1 . The exact location in France where Dutch master Vincent van Gogh painted his last work of art has been discovered.
A Dutch researcher figured out that a scene described in the artist’s last work, Tee Root, was visible on a postcard showing a man standing next to a bicycle on a back street of the village Auvers-sur-Oise. Van Gogh spent the last weeks of his life in the village. Helpfully, the card even included the name of the street.
Researchers were given a unique glimpse (体验) into the famous painter’s final hours. He was at work right up to the end.
Wouter van der Veen, scientific director of the Van Gogh Institute in France, made the discovery. While stuck at home, van de Veen used the extra time to organize the numerous files and documents on van Gogh, including images such as the old postcard from Auvers-sur-Oise. One day in late April, he saw the card on his computer screen and it suddenly struck him that he was looking at the location of Tree Roots. Next to the man and his bicycle, roots and trees are clearly visible. He took a virtual trip down the site using Google’s Street View.
“Villagers know the spot and the main tree root well, even giving it the name ‘the elephant’ because of its shapes,” van der Veen said. “It was really hiding in overt sight.”
The discovery provides tourists with an extra reason to visit Auvers-sur-Oise. “They travel a lot just for one reason — to walk in the footsteps of Vincent van Gogh. Now they can stand at the very place where he painted his last painting,” van der Veen said. “And that’s a very moving thing for a lot of people. So I’m very happy to be able to share that with all those who love van Gogh.”
1. What is paragraph 2 mainly about?| A．What the postcard revealed. | B．How Tree Roots was discovered. |
| C．Why Auvers-sur-Oise became known. | D．Where van Gogh painted his works. |
| A．He studied a picture of Auvers-sur-Oise. |
| B．He organized his data on van Gogh. |
| C．He traveled to France to see for himself. |
| D．He paid a visit to the spot online. |
| A．Mixed. | B．Obvious. | C．Lovely. | D．Strange. |
| A．They enjoy exploring how to paint. | B．They share their love for van Gogh. |
| C．They admire van Gogh very much. | D．They want to experience the life there. |
2 . The moment he saw an organ, Wolfgang Amadeus Mozart knew what to do with it, Aged six, already skilled at the clavier（键盘乐器）, he came across pedals （踏板） and stops for the first time in an Austrian church. Within moments he was playing an accompaniment and composing on the spot freely. In the following year, 1763, an official in Heidelberg was so astonished by his organ-playing that he had a plate carved for his church to mark the boy's visit. Mozart composed his first symphony at eight.
Youthful promise often declines. With Mozart the opposite was true. Through him classical music may have found its most ideal expression. As Jan Swafford writes in his outstanding biography, Mozart's compositions displayed “a kind of effortless perfection so easily worn that they seem almost to have written themselves”. He drafted quickly, often without needing to revise. He “could express delight by the yard”. A man of his time, Mozart was equally at home composing for the concert salon or the opera stage.
He is the subject of many biographies, but the leading one, by Hermann Aber, is 100 years old and 1, 600 pages long. Safford, himself a composer and a programme-writer, offers an updated and authoritative life, easy to understand, beautifully written, and full of critical judgments and sharp notes on the works.
Mozart' s way with melody （旋律） and keen view of human nature-his letters reveal an almost Dickensian ability to paint characters-combined to promote opera from desserts to a serious medium, the author argues. “His wisdom, his ability to observe people and their weaknesses, his fascination with the craze for love - al this made him the perfect composer" of the form, Mr Swafford thinks.
He was admired in his time. Most of his music stuck to conventional structures yet went over the heads of the average listener. Legend has it that his most important fan, Emperor Joseph II, reacted to one performance with an impressive comment: “Too beautiful for our ears, my dear Mozart!”
1. What does paragraph 1 mainly discuss?| A．The true origin of the symphony. |
| B．Musical instruments in Mozart's time. |
| C．Mozart's remarkable talent for music. |
| D．A friendship between Mozart and an official. |
| A．They sounded perfect. | B．They expressed his criticism. |
| C．They were created hurriedly. | D．They should be performed outdoors. |
| A．By comparing contemporary musicians' works. |
| B．By giving professional and accessible comments. |
| C．By including the remarks of Emperor Joseph II. |
| D．By referring to other writers' constructive advice. |
| A．Creating music for folk stories. |
| B．Inspirations for Dickens' works. |
| C．Reforms of conventional structures. |
| D．Transforming opera to a serious art form. |
