Few discoveries are as amazing as discovering the Terracotta Warriors in Xi’an. But behind the lifelike masterpieces, there is a group of experts working hard
Lan Desheng, 52, is among the
Lan said that most of the Terracotta Warriors showed signs of decay (腐化) after being buried for thousands of years, which was made
2 . Cultural heritage sites are a nonrenewable resource. Today architectural heritage sites are being destroyed at an alarming rate. They’re threatened by rising seas, pollution, overtourism, conflicts and so on. Recently, Notre Dame Cathedral has attracted international attention.
Since its main construction from 1163 to 1350, Notre Dame Cathedral repeatedly has been damaged and repaired. On April 15, 2019, the landmark’s roof caught fire, causing the collapse of its spire (尖顶) and upper walls severely damaged. Work on the site began quickly. Through the work of photographer Tomas van Houtryve, writer Robert Kunzig, and artist Fernando Baptista, people will see restoring scenes where ruins are cleared and statues saved. Even the COVID-19 pandemic caused only a two-month delay. Architects have said the expensive project is on track to be completed in 2024.
And thorny questions arise. What duty do we owe the creations of our ancestors? What lesson can we draw from their presence?
Humankind has answered that differently. In Dresden, Germany, the Frauenkirche, an 18th-century baroque church, was famous for its bell-shaped dome (穹顶). In February 1945, one of the most destructive bombing attacks of World War II reduced the city to ruins. After German reunion, the church was reconstructed using many of its original stones, as a symbol of peace and harmony. Berlin’s Kaiser Wilhelm Memorial Church also fell to bombing but had a different story. Its spire has been left a ruin on purpose to be a “warning monument” against war and destruction.
Like the Frauenkirche, Notre Dame is being rebuilt as close as possible to how it was before, including using the original, toxic metal — lead (铅) — for the roof, causing the debate about how to restore and maintain historic buildings. Actually, no one claims to have the “right” answers on preservation; there may not even be right answers. What people could do is to continuously monitor the global care of cultural heritage sites, as a matter of significance to humanity’s past, present, and future.
1. What do we know about Notre Dame Cathedral?A.It was once threatened by conflicts. |
B.It collapsed totally during a fire decade ago. |
C.It has undergone repeated repairs since 1163. |
D.It was not influenced by the COVID-19 pandemic. |
A.Simple. | B.Tough. | C.Accurate. | D.Attractive. |
A.To remind people the value of peace and harmony. |
B.To warn people the influence of war and destruction. |
C.To demonstrate different solutions to heritage site preservation. |
D.To introduce reconstruction methods such as using original materials. |
A.Cultural heritage sites are nonrenewable so that they are worth protecting. |
B.Notre Dame Cathedral has been the most attractive heritage site globally. |
C.The reconstruction of cultural heritage sites seldom causes disagreements. |
D.The reconstruction of Notre Dame Cathedral after fire has been completed. |
As the most
Beijing Opera combines wonderful performance with fine costumes and makeup. The unique
Color patterns are painted on the performers’ faces, especially on their eyebrows, eye sockets and the corners of their mouths. The face colors are connected with the characters’
Up to now, the art of Beijing Opera “Lianpu”
4 . Chinese state media has praised a viral video series telling the story of a jade teapot coming to life and escaping from the British Museum to make its way back home.
The set of three short episodes, entitled Escape from the British Museum, shows the teapot turning into a young woman in a green dress, who then asks a London-based Chinese journalist to help her reunite with her family.
The plot line taps into growing Chinese criticism (批评) of the British Museum after reports last month that more than 1, 500 priceless objects were missing, stolen or damaged.
In August the state media Global Times called for the return of Chinese artefacts from the museum “free of charge”. “The huge loophole (漏洞) in the management and safety of cultural objects in the British Museum have led to the falling of a long-standing and widely spread claim that ‘foreign cultural objects are better protected in the British Museum’,” it said. It strongly supported the video series for touching on a “powerful message” about the importance of cultural heritage and reflecting “Chinese people’s eagerness for the return of the Chinese cultural relics”.
State broadcaster CCTV also gave the short films a glowing review saying: “We are very pleased to see Chinese young people are passionate about history and tradition. We are also looking forward to the early return of Chinese artefacts that have been displaced overseas.”
The museum incident made headlines around the world and revived earlier demands by the Chinese media to restore the country’s relics.
The new three-part show has set off a wave of nationalism among viewers, with many praising the creative plot that reduced them to tears by showing how the teapot experienced the happiness of returning to China to see pandas and watch a flag-raising ceremony on Tiananmen Square. “May all the cultural relics abroad return home as soon as possible!” said one of tens of thousands of people who commented on social media sites.
