1 . Contemporary artist Nick Smith creates pixelated (像素化的) works with hand colour-chips, synonymous with colour swatches (色块), cleverly combining text and image to create interesting and fascinating collaged (拼贴的) works.
With a previous career in Interior Design spanning 11 years, Nick references his concept design background throughout his work, reworking the design aesthetic using unique colours watches in hand-made collages, placing his work firmly in the fine art category. From his first collage experiment back in 2011 of Warhol’s ‘Marilyn’, when he assembled a tessellation (镶嵌技术) of swatches as a challenge, this eventually inspired his career as an artist and determined his unique style he is now known for.
The multi-layered element of his work, which marries image and word, allows Nick to explore complex art-historical concepts. The text employed is often narrative, which can be read in sequence adding another element of intrigue and interest to the work. This additional element of text, placed under the empty space of each swatch, creates either complimentary or subversive meanings. Nick deliberately leaves these word/image constructions open to viewer interpretation, sparking new debates and meanings.
Each P-series, such as Psycolourgy 2015, Purgatory 2019, explores complicatedly researched concepts, which are always the crucial starting point for each new series of work.Producing large-scale works to micro-chip collages, and multiple sell out print editions, Nick continues to develop his popular and recognisable art.
PSYCOLOURGY—January 2015 Lawrence Alkin Gallery,London
Smith’s debut solo exhibition with Lawrence Alkin Gallery in Soho, London , launched his unique visual reworking of classic paintings from the 20th Century canon. Universally known works, including David Hockney’s’ The Bigger Splash’, Andy Warhol’s Soup Cans’ and Leonardo da Vinci’s ‘Mona Lisa’ were all recast, creating original collages that enquire ideas of depiction, digitalisation and recognition. A sell out show, with numerous successful subsequent print releases, Psycolourgy forged Smith’s path to a place among Britain’s notable contemporary artists.
PURGATORY-December 2019 Context，Art Miami
Purgatory is a shiny , sticky, glossy exploration of our societies attitude and approach to our excess,addictions and desires.
Excerpts from Dante’s Purgatory are woven through colourful works depicting popular covetable consumables, creating symbolic representations of the seven sins. Dante explores possible penance (悔) for our earthly suffering leading to spiritual growth. The results of these pairings offer a humorous, nostalgic and subversive opportunity to question our choices.our history and our future.
1. What made Nick launch his art career?| A．His deep love of fascinating collaged works. |
| B．His first collage work Warhol’s ‘Marilyn’ |
| C．The challenge of piecing a tessellation of swatches. |
| D．The collage experiment dating back to 2012. |
| A．His text contains concepts of art. |
| B．His text is usually illustrative. |
| C．His text can be read sequentially. |
| D．His text elements are very simple |
| A．It opened Smith’s unique visual reinvention of classic 21th-century paintings. |
| B．David Hockney’s’Mona Lisa’ has been recreated by Lawrence Alkin Gallery. |
| C．The original collages affirm the ideas of depiction , digitisation and recognition. |
| D．It opened Smith’s path to becoming one of Britain’s leading contemporary artists. |
| A．Some useful ways to create collaged works. |
| B．The life of contemporary artist Nick Smith. |
| C．Information about Psycolourgy and Purgatory. |
| D．The introduction to Nick Smith’s works. |
2 . “He is a giant of the 20th-century art, but that doesn’t mean he only did big paintings, said Lynn Miller, director of Rochester Central Gallery, in an interview last Thursday.
Entitled “Picasso and His Drafts”, a special exhibit marking 50 years since the death of Pablo Picasso is held at the gallery this month. Instead of his paintings, the notebooks on which the Spanish legendary artist drew drafts are shown to the public for the first time.
Matchbox covers, postcards, restaurant napkins all served as drafting notes for the artist at moments of inspiration. It is important to know that each of the 14 notebooks presented reflects what was going on in his life.
For example, a tiny notebook whose size is just 3 by 5 inches stands out among the exhibits. Inside the little book was a self-portrait of the artist finished roughly in pencil, with deep and thoughtful eyes. It was done in 1918 and Picasso, then in his mid-30s, had just got married. He produced big-sized artworks but he also kept this tiny notebook around, filling it with scenes of his wife, their friends, the beach and the town, and drafts of upcoming paintings. Actually, many of the draft drawings are early versions of famed paintings like Les Demoiselles d’Avignon (1907) and Dora Maar in an Armchair (1939).
