People in New York could always see an ordinary-looking man
Cunningham hardly ever took a day off and not once stayed home sick. This devotion and hard work is
Although he was world-famous, his approach to life was
Bill Cunningham was an observer, and not one of the observed, a worker not a star. This was how he wanted it.
2 . Musicians born after the year 2000 kicked off the Project Spring Bird music season at the Blackstone Music Plus, showcasing the passion and creativity of Generation Z.
The small orchestras were among the biggest surprises in the festival. Each of the pieces in their repertoire (全部剧目)was performed for the first time. Homewood Symphony Orchestra directors and audience alike marveled at the talent of the young performers.
The small orchestras and musicians are the products of a nurturing program aimed at developing the skills and artistic creativity of young talent. It is strongly supported by Mellon Swift, music director of the Homewood Symphony Orchestra. “For young musicians, growth not only takes time, but also a starting point to bigger stages,Mellon said. “We want to help them cross the barriers and explore their artistic passion.”
Young musicians at the beginning of their careers usually emerge from well-known competitions, but Mellon said he wants to see opportunities become more expansive. “We insist on giving them as much freedom and support as possible, so that they don’t get sidetracked by concerns about some practical elements at the beginning of their careers,” he explained. “All they are required to do is to grow artistically and explore their creative potential and ideas, ” he added.
“If a voice tells us:Just do whatever you want, and we will support you all the way, just imagine what kind of potential could emerge?” wrote conductor Karajan, who is only 21, “The future belongs to us, and it can belong to us now! ”
1. What can we learn about the small orchestras in the festival?A.Their songs were considered as classics. | B.Their performances amazed the audience. |
C.They have got chances to be world known. | D.They are faced with few developing problems. |
A.They rose to fame from fashion shows. |
B.It was they who spread the popular pieces. |
C.They are budding talents in the music world. |
D.It takes them little time to peak in their career. |
A.Young talents need help and improvement. |
B.It is a long shot to explore music potential. |
C.Big stages have been set for the music lovers. |
D.Freedom is the only source of music inspiration. |
A.A Big Success: the Project Spring Bird | B.Music Directors: Passion and Creativity |
C.Generation Z:A Group of Musical Talents | D.Young Musicians: “The future belongs to us” |
3 . For many people, moths are dust - colored pests that eat our clothes and disturb us by flying around lights after dark. Not for artist Joseph Scheer. The pictures he creates bring out the beauty of moths, with colors, shapes, and patterns that have never been seen before so clearly. “Digital tools let you see things you'd never see just looking with your eyes,” Scheer says. Scheer's pictures have been displayed around the world, and one reaction is heard everywhere: “People insist, ‘No, that can't be a moth,’” says Scheer.
Scheer's work began with a moth hunt in the state of New York. Scheer would leave the lights on and the windows open overnight at his university office, and then collect the moths that had flown in. When the building cleaners at the university complained, he moved the hunt to his friend Mark Klingensmith's yard. They set up two lights shining over a plastic container on a white sheet. Then moths appeared from the darkness, flew into the sheet, and fell into the plastic container. “We got a different species every night,” Scheer says. “The patterns and colors were unbelievable.”
After the hunt, they used a powerful scanner to get detailed pictures of moths. Small moths presented special challenges.
The scanner records so much information that a single moth can take 20 minutes to scan. A scan of just two small moths fills an entire CD. All that information means the size of the picture can be increased by 2, 700 percent but still keep all the details and appear perfectly clear. You'd need a microscope to see the details shown in Scheer's prints.
Scheer's work is not only a new form of art. He has also made a valuable contribution to the record of the moths around him. He has helped identify more than a thousand different species. “Not from Alaska or the Amazon,” Klingensmith says. “All from one backyard.”
1. What do people mean by “No, that can't be a moth”?A.Scheer is highly skilled at drawing | B.They don't like the pictures of moths |
C.The moths in the pictures are too strange | D.The pictures seem too beautiful to be moths' |
A.How Scheer caught moths | B.Scheer's working environment |
C.How Scheer found moths' beauty | D.Scheer's friendship with Klingensmith. |
A.local moths have bright colors and clear patterns |
B.a microscope should be used to prepare the pictures |
C.clear pictures result from much detailed information |
D.high quality paint must be used to create the pictures |
A.It is a common form of art. | B.It benefits research on moths. |
C.It'll get popular in Alaska or the Amazon. | D.It needs to overcome regional limitations. |
John James Audubon was born on April 26th, 1785 and he spent much of his childhood in France.
