1 . The British Museum's rich collection of ancient Chinese paintings has attracted many visitors. At the heart of this preservation and revival of Chinese art history is senior conservator (文物修复员) Qiu Jinxian.
Joanna Kosek, head of Pictorial Art Conservation at the British Museum, told the Times Publications that Qiu is considered one of the museum's most priceless treasures. "We let the treasure treat the treasure," Kosek said.
In 1987, Qiu was introduced to Mrs. Jessica Rawson, director of the British Museum. At the time there were no conservators specializing in ancient Chinese art at the British Museum. The large collection of Chinese ancient paintings and cultural relics in the museum was mainly repaired by Japanese and British methods and materials. As these methods were not suitable for Chinese paintings, the art collection was kept in storage for a long time instead of on pubic display.
Just before Christmas in 1987, Qiu Jinxian had her first appointment at the British Museum. She was asked to repair an ancient scroll (卷轴) by Fu Baoshi, which had been badly damaged by fire. Qiu's methods, which included washing with warm water to separate the glue in order to repair the paper, stunned people on the spot. Some of them even got out the camera to record her methods as they'd never seen this way of restoring ancient art. Mrs. Rawson was completely amazed by Qiu Jinxian's incredible skills. She immediately invited Qiu to join the British Museum.
Chinese ancient paintings are notoriously difficult to repair because of their large size, complex materials, diverse colors, and rich composition. The most important thing is to understand the long history, meaning and culture behind the painting. Repair is an extremely time-and-energy intensive process.Each painting normally takes several months from cleaning to restoration and drying. Since 1987, Qiu has repaired more than 400 artworks.
Oiu told the media that she is very proud of her work. She wants more people to understand and appreciate Chinese history and culture through art. Although the artworks originated from China, they now belong to the people of the world.
1. Why is Qiu considered a treasure at the British Museum?| A．She understands Chinese history well. |
| B．She is the only Chinese conservator there. |
| C．She repaired the Chinese scroll successfully. |
| D．She has special skills to repair the treasures. |
| A．Panicked. | B．Inspired. | C．Shocked. | D．Influenced. |
| A．A deep understanding of the objects. | B．Incredible painting skills. |
| C．Strong determination. | D．A sound knowledge of Chinese history. |
| A．The Well-known Chinese Conservator |
| B．The Protector of Chinese Treasures at the British Museum |
| C．The Chinese Treasures Repaired at the British Museum |
| D．The Ancient Chinese Artworks Exhibited at the British Museum |
2 . Do you have a hobby that you have loved for a long time? Carlos Santana does! Carlos Santana has loved music from a young age. Music has been his passion. At age 5, he started playing the violin. At age 8, he began playing the guitar. Santana worked hard to develop his musical talent, especially on the guitar. He became one of the most famous Mexican American musicians in history.
Santana grew up in Tijuana, Mexico, playing music in many bands. Even though his family moved to San Francisco in the 1960s, he visited Mexico often. He was inspired by Mexican blues music as well as American rock music. He combined many different types of music to create a unique style.
He got his big break in 1969 at the Woodstock music festival.Woodstock was a huge music festival that around 400,000 people attended. Many people did not know who Santana was before his performance. But they knew who he was after it! Many people said Santana was one of the highlights of the three-day festival. They said his guitar playing was incredible! It was full of passion and soul.
Santana and his band began producing hit after hit, including “Oye Como Va” and “Evil Ways”. The band’s songs show off a unique musical style, combining Latin and rock rhythms. Santana has won 10 Grammy Awards throughout his career. He has had or contributed to many great songs and impressive performances.
Carlos Santana wanted children to have the opportunity to discover their passions, like he did. He and his family created the Milagro Foundation, which helps children succeed by giving money to the arts, education, and health. Today, Carlo s Santana continues sharing his musical talent with people all over the United States and beyond.
