1. What do the words “this trap” in the first paragraph refer to?
A.Having a racial bias. | B.Responding to wrong texts. | C.Criticizing political figures. |
A.Creative. | B.Promising. | C.Controversial. |
A.Its employees are irresponsible. |
B.It needs further improvement. |
C.Its security is doubted. |
2 . “Assume you are wrong.” The advice came from Brian Nosek, a psychology professor, who was offering a strategy for pursuing better science.
To understand the context for Nosek’s advice, we need to take a step back to the nature of science itself. You see despite what many of us learned in elementary school, there is no single scientific method. Just as scientific theories become elaborated and change, so do scientific methods.
But methodological reform hasn’t come without some fretting and friction. Nasty things have been said by and about methodological reformers. Few people like having the value of their life’s work called into question. On the other side, few people are good at voicing criticisms in kind and constructive ways. So, part of the challenge is figuring out how to bake critical self-reflection into the culture of science itself, so it unfolds as a welcome and integrated part of the process, and not an embarrassing sideshow.
What Nosek recommended was a strategy for changing the way we offer and respond to critique. Assuming you are right might be a motivating force, sustaining the enormous effort that conducting scientific work requires. But it also makes it easy to interpret criticisms as personal attacks. Beginning, instead, from the assumption you are wrong, a criticism is easier to interpret as a constructive suggestion for how to be less wrong — a goal that your critic presumably shares.
One worry about this approach is that it could be demoralizing for scientists. Striving to be less wrong might be a less effective motivation than the promise of being right. Another concern is that a strategy that works well within science could backfire when it comes to communicating science with the public. Without an appreciation for how science works, it’s easy to take uncertainty or disagreements as marks against science, when in fact they reflect some of the very features of science that make it our best approach to reaching reliable conclusions about the world. Science is reliable because it responds to evidence: as the quantity and quality of our evidence improves, our theories can and should change, too.
Despite these worries, I like Nosek’s suggestion because it builds in cognitive humility along with a sense that we can do better. It also builds in a sense of community — we’re all in the same boat when it comes to falling short of getting things right.
Unfortunately, this still leaves us with an untested hypothesis (假说): that assuming one is wrong can change community norms for the better, and ultimately support better science and even, perhaps, better decisions in life. I don’t know if that’s true. In fact, I should probably assume that it’s wrong. But with the benefit of the scientific community and our best methodological tools, I hope we can get it less wrong, together.
1. What can we learn from Paragraph 3?A.Reformers tend to devalue researchers’ work. |
B.Scientists are unwilling to express kind criticisms. |
C.People hold wrong assumptions about the culture of science. |
D.The scientific community should practice critical self-reflection. |
A.the enormous efforts of scientists at work | B.the reliability of potential research results |
C.the public’s passion for scientific findings | D.the improvement in the quality of evidence |
A.discouraging | B.ineffective | C.unfair | D.misleading |
A.doubtful but sincere | B.disapproving but soft |
C.authoritative and direct | D.reflective and humorous |
1.课程介绍(目的、内容、上课方式等);
2.你的收获。
注意:
1.写作词数应为80个左右;
2.请按如下格式在答题卡的相应位置作答。
English Literature Reading Class Opens a New World
_______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________4 . Heads or Tails?
Careful: It’s not 50-50
The phrase “coin toss” is a classic synonym for randomness. But since the 18th century, mathematicians have
František Bartoš, currently a Ph.D. candidate studying the research methods of psychology at the University of Amsterdam, became interested in this
With one side initially upward, the flipped coin landed with the same side facing
The leading theory explaining the
For day-to-day decisions, coin tosses are as good as random because a 1 percent bias isn’t
It isn’t difficult to prevent this bias from influencing your coin-toss matches; simply
A.confirmed | B.denied | C.recorded | D.suspected |
A.therefore | B.however | C.for example | D.vice versa |
A.nightmare | B.context | C.intervention | D.delay |
A.coinage | B.discipline | C.challenge | D.phrase |
A.cooperate with | B.round up | C.shrug aside | D.count on |
A.analysis | B.race | C.interview | D.session |
A.upward | B.evenly | C.downward | D.uniformly |
A.volunteers | B.gamblers | C.psychologists | D.statisticians |
A.accidental | B.dominant | C.subtle | D.prejudiced |
A.mechanics | B.relativity | C.geometry | D.chemistry |
A.moreover | B.instead | C.likewise | D.initially |
A.insignificant | B.accessible | C.inclusive | D.perceptible |
A.reversing | B.integrating with | C.backing up | D.rejecting |
A.concealing | B.shifting | C.perceiving | D.anchoring |
A.favourable to | B.opposed to | C.unaware of | D.suspicious of |
5 . Art Builds Understanding
Despite the long history of scholarship on experiences of art, researchers have yet to capture and understand the most meaningful aspects of such experiences, including the thoughts and insights we gain when we visit a museum, the sense of encounter after seeing a meaningful work of art, or the changed thinking after experiences with art. These powerful encounters can be inspiring, uplifting, and contribute to well-being and flourishing.