George Bernard Shaw was an Irish playwright who won the Nobel Prize in Literature and
6 . Having lived together in the same city for thirty years, it is almost certain that Franz Schubert (1797-1828) and Beethoven (1770-1827) must have met one another on some occasion. However, the surviving evidence cannot be proved and the related accounts disagree with each other. This can be partly explained by Schubert's natural modesty(谦逊)and shyness of character, as well as Beethoven's increasing social distancing in his later years because of his deafness.
Still, we have reason to believe that the admiration between the two great musicians was mutual. Around one month before his death, Beethoven was presented with handwritten copies of various Schubert songs. After looking into the works of the younger composer, Beethoven is said to have spoken excitedly: “Truly, in this Schubert there is a great talent(天赋)!”Schubert also visited Beethoven's sickbed, and on 29 March 1827, he went to his funeral(葬礼). Twenty months later, on 19 November 1828, Schubert would pass away at the age of thirty-one.
On his deathbed, Schubert expressed the wish to listen to one of Beethoven's works. His friend and violinist Karl Holz along with other musicians from the composer's circle played one for him. Just days before Schubert's death, Holz, who had also been a friend of Beethoven, said: “The King of Harmony has sent the King of Song a friendly bidding(请求)to the crossing.”
“Who can ever do anything after Beethoven?” These were said to be the words of Schubert while still at a young age. An admirer of Beethoven, Schubert was influenced by the great composer, whose towering figure had thrown a large shadow(阴影)over the whole of Vienna's musical world. At Schubert's own request, he was buried next to Beethoven in Vienna. Even though they hardly met in the physical world, the two great musicians would stay together in the hereafter.
1. What stopped Schubert and Beethoven from meeting each other?A.Schubert's personality and Beethoven's disability. | B.Beethoven being much older than Schubert. |
C.The competitive relationship between them. | D.The long distance between them. |
A.Beethoven had a great interest in music. | B.Beethoven was productive and talented. |
C.Beethoven appreciated Schubert's works. | D.Beethoven and Schubert died in the same year. |
A.A piano player. | B.The King of Song. |
C.The King of Harmony. | D.A friend of the two musicians. |
A.To explain the reasons for developing lifelong friendships. |
B.To describe the relationship between the two musicians. |
C.To advise people to listen to great musical works. |
D.To remember two world-famous musicians. |
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Johann Sebastian Bach is everywhere. Weddings? Bach. Guitar solos (独奏)?Bach. Since the 19th century, he
Bach was born into a family of working
When Bach was sixty-five, he had
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The eleven-year-old had just arrived in famous Carnegie Hall. He was to appear as a violin performer with the New York Symphony Orchestra. On his way from the stage entrance to the artists’ room, he saw a large fire ax (斧子) on a wall. “What’s that for?” he asked a guard.
“To cut the heads off the performers who don’t play well,” was the reply.
“And how many heads have you already cut off?”
“Oh, quite a few,” said the guard, with a friendly smile.
Some in the audience that night, especially the music critics, expected the boy’s head to roll. He was to play a difficult violin piece by Beethoven. Critics felt that this great piece should be attempted only by a mature artist. For a child, the complicated fingering would be impossible, they added.
It was November 25, 1927. That night Carnegie Hall was packed. All eyes in the audience watched for Yehudi Menuhin, the eleven-year-old violin performer, to appear on the stage. News of his talent had already excited the public imagination. There was an outburst of applause when he came out in his white silk shirt and black pants.
In a businesslike manner, Yehudi took his place near the conductor and handed his violin to the first violinist to be tuned. There was a breathless silence in the hall. When the kettledrum (定音鼓) announced the opening of the music, Yehudi stood calmly, so absorbed in the music that some people feared he would not come in on time. But, with only seconds to spare, he adjusted his violin and raised his bow. At the great singing tone that filled the hall, there was a slight excitement, and then a silence.
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1.续写词数应为150左右;
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Listeners were impressed by his pure tone, expert fingering and wonderful skill.
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Even the newspaper critics stayed on to applaud Yehudi.
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