1. Carlos Santana’s career began to take off after __________.| A．his family moved to San Francisco | B．the Woodstock music festival |
| C．he started to play the violin | D．he began playing the guitar |
| A．The band’s songs became very popular. |
| B．The band went through a lot of failures. |
| C．It took the band much time to produce songs. |
| D．The band’s performances were different from others. |
| A．To support children to succeed in education. |
| B．To help children explore their hobbies. |
| C．To share his musical talent with others. |
| D．To raise money for organizing music festivals. |
| A．Music: A Lifelong and Important Hobby |
| B．The Unique Musical Journey of a Guitar Legend |
| C．The Rise of Mexican American Music Talents |
| D．Milagro Foundation: Inspiring the Next Generation |
3 . Isadora Duncan is considered by many to be the progenitor of modern dance. To Duncan, classical ballet, with its strict rules of posture and formation, was “ugly and against nature”. She refused to accept traditional ballet steps, preferring to emphasize improvisation(即兴创作), emotion, and the human form. She said, “I spent long days and nights in the studio seeking that dance which might be the expression of the human spirit through the body’s movements.” By making connections between human emotion and the movements of dance, Duncan hoped to make dance a form of high art rather than simple entertainment. She developed free and natural movements inspired by the classical Greek arts, folk dances, social dances and natural forces. She drew on a number of sports moves, including skipping, running, jumping, leaping, and tossing. The athleticism and classical roots of her style are reflected in her innovative costume choice of a Grecian tunic(束腰外衣) and bare feet, which allowed for a physical freedom that could not be achieved in the traditional ballet costumes and pointed shoes that limited dancers. With time, she gained a very wide following and set up several schools in Europe and the United States.
Duncan’s fame, however, did not bring her wealth. In the later years of her life, her financial situation worsened, and finally she had to live in apartments rented by friends and supporters. Duncan also received criticism for some of her personal opinions.
In spite of the problems, Duncan is remembered today for her artistic achievements: the creation of modern dance and its high place among the arts. While Duncan’s own schools no longer exist, her style of dance continues to be practiced. Her life inspired novels, ballets, and films, and her likeness was included in the sculpture created by Antoine Bourdelle over the entrance of the Théâtre des Champs-Élysées.
1. What does the underlined word “progenitor” Paragraph 1 probably mean?| A．Sponsor. | B．Originator. | C．Instructor. | D．Competitor. |
| A．It allowed dancers to move naturally and freely. |
| B．It included newly designed pointed shoes. |
| C．It was white and extremely simple. |
| D．It was introduced from Greece. |
| A．To explore the connection between art and wealth. |
| B．To characterize Duncan as a dishonorable person. |
| C．To prove Duncan was adored by friends and relatives. |
| D．To show Duncan lived a hard life in her declining years. |
| A．Her inspiration for artists. | B．The invention of a new-form dance. |
| C．Her special personal views. | D．The foundation of many dance schools. |
4 . Eric Carle, the author and artist of over 70 books for children, passed away at the age of 91. Mr. Carle's lively, creative, and colorful work was loved by children around the world. The Very Hungry Caterpillar was Mr. Carle's best-known book. Since it was published in 1969, over 55 million copies of the book have been sold, and it has been translated into more than 70 different languages.
Mr. Carle was born in Syracuse, New York in 1929. As he was growing up, his mother died and Mr. Carle spent a lot of time with his father, who would take him out walking in nature. His father would show him small creatures, filling the young boy's head with wonder. Mr. Carle thinks this helps explain why so many of his books are about nature. At the age of 12, Carle began to study art in school, where, with his teachers' help, he drew many pictures for children's books.
In 1952, Mr. Carle got a job as an artist at the New York Times. Though he created pictures for books with other authors, he created many of his most well-loved books completely on his own. Most of Mr. Carle's books are meant for younger readers. He said that he wanted to help make school a fun, welcoming place. "I believe that children are naturally creative and eager to learn." he said.
Children around the world responded to Mr. Carle's work, and Mr. Carle responded to this enthusiasm. Mr. Carle worked hard to reach out to students and teachers. In 2002, Mr. Carle and his wife opened the Eric Carle Museum of Picture Book Art. The museum shows off picture books from around the world. It also puts on many art programs for students and teachers.
Mr. Carle will be missed, but his creative art and sweet, funny stories will continue to bring joy to very eager readers all around the world.