According to the mirror model of art developed by Pablo P. L. Tinio, aesthetic reception corresponds to artistic creation in a mirror-reversed fashion. Artists aim to express ideas and messages about the human condition or the world at large.
In addition, art making and art viewing are connected by creative thinking. Research in a lab at Yale University shows that an educational program that uses art appreciation activities builds creative thinking skills. It showed that the more time visitors spent engaging with art and the more they reflected on it, the greater the correspondence with the artists’ intentions and ideas.
Correspondence in feeling and thinking suggests a transfer — between creator and viewer — of ideas, concepts, and emotions contained in the works of art. Art has the potential to communicate across space and time.
A.The viewers gain a new perspective on the story. |
B.The theory of aesthetic cognitivism describes the value of art. |
C.This helps to create connections and insights that otherwise would not happen. |
D.To do so, they explore key ideas and continually expand them as they develop their work. |
E.After spending more time with the work, the viewer begins to access the ideas of the artist. |
F.For example, in one activity, people are asked to view a work of art from different perspectives. |
G.Participants were more original in their thinking when compared to those who did not take part in the program. |
1.你对“榜样”的理解;
2.该人物对你的影响。
注意:1. 词数100左右;
2. 可适当增加细节,以使行文连贯。
Good morning, everyone!
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Thank you for your listening.
7 . Philosophers have a bad reputation for expressing themselves in a dry and boring way. The ideals for most philosophical writing are precision, clarity, and the sort of conceptual analysis that leaves no hair un-split.
There is nothing wrong with clarity, precision, and the like — but this isn’t the only way to do philosophy. Outside academic journals, abstract philosophical ideas are often expressed through literature, cinema, and song. There’s nothing that grabs attention like a good story, and there are some great philosophical stories that delight and engage, rather than putting the reader to sleep.
One of the great things about this is that, unlike formal philosophy, which tries to be very clear, stories don’t wear their meanings on their sleeve — they require interpretation, and often express conflicting ideas for the reader to wrestle with.
Consider what philosophers call the metaphysics (形而上学) of race — an area of philosophy that explorers the question of whether or not race is real. There are three main positions that you can take on these questions. You might think that a person’s race is written in their genes (a position known as “biological realism”). Or you might think of race as socially real, like days of the week or currencies (“social constructionism”). Finally, you might think that races are unreal — that they’re more like leprechauns (一种魔法精灵) than they are like Thursdays or dollars (“anti-realism”).
A great example of a story with social constructionist taking on race is George Schuyler’s novel Black No More. In the book, a Black scientist named Crookman invents a procedure that makes Black people visually indistinguishable from Whites. Thousands of African Americans flock to Crookman’s Black No More clinics and pay him their hard-earned cash to undergo the procedure. White racists can no longer distinguish those people who are “really” White from those who merely appear to be White. In a final episode, Crookman discovers that new Whites are actually a whiter shade of pale than those who were born that way, which kicks off a trend of sunbathing to darken one’s skin-darkening it so as to look more While.
Philosophically rich stories like this bring more technical works to life. They are stories to think with.
1. What does the author think of philosophical stories?A.The meaning behind is very obvious. |
B.They am extremely precise and formal. |
C.They often cause conflicts among readers. |
D.They are engaging and inspire critical thinking. |
A.Social constructionism. | B.Anti-realism. |
C.Biological realism. | D.Literary realism. |
A.Racial issues caused by skin colors. |
B.A society view on race and self-image. |
C.Black people accepted by the white society. |
D.The origin of sun bathing among white people. |
A.Stories Made Easy | B.Stories to Think with |
C.Positions in Philosophy | D.Nature of Philosophical Writing |
1. 感谢对方作讲座;
2. 同学们的收获;
3. 希望有机会再次邀请。
注意:
1. 写作词数应为80左右;
2. 请按如下格式在答题卡的相应位置作答。
Dear Mr. Black,
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Yours,
Li Hua
9 . In the late 1970s, archaeologists (考古学家) uncovered the remains of a woman and a young dog, her hand resting on the puppy’s chest in a 12,000-year-old village.