“He is a great artist of the modern period, and we see practice and determination in his notebooks,” said Lynn Miller, referring to Picasso’s efforts in improving his skills through copious drawing. Bernard Ruiz-Picasso, a grandson of Picasso’s, remembered him always drafting until the last piece of paper available. “My grandpa was permanently drawing something,” Ruiz-Picasso said.
In a documentary film shown at the gallery, Picasso, shirtless and in shorts, was standing on a ladder to reach the top of his canvas (画布). It reminds visitors of the real size of his masterworks.
1. What are the key features of the recent exhibit at the gallery?| A．Notebooks for sale. | B．Picasso’s artworks. |
| C．Priceless artistic drafts. | D．Masterpieces of the 20th century. |
| A．His life experience. | B．The love for his country. |
| C．The content of his books. | D．His education background. |
| A．Creative. | B．Diligent. | C．Optimistic. | D．Humorous. |
| A．Picasso used to mind his appearance. | B．The gallery exhibits real masterworks. |
| C．The documentary movie is worth seeing. | D．Picasso’s artworks are actually of great size. |
3 .
15 TH OCT 2023 CULTURE Gazelle Twin, a composer, producer, and musician, opens up about being a conceptual artist and establishing a unique identity ahead of the release of her new album (专辑), Black Dog.  Q: Would you describe your music as conceptual? A: Conceptual is a good term. I don’t make music just for the sake of making music. My records are inspired by themes. I spend a considerable amount of time before writing the music, learning about subjects related to the theme. Then I work on the structure of the album. Ideas can change. For example, Black Dog was originally about ghosts (幽灵), but I ended up with an album about my childhood experiences, through to adulthood and parenthood, and the anxiety and fear that has been with me during that time. Q: Throughout the album, there is a sense of an observer. Is that person yourself, or another presence? A: Both. There is the voice of depression and anxiety, and also this other person you know is always there. I thought of having this ominous presence (不祥之兆) around you. There is also that sense of being out in the world, as a woman, aware of my vulnerability (脆弱). For example, just going for a walk is never simple. We have to build protective instincts around ourselves. Q: When you started out, did you have any idea of the kind of artist you wanted to be? A: I knew I didn’t want to fit a fixed style or be restricted by being female. I wanted to be flexible. I like to think in scale and of more than I can achieve as one person. I like artists with unique identities. Q: What would be your advice to anyone with ambitions to become a musician? A: Follow your instincts. Put yourself out there without pressure to be “finished”. Absorb things, experiment, and allow yourself to follow a journey where you don’t know where you will end up. Being successful commercially takes a team and time. You have to love it and be in it for the long journey. Q: Fast forward ten years, where do you want to be? A: I would love to carry on following my instincts and making albums. I would like more of a collection of TV and film scores because I enjoy writing scores and cooperative work. |
| A．Her records are usually about ghosts. | B．The album’s structure is a top priority. |
| C．The word “conceptual” itself is attractive. | D．Her music is highly motivated by themes. |
| A．spiritual growth | B．vivid imagination |
| C．inner self-awareness | D．external intervention |
| A．She tends to take the bigger picture into account. |
| B．Her future planning is profit-driven to some extent. |
| C．Black Dog has already become a hit album worldwide. |
| D．She expresses willingness to help the potential musicians. |
4 . To create “Washed Up: Transforming a Trashed Landscape”. Alejandro Duran gathers plastic trash that is washed up on the beaches of Sian Karan, Mexico’s largest federally-protected reserve. The site is also a UNESCO World Heritage site.
Yet every day, plastic pollution from around the world is washed up onto its shores. These materials inspired Duran to create a series of environmental art pieces, which he re-cords with photos and videos.
Duran was born in Mexico City and is now based in Brooklyn. He said that he had been collecting materials and creating photographs for the past five years, and the work was ongoing. “The project will tell me when to stop.”
Each piece can convey a vastly different mood, from the calm greens of soda bottles to the playful rainbows of toothbrushes. “I’m making art,” said Duran. “It comes from the context and my moods. You can’t say only something dark.” The work reflects and plays with natural forms, exploring how humans influence the environment. The colorful and playful images can be much attention-grabbing. “Beauty is a hook (钩子) to attract people’s attention,” said Duran.
