1 . Chinese singer Gong Linna released her new song, titled Return Home, which describes the overseas Chinese people’s longing for their homeland.
Performed in Chaoshan dialect, the song is part of Gong’s music project, which has the singer perform songs in different Chinese dialects. “It is very challenging to sing in Chaoshan dialect, which is a new language to me, and thanks to the songwriter Danny Sim and the song’s producer Wesley Tan, who speak the dialect, I received intensive training and practised very hard,” says Gong. “The beauty of dialects lies in telling stories of different places. It’s like a music al map, allowing me to explore different places through dialects.”
The idea of the song came from Qiaopi, a unique form of mail that served as both a letter and a remittance (汇款) sent by overseas Chinese people to their families in provinces of Guangdong and Fujian in the 19th and 20th centuries. At that time, many of those emigrants, particularly from Guangdong and Fujian, sent money back home to support their families, as well as communicating with their beloved ones and expressing their longing to be reunited.
“Dialects are a source of knowledge, traditions and the country’s cultural heritage. When I listen to a song performed in a dialect, I feel the local culture instantly even though I never go there and know nothing about the place,” says Sim, who wrote lyrics for the song, adding that there are a growing number of musicians in China performing in dialects, which allow listeners to get an emotional touch.
“Chaoshan dialect links people from the region. However, like many languages, it’s dying. Many young people, especially children, rarely speak the dialect, which is a sad thing.” Sim says, explaining why he is keen on writing songs by using the dialect, “I love my hometown and by writing songs in the dialect, I feel close to my home. Maybe that is, culture identity.”
1. What difficulty did Gong face when performing the song?| A．She had the language barrier. | B．The culture was unfamiliar to her. |
| C．The song had to fit in with the whole project. | D．There were many unknown stories in the song. |
| A．Its history. | B．Its influence. | C．Its inspiration. | D．Its significance. |
| A．They are dropping in numbers. | B．They are seldom sung by young singers. |
| C．They can stimulate affective bond. | D．They help us know many unknown places. |
| A．A sense of duty as a song writer. | B．A sense of belonging to his hometown. |
| C．His eagerness to revive Chaoshan culture. | D．His addiction to the charm of the dialect. |
2 . Young Artists to Watch This Year
Tafy LaPlancheNew York-based Afro-Latina artist Tafy LaPlanche first discovered her love for portraits (肖像) at 13 when she was hospitalized and drew people who passed by her room. Since then, LaPlanche has explored narratives (叙事) in her portraits, setting women up against bright backgrounds, and adding fruit to create a unique story in every painting.
Yan XinyueThirty-year-old Chinese artist Yan Xinyue is one of the artists to watch at this year’s Frieze New York. Xinyue’s work looks at how everyday life is impacted by rapid urban development through her imaginative paintings. Constantly touching the line between fantasy and reality, Xinyue’s work explores society and the individual.
Narumi NekpenekpenThe Nigcrian-Japanese artist’s layered (分层的) approach to sculpture caught the eyes of collectors during Art Basel Miami Beach design week. The deeply emotional pieces painted throughout her residency at Versailles have a “Sanrio” quality, which makes them seem both distant and friendly.
Emma McIntyreAlso featured at this year’s Frieze New York is New Zealand-born, Los Angeles-based artist Emma McIntyre. The self-aware abstract (抽象的) painter is sure to turn heads with her presentations of memory, weather, and the environment. McIntyre’s colorful style makes the viewer feel like they’re slipping into a different dimension and makes it difficult to turn away.
1. What element does Tafy LaPlanche often use in her paintings?| A．Fruit. | B．Sanrio. | C．Hospitals. | D．Weather. |
| A．Tafy LaPlanche. | B．Yan Xinyue. |
| C．Narumi Nekpenekpen. | D．Emma McIntyre. |
| A．Exploration of narratives. | B．Layered approach to sculpture. |
| C．Bright backgrounds in self-portraits. | D．Self-awareness in abstract paintings. |
3 . Iris Apfel, the interior designer and fashion tastemaker, who found fame in her 80s, has died aged 102. “She was forward-thinking in every sense of the world and saw the world through a unique lens. She saw the world as a kaleidoscope (万花筒) of colour, a canvas of patterns and prints,” said Apfel’s agent, Lori Sale.