The find is some of the earliest evidence of the bond between humans and dogs. But even after years of study researchers are divided on how this bond began. Did it arise over thousands of years, as early dogs became tamer (驯服的) and more accustomed to human behaviors? Or was this fire already burning in the ancestors of dogs: the gray wolf?
Christina Hansen Wheat, a behavioral ecologist at Stockholm University, and workmates hand-raised 10 gray wolves from the time they were 10 days old. When the animals were 23 weeks old, a caregiver led them one at a time into a mostly empty room. Over the course of several minutes, the caregiver exited and entered the room, sometimes leaving the wolf alone, sometimes leaving it with a complete stranger. The team repeated the experiment with 12 23-week-old Alaskan huskies (哈士奇), which they’d raised similarly since puppyhood.
For the most part, the scientists saw few differences between the wolves and the dogs. When their caregiver entered the room, both species scored 4.6 on a five-point scale of “greeting behavior”—a desire to be around the human. When the stranger entered, dog greeting behavior dropped to 4.2 and wolf to 3.5, on average, suggesting both animals made a distinction between the person they knew and the one they didn’t. It’s this distinction that the team counts as a sign of attachment.
In addition, dogs barely paced—a sign of stress—during the test, while wolves paced at least part of the time. However, the wolves stopped pacing almost entirely when a stranger left the room and their caretaker returned. Hansen Wheat says that’s never been seen before in wolves. It could be a sign, she says, that the animals view the humans who raised them as a “social buffer”.
For her, that’s the most interesting part of the study. “If this is true, this sort of attachment is not what separates dogs from wolves,” she says. In other words, it didn’t have to be bred into them by humans, but could have been the seed we selected for, and then strengthened over thousands of years.
1. What’s the purpose of Hansen Wheat’s experiment?A.To find out what makes gray wolves and dogs different. |
B.To explain the reasons why humans raised dogs from ancient times. |
C.To argue gray wolves after being tamed are easier to keep than dogs. |
D.To prove whether gray wolves can make doglike attachment to people. |
A.Researchers began to raise gray wolves from their birth. |
B.Researchers used equal numbers of gray wolves and dogs. |
C.Gray wolves felt more stressful than dogs when a stranger came. |
D.“Greeting behavior” of the two animals was significantly different. |
A.A reminder of feeding. | B.A sign of social attachment. |
C.A source of comfort and support. | D.A warning of stopping pace. |
A.Dogs are more attached to humans than gray wolves. |
B.It is the attachment to humans that sets gray wolves apart from dogs. |
C.The attachment between dogs and humans is the result of being tamed. |
D.The attachment to humans plays a role in the choice of dogs or gray wolves. |
I’m smaller than everyone else my age. When I walk in the halls at school, I have to squeeze in between the bigger kids to get by. At the playground, sometimes even little kids try to boss me around. Mia, my best friend, is so tall that when she walks, I have to jog to keep up with her.
I used to try to make myself taller whenever I could. My posture was perfect, straight as an arrow. I hung from the tree in our backyard to stretch out my arms and legs. I even ate all my vegetables. Every day I measured myself, but I was the same height every time. Frustrating!
“Don’t worry,” Mom always said. “Being small has its advantages.” “Really? I could never notice any.”
One day, Mrs. Alvarez announced to the class that we’d be putting on a spring play. I practiced all the lines. But at the audition (试演), when I walked up to the stage, Mrs. Alvarez cried, “You’ll be perfect as the elf (小精灵)! You’re just the right size for the costume.” I even never got a chance to deliver the practiced lines. Back home I grumbled (咕哝) to mum that I was made an elf. But she bet I would be the best elf. To please her, I went to rehearsals (排练), though I only had two lines.
Mia got the lead role-a girl wandering through a magical fairy forest in search of her lost dog. In the last scene, she finds a box under a giant mushroom, and when she opens it, her dog jumps out. Mrs. Alvarez’s dog, Prince, played the dog role. She brought him to all the rehearsals, and when he wasn’t onstage, we got to play with him, but he seemed to like me best.
The night of the show, my first line came early, “Let’s ask the Fairy Queen!” Since my only other line was toward the end, I waited offstage, playing with Prince.
注意:
1.续写词数应为150左右;
2.请按如下格式在答题卡的相应位置作答。
Finally, the grand end came, and Prince was brought onstage inside the box.
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“How can we get Prince out from beneath the stage?” Mrs. Alvarez asked.
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