1 . With more recognition than Halloween and less than Christmas,Valentine's Day as an imported festival faces a dangerous situation in China, where it's caught between forces of tradition and fashion.Valentine’s Day has a natural enemy in China.And it is not the Chinese equivalent, which falls on the seventh day of the seventh month on the lunar calendar, usually around half a year away from Feb.14. It is the Spring Festival,also known as the Chinese New Year, that will influence the Feast of Saint Valentine.
The real disagreement between East and West probably took place over a century ago,when China’s door was forced open by Western powers and Chinese scholars supported westernization as a means to strengthen our nation’s ability to compete.
The introduction of the solar calendar and Western measurements was both an acknowledgment of their influence and an effort to be accepted by the world order.
For a full century, we have had two systems running in parallel. When it comes to the eventual outcome, practicality usually beats all other concerns. Laws can help, such as the three traditional festivals of Tomb Sweeping, Dragon Boat and Mid-Autumn gaining legal status in 2008 and giving every Chinese citizen a day off, but laws cannot push what people have no feelings for. So, the celebration or boycott of imported holidays or homegrown ones should be no cause for worry. If they are irrelevant, no social media will change the public’s mind; and if they are accepted, there must be a need which they happen to satisfy.
Since we have no global Qin Shihuang to force one system on every country,we can always rely on a dual (双重的) approach by which we share with the outside world on the one hand but preserve our own ways of life on the other.
1. What does the author think about Valentine's Day in present China? ______| A．It meets with a natural enemy. | B．It is better known than Christmas. |
| C．It strongly attacks Chinese culture. | D．It is more popular with young people. |
| A．the Dragon-boat Festival | B．the Spring Festival |
| C．the Mid-autumn Festival | D．the Chinese Valentine's Day |
| A．current laws | B．people’s needs | C．public media | D．age-old tradition |
| A．the conflict between the East and the West will last long |
| B．Chinese festivals are to be paid more attention to in years |
| C．both Chinese and foreign systems of festivals can co-exist in China |
| D．this cultural shock is normal and will be received by more people in the future |
Twenty-four-year-old Tadron Wangmo
Meanwhile, Tadron can earn extra money from her own creations. Each painting
Along with government subsidies, she has been able to lift her family out of poverty
Tadron told us that
There are now nearly 200 students studying Thangka at the training school, including 40 who were mostly herdsmen from impoverished families.
They don’t need to pay a penny for the study and they are eligible for a 300-yuan government stipend(津贴)every month.
Tenpa Rabgye, the Thangka teacher at Rongbala Thangka painting training school, is happy that now the art
Living Heritage: Woodblock Printing
Delicate touches, carved onto wood, with ultimate precision. This is woodblock printing,
As Buddhism was popular in China during the Tang Dynasty (618-907), there was a strong need
Traditional woodblock printing can be divided into four major steps: writing, engraving, printing, and binding. With each step then sub-divided into several procedures, it takes
Carving lies at the center of woodblock printing as this step can make
Library where it is stored. It is not only one example of ancient works of art
The invention of writing gave life to great
1．你最喜欢的中国传统节日之原因；
2．现在大部分年轻人，对待中国传统节日的态度及其原因；
3．就此现象提一到两点建议。
作文要求：
1．不能照抄原文，不得在作文中出现学校的真实名称和考生的真实姓名。
2．语句连贯词数80个左右，作文的开头和结尾已经给出，不计入总词数。
Dear Jack,
I am very glad that you are interested in Chinese traditional festivals. I’m writing to tell you something about it.
_______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________
I hope my reply can be helpful.
Yours,
Li Hua
5 . Traditional tea processing techniques and their social practices in China were added to UNESCO’s List of the Intangible Cultural Heritage of Humanity on November 29th, 2022. This is the 43rd entry from China on the List. Therefore, China’s list tops all other countries.
In fact, what is on the List is not Chinese tea, but the knowledge, skills and practices concerning management of tea plantations, picking of tea leaves, and the processing, drinking and sharing of tea.
Over 2,000 tea varieties, mainly in six categories, which are green, black, yellow, oolong, white and dark, are grown in China. Although the types differ, the skills of making tea are very similar. They include inactivation (杀青), yellowing, piling, withering (萎凋), leaves shaking, cooling, fermentation (发酵) and scenting.