Born in 1921 in Queens, New York, Apfel studied art history at New York University and later attended art school at the University of Wisconsin. Her first job was as a copywriter at Women’s Wear Daily. She later worked for the interior designer Elinor Johnson and also the illustrator Robert Goodman. In 1948, she married Carl Apfel. Two years later they launched the textile company Old World Weaver s and ran it until they retired in 1992.
As an outstanding authority on old-fashioned fabrics (纺织物), Apfel gave guidance on restoration projects, including work at the White House. She was the subject of several museum exhibitions and more recently starred in campaigns for H&M, eBay, Citroen and even had a Barbie doll made in her likeness. Among those showing respect was the US designer Tommy Hilfiger, who praised Apfel as an “innovator and leader” in the world of textiles and style, saying “Iris Apfel has become a world-famous fashion icon because of her incredible talent and amazing effect on so many people with her huge heart and magic touch.”
In 2005, her personal collection of designer accessories (配饰) and clothes became the subject of an exhibition at the Metropolitan Museum of Art in New York. It was the first time that the Met had focused on a living female who was more than a designer. In another first, Apfel dressed the mannequins (人体模型) herself, styling them in her own unique and magnificent manner.
When asked about aging in a 2018 interview, Apfel said, “I wouldn't want to stop the clock. No, that would be so boring. It would be like being caught in a time machine. I don’t like that. I think variety is the spice of life.”
1. Which of the following is true according to the passage?| A．Apfel saw the world through a lens because she was far-sighted. |
| B．Apfel set up the textile company Old World Weavers on her own. |
| C．Apfel offered suggestions on the way to restore the White House. |
| D．Apfel was the first to dress the mannequins for the design industry. |
| A．Because she was a talented film star. | B．Because many US designers praised her. |
| C．Because she had a great influence on people. | D．Because a Barbie doll was made on her looks. |
| A．She believes aging is full of excitement. |
| B．She prefers being caught in a time machine. |
| C．She wants to experience different stages of fashion. |
| D．She thinks variety is significant for a meaningful life. |
| A．Aging with style | B．Growing with talent |
| C．Living with passion | D．Working with determination |
4 . In the calm and traditional world of classical music, composer Tan Dun is something of a rock star. Born in 1957 in a village near Changsha, Tan Dun worked as a rice planter in his early years. While music was strongly discouraged within the rice-planting communities, Tan learnt to play traditional Chinese stringed instruments with his friends and eventually joined a local band.
But the transition from hobby to career came about through a tragic (不幸的) tum of events. After several members of a Peking Opera troupe (剧团) drowned in a boat accident, Tan was hired to work as an arranger and violinist. The time at the troupe proved successful and Tan got the attention of Central Conservatory of Music (CCOM) where he was accepted as a student in 1977. Years later, he further studied at New York’s Columbia University.
Under the teaching of famous composers around the word, Tan launched his international career through a series of modern operas. With the knowledge of eastern and western classical music, he composed Marco Polo, an abstract retelling of the 13th-century Venetian explorer’s life through eastern and western instruments.
Tan has composed symphonies and operas that have been performed in some of the world’s most famous theaters. He has also contributed the scores (配乐) to six films, including 2000’s Crouching Tiger, Hidden Dragon, as well as several experimental multimedia projects. Such achievements have brought him great rewards, including Oscar, Grammy and Bafta awards, as well as the honor of Composer of Year, presented by classical music magazine Musical America.
1. What was Tan Dun’s job in his early years?| A．Farmer. | B．Arranger. | C．Violinist. | D．Composer. |
| A．His study in New York. | B．His success in the troupe. |
| C．His achievement in scores. | D．His experience in Changsha. |
| A．By making comparison. | B．By making classification. |
| C．By following the order of space. | D．By following the order of time. |
| A．He contributed scores to four films. |
| B．He directed Crouching Tiger, Hidden Dragon. |
| C．He combined Eastern and Western musical styles. |
| D．He launched his international career through symphonies. |
5 . Monet gets his place in the art timeline because of his leading role in the impressionist art movement, and through the lasting appeal of his artistic style. The painting he titled Impression: Sunrise, done early in his career, may not seem one of Monet’s best paintings, but the big deal about it is that it was the painting that gave impressionism its name.
Done with oil paint on canvas, this painting is characterized by thin washes of rather mild colors, on top of which he painted short strokes of pure color. Monet gave depth and perspective to an otherwise flat painting by the use of aerial perspective (空间透视法). Look closely at the three boats, and you can see how these get lighter in the tone, which is the way aerial perspective works. The lighter boats appear to be further away from us than the darkest one.
