1 . Norman Rockwell didn’t create his celebrated images using only brush and paint. They often took shape first as scenes that Rockwell literally acted out, not only for his editors at the Saturday Evening Post, but for his real-life models, too. “It was difficult,” he once explained, “but I felt it was the best way to get across my meaning.” And so he would enthusiastically play out his visions and ideas, a one-man show packed with just the right expressions, giving enough details of each character in the scene to inspire his models and more importantly, get his editors to buy his ideas.
Now, more than 30 years after his death, Rockwell is still acknowledged for skillfully documenting the best of 20th century American life with drawings of simple emotions inspired by everyday people. To create his detailed recollections of everyday American life, Rockwell worked much like a film director, not just acting out the scenes in his imagination, but looking for locations, casting everyday people from his town for particular parts.
The recognition he received strongly proves Rockwell’s superior skills as a storyteller and is the subject of another kind of one-man show: the upcoming exhibition at the Smithsonian American Art Museum in Washington, D.C., titled Telling Stories: Norman Rockwell from the Collections of George Lucas and Steven Spielberg. The exhibit, gathered together from the private collections of these two popular film directors, will feature rarely viewed pieces of Rockwell’s artworks.
That concentration of information as well as emotion is something essential in Rockwell’s art. Emotion certainly spoke to Steven Spielberg when he first saw one of his favorite Rockwell paintings, High Dive, the August 16, 1947 Post cover that describes a boy at the top of what must be a towering diving board. He crouches (蹲伏) high above a swimming pool, too afraid to either jump or climb back down. The painting hangs in Spielberg’s office at Amblin Entertainment because it holds a great deal of meaning for the filmmaker.
1. How did Norman Rockwell successfully influence his editors?| A．By performing his ideas. | B．By hiring more models. |
| C．By donating his paintings. | D．By drawing actual events. |
| A．Film directors. | B．Folk storytellers. |
| C．Natural landscapes. | D．Ordinary citizens. |
| A．Develop artistic skills. | B．Learn how to act out. |
| C．Appreciate nature. | D．learn to swim. |
| A．To introduce an exhibit. | B．To recommend a painting. |
| C．To remember an artist. | D．To explain a cultural phenomenon. |
2 . Top Piano Players in the World
Martha ArgerichMartha Argerich could be considered the next Beethoven, as she is one of the most outstanding pianists ever to play. Argerich preferred being on stage with others instead of performing solo; therefore, she has been performing in a concerto format since the 1980s. Argerich was not one for the spotlight, as she often avoided public appearances such as interviews; however, her great talent was all the publicity she needed, standing out during concertos and sonatas.
Leif Ove AndsnesKnown for his appealing performances of Edvard Grieg’s works, Andsnes has won praise for his performances at some of the world’s most famous concert halls. Andsnes has certainly made his mark in Norway, as he is the founding director of Norway’s Rosendal Chamber Music Festival. Because of his unique voice and interesting approach, he was praised by The New York Times as a “pianist of authoritative elegance, power, and insight.”
Alfred BrendelKnown for his beautiful interpretations of Beethoven, Haydn, Schubert and Mozart, Alfred Brendel was considered one of the greats. He played in various concertos throughout his career and became known for his interpretive coldness in recreating these works. Brendel was considered one of the greatest musicians of the 20th century, as he made his mark in the classical music industry. Brendel was self-taught and learned his love of piano at an early age.
Arthur RubinsteinArthur Rubinstein was certainly one of the greats. His career began in the early 20th century when he began to come into contact with some of the world’s most important composers, such as Maurice Ravel, Paul Dukas, and Jacques Thibaud. He made various trips worldwide and visited nearly every continent, where crowds met him with great praise and encouragement.