According to UNESCO, in China traditional tea processing techniques are closely associated with geographical location and natural environment. The techniques are mainly found in the provinces and autonomous regions of Zhejiang, Jiangsu, Jiangxi, Hunan, Anhui, Hubei, Henan, Shaanxi, Yunnan, Guizhou, Sichuan, Fujian, Guangdong and Guangxi. Associated social practices, however, are spread throughout the country and shared by multiple ethnic groups.
Tea-related customs are not only found across the country, but also influenced the rest of the world through the ancient Silk Road and trade routes. As a document from the Ministry of Culture and Tourism to UNESCO explained, tea is common in Chinese people’s daily life. Steeped or boiled tea is served in homes, workplaces, tea houses, restaurants, and temples. And it is used as an important medium for communication in socializing and ceremonies such as weddings and sacrifices.
“Practices of greeting guests with tea and building good relationships within families and among neighborhoods through tea-related activities are shared among multiple ethnic groups, and provide a sense of identity and continuity for communities, groups and individuals concerned,” the document said.
1. What can we know from the text?| A．So far China has the most entries on the intangible list. |
| B．Only intangible cultural heritage is worth protecting. |
| C．China has the most cultural treasures worldwide. |
| D．Every country in the world joins UNESCO. |
| A．Select the yellow tea leaves. | B．Make tea leaves become yellow. |
| C．Add some yellow liquid to it. | D．Use yellow boxes to collect leaves. |
| A．Varieties of Chinese tea. | B．Skills of making tea. |
| C．Tea procesing techniques. | D．Tea-related customs. |
| A．China is full of cultural heritage. | B．UNESCO is a great organization. |
| C．Chinese tea is different and unique. | D．Chinese tea is on UNESCO’s list. |
6 . Climate change could cause “irreversible (不可逆的) damage” to the world’s most precious ancient monuments (古迹) and other cultural sites,experts warned on Saturday as they pushed for the United Nations (UN) protection for major global sites.
Academics gathered in Athens for a meeting on the threats to world heritage calling for tools to predict, measure and counter the effects of climate change.They are campaigning to have the issue included on the agenda (议程) at the UN Climate Action Summit in New York.
Scientists have recently expressed concern regarding the effects of climate change on ancient Greek monuments, including those on the Acropolis in Greece. The extreme weather phenomena seen in recent years,as well as air pollution and acid rain,have created problems in the walls and temples of the Acropolis.
Dimitrios Pandermalis, director of the city’s Acropolis Museum, said that while environmental damage has always been a challenge for monuments, these threats are getting worse.
The UN Intergovernmental Panel on Climate Change (IPCC) warned in October that warming was on track towards a 3 ℃ or 4 ℃ rise,and that avoiding global chaos would require a major change. “Climate change is not only a threat to our future,but also to our heritage, both natural and cultural,” said UN Secretary-General António Guterres.
The Athens meeting called for improved tools to help evaluate the threat from climate change and mitigate risks, like threat maps based on climatic projections.
The meeting stressed the challenges in preserving underwater heritage such as shipwrecks. The Head of the Research Centre for Atmospheric Physics and Climatology at the Academy of Athens warned that “with man-made global warming everything will become more acid in the atmosphere as well as in the seas,” threatening undersea monuments.
The meeting was jointly hosted by the Greek government,the UN and the UN’s cultural agency UNESCO.