In addition to promoting awareness of the plastic pollution problem, Duran is also involved in educational programs and helps to organize beach clean-ups. He has also made a study of the types of products that are washed ashore in Sian Ka’an, and has identified objects from 50 different countries. Although there’s no way to know where or how these objects were dropped into the sea, their labels show the global nature of the problem.
1. What does Alejandro Duran do with the trash?| A．He moves it away. | B．He collects and burns it. |
| C．He turns it into a form of art. | D．He puts it together for people to see. |
| A．He will stop the project soon. | B．It’s hard to carry on the project. |
| C．He will go on with the project. | D．The project is important to him. |
| A．recycle the trash | B．change his career |
| C．clean up the beach | D．raise public awareness of pollution |
| A．Plastic pollution in the ocean. |
| B．An artist creating environmental art. |
| C．The global nature of the pollution problem. |
| D．Mexico’s largest federally-protected reserve. |
5 . Deafblind artist Tony Giordano led an adventurous life, traveling and playing sports, before completely losing his sight and hearing in 2018. “I was into everything. I loved adventures.” the Brooklyn native said during a Newsday interview on Tuesday.
After learning to communicate using sign language, Giordano wondered what to do next after his sight and hearing losses. While reinventing his life, Giordano said getting into art was not something that crossed his mind at first. But after taking a creative arts class at the North Shore facility, Giordano began to discover he enjoyed it. Drawing on his nearly 30 years of experience as an auto mechanic, his welding(焊接) skills and various bursts of inspiration, Giordano began pouring himself into what’s become his specialty — designing metal sculptures.
More than a year later, Giordano now is getting recognition for his art pieces. In December, Giordano made his first sale of a sculpture, a larger-than-life hand made of copper pipes and titled “I Love You” to artist and collector Jennifer Contini for $1,000. While proud of selling his first art piece, Giordano — who also repairs bicycles at a bike repair shop in St. James — admitted it made him a bit sad.
“His work ethic is really incredible,” said Antonia Isnardi, Giordano’s art teacher. “Learning sculpture is really tough, requiring enormous attention and patience. He could easily say ‘I lost my vision. I can’t do this’, but he keeps fighting. He perseveres in everything and is willing to try something new to improve in any way.”
Giordano will leave the Port Washington center this year and return to his home in the South. But he said he considers art his next adventure and hopes his sculptures will be a way to spread a positive message about the capabilities of the deafblind community.
1. What inspired Giordano to go into art?| A．Artistic inspiration. | B．A teacher’s encouragement. |
| C．A creative art class. | D．Previous working experience. |
| A．Frustrations in his life. | B．Difficulties for him in sculpturing. |
| C．His strong will in learning. | D．The art teacher’s remarks on him. |
| A．Wealthy and honest. | B．Creative and determined. |
| C．Grateful and generous. | D．Adventurous and humorous. |
| A．An art textbook. | B．A local newspaper. |
| C．A travel brochure | D．A literature review. |
6 . Matilda Browne (1869-1947) was a successful artist in the early 20th century. Unfortunately, few people know her name or her art today.
Matilda Browne showed promising artistic talent early in her life. Growing up in Newark, New Jersey, she got an introduction to art by watching her neighbor, painter Thomas Moran. Her parents supported their budding young artist.
Browne loved to paint animals, especially cows and other animals.
Matilda Browne quickly became a respected and successful artist. Her list of honours opened doors that would have been otherwise inaccessible for a female artist of her time. As an adult, she moved to Connecticut, where she painted in Old Lyme.
Browne was a successful artist throughout her life. She won numerous awards and exhibited in many important shows. However, very few people know about her today. This is a more common story for female artists than one might think. So, why has Browne faded into being unknown?
| A．She was the only woman accepted into the male artists’ circle there. |
| B．It was her artistic style that hadn’t aroused people’s interest. |
| C．Her impressive skill brought her under everyone’s notice. |
| D．She also painted many flowers in colorful garden landscapes. |
| E．It could result from her double minority — in gender and nationality. |
| F．Her mother took her to Europe for training while she was quite young. |
| G．Either way, her great skill as a painter made these other artists take notice. |
7 . This painting Spring Bouquet has a precise structure. The flowers spill over into the lower left-hand corner, with an imbalance as free and as wild as nature. But at once the artist responds to this unbalance. To the right of the vase, Renoir has developed a heavy shadow area, rich in purples and sharply contrasted with the light below it. The placing of the straight line in the lower right side is necessary. If the reader covers this line, he will see that the composition becomes unbalanced.