1. What can be learned about Escape from the British Museum?A.It is filmed by the state media. |
B.It consists of three short episodes. |
C.It is supported by the British Museum. |
D.It shows how a green princess makes her way home. |
A.Goes against. | B.Agrees with. | C.Makes use of. | D.Brings about. |
A.Disapproving. | B.Objective. | C.Tolerant. | D.Supportive. |
A.The reputation of Chinese artefacts worldwide. |
B.The irresponsibility of the British Museum missing a teapot. |
C.The influence of Chinese state media on the global viewers. |
D.The popularity of the series about the return of Chinese relics. |
The traditional Chinese lunar calendar divides the year
The snow in North China may last a whole day, breaking tree branches and blocking the road. The natural scenery is “ice blockading for hundreds miles and snow flying through thousands miles”.
The plum blossom, which
During this period, Chinese people watch for outbreaks of respiratory illness,
The term Xuan paper was first introduced in the book On Famous Paintings through the Ages by Tang Dynasty (618-907) scholar Zhang Yanyuan. In his book, Zhang described Xuan paper as an idea
The traditional craft of making Xuan paper is
The flow of ink, both guided and resisted by water, determines the output of Chinese art, and Xuan paper stands out with its exceptional ability
Xuan paper
Acupuncture (针灸),
Acupuncture is an
Practices can vary in forms, including needle insertion, cupping and scraping. Needle insertion is carried
Acupuncture has been considered effective, particularly when
As an ancient Chinese medical practice, acupuncture has earned
8 . On April 18—the International Day for Monuments and Sites, China Daily’s digital employee Yuanxi and Dunhuang Mogao Grottoes’ official virtual carto on figure Jiayao together introduced an interactive digital platform that hosts a virtual copy of the Mogao Grottoes’ Library Cave (藏经洞) to the world.
The platform was developed jointly by the Dunhuang Academy and the Chinese tech firm Tencent. It uses gaming technologies to show the historical scenes of the Library Cave in the digital world.
The Library Cave in Mogao Grottoes was discovered in 1900, with more than 60,000 cultural relics dating from the 4th century to the 11th century unearthed. It was one of the most important archaeological discoveries in the 20th century.
On the platform, visitors can role-play and “time travel” to ancient dynasties and talk with eight historical figures. The public can enter the platform through the Digital Dunhuang website and its WeChat mini program.
In the digital age, the model of “culture+technology” has been introduced to facilitate the development of Chinese culture. The digitalization rate of China’s precious cultural relics is now over 70 percent, according to the 2022 China Digital Collection Industry Research Report released by iResearch.
Institutions such as the Palace Museum have also started online digital services of their own. Artificial intelligence (AI) technology allows the public to view the interior of the buildings through the Palace Museum’s WeChat mini program.
The Ministry of Culture and Tourism has also encouraged the development and transformation of cultural intellectual property (知识产权) by digital means. China Central Television has created a series of digital collections with different Dunhuang themes, such as the Dunhuang divine deer (神鹿) Youyou. It was created based on the image of the nine-colored deer from Dunhuang murals (壁画). The public can see the divine deer on CCTV’s own digital platform.
Digital collections cater to the consumption habits of young people, who grow up in the information age. They not only protect the intellectual property of the collections but also bring the public closer to China’s “excellent traditional culture”, noted Dunhuang Art Institute.
Su Bomin, director of the Dunhuang Academy, told Xinhua that more efforts will be made to explore new forms for showing cultural relics and offer the public greater cultural experiences to develop Dunhuang culture.
1. Which of the following statements about the virtual copy of the Mogao Grottoes’ Library Cave is true?A.It was developed by the Dunhuang Academy alone. |
B.The public can have access to it through Wechat mini program. |
C.It has applied the latest time-traveling and gaming technology. |
D.It was unearthed in 1900 with more than 60,000 cultural relics. |
A.To show the latest gaming technologies. |
B.To help cultural institutions make a profit. |
C.To promote the development of Chinese culture. |
D.To encourage people to explore Chinese cultural relics. |
A.By listing figures. | B.By making comparisons. |
C.By giving definitions. | D.By giving examples. |
A.China’s new way in rebuilding Mogao Grottoes’ Library Cave. |
B.China’s success in promoting the digitization rate of cultural relics. |
C.China’s interactive digital platform in developing Dunhuang culture. |
D.China’s latest advances in the development of cultural intellectual property. |
The torch relay for the Hangzhou Asian Games
The torch journeyed through 11 cities in Zhejiang province,
In line with the games’ ethos (精神特质) of being “green, smart, economical, and ethical,” the planning for the Hangzhou Asian Games torch relay route emphasized
Furthermore,
The Old Tea Forests in Pu’er,Yunnan Province, gained the World Heritage Site status at the ongoing 45th session of the World Heritage Committee of UNESCO,
The newly named heritage site
The cultural landscape was
The local people created ideal light conditions for tea trees, thereby producing quality organic tea leaves
The cultural landscape represents the ecological ethics and