1 . For Western designers, China and its rich culture have long been an inspiration for Western creative.
“It’s no secret that China has always been a source (来源) of inspiration for designers,” says Amanda Hill, chief creative officer at A+E Networks, a global media company and home to some of the biggest fashion (时尚) shows.
Earlier this year, the China Through A Looking Glass exhibition in New York exhibited 140 pieces of China-inspired fashionable clothing alongside Chinese works of art, with the aim of exploring the influence of Chinese aesthetics (美学) on Western fashion and how China has fueled the fashionable imagination for centuries. The exhibition had record attendance, showing that there is huge interest in Chinese influences.
“China is impossible to overlook,” says Hill. “Chinese models are the faces of beauty and fashion campaigns that sell dreams to women all over the world, which means Chinese women are not just consumers of fashion — they are central to its movement.” Of course, not only are today’s top Western designers being influenced by China—some of the best designers of contemporary fashion are themselves Chinese. “Vera Wang, Alexander Wang, Jason Wu are taking on Galliano, Albaz, Marc Jacobs—and beating them hands down in design and sales,” adds Hill.
For Hill, it is impossible not to talk about China as the leading player when discussing fashion. “The most famous designers are Chinese, so are the models, and so are the consumers,” she says. “China is no longer just another market; in many senses it has become the market. If you talk about fashion today, you are talking about China—its influences, its direction, its breathtaking clothes, and how young designers and models are finally acknowledging that in many ways.”
What do the underlined words “taking on” in paragraph 4 mean?A.learning from |
B.looking down on |
C.working with |
D.competing against |
2 . For Western designers, China and its rich culture have long been an inspiration for Western creative.
“It’s no secret that China has always been a source (来源) of inspiration for designers,” says Amanda Hill, chief creative officer at A+E Networks, a global media company and home to some of the biggest fashion (时尚) shows.
Earlier this year, the China Through A Looking Glass exhibition in New York exhibited 140 pieces of China-inspired fashionable clothing alongside Chinese works of art, with the aim of exploring the influence of Chinese aesthetics (美学) on Western fashion and how China has fueled the fashionable imagination for centuries. The exhibition had record attendance, showing that there is huge interest in Chinese influences.
“China is impossible to overlook,” says Hill. “Chinese models are the faces of beauty and fashion campaigns that sell dreams to women all over the world, which means Chinese women are not just consumers of fashion — they are central to its movement.” Of course, not only are today’s top Western designers being influenced by China — some of the best designers of contemporary fashion are themselves Chinese. “Vera Wang, Alexander Wang, Jason Wu are taking on Galliano, Albaz, Marc Jacobs — and beating them hands down in design and sales,” adds Hill.
For Hill, it is impossible not to talk about China as the leading player when discussing fashion. “The most famous designers are Chinese, so are the models, and so are the consumers,” she says. “China is no longer just another market; in many senses it has become the market. If you talk about fashion today, you are talking about China — its influences, its direction, its breathtaking clothes, and how young designers and models are finally acknowledging that in many ways.”
1. What can we learn about the exhibition in New York?A.It promoted the sales of artworks. |
B.It attracted a large number of visitors. |
C.It showed ancient Chinese clothes. |
D.It aimed to introduce Chinese models. |
A.They are setting the fashion. |
B.They start many fashion campaigns. |
C.They admire super models. |
D.They do business all over the world. |
A. Chou B. Dan C. Mo D. Sheng E. Jing |
(1)
奢侈(Luxurious)月饼之我见
中秋节即将来临。作为中秋节的传统,月饼在这个时期很受欢迎,是这个节日的必需品。以前,人们经常自己做月饼,但是现在大部分的人到超市购买。随着时间的流逝,越来越多制作精美的月饼在超市出售。然而,月饼的价格也相应上涨。有的人甚至花好几百或上千元买一盒月饼。在我看来,这完全没有必要。吃月饼只是传统中秋佳节的一种美好含义。但是,越来越多的人把它当做是送人的礼物,有的人买月饼是为了显示其富裕或者是把它当做是社会地位的象征。这些就是月饼价格上涨的原因。我认为这并不是一种好现象,我们应该在这一美好的节日单纯地享受这一传统和美食。
In Zurich, the blowing up of the Bӧӧgg symbolizes________.