The Impressionist technique had not yet developed when Renoir painted this picture. Yet the painting with light and color indicates Impressionism is around the corner; there is something of that school in the feeling of the out-of-doors that Renoir has acquired. The texture (纹理) of the flowers is described. Above all, one can’t help saying the very nice smell of the flowers is there, too.
Pierre-Auguste Renoir was born in 1841. He began working as a young painter of porcelain and textiles. At age 21, Renoir entered the École des Beaux-Arts in Paris and went on to study under the instructions of painter Charles Gleyre’s. Even though his paintings had been initially rejected by the Academy and the public, with time he became one of the most admired artists of his generation.
Unfortunately, in 1899, he was diagnosed with rheumatoid arthritis (风湿性关节炎). It is a disease that causes a lot of pain. In addition, the person affected by it may also have deformities (畸形). Consequently, his movements became very limited and each movement was a big and certainly painful effort.
His son, Jean Renoir, writes in the book Renoir, My Father after his father passed away, the reaction of the people to the painting of the father, after seeing his hands:
Visitors who were unprepared for this could not take their eyes off his deformity. Though they did not dare to mention it, their reaction would be expressed by some such phrase as “It isn’t possible!” With hands like that, how can he paint those pictures? There’s some mystery somewhere.
1. What can readers see in the painting?| A．A vase in the left corner. | B．A shadow to the vase’s right. |
| C．A straight line at the bottom. | D．A natural light in the middle. |
| A．The painting material. | B．The color choice. |
| C．The smelly flower taste. | D．The impressive feeling. |
| A．Renoir, My Father. | B．Spring Bouquet. |
| C．Rheumatoid arthritis. | D．Renoir’s bravery. |
| A．Patience Is a Lifetime Practice | B．Pain Passes, but Beauty Remains |
| C．Impressionism Is a Unique Technique | D．Work hard, and You Will Catch Up |
8 . Robert Frost was an established American poet. Frost spent most of his life in the northeastern United States, which heavily inspired his poetic images. He used to take up different occupations before being able to make his living as a poet. Frost worked at a factory and as a teacher, and a farmer while he wrote poems and submitted to various magazines and publications. Frost studied at Dartmouth College and Harvard, but he quitted both without receiving degrees.
In 1912, Frost moved to England, and it was there that he published his first two collections of poetry. When he returned to the U. S. a few years later, he was a recognized poet. Frost and his family moved to a farm in New Hampshire. He soon published his third collection of poetry, which contained many of his best-known poems, such as The Road Not Taken and Birches. These poems showed a deep appreciation for the beauty and wisdom of the natural world and a drive for spiritual understanding. Frost’s down-to-earth approach made it easy for readers to relate to his personal experience.
By the end of his lifetime, Frost had become a famous and beloved American poet. His poems describe the everyday details of rural life and reveal his complexity, independent spirit, and often humorous view of the world. Frost’s biographer (传记作者) wrote of him:“He was a loner who liked company; a poet of isolation(孤独)who sought a mass of audience; an outsider who sought to fit in; while preferring to stay at home, he traveled more than any poet of his generation to give lectures and readings, even though he remained frightened of public speaking to the end. ”
1. Frost first worked at other jobs while writing poetry because he _______| A．enjoyed having a job as well as writing | B．wanted to contribute to his community |
| C．felt that working made him a better poet | D．didn’t make money from his poetry at first |
| A．He wrote about traveling around. | B．His poems contained nature themes. |
| C．His poems had animals as characters. | D．He described the difficulties of hard labor. |
| A．Natural and fresh. | B．Sensible and practical. |
| C．Flexible and direct. | D．Traditional and formal. |
| A．poets of Frost’s time didn’t like giving a lecture |
| B．Frost’s poetry is very complex but entertaining |
| C．there is apparent contradiction in Frost’s character |
| D．Frost’s biographer wasn’t honest about his experience. |
9 . “In the future, everybody will be famous for 15 minutes,” said US artist Andy Warhol (1928—1987). And he is quite right. Now it seems that anybody can become an instant online celebrity.
Warhol is best noted for his paintings that represent celebrity faces and US consumer goods, like Coca-Cola bottles or Campbel’s soup cans. As a great influence on the twentieth century pop art movement, Andy Warhol rose to become a cornerstone in the contemporary art world, devoted to bringing his views on materialism, politics and economics to the art. Actually, the visual world Warhol created is directly connected to his background.
