2 . It is no secret that China has an amazingly rich history and culture. My first exposure (接触) to Chinese culture came totally by chance. One day, I entered my grandfather’s personal library and took a book named Tao Te Ching from one of the shelves. As an 8-year-old, the book’s content completely confused me, but it provided me with an early connection to a beautiful and great philosophical (哲学的) tradition that still influences me today.

Around this time, I also came across several cartoons heavily inspired by traditional Chinese culture and martial arts such as Avatar: The Last Airbender and Sagwa, the Chinese Siamese Cat. Both cartoons describe beautiful landscapes and buildings similar to those found in classical Chinese paintings. This further developed my love of the rich and beautiful culture.

At school I began studying Chinese. My interest in the language developed early on, combining my love of travelling with my love of meeting new people. Later on, my interest in the language developed into exploring widespread Chinese culture. I wanted to challenge myself in a totally new linguistic (语言的) landscape and listen to the lives and stories of others in their own language. I have been lucky enough to have lived in China for around three years. I loved every second I spent there and there is never a shortage of things to see and do, people to meet, and foods to enjoy.

It is safe to say that my journey to studying Chinese has only just begun and these first steps are only a drop in the ocean of lifelong learning, but as the Chinese philosopher Laozi says, “A journey of a thousand miles begins with a single step.”

Liu Ruying,     1     grandfather is a huge fan of Peking Opera, has been interested in Peking Opera for much of her young life. Her grandfather is a great influence     2     her. At the age of 8, she     3    (begin) to practice the classic art. It wasn’t easy for a little girl     4    (experience) the difficult training, as performances combine martial arts, dancing and acrobatics(杂技).

“Sometimes I was tired,“ she said. ”I had to balance my studies and other     5    (course) I was interested in, such as dance. But the great charm(魅力) of Peking Opera made me always practice it.”

When Liu got the news that her region would have a cultural exchange with other countries, she had the idea of     6    (introduce) Peking Opera to the world in English. With     7     help of her mother, she took part in the activity after several months of practice.

“I     8    (extreme) love traditional Chinese culture,” she said. “Peking Opera has a long history of about 200 years and     9    (consider) a treasure of our nation. We should let     10    (we) make great efforts to carry forward our culture and protect the cultural diversity of the world.”

7 . What are pillows really stuffed with? Not physically, but symbolically? The question occurred to me with the photos in the news and social media from the 50 cities around the world that staged public celebrations for International Pillow Fight Day. Armed with nothing more than bring-our-own sacrificial cushions, strangers struck heavily each other in playful feather from Amsterdam to Atlanta, Warsaw to Washington DC. But why? Is there anything more to this delightful celebration?

As a cultural sign, the pillow is deceptively soft. Since at least the 16th Century, the humble pillow has been given unexpected meanings. The Chinese playwright Tang Xianzu tells a famous story about a wise man who meets a depressed young scholar at an inn and offers him a magic pillow filled with the most vivid dreams of a seemingly more fulfilling life. When the young man awakens to discover that his happy 50-year dream has in fact come and gone in the short space of an afternoon’s nap, our impression of the pillow’s power shifts from wonder to terror.

Subsequent writers have likewise seized upon the pillow. When the 19th-Century English novelist Charlotte Bronte poetically observed “a ruffled (不平的) mind makes a restless pillow”, she didn’t just change the expected order of the adjectives and nouns, but instead she made unclear the boundaries between mind and matter — the thing resting and the thing rested upon.

It’s a trick perhaps Bronte learned from the Renaissance philosopher Montaigne, who once insisted that “ignorance is the softest pillow on which a man can rest his head”. On Montaigne’s thinking, intelligence and happiness confront each other forever in a pillow fight that only one can win.

With the words of Tang. Bronte, and Montaigne, we can perhaps more easily measure the attraction of the global pillow fight. Like a ritual of release, the annual international pillow fight amounts to a kind of cleansing, a brushing off of daily worries: an emptying of the world’s collective mind. Rather than a launch-pad for weightless rest, the pillow is a symbol of heavy thought: an anchor that drags the world’s soul down — one that must be lightened.

At his studio in Beijing, artist Zhang Xiaodong piles hundreds of sheets of thin top of one another until they form a complete image. When there is a slight air, the pages flow, giving life to the book     1     (it).This dragon scale bookbinding(装订),     2    (stretch)back more than 1,000 years to the Tang dynasty.

With few of the books     3     (survive)to the present day, the bookbinding technique was     4     the risk of disappearing before Zhang decided to research and bring it back to life. After half a year’s study, he finally learned     5     the ancient bookbinding worked.     6     (source)materials traditionally used in bookbinding Zhang also visited old towns and heritage (遗址)sites. Then came the     7     (crucial)-and difficult-part of the binding process: controlling the placement of each page. In order to create a complete picture, each sheet needs to be placed in     8     (exact)the right place. Zhang said that an error of just     9     hundredth of a centimeter can produce a huge, visible error when a book’s hundreds of pages are displayed together.

Zhang’s     10     (prepare)that went into producing this particular work shows the very modern way that the artist tries to understand the subject matter.