A.the start of the parade | B.the coming of a longer summer |
C.the passing of the winter | D.the success of tradesmen |
6 . Asking for help is a sign of strength rather than weakness. In American culture, the independent individual is seen as their ideal. As the University of Missouri at St. Louis states on its website under the heading Key American Values, “Americans have been trained since very early in their lives to consider themselves as separate individuals who are responsible for their own situations in life and their own destinies.” The value also makes them think they can do everything themselves, and makes them feel badly about asking for help when they need it.
What is the first paragraph mainly about?
A.What key American values are. |
B.Why Americans refuse to ask for help. |
C.Asking for help is a sign of strength. |
D.Americans are responsible for their life. |
7 . The Sahara Festival is a celebration of the very recent past. The three-day event is not fixed to the same dates each year, but generally takes place in November or December. It is well attended by tourists, but even better attended by locals.
During the opening ceremonies, after the official greetings from the government leaders, people who attend the festival begin to march smartly before the viewing stands, and white camels transport their riders across the sands. Horsemen from different nations display their beautiful clothes and their fine horsemanship. One following another, groups of musicians and dancers from all over the Sahara take their turn to show off their wonderful traditional culture. Groups of men in blue and yellow play horns and beat drums as they dance in different designs. On their knees in the sand, a group of women in long dark dresses dance with their hair: their long, dark, shiny hair is thrown back and forth in the wind to the rhythm of their dance.
…
This passage mainly tells readers________.
A.what happens on the opening day of the Sahara Festival |
B.how people celebrate during the three-day Sahara Festival |
C.what takes place at the closing ceremonies of the Sahara Festival |
D.how animals race on the first and the last days of the Sahara Festival |
8 . It is said that a doctor named Zhang Zhongjing
A.pointed | B.saw | C.pitied | D.categorized |
A.cut | B.chewed | C.broke | D.ate |
A.affected | B.hurt | C.suffered | D.wounded |
A.dumplings | B.dessert | C.mooncake | D.noodles |
A.praise | B.comment | C.commemorate | D.recommend |
9 . Our own native language and culture are so much a part of us that we take them for granted. When we travel to another country, it’s as if we carry along with our passports. We view the new environment using our own culture as the standard, and although not purposely, our ways of thinking and acting often get in the way of our understanding other languages and cultures. The ability and willingness to change lenses(视角) when we look at a different culture is both the cure and prevention for such cultural blindness. Studying a new language provides us the opportunities to practise changing lenses when we also learn the context or the culture to which it belongs.
Q: The underlined word “it” in the last sentence refers to __________.
A.the context | B.the culture |
C.the language | D.the opportunity |
10 . For Western designers, China and its rich culture have long been an inspiration for Western creative.
“It’s no secret that China has always been a source(来源) of inspiration for designers,” says Amanda Hill, chief creative officer at A+E Networks, a global media company and home to some of the biggest fashion(时尚) shows.
Earlier this year, the China Through A Looking Glass exhibition in New York exhibited 140 pieces of China-inspired fashionable clothing alongside Chinese works of art, with the aim of exploring the influence of Chinese aesthetics(美学) on Western fashion and how China has fueled the fashionable imagination for centuries. The exhibition had record attendance, showing that there is huge interest in Chinese influences.
“China is impossible to overlook,” says Hill. “Chinese models are the faces of beauty and fashion campaigns that sell dreams to women all over the world, which means Chinese women are not just consumers of fashion — they are central to its movement.” Of course, not only are today’s top Western designers being influenced by China—some of the best designers of contemporary fashion are themselves Chinese. “Vera Wang, Alexander Wang, Jason Wu are taking on Galliano, Albaz, Marc Jacobs—and beating them hands down in design and sales,” adds Hill.
For Hill, it is impossible not to talk about China as the leading player when discussing fashion. “The most famous designers are Chinese, so are the models, and so are the consumers,” she says. “China is no longer just another market; in many senses it has become the market. If you talk about fashion today, you are talking about China—its influences, its direction, its breathtaking clothes, and how young designers and models are finally acknowledging that in many ways.”
What can we learn about the exhibition in New York?
A.It promoted the sales of artworks. | B.It attracted a large number of visitors. |
C.It showed ancient Chinese clothes. | D.It aimed to introduce Chinese models. |