In the mid-1950s, the working class gathered a great deal of fortune. They wanted to achieve a higher status in society. The consumer goods and Hollywood faces are a “working-class-coded iconography (肖像；意象) that is often misinterpreted as generally ‘American’.” Anthony E. Grudin, author of Warhol’s Working Class commented. Reproducing these themes in his work meant that people outside of the art world could immediately connect with Warhol’s pictures. Considered “a creature of transformation”, Warhol constantly explored with different forms of media to evoke resonance among people.
For example, in addition to being a painter, Warhol was, in the words of UK writer Peter Wollen: “A filmmaker, a writer, a photographer, a TV soap opera producer.” Warhol, in short, was what we might call a ‘Renaissance (文艺复兴) man’, even though he was a leader in pop or perhaps post-modern art.”
In his later years, he founded Interview Magazine and wrote several books, including The Philosophy of Andy Warhol. But UK artist Gillian Wearing said, “Warhol left his mark in many more ways than his actual work.” Warhol’s works are all about “America, money, fame and death”, UK writer Jon Savage remarked. “He summed up, defined and in many ways symbolized the world in which we now live.
1. What’s Andy Warhol’s purpose of creating his paintings?| A．To highlight Renaissance style. | B．To attain fame and higher status. |
| C．To combine art with materialism. | D．To challenge traditional art forms. |
| A．Popular drinks. | B．Average people. |
| C．Commercial products. | D．Living scenes of working class. |
| A．Inspire connection. | B．Receive recognition. |
| C．Raise inspiration. | D．Gain sympathy. |
| A．Creative and critical. | B．Conservative and realistic. |
| C．Optimistic and encouraging. | D．Constructive and multi-talented. |
10 . Last summer, a video from Cardiff showed opera coach Mary King wet-eyed during the finals of BBC Cardiff Singer of the World.Who had moved her to tears? Mongolian baritone (男中音) Ariunbaatar Ganbaatar, towering, broad-shouldered, with a huge smile and a mighty voice, the 29-year-old sang Rossini,Verdi and Tchaikovsky and charmed everyone, including the judges, who declared him joint winner of the Song prize. “There was something so imposing about the sound,” King said. “Contained and glorious. It’s very unusual to find this combination of presence, power and effortlessness.”
Ariunbaatar doesn’t have a typical background for a contestant in one of the world’s most celebrated opera contests. He grew up in the traditional Mongolian way, living in circular tents with his nomadic (游牧的) family. As a child, he rode some 60 miles a day, and he was always singing. He won a place at university in Ulaanbaatar but dropped out after two years when he couldn’t pay the fees, became a taxi driver and one night got chatting to a customer who happened to be the chief of police. Long story short: he joined Ulaanbaatar’s police orchestra, worked his way back to university, then onwards to the grand opera houses of Russia and Europe.
That backstory aroused my curiosity — so much so that three months later I was on a flight to Ulaanbaatar with a radio producer and suitcase of audio equipment. I had the same basic knowledge many westerners share about Mongolia: Genghis Khan, Gobi desert, furry camels, wild horses, wonderful throat singers. My guidebook described a proud nation. “It is rude to turn down an offer of horse’s milk,” I read, “for it is considered a gesture of friendship.”
International wins have made Ariunbaatar famous at home. Politicians hope his career will secure Mongolia’s position on the opera map-portraying it as a modern nation. He says he has no intention to leave Mongolia. His family still travel on the plain, still ride on horseback, still packup their tents to follow new grasslands. “Being with them on the land is what gives me inspiration to sing.” he says. “Wherever I am, that is what I imagine when I sing.”
1. Ariunbaatar won the Song prize mainly because of| A．his command of different songs. |
| B．his charming appearance. |
| C．his unusual background. |
| D．his impressive sound. |
| A．He was admitted to a university for the first time. |
| B．He became a member of the police orchestra. |
| C．He moved Mary King and got the big prize. |
| D．He was raised in the traditional Mongolian way. |
| A．He cares little about fame. |
| B．He hopes to become better known. |
| C．He wants to give his family a better life. |
| D．He draws inspiration from the horses. |
| A．How Ariunbaatar became a famous star. |
| B．An introduction to an opera singer. |
| C．Why the author travelled to Mongolian. |
| D．A video about a celebrated opera contest. |