1. What does the female pianist focus on in her career?| A．Skills in hosting concertos and sonatas. | B．Cooperation with other musicians. |
| C．Close relationships with the media. | D．Unique ways to interpret music. |
| A．Martha Argerich. | B．Leif Ove Andsnes. |
| C．Alfred Brendel. | D．Arthur Rubinstein. |
| A．He was the director of a Norwegian festival. |
| B．He made a difference in classical music. |
| C．He was the best musician of the 20th century. |
| D．He got in touch with some famous composers. |
3 . Four Self-Portraits (自画像) by Famous Artists
Raphael (Raffaello Sanzio da Urbino)—“Self-Portrait”, 1506
One of the beautiful self-portraits by famous artist Raphael was drawn at the age of 23. It measures around 45cm×33cm and is located at the world-famous Uffizi Gallery. The Italian painter used oil on board to draw his self-portrait, which was the clearest and the most recognizable self-portraits of Raphael himself.
Leonardo da Vinci—“Portrait of a Man in Red Chalk”, 1512
“Portrait of a Man in Red Chalk”is a self-portrait of da Vinci at the age of 60 and measures around 33.3cm×21.6cm, which is on display in Biblioteca Reale, Turin, Italy. It is drawn with red chalk on paper and represents the head of an elderly man in a three-quarter view. In the portrait, the length of the hair is uncommon in Renaissance (文艺复兴) portraits.
Rembrandt van Rijn—“Self-Portrait with Beret and Turned-up Collar”, 1659
Dutch painter Rembrandt van Rijn painted his self-portrait in 1659 when he was 53 years old. It shows his worried expression that clearly portrays the troubled condition of his mind at that point of his life since the year 1659 was a year of anxiety for him. This self-portrait found its place among the Benjamin Altman Collection, which has been exhibited in the Metropolitan Museum of Art since 1913.
Edgar Degas—“Degas Au Porte-Fusain’”, l855
Edgar Degas made this self-portrait only when he was twenty-one years old. It was one of the most remarkable of his fifteen self-portraits. Degas was seated as seemingly without fear and anxiety. The pose in the painting was formal and academic. The painting is located in the musée d’Orsay, Paris, France.
1. Where should visitors go if they want to admire Raphael’s self-portrait in 1506?| A．Uffizi Gallery. | B．Biblioteca Reale. |
| C．The musée d’Orsay. | D．The Metropolitan Museum of Art. |
| A．The red clothing. | B．The formal pose. |
| C．The long hair. | D．The worried expression. |
| A．Raphael. | B．Edgar Degas. |
| C．Leonardo da Vinci. | D．Rembrandt van Rijn. |
4 . Famous People Who Begin With Difficulties
Oprah Winfrey
Probably having one of the most famous success stories, Oprah was born into a poor family in Mississippi, raised by a single mother living on welfare. She was physically, and mentally abused during her childhood. Despite her initial struggles as a young girl, she turned herself into one of the most successful talk show hosts of our time.
Jim Carrey
Jim Carrey has been the star of some of the most successful movies of all time. But Carrey grew up extremely poor in Canada. When he was a teenager, his family took security jobs in a factory to help pay the bills. And during his first stand-up comedy performance, he was booed off （喝倒彩） the stage. Not shortly after, he made it big on In Living Color and then went on to star in Dumb & Dumber, The Mask, and Ace Ventura in the same year!
James Dyson
If you thought Thomas Edison’s failures were bad, let me introduce you to James Dyson, the famous inventor of the Dyson vacuums （真空吸尘器） you see all over the television. Dyson developed over 5,000 failed prototypes （原型） before finding the bagless vacuum brand. Not only that, he put his entire savings account into his prototypes over fifteen years! Luckily, the bagless vacuum worked.
Stephen King
Before Stephen King became known as a great living writer—having written over 60 novels, many of which have been adapted for film and television—King was rejected over and over again. In his memoir, On Writing, King describes how he used to post his rejection letters on the wall for inspiration. His first novel, Carrie, was rejected 30 times.