Monet exhibited the painting in what we now call the First Impressionist Exhibition, in Paris. Monet and a group of about 30 other artists, frustrated by restrictions and politics of the official annual art salon, had decided to hold their own independent exhibition, an unusual thing to do at the time. They called themselves the Anonymous Society of Painters, Sculptors, Engravers, etc., which included artists who are now world famous such as Renoir, Degas, Pissarro, Morisot, and Cezanne. Monet said he’d called the painting “impression” because “it really couldn’t pass as a view of Le Harve”.
Louis Leroy, an art critic, in his review of the exhibition used the title of Monet’s painting as the headline, calling it the “Exhibition of Impressionists”. Leroy had meant it ironically as the term “impression” was used to describe a rapidly finished painting of an atmospheric effect, and artists rarely, if ever, exhibited pictures so quickly sketched. The label stuck. In his review published on 25 April, 1874, Leroy wrote,“Wallpaper in its embryonic (萌芽期的) state is more finished than that seascape.” Then in a supportive review published a few days later, Jules Castagnary was the first art critic to use the term “Impressionism” in a positive way.
1. What do we know about Monet’s Impression: Sunrise?| A．It was universally acknowledged as Monet’s best painting. |
| B．Leroy was deeply impressed by the painter’s remarkable skill. |
| C．The different tones of the three boats gave depth to the painting. |
| D．It was exhibited in the official annual art salon with 30 other artists. |
| A．The label met strong opposition from other art critics. |
| B．The label was stuck to the surface of Monet’s painting. |
| C．The label was not regarded as a positive image. |
| D．The label stayed and became widely used after that. |
| A．Monet. | B．Leroy. | C．Renoir. | D．Castagnary. |
| A．Impression: Sunrise gave Impressionism its name. |
| B．Critics had a disagreement over Monet’s painting. |
| C．Monet is a leading artist of Impressionism. |
| D．Impressionism is an appealing artistic style. |
6 . In Hollywood, few actors have experienced a career as diverse and prolific as Harrison Ford. From the fearless Indiana Jones to the charming Han Solo and the world-weary Rick Deckard, Ford’s portrayal (饰演) of iconic characters has left a permanent mark on cinema and pop culture. Yet, the irony lies in how many of his career-defining roles fell into this “late bloomer’s” lap by chance.
Born in Chicago, Harrison was discouraged from pursuing a career on the silver screen early on, having failed to land any significant parts. Instead, he turned to professional carpentry (木工) as a means to keep his family fed.
But fate had other plans. While working as a carpenter in Hollywood, Ford crossed paths with numerous celebrity clients such as Joan Didion and, most notably, director George Lucas, who hired him to build cabinets for his office. Little did Ford know that this chance encounter would lead to his breakthrough role as the charming Han Solo in Star Wars. Lucas was impressed by Ford’s presence and offered him the iconic role. In time, Ford rose to a star.
Ford’s next lucky moment came when he tried out for the role of Indiana Jones in a massive project by Lucas and Steven Spielberg, Raiders of the Lost Ark. Spielberg initially wanted Ford for the role, but Lucas was hesitant as he had already worked with Ford on Star War and 1973’s American Graffiti. Then the production team tried many other possibilities but without luck. Eventually, the role went to Ford, strengthening his status as a Hollywood legend.
The film series became a worldwide sensation, stimulating people’s imagination and inspiring a generation of future archaeologists. Over 40 years and four films later, Ford found himself completing the series with the fifth and final installment. Eighty-one-year-old Harrison received a five-minute standing ovation (鼓掌) at the Cannes Film Festival Premiere and picked up an honorary Palmed’ Or for his achievements.
Ford’s commitment to his career is evident as he said, “I love the work! My luck has been to work with incredibly talented people, to find my way into this crowd of geniuses.” Despite his legendary status in Hollywood, Ford’s humility shines through.
1. What does the underlined word “prolific” probably mean in paragraph 1?| A．Productive. | B．Fruitless. | C．Hard-earned. | D．Promising. |
| A．His lack of talent. | B．The uncertain prospect. |
| C．The dull industry. | D．His family opposition. |
| A．His good fortune. | B．His convincing acting. |
| C．His fine reputation. | D．His big circle of friends. |
| A．A rising film genius. | B．A humble carpenter. |
| C．A Hollywood legend. | D．A fearless challenger. |
7 . Famous American performer Chita Rivera died on January 30 in New York. She was 91 years old. The famed dancer, singer and actor won many awards and honors in her long career on Broadway and beyond.