1. What inspired Eric Carle to be interested in nature when he was young?| A．His sad childhood experience. | B．The early instruction of his father. |
| C．The encouragement of the teachers. | D．His cooperation with other authors. |
| A．Learning is both fascinating and fun. |
| B．Reading can broaden their eyesights. |
| C．Drawing is the basic skills for students. |
| D．Writing represents one's love for nature. |
| A．To collect picture books from the world. |
| B．To show off his own books and art works. |
| C．To help students know more about art works. |
| D．To express his enthusiasm about picture books. |
| A．To discuss the meaning of our life. |
| B．To show his love for children works. |
| C．To remember Eric Carle, an active artist. |
| D．To introduce Eric Carle's popular books. |
5 . When Simon Beck creates artwork, he doesn’t use paint or pencils. Instead, he takes his snowshoes and compass (指南针) and walks to a wide-open area of fresh snow, making huge designs in the snow by walking and leaving snowshoed footprints in different patterns.
The idea to make a snow mural (壁画) came to him in 2004 after a day of skiing in Savoie, France. Mr. Beck noticed an inviting area of undisturbed snow and thought it would be fun to draw a star in it. Being a mapmaker and an expert at orienteering (定向越野赛), Mr. Beck was good with these skills to create in the snow.
Once he got to his site, he started in the center of the design. He then “drew” the primary lines while holding his compass to make sure he kept walking straight. Next, he added smaller lines, keeping track of their length by counting his footsteps. Finally, he filled in, or “shade”, some of the areas between the lines with more footsteps. The result looked impressive, especially when he viewed it from above on a nearby chairlift.
On average, a snow design takes Mr. Beck 10 hours to make. So far, Beck has created over 300 snow murals—the size of the biggest one is about 10 soccer fields. As Mr. Beck worked to build a collection of photos to publish in his book Snow Art, he posted some of his pictures on the Internet. His art started to gain more attention and companies began asking him to create snow artwork. Mr. Beck has been invited to make snow art all over the world, including Canada, the United States, Russia, and China.
It doesn’t worry Mr. Beck that his work will disappear with the next snowfall. Once he has photographed a design, he’s ready to think about the next one. “I can make another drawing in the same place when the weather improves,” he says.
1. Where did Beck’s idea to make a snow mural come from?| A．His love for artworks. | B．His skiing experience. |
| C．His mapmaking skills. | D．His painting collection. |
| A．Stop him from getting lost. | B．Find the right site to draw. |
| C．Finish drawing more quickly. | D．Create a better snow artwork. |
| A．Calm. | B．Annoyed. | C．Cheerful. | D．Worried. |
| A．Snow: Nature’s Most Beautiful Artwork |
| B．Snow Mural: A Cross Between Nature and Art |
| C．Simon Beck: An Artist Painting in the Snow |
| D．Snow Art: A Photo Collection of Snow Artworks. |
6 . What would you do if you spilled your coffee on your desk? Many of us would probably immediately begin cleaning up the desk. But some people are so talented that they can be artistically inspired by the most unexpected of things, such as spilled drinks. Case in point — Italian artist Giulia Bernardelli, whose amazing coffee art began as an accident.
Born in 1987 in the city of Mantua, Giulia Bernardelli graduated at the Accademia of Fine Arts of Bologna with a bachelor’s degree in educational studies, but it was a coffee accident that shaped her artistic career.
One day, Giulia was drawing and having her coffee at the same time. At one point, she moved her hand too quickly and spilled her coffee all over the canvas, but the way the spilled coffee spread inspired her to pick up the spoon and use it as a brush to guide the brown liquid. And that’s how her journey into coffee art began. She got better and better at it, and today Giulia is regarded as one of the world’s best coffee artists.
As for the things Giulia draws with coffee, she takes inspiration from a variety of things, such as famous artworks, architecture, or the human body. So the next time you spill your coffee or something else, don’t immediately clean it up. It’s your chance to be an artist too!
1. What can be learned about Giulia Bernardelli?| A．She hates cleaning. | B．She is a fan of coffee. |
| C．She is an Italian artist. | D．She wants to be a teacher. |
| A．What tools Giulia needed for painting. | B．Why Giulia was the best coffee artist. |
| C．When Giulia became world- known. | D．How Giulia started coffee art. |
| A．Gifted. | B．Productive. | C．Helpful. | D．Brave. |
7 . Born in 1921, Paul Smith was diagnosed with a severe disease that affects motor abilities and strength. Since he could not grasp the artist’s tools, his creations turned to the typewriter.