1. Why did experts have a meeting in Athens?| A．To study traditional architecture. |
| B．To name the most precious world heritage. |
| C．To make efforts to protect world heritage. |
| D．To celebrate the discovery of a monument. |
| A．It is at risk of being damaged. |
| B．It isn’t valued by the government. |
| C．It has been severely ruined by humans. |
| D．It isn’t open to the public for protection. |
| A．Take. | B．Create. |
| C．Involve. | D．Reduce. |
| A．Pushing for sea protection in Greece |
| B．Environmental damage is unavoidable |
| C．Climate change is expected to bring extreme weather |
| D．Raising alarms over climate change’s threat to cultural sites |
7 . “When I first started learning calligraphy, I just copied the teacher’s strokes (笔画), and my work was ugly.” said Aryan from Afghanistan. He is currently a graduate student in Beijing,
During his six-year stay in China, he discovered the
To his surprise, the curriculum for foreign students in China
“Initially, I didn’t know much Chinese and thought calligraphy would be difficult,” Aryan said.” Later on, I found out that calligraphy can help me
He used to
Not only did Aryan gain a deeper
| A．majoring | B．settling | C．bringing | D．resulting |
| A．problem | B．pattern | C．richness | D．resource |
| A．native | B．official | C．international | D．formal |
| A．goes against | B．takes up | C．takes over | D．goes beyond |
| A．conferences | B．activities | C．subjects | D．competitions |
| A．economy | B．life | C．work | D．pleasure |
| A．competition | B．content | C．combination | D．contact |
| A．improve | B．recognize | C．adjust | D．find |
| A．hold | B．oppose | C．break | D．suspect |
| A．positive | B．contradictory | C．wrong | D．objective |
| A．direction | B．step | C．attitude | D．effort |
| A．supply | B．represent | C．sense | D．recall |
| A．responses | B．admissions | C．reactions | D．keys |
| A．function | B．ability | C．form | D．knowledge |
| A．stressed | B．inspired | C．determined | D．interrupted |
(1)国风美术社团成立于2010年，面向对中国画及中国书法有兴趣、或有特长的同学;
(2)国画与书法都是中国独特的艺术形式，历史悠久，蕴含着中华传统文化的魅力;
(3)邀请他加入社团并期待他的早日回复。
注意：
(1)词数不少于100(开头和结尾已给出，但不计入总词数);
(2)可适当增加细节，以使行文连贯。
Dear Peter,
I’m Li Jin, the person in charge of Chinese Calligraphy and Painting club at our school.
___________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________
Yours sincerely,
Li Jin
9 . It’s been nearly two decades since the traditional clothing style Hanfu first started to reemerge in China. Since then it has gone from a small cultural movement celebrating an ancient fashion to a trend that is booming on social media, having been adopted by China’s Generation Z as a means of connecting with their past. Instead of following other cultures blindly, Generation Z now have different opinions about what trend is by promoting local culture while having an objective view of exotic cultural products.
The new tastes of Generation Z—young people born after 1995—are well represented on Bilibili. In the recent New Year’s Eve gala presented by Bilibili, it attracted more than 100 million views within 48 hours with a colourful set of programmes ranging from Peking Opera to classical Chinese cartoons. The same is also true of movie industry. Last year, for the first time, the top 10 most viewed films in China were all domestic films, while the ticket sales for imported films have dropped to only 16.28 percent.
”Generation Z grew up with the rapid development of China and under good economic conditions. With the development of the Chinese Internet industry, they have more access to diverse international information and culture, which bring them a much broader vision and makes them more open and confident in analyzing foreign culture. Apart from taking pride in China’s rapid development, this generation also pursues individuality and values devotion to the country,“ Professor Zhang Yiwu said.
He also noted that the popular rock and punk culture pursued by the 70s and 80s generation is more of a challenge against real life and local culture. Some people who were born in the 1970s and 1980s did not grow up in the Internet age—they experienced the transformation of China going from poor to rich first-hand. This kind of longing and admiration of the West came from a lack of confidence.
However, Generation Z now have the confidence to look at Western culture with equal status. This kind of cultural confidence will result in China being more active and creative in its development on the international stage in the future.
1. What does the underlined word ”exotic“ in Paragraph 1 mean?| A．Foreign. | B．Fashionable. | C．Traditional. | D．Elegant. |
| A．To confirm the rise of new media. |
| B．To promote Chinese Internet industry. |
| C．To highlight the popularity of domestic art. |
| D．To show the popularity of New Year’s Eve gala. |
| A．They have a stronger cultural identity. |
| B．They are longing for cultural diversity. |
| C．They have made China develop rapidly. |
| D．They are more fond of foreign culture. |
| A．Confident China, Better Future |
| B．China’s Progress Results in Cultural Confidence |
| C．China’s New Generation Redefine Local Culture as Trendy |
| D．Hanfu Style, Connector of Ancient Fashion and Modern Trend |
The youth version of The Peony Pavilion (《牡丹亭》) successfully entered the stage of the Spring for Chinese Arts at the Beijing Tianqiao Performing Arts Center.
The Peony Pavilion,
Kunqu Opera uses a seemingly endless