Rivera first gained wide notice in 1957 as Anita in the original production of the musical play West Side Story. She was still dancing on New York’s Broadway stages a half century later in 2015’s The Visit.
“I wouldn’t know what to do if I wasn’t moving or telling a story to you or singing a song,” she said at the time. “That’s the spirit of my life, and I’m really so lucky to be able to do what I love, even at this time in my life.”
Rivera was born on January 23, 1933, in Washington, D.C. Her father was a musician. He died when Rivera was seven. Her mother was of Scottish and Italian ancestry (血统).
Rivera studied dance as a young girl and was accepted into a highly respected school for ballet. She was 17 when she won her first part in a musical.
She won two Tonys, the highest award for live theater in the United States. Her first came in1984 with the production of The Rink. She won again in 1993 for the play Kiss of the Spider Woman.
The second Tony was an especially sweet victory for the star. Just five years earlier, Rivera had been in a serious car accident that broke her right leg. It could have ended her career. After months of physical treatment to regain her dancing skills, she returned to the stage singing and dancing as energetically as ever. She said, “It never entered my mind that I wouldn’t dance again.”
When accepting a Special Tony Award for Lifetime Achievement in 2018, Rivera said, “I wouldn’t trade my life in the theater for anything, because theater is life.”
1. Why does the author mention the two plays West Side Story and The Visit?| A．To show respect for late Rivera. | B．To stress Rivera’s long art career. |
| C．To indicate why Rivera won honors. | D．To introduce the plays Rivera performed. |
| A．Art is everything to her. | B．She was sorry for her old age. |
| C．Art lifts her spirits when she’s in trouble. | D．She received good training in art. |
| A．Her leg. | B．The musical. | C．The accident. | D．Her award. |
| A．Independent and thoughtful. | B．Caring and curious. |
| C．Determined and talented. | D．Proud and confident. |
8 . Inside the low lighting of Gather East Rock, the smell of coffee beans swirls (打旋) through the air. Art adorns (装点) the blue walls, but one painting stands out among the others. The painting’s name is “Mother Divine”, by the artist Sarahi Zacatelco. The mother in question is a green woman, with colorful plants adorning her head and water dripping (滴下) down her neck. In every brushstroke, Zacatelco pays homage to the man who taught her how to paint: her grandfather Agustin.
Born in 1982, Zacatelco learned how to create art from her grandfather in Oaxaca. At the time, her grandfather lived with her while her mother worked. Together, the two spent hours going out to the central plaza in Juchitán, where she let her senses take over. “You can see the food, you can smell it, you can see the lady selling flowers, and you can see everything,” she recalled excitedly. When she was six years old, her grandfather gave her a piece of paper and watercolors and showed her how to put the colors on it. She hasn’t stopped making art since.
Zacatelco’s grandparents made chess pieces out of rocks and wood to sell. They also made Talavera pottery (陶器) pieces, which Zacatelco described as “a Baroque tradition” that one might see in old colonial (殖民地的) homes. She no longer has any of her grandparent’s Talavera —“the tradition was lost due to being poorly paid and a lot of effort going into each piece.”
In the 1990s, Zacatelco’s mother decided to move her family to give them a better life. She moved her children to Mexico City, then to the Bronx, and then to the Brownsville neighborhood in Eastern Brooklyn. The family moved to Fair Haven, where Zacatelco still lives, in 2001. She called it the perfect place to raise two boys and two girls. Her family did not keep any of her grandfather’s old art before he died. But his artistic spirit did not die with him. Zacatelco carries on his legacy today with her art.
1. How is paragraph 1 developed?| A．By testing an assumption. | B．By giving a description. |
| C．By making a comparison. | D．By analyzing a phenomenon. |
| A．He instructed her in watercolor painting. |
| B．He introduced sensory experiences to her. |
| C．He taught her to make chess pieces out of rocks. |
| D．He asked her to observe his creation of pottery pieces. |
| A．She wanted them to live a better life. |
| B．She needed to change jobs frequently. |
| C．She found their house was too small for them. |
| D．She wanted to relieve the pain of losing a loved one. |
| A．Art: comfort for imperfect lives |
| B．Baroque tradition: a dying art form |
| C．An artist’s first teacher: her grandfather |
| D．An artist’s moving experiences: sources of inspiration |
9 . Lying on London’s famous Millennium Bridge, British artist Ben Wilson paints on a piece of dried gum (口香糖). It has been crushed flat into the ground. “The important thing is that there are tire marks on the gum with different patterns,” said the 60-year-old Wilson. “The beauty of them is that they’re of different shapes and sizes…” he continued, describing pieces of gum.