1. What do Oprah and Jim have in common?| A．They were abused by parents. | B．They grew up in poor families. |
| C．They were hired as comedians. | D．They found jobs in a factory. |
| A．He repaired the failed prototypes. | B．He developed over 5,000 brands. |
| C．He put all efforts into marketing. | D．He invented the bagless vacuum. |
| A．Oprah Winfrey. | B．Stephen King. | C．James Dyson. | D．Jim Carrey. |
5 . There’s no end to the work to do with improving diversity in children’s media, especially for storybooks. Children need to be able to see themselves in the characters of the stories they hear and read, at a stage where they’re building their understanding of the world around them.
Shachi Kaushik’s new book, Diwali in My New Home, brings the festival of lights to life for an immigrant community.
This picture book is for children aged 5 to 8. It speaks to Indian children’s experiences living abroad when they’ve experienced life in India. The story is about a girl, Priya, who loves being with family and friends to celebrate Diwali. But Priya and her parents began living in the United States this year, and no one seems to know about the holiday. Priya misses the traditions in India. As she joins the lights together and creates rangoli art(地画艺术), Priya introduces the festival of lights to her neighbors. And even though the celebration is different this year, it’s still Diwali.
Kaushik was a lawyer before she discovered the joy of telling stories to young children. Storytelling began when she volunteered in Texas, where she hosted a monthly storytime for children. Seeing the joy on the children’s faces inspired her to write children’s books.
When asked “What’s the secret to making children pay attention to stories?”, she said, “I would say the secret is to be present and not to be shy from acting, singing or dancing. Be a performer. While reading, use facial expressions and voice to add excitement to the story. Also try asking questions like ‘What do you think will happen?’. Let the little ones’ imagination flow. Lastly, try adding a finger play song and some dance moves to get those little ones into the mood.”
1. What is the function of the first paragraph?| A．To give explanation of diversity. | B．To explain the aim of the storybooks. |
| C．To show the importance of children’s media. | D．To lead in the introduction of Shachi Kaushik’s book. |
| A．A festival. | B．A country. | C．A community. | D．A character. |
| A．The joy from children listening to stories. | B．The job as a lawyer. |
| C．The experience of selling storybooks. | D．The money earned by hosting storytime. |
| A．To test if they are shy. | B．To attract their attention. |
| C．To encourage them to use facial expressions. | D．To teach them to be a performer. |
6 . To create “Washed Up: Transforming a Trashed Landscape”. Alejandro Duran gathers plastic trash that is washed up on the beaches of Sian Karan, Mexico’s largest federally-protected reserve. The site is also a UNESCO World Heritage site.
Yet every day, plastic pollution from around the world is washed up onto its shores. These materials inspired Duran to create a series of environmental art pieces, which he re-cords with photos and videos.
Duran was born in Mexico City and is now based in Brooklyn. He said that he had been collecting materials and creating photographs for the past five years, and the work was ongoing. “The project will tell me when to stop.”
Each piece can convey a vastly different mood, from the calm greens of soda bottles to the playful rainbows of toothbrushes. “I’m making art,” said Duran. “It comes from the context and my moods. You can’t say only something dark.” The work reflects and plays with natural forms, exploring how humans influence the environment. The colorful and playful images can be much attention-grabbing. “Beauty is a hook (钩子) to attract people’s attention,” said Duran.
In addition to promoting awareness of the plastic pollution problem, Duran is also involved in educational programs and helps to organize beach clean-ups. He has also made a study of the types of products that are washed ashore in Sian Ka’an, and has identified objects from 50 different countries. Although there’s no way to know where or how these objects were dropped into the sea, their labels show the global nature of the problem.
1. What does Alejandro Duran do with the trash?| A．He moves it away. | B．He collects and burns it. |
| C．He turns it into a form of art. | D．He puts it together for people to see. |
| A．He will stop the project soon. | B．It’s hard to carry on the project. |
| C．He will go on with the project. | D．The project is important to him. |
| A．recycle the trash | B．change his career |
| C．clean up the beach | D．raise public awareness of pollution |
| A．Plastic pollution in the ocean. |
| B．An artist creating environmental art. |
| C．The global nature of the pollution problem. |
| D．Mexico’s largest federally-protected reserve. |
7 . Since Neolithic (新石器时代的) times, sculpture has been considered the privilege of men as it was assumed that women were not suited for the hard manual labor required in sculpting stone, carving wood, or working in metal. It has been only during the twentieth-century that women sculptors have been recognized as major artists, and it has been in the United States that women sculptors have shown the greatest originality and creative power. By far the most outstanding of these women is Louis Nevelson, who in the eyes of many critics is the most original female artist alive today. One famous and influential critic Hilton Kramer, said of her work, “For myself, I think Ms. Nevelson succeeds where the painters often fail.”
