). While he was highly innovative as he developed his own unique style, he always ensured that his art was firmly rooted in Chinese tradition. As is usually the case with ink artists, his later works, especially his vibrant splashed-ink landscapes, are the most sought after.
Zhang mastered the art of painting “from heart to hand” late in his life. In 1971, he selected this particular phrase to carve into a seal (印章). The phrase probably conveyed a twofold message. First, it was Zhang’s proud claim that he had developed a stylistic versatility (多才多艺) for depicting the endless variations of the natural world. He acquired this ability by imitating the works of previous masters, which led to a grand combination of historical styles in his art. He also enriched his personal experience with his extensive travel and enhanced his artistic vocabulary in order to capture the beauty of the world. Second, the phrase communicates Zhang’s belief that an artist should follow his heart to convey their “spirit resonance (气韵生动),” a historical principle in judging the beauty of Chinese painting. Before applying his brush to paper, Zhang had already conceived (构思) the forms he wanted to depict and the inspiration he wished to convey through the painting. He would be fully aware of the most effective means by which to inspire awe and wonder in his audience.
Blessed with a long life—he was 83 when he died in 1983—and filled with an enormous amount of passion and energy for life, the artist produced a huge number of paintings over his lifetime. He is estimated to have completed an average of about 500 per year.
In 2011, Zhang became not only the most popular Chinese artist at auction but the best-selling artist in the world as well, surpassing Pablo Picasso. And demand for his works has remained high since then.
1. What does Paragraph 2 mainly talk about?A.The characteristics of Zhang Daqian’s art. |
B.The most sought-after works by Zhang Daqian. |
C.Where Zhang Daqian got inspiration for his paintings. |
D.The reason why Zhang Daqian’s artworks are so popular. |
①How Zhang Daqian became aware of the most effective means to inspire his audience.
②How Zhang Daqian was able to put what he wanted on the canvas without thinking about it.
③How Zhang Daqian learned to freely convey the principle of “spirit resonance” through his approach to painting.
④How Zhang Daqian was able to depict the endless variations of the natural world using a combination of different styles.
A.①② | B.①③ | C.②③ | D.③④ |
①the beauty of the natural world
②the Buddhist mural paintings at Dunhuang
③masters in the likes of Shitao and Bada Shanren
④the rich nature of his travels and personal experiences
A.①②③ | B.①②④ | C.②③④ | D.①②③④ |
6 . “The arrow shot is so straight that it hits the bull’s eye, the young people will have good luck…” Dargye sang as he worked on his handmade bag.
Dargye, 56, an artist who excels at traditional craftsmanship and Tibetan folk music in Drinba village in Dragyib district, Nyingchi, Tibet autonomous region, remembers many folk songs he learned from his father and uncle. Now, it’s his turn to pass them on.
“I have liked traditional songs and dances since I was a child,” said Dargye, who has four apprentices (学徒).“The songs tell the histories of our ancestors and carry our unique culture, and-it’s always a lot of fun to perform these traditional songs and dances at various gatherings.” The song topics vary from archery, love, to labor and praise for the land. In addition to teaching these songs to/his family members and apprentices, he also uses social media platforms such as WeChat to teach songs.
His daughter, Chok Butri, also admires the folk culture. After posting a video of her daughter, Tsering Kyi, dancing on Douyin, she gained a lot of new fans on the popular short-video platform. “We are modern people living in a modern era, so it’s important and our responsibility that we use modern tools to pass on our traditional culture to make it last forever.” said Chok Butri, adding that she often posts songs and dances on WeChat and Douyin.
Dargye and his fellow villagers also recreate songs, adding modern elements such as aircraft and trains to the lyrics. Besides singing and dancing, Dargye makes handicrafts decorated with Tibetan cultural elements, including various hide and hair ropes, bags made of leather and cloth, and knife sheaths.
The local government encourages villagers to inherit (继承) and develop folk songs and other forms of traditional culture. Dargye’s efforts to preserve folk culture have been acknowledged by the government. In 2014, he was chosen as a county-level intangible (无形的) cultural inheritor and receives funds every year.
1. Why does Dargye want to pass the culture on?A.He wants to satisfy his interest. | B.He wants to learn from the seniors. |
C.He wants to bring people fun. | D.He wants to inherit and develop it. |
A.To show folk music’s effect on her. | B.To stress Dargye’s influence on her. |
C.To emphasize her love for folk culture. | D.To reveal the popularity of folk culture online. |
A.Ambitious and honest. | B.Talented and curious. |
C.Devoted and creative. | D.Generous and determined. |
A.All efforts to preserve culture pay off |
B.Craftsman carries tunes to preserve culture |
C.An artist prefers traditional songs and dances |
D.Tibetan culture is being protected and passed on |
7 .