Wilson sees possibility in things most people avoid looking at. The flattened gum offers a chance to turn a piece of waste into something beautiful. The artwork is also a way to surprise walkers and get them to take a closer look at the path they are on.
“By painting a picture which is so small, I can let those who see it discover a hidden world beneath their feet,” Wilson said.
Back in his north London art room, Wilson paints on the surface of a small mosaic tile (瓷砖). It will be part of a collection that he is creating on the walls of London’s underground platforms. “The images are more personal than the chewing gum works,” Wilson says, “and represent a kind of visual diary.”
Wilson was born to artist parents in London. He remembers working with clay from the age of three. He had his first art show when he was around 10 years old. He began making sculptures and large pieces for display in natural settings. Then his interest turned to waste. He has been painting on gum and other pieces of rubbish for 19 years.
The top surface of the dried gum is not subject to local or national laws. As a result, the dried gum surface creates a space, where Wilson says he can paint without damaging public property.
Government officials have removed much of the artist’s public street art. But the hundreds of gum paintings on Millennium Bridge remain for all to see.
1. What is the dried gum like in the eyes of Wilson?| A．Dirty. | B．Strange. | C．Practical. | D．Attractive. |
| A．He creates a hidden world. | B．He keeps a diary with drawings. |
| C．He reminds people to walk carefully. | D．He makes the ugly become beautiful. |
| A．His great language talent. | B．His artistic career. |
| C．His unusual childhood. | D．His parents’ artistic achievements. |
| A．Some of them are protected by law. | B．All of them are not kept well. |
| C．They are valued by officials. | D．They polluted the streets. |
10 . Pablo Picasso was probably the most famous artist and one of the greatest creative minds of the 20th century. This great artist lived more artistic lifetimes than any of his peers. During his 75-year career, he produced thousands of works, not only paintings but also sculptures, prints, and ceramics, using a wide variety of materials. He almost single-handedly created modern art, changing art more profoundly than any other artist of his century.
Born in 1881, in Spain, Picasso was a child with great talents, completing the one-month qualifying examination for the Academy of Fine Arts in Barcelona in one day at the age of 14. After finishing his studies in Barcelona, the artist continued his training in Madrid but later returned to Barcelona. There began his “blue period”, so named for the dominant blue tones in the artist’s paintings. During this time, he moved frequently between Barcelona and Paris. In Paris, he spent his days studying the masterworks at the Louvre and his nights with other artists at night clubs, during which time he became fascinated with the circus world’s acrobats and wandering performers. This marked a radical change in color and mood for the artist. He began painting in subtle pinks and grays, often highlighted with brighter tones. This was known as his “rose period”.
The peak of Picasso’s creativity is evidenced in his pioneering role in Cubism. In 1907, he painted Les Demoiselles d’Avignon, a Cubist painting which changed 20th century art completely. In it, the artist and viewer look at the subjects from many different angles at the same time. Picasso and French painter Georges Braque were the leading figures of the Cubist movement. For Picasso, the 1920s were years of rich artistic exploration and great productivity. He designed theater sets and painted in Cubist, Classical styles. In the last decades of his life, he still experimented with new methods of printing and painted a series of variations of old master paintings. He died in France in 1973, at the age of 91. His powers of creativity and execution continue to astonish artists all over the world.
1. How are Picasso’s early paintings categorized?| A．According to their subject matter. |
| B．According to where he lived and worked. |
| C．According to the colors he used. |
| D．According to the trainings he got. |
| A．Picasso was accomplished in a number of media. |
| B．Picasso was primarily an accomplished painter and illustrator. |
| C．Picasso was an artist who was known for a limited number of works. |
| D．Picasso was an artist who had the longest life span. |
| A．Picasso’s reputation exceeded other artists of the period. |
| B．Picasso was a solitary genius, unconnected to others of the period. |
| C．Picasso’s genius failed him in the later years of his life. |
| D．Picasso’s genius astonished artists all over the world after his death. |
| A．To explain the reasons for Picasso’s creativity. |
| B．To describe the major periods that marked Picasso’s artistry. |
| C．To compare Picasso with other painters and styles of the period. |
| D．To stimulate modern artists to learn from Picasso. |