His works include his childhood fascination with trains, spiritual leaders, war scenes and country heroes. It’s not so much the subject that is remarkable about Paul’s work, it’s the painstaking skill of using symbols on a typewriter to form perfect copy of existing work, and creative representations of his surroundings.
Paul’s images employed only a handful of symbol keys - !, @, ≠≠, ％, ∧, (, &, ) — which were accessible along the top row of his typewriter keyboard. Remarkable, when a person considers that hand typewriters required the ribbons to be positioned, the roller to be adjusted, and the paper to be secured. Typewriters, of that time, left no room for error since erasing mistaken keystrokes was not a clean option.
As he typed, he would lock the shift key in a safe position not to type numbers. He used his left hand to steady his right. Different symbols created the look of varied textures (神韵), and depending on the look to achieve, he would adjust the spacing to type the symbols near or far. And, he adjusted the roller to perfect spaces between lines.
Depending on its size and complexity, it could take anywhere from two weeks to three months to complete one piece. He worked, on average, a couple of hours every day on his art. After all of that work, one wouldn’t blame Paul if he sought to sell his work, but by all accounts, he would give away his pieces. As his distinctive art form gained interest from others, the number of orders for his artwork increased.
In 2007 the world lost Paul Smith at the age of 85. For this American, creating art was a leisurely pursuit and a form of expression. To the art world, he set a high bar for typewriter artists that many have tried to match, but few are able to repeat it.
1. What do we know about the tool Paul Smith worked with?| A．It has only symbol keys. | B．It requires ribbons and a roller. |
| C．It is specially made for him. | D．The spacing is not adjustable. |
| A．Lock the shift key. | B．Erase mistakes neatly. |
| C．Steady all the symbols. | D．Adjust the keys precisely. |
| A．Primitive. | B．Sensitive. |
| C．Innovative. | D．Time efficient. |
| A．Art comes from life. | B．Efforts work wonders. |
| C．Patience is a virtue. | D．Technique does count. |
8 . Uygur musician, Sanubar will give two concerts in Beijing and Shanghai on Jan. 13 and 14, featuring songs with dutar — a traditional folk instrument, which her father loved playing at home. “The instrument was hanging on the wall at my home and my father often played it for fun. My mother always sang along and we danced together,” recalls Sanubar, who was born into a Uygur family in Xinjiang. When her father died, Sanubar, who was 8 years old, composed her first song to honor him.
One of the songs she will perform is White Horse, adapted from an old Xinjiang folk song and telling a love story. “I get inspired by poems. Poems are as rhythmic as music. So when I read a beautiful poem, I easily connect it with its sounds, which allows me to turn the poem into a song,” says Sanubar. Some other songs are selected from the Xinjiang Uygur Muqam recorded on the Representative List of the Intangible Cultural Heritage of Humanity in 2008 by UNESCO, which includes songs, dances, folk and classical music.
Sanubar learned to play dutar at Xinjiang Arts University and, after graduation, she joined the Xinjiang Art Theater Muqam Art Troupe. From 2003 to 2005, she came to Beijing’s Central Conservatory of Music to study music production. In 2010, at the age of 39, Sanubar enrolled in the Shanghai Conservatory of Music, where she spent four years learning to compose and got her Bachelor’s degree.
So far, Sanubar has written over 100 songs and released about 10 albums. She teaches dutar at an art school in the regional capital Urumqi. Sanubar and other folk musicians sang and danced with smiling faces. “I notice that many young people in Xinjiang are learning traditional instruments and singing old songs, which makes me very happy.” says Sanubar.
1. What originally inspired Sanubar’s music career?| A．The rhythm of poems. | B．The impact of her father. |
| C．The honor of her first song. | D．The company of her mother. |
| A．She promoted the beauty of traditional folk art. | B．She wrote many beautiful poems from old songs. |
| C．She gained reputation both at home and abroad. | D．She helped complete the Xinjiang Uygur Muqam. |
| A．Sanubar’s main achievements. | B．Sanubar’s learning experiences. |
| C．The composition of folk songs. | D．The preservation of local music. |
| A．Intelligent and sensitive. | B．Elegant and reliable. |
| C．Energetic and productive. | D．Motivated and cautious. |
9 . Niki de Saint Phalle, one of the most famous artists of the 20th century, was a French-American born in 1930. She was brought up in a very conservative family, and yet she rejected the conservative values of her family to pursue a career in painting. Her rebelliousness created a series of conflicts with her family, which led to a nervous breakdown at age 23.