15 TH OCT 2023 CULTURE Gazelle Twin, a composer, producer, and musician, opens up about being a conceptual artist and establishing a unique identity ahead of the release of her new album (专辑), Black Dog. Q: Would you describe your music as conceptual? A: Conceptual is a good term. I don’t make music just for the sake of making music. My records are inspired by themes. I spend a considerable amount of time before writing the music, learning about subjects related to the theme. Then I work on the structure of the album. Ideas can change. For example, Black Dog was originally about ghosts (幽灵), but I ended up with an album about my childhood experiences, through to adulthood and parenthood, and the anxiety and fear that has been with me during that time. Q: Throughout the album, there is a sense of an observer. Is that person yourself, or another presence? A: Both. There is the voice of depression and anxiety, and also this other person you know is always there. I thought of having this ominous presence (不祥之兆) around you. There is also that sense of being out in the world, as a woman, aware of my vulnerability (脆弱). For example, just going for a walk is never simple. We have to build protective instincts around ourselves. Q: When you started out, did you have any idea of the kind of artist you wanted to be? A: I knew I didn’t want to fit a fixed style or be restricted by being female. I wanted to be flexible. I like to think in scale and of more than I can achieve as one person. I like artists with unique identities. Q: What would be your advice to anyone with ambitions to become a musician? A: Follow your instincts. Put yourself out there without pressure to be “finished”. Absorb things, experiment, and allow yourself to follow a journey where you don’t know where you will end up. Being successful commercially takes a team and time. You have to love it and be in it for the long journey. Q: Fast forward ten years, where do you want to be? A: I would love to carry on following my instincts and making albums. I would like more of a collection of TV and film scores because I enjoy writing scores and cooperative work. |
A.Her records are usually about ghosts. | B.The album’s structure is a top priority. |
C.The word “conceptual” itself is attractive. | D.Her music is highly motivated by themes. |
A.spiritual growth | B.vivid imagination |
C.inner self-awareness | D.external intervention |
A.She tends to take the bigger picture into account. |
B.Her future planning is profit-driven to some extent. |
C.Black Dog has already become a hit album worldwide. |
D.She expresses willingness to help the potential musicians. |
8 . About 20 years ago, Daniel Hoffman, a classically trained violinist met a young musician playing in the town square in Marrakech, an ancient city in Morocco. They communicated in the little French they both knew, but their main common language was music. On the back of a motorbike of the fellow violinist, Hoffman weaved through the back streets of the city and then learned his first lessons in Andalusian music, the classical music of North Africa.
That experience gave birth to an idea: What would it be like to try to learn how to play different violin styles around the world in just one week? Oh. yes, and at the end of that week, play a concert. He even got a name for the concept “musical extreme sports”.
It took him almost two decades to launch that dream with a friend, who introduced him to the wonders of Kickstarter, a funding platform for creative projects. Up to now, the dream has taken the form of a new documentary currently airing on American public television stations called “Otherwise, It’s Just Firewood.”
In the documentary, Hoffman travels to County Clare, Ireland, where he takes lessons with James Kelly, a master Irish violin player, for less than a week and then performs together with him in front of an audience, many of whom are star Irish musicians.
The film is what Hoffman hopes will be the first of an eventual series of short documentaries, showing him learning to play the violin in a variety of styles, including the folk music of south India, Sweden, Greece, Romania, and West Virginia.
That would add to his extensive repertoire (全部曲目), which already includes Balkan, Middle Eastern, and Turkish styles. “The big joke is what’s the difference between the fiddle and the violin? It’s the person who plays it,” says Niall Keegan, a traditional flute player. “It’s the music you make on it that makes it Irish or English or French or classical or jazz or whatever else. It’s how we imagine it and how we create through it that make it and give it character.”
“Otherwise, it’s just firewood,” he says, words that became the film’s title.
1. Where does Hoffman’s idea of musical extreme sports come from?A.His exploration of the local music. |
B.His cooperation with the young violinist. |
C.His sightseeing tour on a motorbike seat. |
D.His constantly changing taste in violin styles. |
A.help Hoffman to become a master violin player |
B.are funded by American public television stations |
C.introduce different styles of musicians around the world |
D.record Hoffman’s experience in learning various violin styles |
A.the power of diversified artistic expression |
B.the pleasure in learning traditional music |
C.the technique of instrument playing |
D.the importance of famous artists |
China’s Explosive Artist
Cai Guoqing’s practice spans from gunpowder drawings to ephemeral sculptures and monumental installations, all of
Since the 1980s, Cai has been working on drawings realized by
Cai’s
1. What was Willis Conover?
A.A jazz musician. | B.A radio announcer. | C.A music producer. |
A.When he acted in a school play. |
B.When he attended a jazz concert. |
C.When he entered a spelling competition. |
A.Washington D.C. | B.New York City. | C.Buffalo. |
A.Duke Ellington. | B.Count Basie. | C.Louis Armstrong. |