Her works have been compared to the Cubist (立体主义的) constructions of Picasso, the surrealistic (超现实主义的) objects of Miro and the Merzhau of Schwitters. And she would be the first to admit that she has been influenced by all of these, as well as by African sculpture, and by Native American and pre-Columbian art. Nevelson says, “I have always wanted to show the world that art is everywhere, except that it has to pass through a creative mind.”
Using mostly thrown-away wooden objects like packing crates, broken pieces of furniture, and abandoned architectural ornaments, she makes architectural constructions of great beauty and power. Creating very freely, she glues and nails objects together, paints them black, or more rarely white or gold, and places them in boxes. These collections, walls, even entire environments create a mysterious, almost awe-inspiring atmosphere. Although she has refused to admit any symbolic or religious intention in her works, their three-dimensional grandeur (宏伟) and even their titles, such as Sky Cathedral and Night Cathedral, suggest such meanings.
1. The passage mainly focuses on ______.| A．a general tendency in twentieth-century art | B．the artistic influences on women sculptors |
| C．the work of a particular woman artist | D．critical responses to twentieth-century sculpture |
| A．She has the ability to combine sculpture and painting. |
| B．Her creativity and originality make her work unique. |
| C．Her work is so expressive that no painters can compete with her. |
| D．People turned their interest to sculpture instead of painting due to her talents. |
| A．they are uniquely American in style and sensibility |
| B．they show the influence of twentieth-century architecture |
| C．they do not have qualities characteristic of sculpture |
| D．they suggest religious and symbolic meanings |
| A．They are sometimes very large. | B．They are often painted in several colors. |
| C．They are meant for display outdoors. | D．They are built around a central wooden object. |
8 . Many people want to look away from injustice and other troubling issues. But visual artist Siyan Wong has chosen not to look away. Through her art, she helps us see what is right before our eyes.
Wong, who lives in New York City, was born in China. Her art focuses on women, the elderly, people who are experiencing homelessness, and clothing industry workers.
Wong has loved art since she was a child. Her family didn’t have much money, so she and her sister would draw and cut out paper dolls to play with. This early experience provided Wong with a creative outlet for her emotions.
After graduating from Stuyvesant High School, she went on to college and law school. She is now a workers’ rights lawyer, but her belief in the healing (治愈) power of art remains. “Whenever I’m stressed or sad, I draw,” Wong said. “I express my feelings through art. Art is a comfortable way to bring people together to talk about difficult issues.”
One of Wong’s series is called “Five Cents a Can: Making Visible the Invisible”. I was inspired by the artist’s meetings with an Asian-American woman in her neighborhood. During early morning runs, Wong noticed the woman, who was more than 90 years old, collecting deserted cans and bottles in the dustbins behind her apartment building.
She is currently working on a painting for her “Home and Homeless” series. In the painting, she describes both a person who is homeless and an elderly canner. “The difference between someone who collects cans and someone who is homeless is hope,” Wong said. Her goal is to highlight the difference between the two and bring about questions for the viewer. Why does the elderly canner have hope, while the homeless person doesn’t? How did these individuals end up here?
1. What does Wong’s art focus on?| A．Social problems. | B．Charity projects. |
| C．Natural environment. | D．Her childhood life. |
| A．It can improve her emotions. |
| B．It needs much money to achieve. |
| C．It helps the world present itself clearly. |
| D．It is what people should pay attention to. |
| A．Her profession as a lawyer. | B．Cans and bottles in dustbins. |
| C．Poverty in her neighborhood. | D．An old lady leading a hard life. |
| A．Doubtful. | B．Grateful. | C．Favorable. | D．Uncaring. |
9 . Best of British: Artists’ residences
Get up close with the inspiring places Britain’s most vibrant artists called home.