Fortunately, painting offered her an effective treatment and a way to develop as an artist. Her famous “Nana” series gained universal praise. It is evidence to the glory of women. The series is mostly composed of life-size dolls(娃娃) of women in various roles such as brides and new mothers. Some of these sculptures are very big so that men would look small next to them. She used vivid colors in these works and her female subjects dance cheerfully and merrily. Through these joyful and powerful images of Nana, the artist sends a positive message to all women.
Saint Phalle’s sculptural park, “The Tarot Garden,” inspired by Tarot cards, is situated in the Italian province of Tuscany. Work on the garden began in 1979, and it was officially opened to the public in May, 1998. The park contains sculptures of the symbols found on Tarot cards. The brightly colored combinations of buildings and sculptures reflect the special qualities represented by the 22 main tarot cards. The sculptures, however, have nothing to do with fortune telling. Instead, the works focus on the elements of life experience, personality, and self-knowledge that the cards refer to.
Saint Phalle passed away on May 21, 2002, in San Diego, California, at the age of 71. Her death meant the loss of a woman of diverse creative talents.
1. What does the underlined “rebelliousness” in paragraph 1 probably mean?| A．An attitude towards life. | B．Determination to succeed. |
| C．Unwillingness to obey rules. | D．A perspective different from others. |
| A．Saint Phalle’s series “Nana”. | B．Saint Phalle’s various roles. |
| C．Skills used in Saint Phalle’s works. | D．The variety of Saint Phalle’s female subjects. |
| A．There are 22 sculptures altogether. |
| B．They are associated with fortune telling. |
| C．They are modeled on the symbols of Tarot cards. |
| D．They display women’s personality and self-knowledge. |
| A．Innovative. | B．Critical. | C．Tolerant. | D．Selfless. |
10 . This was going to be a year of great jazz centennials (百年纪念) for 1920 marked the birth of several jazz musicians who either changed the course of the music or deeply enriched it. So let’s raise a glass to some of them:
Charlie Parker(August 29, 1920-March 12, 1955)
Of all the jazz languages that coursed through the 20th century, no one did more than Parker, for he developed complex improvisational methods that transformed the way musicians understand harmony and dissonance. The fact that Parker also happened to be a most influential saxophone player broadened the scope of his achievements.
Dave Brubeck (December 6, 1920-December 5, 2012)
Early in his long career, pianist-composer Brubeck was laughed at by some jazz lovers. How could a musician so popular among the masses possibly have anything to offer those who considered themselves “masters”? The joke was on them, of course, as Brubeck’s music was filled with new ideas in rhythm, embracing elements of Western classical music. No one played the piano quite the way Brubeck did.
Clark Terry(December 14, 1920-February 21, 2015)
Some musicians are at least as important for the influence they have on others as for the music they create themselves. Trumpet masters such as Miles Davis have credited Terry for having encouraged them in the earliest days of their careers. Terry’s work on trumpet affected those trumpeters and uncounted others.
Peggy Lee(May 26, 1920-January 21, 2002)
Singer-songwriter Lee proved that a vocalist needn’t shout to be heard around the world. Her soft vocals delighted jazz devotees and brought the music to huge audiences across the decades, thanks to hit recordings such as “Fever” and “Is That All There Is?” There were no vocal skills involved. Instead, Lee taught the jazz world the beauty of saying everything with a few well-chosen notes.
1. Who changed the way musicians understand harmony and dissonance?| A．Charlie Parker. | B．Dave Brubeck. | C．Clark Terry. | D．Peggy Lee. |
| A．He played music for a longer time. | B．They didn’t recognize his excellence. |
| C．He played the piano in a traditional way. | D．They had nothing to learn from him. |
| A．Her unique piano playing. | B．Her great influence on others. |
| C．Her beautiful singing voice. | D．Her mixture of western music. |