Red House, London
Nothing better represents the commitment of William Morris, the creative genius of interiors (内饰) to beauty than his striking home in London. From delicate patterns on the doors, to the decorated gardens, the Red House shows a strong medieval style.
The Mackintosh House, Glasgow
Located on the site of the former home of legendary architect Charles Rennie Mackintosh and his wife, the reconstructed Mackintosh House offers a rare insight into their private lives. Furnished with the couple’s own furniture, everything has been considered in order to recreate the original interior as faithfully as possible.
Barbara Hepworth Museum and Sculpture Garden, Cornwall
Though she was born in Yorkshire, British sculptor (雕塑家) Barbara Hepworth moved to Cornwall and stayed there for the rest of her life. She claimed that there was a quality of inspiration to be drawn from the Cornish skyline and sea view that she simply couldn’t obtain from the city. It was Hepworth’s wish that her home would be turned into a museum of her work.
Henry Moore Foundation, Hertfordshire
Sculptor Henry Moore found his Muse in the beautiful Hertfordshire village of Perry Green and created many of his most famous works there. Unlike traditional galleries, visitors can get close with these impressive structures. Access to Moore’s home is through guided tours only. Visit on a sunny day, take a picnic, and experience the scenic village in person!
1. Which residence is influenced by medieval styles?| A．Red House. |
| B．The Mackintosh House. |
| C．Henry Moore Foundation. |
| D．Barbara Hepworth Museum and Sculpture Garden. |
| A．It is the current residence of Mackintosh. |
| B．It is rebuilt to improve Mackintosh’s life. |
| C．It restores the interior design of the Mackintoshs’. |
| D．It reflects Mackintosh’s faith in original furniture design. |
| A．Both sculptors take inspiration from nature. |
| B．Both sites allow close contact with the designers. |
| C．Both residences will be turned into urban museums. |
| D．Both sites allow tours accompanied by the guide only. |
10 . The Chinese written language originated very early. However, people began to like the art of writing, and pay attention to the creator’s thinking and spirit since the period between the Late Han Dynasty and Wei Jin Dynasty. The Chinese calligraphy fonts(字体) gradually evolved from oracle, Chinese bronze inscriptions and silk manuscripts to the following five main schools:
| School | Representative Master | Feature |
| Seal Script | Li Si | There are Big Zhuan and Small Zhuan. The Big Zhuan includes all the ancient Chinese calligraphy fonts before Qin Dynasty. The Small Zhuan are the characters commonly used by officials after Qin united China. These characters feature balanced left and right parts and a bit complicated structures. |
| Official Script | Cai Yong | A simplified form of script since seal characters were too complicated for officials to use when copying documents. |
| Regular Script | Ouyang Xun, Yan Zhenqing, Liu Gongquan | Also named Zhenshu or Zhengshu, Kaishu is regular with a tight structure and fluent strokes. |
| Cursive Hand | Zhang Xu, Huai Su | Caoshu is characterized by sketchy, simplified forms of characters, often distorted or exaggerated to achieve an internal rhythmic appearance within the compositions of characters. |
| Running Hand | Wang Xizhi, Yan Zhenqing; Su Shi | Xingshu is something between the regular script and the cursive scripts in the initial period and now is between the official script and cursive(草写体的)hand. Chinese masters have always compared the three styles of writing, Kaishu, Xingshu, Caoshu to people standing, walking and running respectively. |
| A．the difficulty to write | B．their function in use |
| C．who often wrote them | D．how cursive they are |
| A．Official Script. | B．Running Hand. |
| C．Cursive Hand. | D．Regular Script. |
| A．Ouyang Xun. | B．Yan Zhenqing. |
| C．Zhang Xu. | D．Wang Xizhi. |
